DOCSLIB.ORG

Mariner's Museum in Ftltmol'!! of Iltope Q:Aroline )Bro~N Q:Hapin a DRAMATIC PERFORMANCE by the SEA

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mariner's Museum in Ftltmol'!! of Iltope Q:Aroline )Bro~N Q:Hapin a DRAMATIC PERFORMANCE by the SEA )Books on the ~tea1115hip 1[itanic ~tsfntfd to the mariner's museum In ftltmol'!! of iltope Q:aroline )Bro~n Q:hapin A DRAMATIC PERFORMANCE BY THE SEA FOR 'VCbe Womau'u _."'QI:ttautc" ;J1ltemortal AUGUST 23, 1912 LOOKOUT HILL· GLOUCESTER MASSACHUSETTS _. THE PROGRAMME AN OPEN-AIR BENEFIT PERFORMANCE FOR m:be Woman'!l "m:itanic" :$lllemorial AT THE HOM.!': OF MR. (5 MRS. JOHN HAYS HAMMOND LOOKOUT HILL' GLOUCESTER MASSACHUSETTS , PC1lonnunce pllll/ned <ltd produred uuder fhe direction 0/ MR, ERIC PAPE FRIDA Y AFTERNOON' AUGUST TWENTY-THIRD AT FOUR O'CLOCK Business ManaK'" MR. FRED W. TIBBl:TS ~IJe lllalltomille <lnroupe Miss Esther Cleveland Miss Marion Cleveland Miss Elizabeth Hammond Miss Marguerite LeBreton Miss Jean Hinsdale Miss Katherine Ayer Miss Feroline Perkins Miss Katherine Souther Miss Olga Lingard FROM AN UPPER WINDOW Miss Dorothy Wilmot LookouL HIli Miss Helen Longan Miss May Murray Kay Miss Dorothy Hooper Miss Elise Pollard Miss Anne Means Peggy Porter Dorothy Morrill lsabel Porter Elsie Morrill Miss Edith Wynne Mat thison Helen Colbert Edythe Redman Mrs. Alice Fischer Harcourt Frances Weld Natalie Hammond Mr. William K. Harcourt Moritz Eric Pape Mr. Charles Rann Kennedy Burnham Porter Miss Virginia Tanner Miss Olga Lingard Mrs. Grace Bonner Williams Mrs. S. Henry Hooper Mr. George E. Hills Mr. Sullivan A. Sargent The Salem Cadet Band Jean Miuud. Leoder The Philippine Band F. Zanlla,i, Leader SITE OF THE FOUNDING OF THE MASSACHUSETTS BAY COLONY IN 1623 (Stage: Fort Park adioining lookout Hill) By courlew of U. S. S. Georgia 20472 Programme Programme 7. The Boston Quartet I, The Boston Quartet Hark, Hark the Lark G. A. Marfilrrm a Tell Me, Roses J. SIlrnby b 0 Mistress Mine G. A. M(ufarrell 8. A Reading from the Bible Mrs. Grace Bunner Williams Mrs. S. Henr)' Hooper Mr. Charles Rann Kennedy Mr. George E. Hills Mr. Sullivan A. Sargent 9. The Boston Quartet 2. Greek Dance Oh, My Love's Like a Red, Red Rose G. M. Garrell Miss Virginia Tanner r o. Scenes from As You Like It Sllflkespem"c 3· Electra ROSALI~O M iss Edith Wynne Mauhison By per mtaaic n of Gdbert .\lurr:l}", 1£8'1' ORLANDO Mr. William K. Harcourt Miss Edith Wynne Mauhison CELIA Miss Olga Lingard The Boston Quartet Mr. Hills will sing t, Under the Greenwood Tree" Programme conrinued 011 next pa.f!e Rise! Sleep No More Sir Jlllill,r Bmedia 5· Assyrian Dance Miss Virginia Tanner 6. Recitation 011'<'0' Welldell Holm'.f Mrs, Alice Fischer Hnrccurt THE WHITE COTTAGE THE COTTAGE GARDEN Home of the Caretaker - Looko-ll H,li Lockout Hilt Programme II. The Pantomine of the Flowers and the Sea Wherein is pictured a gentle custom of old Gloucester. in token that she does not forger f< those whom the bereaving Sea hath rakerr.?" Here from her shore on one day of each year flowers are scattered upon the waves. in memory of brave men who have sailed forth to the t oil and danger of the deep and have returned no more. THE PANTOMINE The approach of the Tide bearing the" Dam;"g /,rtl'!Jc.'· The Brooks join the rippling Waters. The Moon appears. In her path the waters part, releasing the" Dancing Wave." Dance of the Sea The Sun appears. She brings fonh the little flowers with her golden up. First-the Indian Pipe, sentinel of the shadowy woods. Then the Vi~et. the Marguerite. the Blue-bell and Cornflower, the Sweet Pea and the Daisy. A SHADY POOL AT LOOKOUT HILL Then the Poppy and the Rose, allured from fragrant gardens. Then (allows the Fleur-de-Iis, symbol of chivalry. who leads the flowers as an offering to the Waters, called by the « DonciNg Wllve." At the offering of these Flowers of Memory comes The » Spirit of tht Sell." CHARACTERS IN THE PANTOMI~E THE S~lRrT O~' THE S.!A Miss l\larion Cleveland TH£ DANCING \VAV£ Miss Virginia Tanner W ....r e as OF TH.! SEA "'Nfl TH.! Hlluu"s M iss Esther Cleveland Miss Marguerite LeBreton Miss Jean Hinsdale Miss Katherine Ayer Miss Feroline Perkins Miss Katherine Souther Miss Olga Lingard Miss DOP1thy Wilmot Miss Murray Kay Miss Helen Longan Miss Dure.thy Hooper I\Iiss Anne Means THE SUN Miss Mary Hoyle TIn. MOON 1\01 iss Hammond FLOWF.R5 Pcggy Porter Isabd POrter Helen Colbert Frances Weld Dorothy Morrill Elsie Morrill Ed~the Redman Moritz Eric Pape Natalie Hammond Burnham Perter THE BUNGALOW IN WINTEI'-Lookoul Hill Mrs. William Howard Taft Mrs. William Hooper Mrs. Eugene N. Foss Miss Hunt Mrs. Gordon Abbott Mrs. James Marsh Jackson Mrs. George Agassiz Mrs. Claude Kilpatrick Mrs. R. L Agassiz Mrs. Maynard Ladd Mrs. J. Bryce Allan Miss L. W. Law Mrs. Oliver Ames Mrs. George Lee Mrs. Larz Anderson Mrs. Levi Z. Leiter Mrs. S. Reed Anthony Mrs. A. R. Lingard Mrs. Frederick Ayer Mrs. Henry Cabot Lodge Mrs. Prescott Bigelow Mrs. Edward H. Loftus Mrs. Parkman Blake Mrs. Augustus P. Loring Mrs. William J. Boardman Miss Katharine P. Loring Mrs. Robert S. Bradley Miss Fannie P. Mason Mrs. Maria H. Bray Mrs. James McMillan THE TENNIS COURT-Lookout Hill Mrs. G. B. Chandler Mrs. Anson Mills Mrs. Winthrop Murray Crane Mrs. Samuel J. Mixter Mrs. George H. Crocker Mrs. William H. Moore Mrs. john S. Curtis Mrs. Charles T. Parker Miss Clara Curtis Mrs. Isaac Patch Mrs. Robert Fulton Cutting Mrs. Henry Cleveland Perkins Mrs. Walter D. Denegre Mrs. John C. Phillips Mrs. William F. Draper Mrs. Dudley Pickman Mrs. R. D. E vens Mrs. C. A. Porter Mrs. j. Sloat Fassett Mrs. Frederick Prince Mrs. Reginald H. Fitz Mrs. Gordon Prince Mrs. Henry Clay Frick Mrs. S. A. Raymond Mrs. Augustus P. Gardner Mrs. Quincy A. Shaw Mrs. john L. Gardner Mrs. William A. Slater Mrs. T. Harrison Carrett Mrs. Algernon S. Sullivan Mrs. Wallace Goodrich Mrs. Edwin C. Swift Mrs. David S. Greenough Mrs. W. B. Thomas Mrs. john Greenough Mrs. Russell Tyson Mrs. Henry L Higginson Mrs. Roger Wolcott Mrs. Oliver Wendell Holmes A CHIMNEY COF..NER-Lookout Hill THE VINE CLUSTERED DOOP-WAY - Lockcur H,li THE WATCH TOWER-Lookout H,li L THE PIER- LookoutHill THE ENTP-ANCE TO LOOKOUT HILL THE Cl1FF DWELLING-Lookout Hill THE DAY NURSERY-Lookoul H,li FP-OM THE BUNGALOW DOORWAY-Lookolll Hill THE APPROACH FROM THE SEA -Lookoul H,li THE TER.RACE- Lookout H.l1 SUN.DIAl IN THE CHILDREN'S GARDEN - Lookout Hill THE PATH TO THE TENNIS COURT _ Lookout H,li DOWN THE GLEN - Lookout HiH RHODODENDROM PATH-Lookoul HIli ELM AVENUE, GLOUCESTER-The Eastern Aprrcech to Lookout Hill A PATH TO T THE "KlOFF" GLOUCESTER-The Weilern Approach 10 lookout Hill HE SEA-Lo:>o\oJI H,1l PHONE 66 Tower and Coal Pock,ets 43 DUNCAN STREET PARIS BERLIN LONDON CONSTANTINOPlE Main Street Offia 130 MAIN STREET cttbanblrr & cttO. Magnolia Office :Jmportrrrs ann IRrtailrrB H. L HANNAFORD P. O. Block jh!oston Largest Dealers on the Cape FRENCH MILLINERY • SUITS GOWNS DRESSES SILKS and FABRICS LACES TRIMMINGS NECKWEAR OJ<.-.IENTAL RUGS Compliments of DRAPERIES and UPHOLSTERIES @louccntrr fl,ationa[ l3anlt GLOUCESTER, MASSACHUSETTS Alanson BIgelow . Formerly Gloucester Bank BIGELOW, KENNAJ<.-.D &- CO. Established 1796 JEWELLEf>..S AND SILVERSMITHS MAKEP-,.SOF FINE WATCHES AND CLOCKS 511 WASHINGTON STREET. corner of West Street BOSTON. MASS. DOLL s- RICHAJ<.-.DS W C LANGLEY 6- CO. M~mbeu of the New York and BOlItonStock Eachanaee (Incorrorated) FINE Af'-TS j/llankml anb j/llrohtni 10 WALL STREET 53 STATE STREET 71 NEWBUf>..Y Srf>..EET. BOSTON NEW YORK 5UMME~ BRANCHOFFiCE BOSTON THE OCEANSIDE HOTEL, MAGNOLIA, MASS. NEWPORT, R. I. NEW YORK BAR HARBOR. ME WASHINGTON, D. C. 'PHILADELPHIA. 'PA. A. SCHMIDT 6- SON IM'PORTERS ==========:l!OO!ll========== MAGNOLIA. MASSACHUSEITS fV~ corru the largest and most exclu,ive line 0/ Old and Modem SHEFFIELD PLATE. ENGLISH. DUTCH AND HANAU SILVER In the counlru We make a 'PecialtJ) of SEVRES, LOWESTOFT, CHELSEA, and unu,uol duoral/tJfIl DREICER repTOJuction, 0/ SWANSEA on chino thaI (allllal h< &f' co. faumJ clultM,. FINE ENGLISH AND FRENCH CHINA GARNITURES f I NEW YORK PARIS KAKAs· BROS. INC.O~PO""ATILO RETAILERS FURRJERS CED.K ..... T". THE COLLONADl:: TH E BLi\,CKSTONE MAGNOLIA CHICAGO ==========I.I.I·II~========== 179·TRBMONT. ST·BOSTON-TEL- OXFORD48 ARTHUR W. KENNARD, President EDGAR W. HOOGSON, 1'r~llur~r MRS. BILL'S SHOP Hodgson, Kennard & Co., Inc. LOBSTER lANE MAGNOUA Importers and Cullers oj Diamonds SAN FRANCISCO MAGNOLIA' HARTFORD Jewelers and Silversmiths <l!binclic ani) 'j'apallC.ll'c :(trt P",ti"t",1y UNUSUAL THINGS if DECORArIVE VdLUE Z5 STATE STREET, BOSTON, MASSACHUSETTS Jllpamc T6-i~'dlillg arid Other Fabrics (fo .. Curwins, etc.) , Shal1f11ng Table,' (for IIU M th~ fo ..eh lind La~!JT') Bamboo Serving Tra)'s and FISh Trays . Opium SUMMER BRANCH AT BG~vls . Japalle,e Prints and Stencils jl1andarill Coat, OCEANSIDE HOTEL, MAGNOLIA Emb ..oideries Old Porcdai« Ottur Thing,· Beautiful HAI\.TF,QRD AFTER OCTOBER FIRST PROSPECT STREET OPPOSITE MORGAN MEMORIAL THE NAUTILUS HANDICRAFT SHOP Offera unusual attractions :.11 season BIRTHDAY GIFT~ PARTING GIFTS WEDDING GIFTS MISS BERTHA C. OLSON C:l.Td Prizes, Colonial Pbotograph,. IIand Celered PO,I Cald, Colored Printl l190hlng Order Work in Tooled Leatbe r II a spedalll' in lbh sbop 3 Angle Street, near urfside T OPP, SYMPHONY HALL MRS. LOW. 251 HUNTINGTON AYE. BRANCH, LEXINGTON AVENUE' MAGNOLIA Compliments of SHREVE, CRUMP & LOW CO. Gorton- Pew Fisherl'es C ompany 'jIciIJelcr.ll' ani) ~i1\)cr.ll'mitb~ Gloucester, Mnvs ORIENTAL PEARLS DfdMONDS dND PRECIOUS STONES SPECldL DESfGNS fN JEWELRY d RdR}!.' COLLECTION OF .HODERN AND ANTJffJ.,';JE SILVER TREMONT AND WEST STREETS BOSTON· MASSACHUSETTS \1ANTON PATTILl.O CARPETS AND FURNITURE UPHOLSTERY _ ~ ~RAPERIES, WINDOW SHADES s.
Load more

Recommended publications
  • Mielke Final
    The Looking Glass : New Perspectives on Children’s Literature - 1 - Vol 17, No 3 (2014) Tammy L. Mielke – “Using Ambiguity to Resist Stereotypes in the 1930s: Erick Berry’s Penny Whistle and One String Fiddle.” Emerging Voices Using Ambiguity to Resist Stereotype in the 1930s: Erick Berry’s Penny-Whistle and One String Fiddle Tammy L. Mielke Tammy L. Mielke teaches Children’s and Young Adult Literature at the University of Wyoming. Her research areas focus on the transmission of culture in literature, specifically the historical and political shifts in text and illustration of children and young adult literature over multiple decades of publication. The 1930s were a difficult time economically for many groups suffering during the Great Depression in the United States, but this decade was especially trying for the African American population and the marginalized people of the Appalachian region. While both cultures were highlighted in the Work Progress Administration’s Federal Writers’ Project (1935-1942), a federally sponsored program for writers who collected oral histories, each group also suffered under the dominant culture’s perceptions, which viewed each culture as isolated, uneducated, and at the bottom rungs of the social hierarchy. Despite the predominant view, these populations were featured in the works of American author Erick Berry. In 1930, Berry wrote about a black boy named Penny-Whistle in her picture book Penny-Whistle and then in 1939, Berry published the chapter book One-String Fiddle about Irby, an Appalachian boy. There is no other author in that decade who published books with African characters and Appalachian characters.
    [Show full text]
  • City of Angels
    ZANFAGNA CHRISTINA ZANFAGNA | HOLY HIP HOP IN THE CITY OF ANGELSHOLY IN THE CITY OF ANGELS The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation. Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Holy Hip Hop in the City of Angels MUSIC OF THE AFRICAN DIASPORA Shana Redmond, Editor Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D.
    [Show full text]
  • Download File
    3 Guide to Crowdsourcing Mimi Onuhoa Jeanne Pinder Jan Schaffer Tow Center for Digital Journalism Funded by the Tow Foundation and the A Tow/Knight Guide James S. and John L. Knight Foundation 5 Acknowledgments We would like to thank the Tow Center for Digital Journalism at Columbia University for supporting our research. Emily Bell, Liz Boylan, and, in par- ticular, Claire Wardle were an unending source of wisdom, support, common sense, and encouragement. Claire’s expertise in eyewitness media and her clear vision have been immensely valuable. Our research also benefited greatly from the generosity of our interview sub- jects, who opened up their schedules and minds to tell us of their triumphs and challenges in this brave new world. To a person, they were thoughtful and candid, and we regret that we could not record every word here to mark and celebrate their contributions. We are also grateful to those crowdsourcing experts who had already paved the way for our research—both those whom we interviewed and those we didn’t— whose work has nonetheless been instrumental in bringing this practice to where it is today. Finally, we offer special thanks to a group of people that has unknowingly and significantly affected this report: the community members who have contributed to crowdsourcing projects, giving their time and energy to build a campaign finance database, share what they paid for medical procedures, or create a living compendium of all the people killed by police in the United States. You, com- munity contributors, have demonstrated faith in journalists and a belief that we can work together to create journalism of great substance and meaning.
    [Show full text]
  • TRILBYANA: the Rise and Progress of a Popular Novel." a 56-Page Illustrated Pamphlet, Untrimmed, Rubricated Cover
    The Project Gutenberg EBook of Trilbyana, by Joseph Benson Gilder & Jeannette Leonard Gilder This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Trilbyana The Rise and Progress of a Popular Novel Author: Joseph Benson Gilder & Jeannette Leonard Gilder Editor: Joseph Benson Gilder Jeannette Leonard Gilder Release Date: June 19, 2010 [EBook #32887] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK TRILBYANA *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material at the Internet Archive.) Mr. du Maurier's First Drawing in "Punch" Showing himself (smooth face) and Mr. Whistler (with eyeglass). (See page 14.) Mr. du Maurier's First Drawing in "Punch" PHOTOGRAPHER.—"No smoking here, Sir!" DICK TINTO.—"Oh! A thousand pardons! I was not aware that——" PHOTOGRAPHER [interrupting with dignity."—Please to remember, Gentlemen, that this is not a Common Hartist's studio!" [N. B.—Dick and his friends, who are Common Artists, feel shut up by this little aristocratic distinction, which had not occurred to them.] TRILBYANA The Rise and Progress of a Popular Novel Mr. du Maurier's Monogram NEW YORK THE CRITIC CO. MDCCCXCV COPYRIGHT 1895 BY THE CRITIC CO. This edition is limited to 250 copies, of which this is No. 194. It is many a year since a book has attained the popularity of Mr.
    [Show full text]
  • OF Trinptfng 50UU5 'W
    34: THE SUXDAT OREGOXIAX, POBTLAND, JULY 16, 1905. life, deals with or things. J artist, who crucifies his models In order good work If It only succeeds In leading- men nights under the pines, breaking- - trail f to paint their death agonies on canvas. to think and inquire for themselves." Though up new slopes, heat, cloud bursts, wild after the legend of Giotto, the Florentine a tew among the ministers who have spoken painter. The Illustrations are by Cyrus of the book declare themselves unable to go beasts, sheep and mountain bloom, all quite the length of Mr. Dlcklnson's-coaclu- s- - equally delightful because understood. Cuneo. and two of his drawings of Vasari, Ions, the tone of their comment Is In every Her home Is at Independence. CaL. the mad painter, are works of art. Instance unhlgotedly appreciative. where her husband is a Government land agent. She has made a careful IX WORKSHOP AND STUDY. Apparently there Is a g In study of the mission days in writing' terest In Mark Twain's works, for real hu- believes to be his- A new'edltlon of "Hawthorne and Lavender" morists are few, and the busy world Is "Isidrc." and it an by the celebrated English poet. W. E. Henley, alwaya eager for a laugh. Some time ago TRINPtfNG torically accurate and fair picture of la Harpers Issued subscription OF 50UU5 to be printed. the a uniform the times. It aroused much favorable edition of six of Mark Twain's books, calling comment during- Its serial publication the set "Mark Twain's Best Books." This Mrs.
    [Show full text]
  • Biographical Dictionary of Kansas Artists (Active Before 1945)
    Biographical Dictionary of Kansas Artists (active before 1945) Compiled by Susan V. Craig, Art & Architecture Librarian Univ. of Kansas August 2006 1 This book began with a 1981 reference question about John Noble, a name I did not recognize despite having studied art history and worked as an art librarian for more than 10 years. Learning that John Noble was a Kansas artist, I went looking for the best available book on Kansas art only to learn the resources were few. As a new faculty member at the Univ. of Kansas, I needed to establish a research project so I decided to prepare a dictionary of Kansas artists thus fulfilling both the research requirement and educating myself about the history of the visual arts in my native state; I just didn't intend the project to take 25 years or realize that I would have more than 1750 entries in the dictionary. I began by defining the scope of the work: • "Kansas artist" was loosely defined as artists who were both born in the state as well as artists who were born elsewhere but were artistically active in Kansas. Under this latter definition, I included artists who produced significant artworks such as the murals installed in Kansas post offices. Occasionally, artists who lived or worked primarily in Kansas City, MO may be included. I did not deliberately include all Kansas City artists but neither did I exclude them if the name came from a Kansas source such as the Kansas State Gazetteer. • Another choice I made was to look for artists who were artistically active before 1945.
    [Show full text]
  • BTC Catalog 178.Pdf
    BETWEEN THE COVERS 112 Nicholson Rd Rare Books, Inc. Gloucester City, NJ 08030 (856) 456-8008 www.betweenthecovers.com Catalog 178: A Summer Romance [email protected] It’s been a while since the last Between the Covers Romance Catalog. confined. These novels shed light on contemporary views of marriage, We’ve continued to buy and sell these sorts of books privately, but frankly adultery, out of wedlock birth, and other social “conditions.” And mostly it has taken us a considerable amount of time to gather another good crop they are just fun to find, buy, read, and collect. in what we consider to be proper collectible condition. These books have Recently, more attention has been paid by bibliographers and other book become scarcer, and increasingly we have encountered books we do not historians to dustjackets and the artists who designed them. We suspect want to aquire or offer: later printings, inferior copies, books with tattered, this will continue to be the case. To begin to justly acknowledge the strangely altered, or supplied dustwrappers. While we might throw in the talented and often uncredited jacket artists, we have noted them when occasional reprint, we mostly try to avoid those copies. possible, more so than in our previous catalogs. You will find many well- We’ve already explained in previous catalogs why you should want these known artists represented here, as well as many names that are less familiar, books. Generally they weren’t preserved by institutional libraries, or even to jacket art aficionados. A few of these are listed below.
    [Show full text]
  • JAMES CUMMINS Bookseller Catalogue 122 James Cummins Bookseller Catalogue 122 to Place Your Order, Call, Write, E-Mail Or Fax
    JAMES CUMMINS bookseller catalogue 122 james cummins bookseller catalogue 122 To place your order, call, write, e-mail or fax: james cummins bookseller 699 madison avenue, new York city, 10065 Telephone (212) 688-6441 Fax (212) 688-6192 [email protected] jamescumminsbookseller.com hours: monday – Friday 10:00 – 6:00, saturday 10:00 – 5:00 members a.B.a.a., i.L.a.B. front cover: item 22 inside front cover: item 41 inside rear cover: item 38 rear cover: item 37 catalogue photography by nicole neenan terms of payment: all items, as usual, are guaranteed as described and are returnable within 10 days for any reason. all books are shipped uPs (please provide a street address) unless otherwise requested. Overseas orders should specify a shipping preference. all postage is extra. new clients are requested to send remittance with orders. Libraries may apply for deferred billing. all new York and new jersey residents must add the appropriate sales tax. We accept american express, master card, and Visa. inscribed by hoover to adolph lewisohn 2 1 (AMERICAN REVOLUTION) A List of the General and Field AGRICOLA, Georgius. De Re Metallica. Translated by Officers, As They Rank in the Army; Of the Officers in the Several Herbert clark Hoover and Lou Henry Hoover. Profusely Regiments of Horse, Dragoons, and Foot, on the British and Irish illustrated with woodcuts from the first Latin edition of Establishments … The Whole Complete for 1768. [iv], 1-132 [inter- 1556. [iv], xxxi, [i], 640, [2] pp. Folio, London: The mining leaved with 66 leaves], [133]-227, [1] pp, [pp.
    [Show full text]
  • Painting Today and Yesterday in the United States (June 5–September 1)
    1941 Painting Today and Yesterday in the United States (June 5–September 1) Painting Today and Yesterday in the United States was the museum’s opening exhibition, highlighting trends in American art from colonial times onward as it reflected the unique culture and history of the United States. The exhibition also exemplified the mission of the SBMA to be a center for the promotion of art in the community as well as a true museum (Exhibition Catalogue, 13). The exhibition included nearly 140 pieces by an array of artists, such as Winslow Homer (1836–1910), Walt Kuhn (1877–1949), Edward Hopper (1882–1967), Yasuo Kuniyoshi (1889–1953), and Charles Burchfield (1893–1967), and A very positive review of the exhibition appeared in the June issue of Art News, with particular accolades going to the folk art section. The Santa Barbara News-Press wrote up the opening in the June 1 edition, and Director Donald Bear wrote a series of articles for the News-Press that elaborated on the themes, content, and broader significance of the exhibition. Three paintings from this exhibition became part of the permanent collection of the SBMA: Henry Mattson’s (1873–1953) Night Mystery, Max Weber’s (1881–1961) Winter Twilight, and Katherine Schmidt’s (1899–1978) Pear in Paper Bag (scrapbook 1941–1944–10). The theme of this exhibition was suggested by Mrs. Spreckels (Emily Hall Spreckels (Tremaine)) at a Board meeting and was unanimously approved. The title of the exhibition was suggested by Donald Bear, also unanimously approved by the Board. Van Gogh Paintings (September 9) Seventeen of Vincent van Gogh’s (1853–1890) paintings were shown in this exhibition of the “most tragic painter in history.” This exhibition was shown in conjunction with the Master Impressionists show (see “Three Master French Impressionists” below).
    [Show full text]
  • Faking News: Fraudulent News and the Fight for Truth 5 Confidence in the Press
    FAKING NEWS Fraudulent News and the Fight for Truth 1 FAKING NEWS Fraudulent News and the Fight for Truth October 12, 2017 © 2017 PEN America. All rights reserved. PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. We champion the freedom to write, recognizing the power of the word to transform the world. Our mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible. Founded in 1922, PEN America is the largest of more than 100 centers of PEN International. Our strength is in our membership—a nationwide community of more than 5,000 novelists, journalists, poets, essayists, playwrights, editors, publishers, translators, agents, and other writing professionals. For more information, visit pen.org. Cover photograph: Dru Menaker CONTENTS INTRODUCTORY ESSAY FRAUDULENT NEWS AND THE THREAT TO FREE EXPRESSION 4 DEFINING FRAUDULENT NEWS 19 RELEVANT DOMESTIC AND INTERNATIONAL LAW 20 NEWS CONSUMERS’ BILL OF RIGHTS AND RESPONSIBILITIES 22 PREFACE 24 FACEBOOK 25 GOOGLE 36 TWITTER 45 PROFESSIONAL JOURNALISTS 49 FACT-CHECKING 60 NEWS LITERACY 66 RECOMMENDATIONS 72 METHODOLOGY AND ACKNOWLEDGMENTS 74 ENDNOTES 75 Introductory Essay FRAUDULENT NEWS AND THE THREAT TO FREE EXPRESSION By Suzanne Nossel, executive director of PEN America he rise of fraudulent news and the erosion of Russia, Myanmar, Egypt, and elsewhere—have landed at public trust in mainstream journalism, due in our own doorsteps. Insults directed against journalists part to a deliberate campaign of denigration, for doing their jobs, willful intimidation of members of pose a looming crisis for American democ- vulnerable groups, attacks on reporters, and crackdowns racy and civic life.
    [Show full text]
  • (1875-1947) Was Born on April 3Rd In
    422 Annual Exhibition of the Carmel Arts and Crafts Club a pencil drawing entitled Fan Cypress, two portraits, Meditation and Elizabeth Silsbee of Gloucester, and a Gloucester seascape with fishing boats called High Fog.14 Eunice T. Gray, acting as art critic for the Carmel Pine Cone, called his Meditation “a technically interesting portrait of a real person.”15 Hammond served on the Club’s exhibition committee.16 That same summer he visited the Laguna Beach art colony and exhibited at its local art association.17 In late October of 1924 he displayed twelve paintings, “mostly studies of the country around Monterey and Carmel,” at the Gump Gallery in San Francisco and sold two.18 A month later he contributed to the Annual at the Oakland Art Gallery.19 He and his wife were very active in the Carmel social scene and hosted the Laguna Beach artist, Anna Hills, as a house guest; she in turn invited the Hammonds to Laguna Beach.20 In April of 1925 he and his family permanently returned to New England.21 In 1929 he exhibited with the Gloucester Society of Artists and with the Art Association of Newport.22 We learn from the U.S. Census of 1930 that he and his family resided in Rockport, Massachusetts, and owned their own home.23 He was also a member of the North Shore Art Association and the Lynn Art Club.24 Arthur Hammond died in 1947 in Rockport.25 ENDNOTES FOR HAMMOND: 1. U.S. Census of 1880 [ED 151, Sheet 28]. / 2. U.S.
    [Show full text]
  • Casco Bay Breeze: Vol. 6, No. 4
    W VOL. VI. NO. 4. t I MTAHI I f I'M. » PORTLAND, MAIXK, JUNE 1906. KNTRKKD A* HKdND I THUBSDAY, 28, ILW MAIL MATT KB. ) PRICE FIVE CENTS. CROWNINSHIELD BOATS SPAR BUOY: House TOOK THE LEAD. House Merriconeag GOOGINS LEDGES WILL BE UN- .'Merriconeag MARKED NO- PORTLAND YACHT CLUB HAD LONGER. South Me. SMART CRUISE LAST WEEK. >South Me.' Harpswell, Red Buoy, No. 2^ G, to be Placeff Harps well. • Today. CEO. W. CAMPBELL, Jr., GEO. W. CAMPBELL, Encountered on Second Prop. Jr.. Prop. Fog Day. A re<! sp?r buoy. No* 2G, will The sons of the sea and the hum plated on t'.ooglys Ledges off^Wolfs of taut rigging again, has cast its Seek, South Freeport. today by order % spell over the various members of of Commander F.^A-VTllner, U.S. N., the Portland Yacht Club, and until Inspector of the'V'irSt Light-House both these sounds were flattened by District. These ledges are the ones the fog on Friday the Jollyjrachtsmen on which the yacht Coronet struck enjoyed the most succe>sr* of their twe weeks ago last 9rflurday. and annual cruises, having wrv< has been on which she lay for such a lojjg considered most remarki?»A one fair time. They have never bten marked' " before and and fine day out of the j days though a careful pilot of« usually taken on the cruise ■ the bay could have avoided them easily, it is Thursday afternoon the t; >et left entirely possible the Cor- onet were Portland and made a fast ivn '*» people so absorbed in their religious devotk 's that short Pott's Harbor, South Harpsweli Ji nothing of rt could have boat leaving a foaming wake 1 buoy brought their to disaster to the sail pressure possible was proximity their atten- given.
    [Show full text]