Frankfurt Book Fair 2019
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Newsletter – 15 April 2010 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 15 April 2010 ISSN: 1178-9441 This is the 154th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Second trimester writing courses at the IIML ................................................... 2 2. Our first PhD ........................................................................................................ 2 3. Legend of a suicide author to appear in Wellington .......................................... 2 4. The Godfather comes to town .............................................................................. 3 5. From the whiteboard ............................................................................................ 3 6. Glyn Maxwell’s masterclass ................................................................................ 3 7. This and That ........................................................................................................ 3 8. Racing colours ....................................................................................................... 4 9. New Zealand poetry goes Deutsch ...................................................................... 4 10. Phantom poetry ................................................................................................. 5 11. Making something happen .............................................................................. -
Anthropology of Indigenous Australia
Anthropology of Indigenous Australia Class code ANTH-UA 9037 Instructor Details Petronella Vaarzon-Morel [email protected] 0428633216 (mobile) Office Hour: Tuesday 5-6pm Class Details Anthropology of Indigenous Australia Tuesdays, 2-5pm September 3 to December 10 Room 3.04 NYU Sydney Academic Centre Science House: 157 Gloucester Street, The Rocks Prerequisites None Class Description This course offers an introduction to some of the classical and current issues in the anthropology of Indigenous Australia. The role of anthropology in the representation and governance of Indigenous life is itself an important subject for anthropological inquiry, considering that Indigenous people of Australia have long been the objects of interest and imagination by outsiders for their cultural formulations of kinship, ritual, art, gender, and politics. These representations—in feature films about them (such as Rabbit-Proof Fence and Australia), New Age Literature (such as Mutant Message Down Under), or museum exhibitions (such as in the Museum of Sydney or the Australian Museum)—are now also in dialogue with Indigenous forms of cultural production, in genres as diverse as film, television, drama, dance, and archiving. The course will explore how Aboriginal people have struggled to reproduce themselves and their traditions on their own terms, asserting their right to forms of cultural autonomy and self-determination. Through the examination of ethnographic texts, historical accounts, films, live performances, and an autobiography, we will consider the ways in which Aboriginalities are being challenged and constructed in contemporary Australia. The course will consist of lectures interspersed with discussions, student presentations, and films/other media; we may also have guest presenters. -
Stephen Page on Nyapanyapa
— OUR land people stories, 2017 — WE ARE BANGARRA We are an Aboriginal and Torres Strait Islander organisation and one of Australia’s leading performing arts companies, widely acclaimed nationally and around the world for our powerful dancing, distinctive theatrical voice and utterly unique soundscapes, music and design. Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national currently in our 28th year. Our dance technique tour of a world premiere work, performed in is forged from over 40,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra, and represent the pinnacle of Australian dance. Each an international tour to maintain our global has a proud Aboriginal and/or Torres Strait reputation for excellence. Islander background, from various locations across the country. Complementing this touring roster are education programs, workshops and special performances Our relationships with Aboriginal and Torres and projects, planting the seeds for the next Strait Islander communities are the heart generation of performers and storytellers. of Bangarra, with our repertoire created on Country and stories gathered from respected Authentic storytelling, outstanding technique community Elders. and deeply moving performances are Bangarra’s unique signature. It’s this inherent connection to our land and people that makes us unique and enjoyed by audiences from remote Australian regional centres to New York. A MESSAGE from Artistic Director Stephen Page & Executive Director Philippe Magid Thank you for joining us for Bangarra’s We’re incredibly proud of our role as cultural international season of OUR land people stories. -
Commercial Driver's License (CDL) Manual
Connecticut Commercial Driver License Manual Ned Lamont Sibongile Magubane Governor Commissioner State of Connecticut Department of Motor Vehicles 60 State Street Wethersfield, CT 06161 ct.gov/dmv R-295 Rev. 03/2020 This material is based upon work supported by the Federal Motor Carrier Safety Administration under Cooperative Agreement No. DTFH61-97-X-00017. Any opinions, findings, conclusions or recommendations expressed in this publication are those of the Author(s) and do not necessarily reflect the view of the Federal Motor Carrier Safety Administration. COPYRIGHT © 2005 AAMVA. All rights reserved This material has been created for and provided to State Driver License Agencies (SDLAs) by AAMVA for the purpose of educating Driver License applicants (Commercial or Non-Commercial). Permission to reproduce, use, distribute or sell this material has been granted to SDLAs only. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without express written permission from the author / publisher. Any unauthorized reprint, use, distribution or sale of this material is prohibited. In January 2015, an RV pulled into a truck stop in Virginia. Observant professional truck driver Kevin Kimmel recognized suspicious activity around that RV, which had pulled back by the truck line, and decided something was off. Instead of turning a blind eye, he made a call that brought law enforcement out to the scene within a few minutes. After interviewing the occupants of the vehicle, they discovered that a young woman, 20 years old, had been kidnapped from Iowa two weeks prior. -
Relationships to the Bush in Nan Chauncy's Early Novels for Children
Relationships to the Bush in Nan Chauncy’s Early Novels for Children SUSAN SHERIDAN AND EMMA MAGUIRE Flinders University The 1950s marked an unprecedented development in Australian children’s literature, with the emergence of many new writers—mainly women, like Nan Chauncy, Joan Phipson, Patricia Wrightson, Eleanor Spence and Mavis Thorpe Clark, as well as Colin Thiele and Ivan Southall. Bush and rural settings were strong favourites in their novels, which often took the form of a generic mix of adventure story and the bildungsroman novel of individual development. The bush provided child characters with unique challenges, which would foster independence and strength of character. While some of these writers drew on the earlier pastoral tradition of the Billabong books,1 others characterised human relationships to the land in terms of nature conservation. In the early novels of Chauncy and Wrightson, the children’s relationship to the bush is one of attachment and respect for the environment and its plants and creatures. Indeed these novelists, in depicting human relationships to the land, employ something approaching the strong Indigenous sense of ‘country’: of belonging to, and responsibility for, a particular environment. Later, both Wrightson and Chauncy turned their attention to Aboriginal presence, and the meanings which Aboriginal culture—and the bloody history of colonial race relations— gives to the land. In their earliest novels, what is strikingly original is the way both writers use bush settings to raise questions about conservation of the natural environment, questions which were about to become highly political. In Australia, the nature conservation movement had begun in the late nineteenth century, and resulted in the establishment of the first national parks. -
Christchurch Writers' Trail
The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue. -
Ideas for Your Classroom Year 1–2
TEACHER RESOURCES IDEAS FOR YOUR CLASSROOM YEAR 1–2 MONDAY 3 MAY 2021 YEARS 1–2 MONDAY 03 THE UNDERCROFT MAY SUBIACO ARTS CENTRE SESSION: TAKING FLIGHT 9.50AM – 10.35AM CURRICULUM LINKS: The smallest of things can thrive, all we need English: personal responses to literature, narrative writing, is a little imagination, patience and belief - a visual language truth that lies at the heart of Fremantle writer Design & Technology: designing ideas Meg McKinlay’s beautiful picture book How to Science: physical science, forces Make a Bird. In this delightful exploration of creativity from a favourite local storyteller, Health: feelings Meg shares her own creative process, following General capabilities: creative and critical thinking an idea from the very start to the moment it takes form in the world, and encouraging you to do the same. SESSION: ANIMAL TALES CURRICULUM LINKS: 11.00AM – 11.45AM Helen Milroy is Australia’s first Cross-curricular priorities: Aboriginal & Torres Strait Islander Indigenous doctor, the 2021 Western Australian (ATSI) histories & culture of the Year and a descendant of the Palyku English: literature & context, language features, people. Crafted in the Australian Aboriginal responding to texts tradition of teaching stories, her books Science: biological science, Australian animals encompass stars, whales, birds and bugs, but Themes: personal strengths, friendship, hope, belonging the themes of strength and friendship shine History & Geography: ATSI people are connected to places the brightest. Join Helen in celebrating the wonderful characteristics of Australia’s native fauna. SESSION: EVERY STONE HAS A STORY 12.30PM – 1.15PM Join Mark Greenwood, award CURRICULUM LINKS: winning author of The Book of Stone for a hands-on exploration of nature’s wonders - English: responding to literature, evaluating texts, purpose & from crystals, to fossils that hold clues to the audience of texts prehistoric past, birthstones and gemstones, to Science: earth science - geology meteorites from Mars and beyond. -
Reconciliationnews Issue No 30 // September 2014
ReconciliationNews ISSUE NO 30 // September 2014 Rebecca Richards, Rhodes Scholar Top marks for a Coota boy The culture of mathematics 2 ISSUE NO 30 // September 2014 CONTENTS CEO’s message 3 From student to teacher 4 Two cool for schools This is likely to be my final message in Reconciliation News as I will soon be stepping down as CEO of Reconciliation Australia. I have absolutely enjoyed working here for the past four years and 7 Lourdes Hill shares the spirit it has been a privilege to share that time with a Board and staff so committed to the work we do. 8 Rebecca Richards, When I first took up my role, I said how honoured I was to be heading up an organisation that Rhodes Scholar matched my own values, and that is just as true today as it was then. The pathway to recognition and reconciliation is now engaging more Australians than ever before 10 The magic of mentoring and I am proud to have been a part of our key achievements over the past few years. We are now more dynamic and disciplined, our policy and people processes are more reflective of a 12 Top marks for a Coota boy social business and our programs including Reconciliation Action Plans, National Reconciliation Week and the Indigenous Governance Awards have all increased their reach and impact. 15 Students hit the right note We have significantly increased our profile and engagement across all sectors of society— 16 Walking the talk on Kokoda government, corporate, schools, Aboriginal and Torres Strait Islander leaders and communities and non-Indigenous organisations. -
Submission to the Productivity Commission Re Copyright Restrictions on the Parallel Importation of Books
SUBMISSION TO THE PRODUCTIVITY COMMISSION RE COPYRIGHT RESTRICTIONS ON THE PARALLEL IMPORTATION OF BOOKS 14 January, 2009 As a peak Australian voluntary organisation whose membership represents authors, illustrators, publishers, booksellers, teachers, librarians, teacher-librarians and parents, the Children's Book Council of Australia would like to express its objection to changes to present provisions of the Copyright Act that restrict parallel importation. Australia has a vibrant book industry, including the publication of many books for children. We see these books as a major enculturating force – they help Australian children to discover and celebrate who we are and what is important to us; they tell us our own unique stories in our own language/s, asking us to critically examine ourselves and our way of life. Every year, in schools around Australia, tens of thousands of Australian children celebrate the best of Australian children's literature, culminating in the CBCA Book of the Year Awards followed by Book Week. Australian award-winning books are written by new as well as established authors. With some of these books, Australian publishers have taken a chance in their publication; a chance which may not have been taken if parallel importation restrictions had been lifted. Australian authors feature prominently in international awards and honour lists because of the high quality of their work. Before succeeding overseas, all of these authors have first been published by Australian publishers. Some (but not all) award- winning Australian -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
Mandy Hager Wins the Prestigious Storylines Margaret Mahy Medal
MEDIA RELEASE: 4 February 2019 - For immediate release Margaret Samuels for Storylines, [email protected], 0274177211 MANDY HAGER WINS THE PRESTIGIOUS STORYLINES MARGARET MAHY MEDAL Multi-award-winning Wellington-based author Mandy Hager is the winner of the 2019 Storylines Margaret Mahy Medal for life-time achievement and a distinguished contribution to New Zealand’s literature for young people. Best-known as a writer of young adult fiction, Mandy Hager has also written fiction and non-fiction for younger children, and for educational programmes. In 2017 she published her first adult novel, the historical novel Heloise, long-listed for New Zealand’s premier adult Ockham Book Awards. “We’re delighted to announce Mandy as the Storylines Margaret Mahy Medal winner. Over a 20-year-plus career she has written a succession of outstanding and thought-provoking young adult and children’s novels as well as film scripts and short stories,” says Christine Young, chair of the Storylines Children’s Literature Trust. “She is an outstanding writer, with many well-deserved accolades, and has acted as a role model for many younger writers, as well as an inspiring mentor to students in classrooms across the country and in her creative writing classes.” From the publication in 1995 of Tom’s Story for Mallinson Rendel, and for nearly every work of fiction since, Mandy Hager has achieved the unusual feat of winning a major award or being shortlisted. She has also been extensively published by major US publishers. Her awards include the LIANZA Book Awards for Young Adult fiction three times (Smashed, 2008; The Nature of Ash, 2013; Dear Vincent, 2014), the New Zealand Post Children’s Book Awards for YA fiction (The Crossing, 2010), USA’s Golden Wings Excellence Award (Juno Lucina, 2002), Golden Wings Award (Run For The Trees, 2003) and five Storylines Notable Book Awards. -
Katherine Mansfield Menton Fellowship Application Form 2019
The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis.