SGA Approves Fee Increases

Total Page:16

File Type:pdf, Size:1020Kb

SGA Approves Fee Increases University of Missouri, St. Louis IRL @ UMSL Current (2000s) Student Newspapers 11-26-2001 Current, November 26, 2001 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2000s Recommended Citation University of Missouri-St. Louis, "Current, November 26, 2001" (2001). Current (2000s). 72. https://irl.umsl.edu/current2000s/72 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2000s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. A&E VOLUME 3S Extra Expanded A&E coverage. November 26, Including reviews 2001 of Monsters Inc., Your Harry Potter, and news and information much more! ISSUE "1037 .. See pages 6-9 THECURRENTONLINE.COM UNIVERSITY OF MISSOURI - ST. LOUIS Workshop presents SGA approves fee increases BY STEVE VALKO Graduate stu­ cultural Senior Editor dent Michael The SGA gave its approval for all Rankins voic­ student activity, facility, and health holiday es his opinion services fees for 2002-2003. All fees that were voted on asked during the traditions' for increases ranging from 3 percent to SGA meeting · 44 percent. The fee that caused the Tuesday. most debate was the Athletic Fee, Open BY KELLI SOLT which asked for a raise $8.50 to from discussion $8.80. The increase drew mild opposi­ Senior Writer was held dur­ tion, starting with SGA President Ryan Students at the Cultural Connor. Connor said he was con­ ing the meet­ Diversity Workshop on Nov. 14 cerned with the increase because it ing regarding learned about four traditional holi­ affected such a small percentage of the fee increases. days of the coming season from a UM-St. Louis population. The assembly panel including UM-St. Louis fac­ 'There are more than 15,000 stu­ voted in favor Ulty and Father Bill Kempf. The dents attending here, and (the stu­ Office of Multicultural Relations dents) are not attending the games," of all fee organized the event and Bridgette said Connor. increases. Jenkins, counseling psychologist Rick Gyllenbourg, Assistant for the office, served as the moder­ Athletic Director for Facilities, ator. defended the request of a fee increase. These four speakers discussed Gyllenbourg said UM-St. Louis had the meaning behind Kwanzaa, the lowest budget of all Great Lakes Hanukah, Ramadan, and Valley Conference schools. Christmas. Farzad Wafapoor, Gyllenbourg also said that the lack of communications senior lecturer, attendance at games was not the fault stressed the importance of "under­ of the athletic department. standing cultures and other reli­ '(Corning to games) is an individ­ gions." ual choice," said Gyllenbourg. Wafapoor described the fasting The fee was voted on by a hand season of Ramadan as a time of count, and eventually passed. moral evaluation involving self­ Health services asked for a fee discipline and control. He said increase of 44 percent, from $1.23 to there are about 1.2 billion $1.78 a credit hour. The primary rea­ Muslims and half of them take son for the huge increase is to get part in the rituals. Fasting from funding for a FacilitatorlEducator to food, water, and sex takes place concentrate on alcohol and substance from sunrise to sunset for a month abuse. Voting again was taken by a Maggie Matthews! The CllnY!!!1 beginning Friday, Nov. 16. hand count, and the fee was passed by Wafapoor said, ''People feel hun­ a wide margin. fee would belp with the day-to-day student per credit hour every semester. Student Court does not abuse their University of Missouri system for gry at the end of the day like a Also passed was the Student operations of the Millennium Student The total fees paid per credit hour will . authority, they should keep their new more money for UM-St. Louis at the poor person, at the end of the Activity Fee increase from $2.50 to Center. Finally. the Recreation Facility be raised from $25.12 to '$_7.22. an authority to review appeals. next meeting on De . 10. Cummtly, month many give 0 the poor.' $3.00 a credit hour. Student Activiti Fee W' aiso pas. d' being raised to inerease 0 8.1 percent, beginning for Curt Coonrod, Vice Ol3l1celior for U 1-SI. Loui gets 12 percent of the He also approacbed the issues said that this fee increase would give 2.73 fr m $J..6S a credit hour. The the fall of 2002. Student Affairs, was named faculty budget with roughly 27 percent of the that nowhere in the Koran does it money to new groups and help give Recreation Fee helps pay for upkeep In other SGA news Connor advisor for the SGA. Connor said that student body in the system. The author say to kill your neighbor or com­ more money to current gronps as welL of the Mark Twain building .and for annoWlced that the tudent court has this should continue to give the SGA of the re olution, SGA rep entative mit suicide, in reflection to the The University Center fee was also new equipment been given the authority to review good relations with Student Affairs. Liz Foehner said the UM system will absurdity of some Middle East approved to increase from $9.65 to The student activity facility, and parking ticket appeals on a provisional The SGA announced that they take the resolution up for review if the conflicts that have spread to U.S. $10.26 an hour. Connor said that this health service fees are paid by each basis. Connor said as long as the would vote on a resolution to ask the SGA approves it. shores. English professor Shirley Leflore provided an in-depth explanation regarding Kwanzaa., which means "the first fruits of the Outreach Director broadens harvest." The seven-day celebra­ tion, founded in 1966 by college teacher Maulana Karenga, is a time for spiritual renewal. she said. horizons after leaving UMSL A seven-day celebration that begins after Christmas is a great time for families to get together BY EMILY UMBRIGHT Paul DeGregorio, and celebrate, she said, standing at affEditor director of a prepared table that held symbols Outreach for the principles of unity, self­ The airlines will have at least determination, collective work one steady customer beginning in Development, and responsibility, cooperative January, as Paul DeGregorio, direc­ has accepted economics, purpose. creativity, tor of Outreach Development, the position of and faith. embarks on a new career as Executive Vice Leflore explained the mean­ Executive Vice President for the President for the ings behind each theme. On top of International Foundation for Mutsumi Igarashi! The Cunt'llI the table was a special candlehold­ Election Systems, which. is based in International Earlier this month 16 parking meters were installed on Parking Washington, D.C. Foundation for er with three green and three red Lot "E" beside the MSC. candles placed on either side of a "I'm going to be commuting Election black candle. She said that the Monday through Friday," Systems, which black stands for people, the green New meters cause a lot DeGregorio said. 'Much like a con­ is based in for land, and the red for blood. She gressmen does. Washington, also read poetry from deceased rap DeGregorio s resignation comes artist, Tupac Shakur, and recited of problems for SGA after eight ye.ars of establishing and D.C. an original piece. She asked the working for the Outreach audience to participate in the diffi­ BY STANFORD GRIFFITH as long as the meters have not Development program at UM-St. expired. Louis, a program deemed a "model cult Swahili pronunciation of the Sta.!f Writer seven principles. Gardiner said these meters are not for the nation" by the 1999 North Kempf, a Catholic ~ewman Earlier this month 16 parking a new development but have been in Central Accreditation Review Center pliest, began by telling a meters were installed on Parking Lot the works for some time. He assured Committee. short story of a man who wished to "E" beside the Millennium Student that the meters, although in a student "OutJ."l!ach has been set up to become like a biFd in order to Center. parking area, are not student take UMSL to students \vho are communicate and led a few freez­ According to UM-St. Louis Police "unfriendly" but are there to help vis­ place bound,' he said. "We've ing birds caught in the snow to a Sergeant 8ruce Gardiner, Jr., who is itors to the campus. served almost 4,000 students." wmu garage. He compared this to also manager of Parking artd Ryan Connor. president of the The outreach program at UM-St. the way God viewed man, and that Transportation, the parking spots are Student Government Association, Louis transports classe8 to four dif, Jesus was God's \.... ·ay to become intended for vis.itors who need to park said, SGAis actively pursing the rea­ ferent campuses outside. St. Louis like man in order to explain heav­ on eampus; howeve.r, they are cur­ son behind the parking meters in the County, enabling students who have en. He described two views of rently unmarked for visitor parking. associated funds.' He said that SGA family or 'occupational responsibili- Maggie Matthews! n", Currenl Christianity. Divinity, which Although . 'Visitor Parking" s.igns will is concerned with this new develop­ • ties (0 complete their degrees. It means one believes Jesus was be posted soon, anyone is allowed to ment and whether or not the students' serves students at the junior, senior, ty and for them coming here." DeGregorio, who graduated from parkin the spots as long as they pur­ control of the MSC is being violated.
Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • The B-Boy Summit Internationally Acclaimed B-Boy/B-Girl Event
    THE B-BOY SUMMIT INTERNATIONALLY ACCLAIMED B-BOY/B-GIRL EVENT Produced by No Easy Props OVERVIEW The B-boy Summit continues to be a major trendsetter in Hip-Hop street dance, art and music culture. Established in 1994, The Summit presented innovative ideas in Hip-Hop culture, offering a conference forum complete with competitions, performances, panels, workshops, and a marketplace for consumer friendly products marketed toward the Hip-Hop community. Never content with success, The B-boy Summit continues its mission to bring the hottest street dance, art, and music above ground to the masses. The B-boy Summit has grown into an internationally acclaimed 3 day festival incorporating all aspects of Hip-Hop in different plateaus, including the most intense battles, rawest circles, theatre performances, a DJ/MC Talent Showcase and live aerosol art painting. The B-boy Summit was created in 1994 out of the need for a community orientated Hip-Hop event that encompassed knowledge of the history of Hip-Hop culture and the skills of B-boying and B-girling. At that point in time B-boys and B-girls didn’t have a platform in which to come together, dance and pay homage to the traditional dance of Hip-Hop. Each year the event has expanded to encompass B-boys, B-girls, MCs, Aerosol Artists, and DJs from across the globe, steadily building into what is now the foremost Hip-Hop cultural event in the world. More recently, The Summit has become one of the most important events for Lockers, Poppers, Freestyle and House Dancers to take part in during The Summit’s Funk Fest.
    [Show full text]
  • The Art of Depression with Sonic Boom
    The Art of Depression With Sonic Boom Bittles‘ Magazine Sonic Boom is not only a fantastic name for a band, it is also the nom de plume of Peter ›Sonic Boom‹ Kember, who was one of the founding members of the exceedingly excellent Spacemen 3. Spectrum is the only commercially available album he ever released under this name, yet it still stands as a momentous record that bewitches with its dense, layered sound. Released over 20 years ago, it isn’t of its time, or this time, or any time. In fact it is something else, separated from trends, fads or anything else which dilutes music to a turgid meaningless mess. By JOHN BITTLES Peter’s first band Spacemen 3 saw him, and close friend Jason Pierce (who later went on to form Spiritualized) play together with a varied assortment of musicians all linked together in their love of weird psychedelic rock. For almost ten years the band gave the world the type of scuzzy garage noise that most lost and alienated young teens only ever see in particularly vivid wet dreams. Sonic Boom. Photo by Xi Weg Since the split of Spacemen 3 back in 1991 Peter Kember has been releasing quality head music under various aliases including Spectrum (sublime indie rock) and E.A.R. (Experimental Audio Research) (strange drone type sounds). He is also equally well known as a producer having lent his production nous to the likes of MGMT, Panda Bear, Teen and, just recently, the ten tracks of psychedelic weirdness that make up the marvellous album Chambers by Lorelle Meets The Obsolete.
    [Show full text]
  • Antenne Bayern
    DER ANTENNE BAYERN Das sind eure Top 500 500 Nico Santos - Safe 458 Eros Ramazzotti & Tina 417 Bruno Mars - Locked Out 374 Michael Patrick Kelly - Et 331 DJ Snake feat. Justin Bi- Turner - Cose della vita Of Heaven Voilà eber - Let Me Love You 499 Laura Branigan - Self control 457 Nickelback - Rockstar 416 Calvin Harris - My Way 373 Eagle-Eye Cherry - Save 330 Richard Marx - Right here tonight waiting 498 Imagine Dragons - Wha- 456 Dennis Lloyd - Nevermind 415 OneRepublic - Counting tever It Takes Stars 372 Shawn Mendes - Mercy 329 Luke Christopher - Lot Cutting Crew - I just died 455 To Learn 497 Kygo feat. Parson James - in your arms 414 Gnarls Barkley - Crazy 371 Alle Farben feat. YOUNO- Stole the Show TUS - Please Tell Rosie 328 Ed Sheeran - Photograph Taio Cruz - Hangover Plain White T‘s - Hey 454 413 (Felix Jaehn Remix) 496 P!nk - Just Like Fire there Delilah 370 P!nk - Trouble 453 Robbie Williams - She‘s 327 Goo Goo Dolls - Iris 495 Irene Cara - Flashdance... the one 412 Jennifer Lopez - If you 369 Calvin Harris feat. Ellie what a feeling had my love Goulding - I Need Your 326 Aura Dione - I Will Love 452 Kylie Minogue - Can‘t get Love You Monday 494 France Gall - Ella elle l‘a you out of my head 411 P!nk - Whatever You Want 368 Birdy - People Help The 325 Donna Lewis - I love you 493 Shawn Mendes - Stitches 451 Jonas Blue feat. William People always forever Singe - Mama 410 Die Ärzte - M&F Revolverheld - Immer 492 Milow - Ayo technology 324 Justin Timberlake - What Sportfreunde Stiller - Kelly Clarkson - Because 367 noch fühlen
    [Show full text]
  • Sam Bisbee (Vehicle) -- Bio
    sam bisbee (vehicle) -- bio Introducing Sam Bisbee, the brand new, grizzled, wide-eyed, ten-years-in-the- making, overnight, veteran newcomer whose Vehicle has finally arrived. Sam spent the 1990's moving from development deal to development deal (Geffen, EMI, BMG all financed demos) and ultimately managed to make one album with his band Bisbee (Snacks, 1996, Plump Records) before plunging back into the life-force consuming task of making MORE DEMOS. After a couple of years decompressing, Sam awoke to the realization that he never wanted to make a DEMO ever again. So he called up some friends (engineers, producers, musicians...) and made this, his debut solo album. “It just happened," says Sam. "And it is the album I've always wanted to make. I made it in a bubble. No A & R personell within a 5 block radius. No mention of taking things to 'the next level'. Just music. Pure and simple. For music's sake." Luckily for Sam, the 'friends' he called (all of whom contributed their talents for next to nothing) were not your average friends. Pete Keppler was in the middle of engineering David Bowie's upcoming release when he received a call from Sam. Leona Naess was working on the follow up to her critically acclaimed freshman release on MCA when she heard Sam's voice on the answering machine. Charlie Drayton (Neil Young, B-52's, Keith Richards, Iggy Pop..) was playing an all-star gig with Mike Campbell (Tom Petty) when Sam's email scrolled across his cellphone screen. Peter Adams had just come off the road with Tracy Bonham and was on the way to Boston to back up Juliana Hatfield and Kay Hanley (Letters to Cleo) when he ran into Sam on the street.
    [Show full text]
  • Full Results of Survey of Songs
    Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents.
    [Show full text]
  • Playing the Bass W Ith Three Left Hands
    PLAYING THE BASS BASS THE PLAYING WITH THREE LEFT HANDS WILL CARRUTHERS ‘ Will Carruthers’ Playing The Bass With Three Left Hands is at the least the funniest rock memoir since Andrew Matheson’s Sick on You. Carruthers is a wonderfully droll narrator and the book is effectively a series of well-wrought comic set pieces’ Uncut, 9/10 Cover Playing the Bass.indd 1 25-8-2016 13:16:35 Playing the Bass with Th ree Left Hands I can confi rm that should you ever fi nd yourself on stage play- ing the bass guitar with tree left hands, it is usually he one in the middle that is the real one. Th e other two are probably phantoms. Playing the Bass with Th ree Left Hands tells the story of one of the most infl uential, revered and ultimately demented British bands of the 1980s, Spacemen 3. In classic rock n roll style they split up on the brink of their major breakthrough. As the decade turned sour and acid house hit the news, Rug- by’s fi nest imploded spectacularly, with Jason Pierce (aka Jason Spaceman) and Pete Kember (aka Sonic Boom) going their se- parate ways. Here, Will Carruthers tells the whole sorry story and the segue into Spirtualized in one of the funniest and most memorable memoirs committed to the page. Specifi cs Playing the Bass with Th ree Left Hands was published in Septem- ber 2016 by Faber Social 308 pages Agency Michaël Roumen: T: + 31 6 42136212 E: [email protected] Oscar van Gelderen: T: + 31 6 46096823 E: [email protected] Will Carruthers Playing the Bass with Th ree Left Hands Lebowski Agency, 2016 © Will Carruthers, 2016 © Lebowski Agency, Amsterdam 2016 Cover design: Peter de Lange Photograph of the author: © Fransesca Sara Cauli Typesetting: Crius Group, Hulshout www.lebowskipublishers.nl www.overamstel.com Lebowski Publishers is an imprint of Overamstel Publishers bv All rights reserved.
    [Show full text]
  • Phi Gamma Delta Suspended
    • SPORTS: PATTERSON'S NEW POSSE, PAGE 10 • FEATURES: FALL'S REALITY TV LINEUP, PAGE 5 Friday, September 26, 2003 TCU DAILY SKIFF Serving Texas Christian University since 1()()2 • Vol. MM • Issue l<> • Fort Worth. Texas • www.skiff.tcu.edi Todays STATE NEWS Phi Gamma Delta suspended BY kRIST I W UkK.R plying with TCU to get this mat- Texas law has ,i similar defini- leadership, local alumni and GRAPEVINE Slflfl neportei Fraternity being te! resolved as quickly and elli- lion national council to determine the Emergency slides were used ciently as possible," Travis said. Fiji's national office lias been severitj ol the issue Parket said to evacuate an American The Phi Gamma Delta frater- investigated for TCU contact- the consequences are determined Airlines jet Thursday after nity is being investigated for pos- defines haz- "It has been brought in our atten- ed for on a case-by -case basis smoke was detected in the sible hazing violations. Vice possible hazing ing as anj l h e TCU Assistant Chief of Police passenger cabin shortly Chancellor for Student Affairs tion thai IIC ore under investiga- Don Mills said Thursday night. action taken investi- .1 C. Williams said Thursday before takeoff. tion for a possible hazing inci- or situation gation . night he was unaware of the News Digest on page 4 The investigation began the begining ol next week. dent, anil ue are full} complying Thursday morning following a created inten- M ills investigation and the TCI police Neither Mills nor Fiji presi- with TCI in get this matter report to Campus Life, Mills dent Zerek Travis would coin tionally, said.
    [Show full text]
  • Turntablism and Audio Art Study 2009
    TURNTABLISM AND AUDIO ART STUDY 2009 May 2009 Radio Policy Broadcasting Directorate CRTC Catalogue No. BC92-71/2009E-PDF ISBN # 978-1-100-13186-3 Contents SUMMARY 1 HISTORY 1.1-Defintion: Turntablism 1.2-A Brief History of DJ Mixing 1.3-Evolution to Turntablism 1.4-Definition: Audio Art 1.5-Continuum: Overlapping definitions for DJs, Turntablists, and Audio Artists 1.6-Popularity of Turntablism and Audio Art 2 BACKGROUND: Campus Radio Policy Reviews, 1999-2000 3 SURVEY 2008 3.1-Method 3.2-Results: Patterns/Trends 3.3-Examples: Pre-recorded music 3.4-Examples: Live performance 4 SCOPE OF THE PROBLEM 4.1-Difficulty with using MAPL System to determine Canadian status 4.2- Canadian Content Regulations and turntablism/audio art CONCLUSION SUMMARY Turntablism and audio art are becoming more common forms of expression on community and campus stations. Turntablism refers to the use of turntables as musical instruments, essentially to alter and manipulate the sound of recorded music. Audio art refers to the arrangement of excerpts of musical selections, fragments of recorded speech, and ‘found sounds’ in unusual and original ways. The following paper outlines past and current difficulties in regulating these newer genres of music. It reports on an examination of programs from 22 community and campus stations across Canada. Given the abstract, experimental, and diverse nature of these programs, it may be difficult to incorporate them into the CRTC’s current music categories and the current MAPL system for Canadian Content. Nonetheless, turntablism and audio art reflect the diversity of Canada’s artistic community.
    [Show full text]
  • Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit.
    [Show full text]
  • 5 Seconds of Summer 1000 Samba De Janeiro
    HEY EVERYBODY! 5 SECONDS OF SUMMER 1000 SAMBA DE JANEIRO BELLINI 999 HOLLAND 257ERS 998 SO SCHÖN ANDERS ADEL TAWIL 997 CAKE BY THE OCEAN DNCE 996 NOVOTEL ADAM GREEN 995 NEVER GIVE UP SIA 994 THE TIME (DIRTY BIT) BLACK EYED PEAS 993 DREAM ON AMY MACDONALD 992 DU HAST DEN SCHÖNSTEN ARSCH DER WELT ALEX C. 991 HERE WITHOUT YOU 3 DOORS DOWN 990 THE MAGIC KEY ONE T & COOL T 989 (UN DOS TRES) MARIA RICKY MARTIN 988 ROCKSTAR NICKELBACK 987 FREESTYLER BOMFUNK MC'S 986 TUESDAY BURAK YETER/DANELLE SANDOVAL 985 SHAKE IT OUT FLORENCE & THE MACHINE 984 STAY THE NIGHT JAMES BLUNT 983 LOOKING FOR FREEDOM DAVID HASSELHOFF 982 THIS GIRL COOKIN' ON 3 BURNERS;KUNGS 981 VIELEN DANK FUER DIE BLUMEN UDO JÜRGENS 980 TOXIC BRITNEY SPEARS 979 VENUS BANANARAMA 978 SEX, LOVE & WATER ARMIN VAN BUUREN/CONRAD SEWELL 977 COLD ROCK A PARTY MC LYTE 976 COUNTING STARS ONEREPUBLIC 975 GOD IS A DJ FAITHLESS 974 THERE'S NOTHING HOLDIN' ME BACK SHAWN MENDES 973 THESE BOOTS ARE MADER FOR WALKIN' NANCY SINATRA 972 NIE VERGESSEN GLASPERLENSPIEL 971 LET'S GET LOUD JENNIFER LOPEZ 970 CHEATING JOHN NEWMAN 969 SPIEL MIR DAS LIED VOM TOD ENNIO MORRICONE 968 WHEN THE BEAT DROPS OUT MARLON ROUDETTE 967 DICKE MARIUS MÜLLER-WESTERNHAGEN 966 HOT N COLD KATY PERRY 965 SUPREME ROBBIE WILLIAMS 964 HERE COMES THE HOTSTEPPER INI KAMOZE 963 LITTLE HOLLYWOOD ALLE FARBEN/JANIECK 962 NEW YORK, RIO, ROSENHEIM SPORTFREUNDE STILLER 961 PRAY TO GOD CALVIN HARRIS;HAIM 960 SERENATA RAP JOVANOTTI 959 MIRACLE JULIAN PERRETTA 958 LAMBADA KAOMA 957 WORD UP KORN 956 FIRESTONE KYGO;CONRAD 955 THANK YOU FOR THE MUSIC ABBA 954 FASCINATION ALPHABEAT 953 GET DOWN (YOU'RE THE ONE FOR BACKSTREET BOYS 952 FREEDOM D.J.
    [Show full text]
  • Kutmasta Kurt.” That Was Like the Beginning of the Strain
    ROCK KUTTIN’ IT WITH KURT 44.www.importtuner.com REDNECK GAMES KUTMASTER KURT TEXT BY JOEL MARASIGAN Hip hop music had a universal fiber when it was—in the spirit of MTV—brand-spanking new. Hip hop was sung and chanted. Hip hop was more than just music. It was a style: a life style, a spirit, a feeling. Today’s hip hop has lost a lit- tle of its elegance and originality mainly because artists exaggerate the “money, hoes and power” stereotype. There are a select few who remember hip hop’s roots and its inten- tions. There are a select few who are still accepted when they remove their headphones and backpacks and don the pink fur, ice the grill and jump in the Range. 05.03.2nr.45 son they were like, “We don’t want your name on it. We’ll pay you, but you can’t put KutMasta Kurt.” That was like the beginning of the strain. At the time I wanted to wrap-up a project with Keith (the Masters Of Illusion project)—and because I had already been working with Motion Man (who was on the back burner for 10 years)—I had to finish Black Elvis. We still went on to do the Dr. Dooom and Masters Of Illusion albums and I still helped with the Matthew album. But after that I was really just Keith’d out. He wanted to keep going, but I didn’t like the direction and I needed to take a break. He was- n’t too happy about that.
    [Show full text]