2009 2 Chowrongee 2009

Total Page:16

File Type:pdf, Size:1020Kb

2009 2 Chowrongee 2009 Utsav Kids Presents ……… Ramayan The Ramayan is one of the two great epics of Ancient India, the other being the Mahabharat. It was originally written by Valmiki in Sanskrit. The Ramayan is a story that depicts four sons (Ram, Laxman, Bhorot and Shatrughno) of King Dasarath of Ayodhya face difficulties, crises but overcome them without compromising the values of brotherhood, truthfulness and dutifulness. Ram, the hero of the epic, is a symbol of patience, courage, justice and sacrifice. A relationship of Ram and his wife Sita is of respect, love and tolerance. Ram’s virtues survive all odds and adversities over the evil power of Rabon, the Demon King. Director – Ajay Joshi Narrator - Rashmi Nandi Choreography and costume – Nupur Joshi Casts Ram- Neha Joshi Meghnad – Natasha Chanda Rabon Raja- Sayanti Ghoshal Sugrib – Sunoy Nandi Monthora- Sayanti Ghoshal Jatayu – Sayak Dutta Rishi Rabon in disguise- Rinita Mukherjee Honuman – Debanshu Das Koikeyi – Rinita Mukherjee Chhoto Honuman 1– Ronit Mukherjee Sita – Kajori Mukherjee Chhoto Honuman 2 - Archit Dash Dasarath – Ayan Choudhury Shotrughno – Ronit Mukherjee Bali – Ayan Choudhury Marich – Khounish Sharma Laxman – Adi Choudhury Dwar rokshi 1- Khounish Sharma Bhorot – Sharod Nandi Dwar rokshi 2 – Ishaan Sharma Angad – Sharod Nandi Sonar Horin – Sonia Sarkar Shurponokha – Natasha Chanda Kumbhokorno – Neel Chanda −Q±l‰£ 2009 2 Chowrongee 2009 p§Q£fœ ContentContentssss pÇf¡cL£u / Editorial 5 Utsav Committees 6 Message from the UTSAV Boardroom 7 Program Schedule 9 Utsav Accounts 11 Teen Kanya 12 L¢ha¡ / Poems c¤¢V L¢ha¡ afa£ −i±¢jL 15 ¢œ²−LV je£¾cÊ e¡b L¥j¡l 16 ¢ae¢V L¢ha¡ A¢i−oL e¡N 17 l¡¢œl cªnÉ −p±jÉc£f p¡q¡ 18 Monsoons Natasha Chanda 19 When and Now Farah Billah 19 She Mohana Roy 20 fËhå / Articles Bj¡l p¡e ¢X−u−N¡ ïjZ ¢p¢jL¡ hp¤¤l¡u 22 hZÑ¡YÉ, ¢ha¢LÑa, A¢hØjlZ£u h‰ p−Çjme 2009 Bng¡L üfe 23 NABC 2009 Hhw Bj¡−cl e¡VL ¢e−u ¢LR¥ Lb¡ Suc£f l¡u 27 B¢éL¡ ïjZ nË£−mM¡ i–¡Q¡kÑÉ 29 f−l¡fL¡l l¢nÈ e¾c£ 31 The Fry-of-the-Year Battle Neel Chanda 36 33G Notebook: Destination Paris Biswanath Mukherjee 37 Struck by “Lightening”: Puja Pandals in Kolkata Sajni Mukherji 42 Change Patricia Chatterjee 44 Alaska : Here Comes Utsav Gang Barin Kumar 46 An Interview with Marvel and Subhra Gima Shashwati Roy 48 Utsav Membership Roster 51 Brief History of Utsav 57 −Q±l‰£ 2009 3 Chowrongee 2009 Literary Committee Rashmi Nandi Patricia Chatterjee Biswanath Mukherjee Rajat Saha Somen Nandi Saquib Najmus Manas Ray (Editor) Cover design by Santana Das Disclaimer The views and opinions of authors in this magazine do not necessarily state or reflect those of Utsav, Inc. For writings published in this magazine, Utsav does not warrant or assume any legal liability and responsibility for accuracy, completeness and usefulness of any information disclosed and/or published. Information provided is accurate as of the date of going to press; Utsav or Chowrongee is not responsible for any errors or omissions. Opinions expressed are those of individual authors. Advertisers are solely responsible for the advertisements, not Chowrongee or Utsav. Utsav Inc. 11230 Gold Express Drive, P.O. Box: 310-412, Gold River, CA 95670 www.utsavsac.org Chowrongee is published annually for Utsav members by Utsav, Inc. Sacramento, CA, USA (www.utsavsac.org) Printed at: J. Prassa Printers, 2313 C Street, Sacramento, CA, USA (http://jpprinting.net) Post master: if undelivered please send to Utsav Inc. 11230 Gold Express Drive, P.O. Box: 310- 412, Gold River, CA 95670. −Q±l‰£ 2009 4 Chowrongee 2009 pÇf¡cL£u Editorial M¤n£l D−cl −ln L¡V−a e¡ L¡V−a q¡¢Sl q−µR Welcome to the eighth edition of h¡P¡m£l BlL j−q¡vph - c¤NÑ¡f§S¡ h¡ n¡l−c¡vphz ‘Chowrongee’, the Annual Magazine of n¡l−c¡vph hm¡C E¢Qv q−h L¡lZ Evp−hl H¢f−p¾V¡l UTSAV – the Bengali Association of Greater −L¡mL¡a¡u "f§−S¡' j¡−e "¢bj' -fÉ¡−ä−ml QjL, B−m¡l Sacramento. Utsav is also celebrating its Baph¡¢S, ea¥e gÉ¡p¡e, −hs¡−a k¡Ju¡z HL¢V BQ¡l eighth anniversary and organizing the eighth öd¤ HMeJ ff¤m¡l - Aøj£−a A”¢mz community Durga puja in the valley. It’s fËh¡p£l f§S¡u Ah¢nÉ djÑ£u i¡he¡ HLV¥ −h¢n S¢s−u eight all around…… b¡−L - ü¡i¡¢hLz −g−m Bp¡ j¤ýaÑ…−m¡−L r¢Z−Ll SeÉ Eight is a good number. Lord Krishna was pS£h Ll¡l BL¡´M¡ e£l−h L¡S L−lz e¡s¥ h¡e¡−e¡, −i¡N the eighth son born to princess Devaki of l¡æ¡u e¡j ¢c−a BNËq S¡e¡e A−e−L, °ce¢¾ce L¡S Mathura and Vasudeva. The Dharmacakra, a L−jÑl T¡−jm¡ p−šÄJz Buddhist symbol, has eight spokes. In Islam, f§S¡ Hh¡l h— a¡s¡a¡¢sz ¢höÜ ¢pÜ¡¿¹ f¢”L¡ it is the number of Angels carrying The Holy Ae¤k¡u£ 8C B¢nÄe h¡ 25−n −p−ÃVðl pçj£z −M¡c Throne of Allah in heavens. l¡jQ¾cÊ kMe fË−u¡S−e hp−¿¹l f§S¡−L ÙÛ¡e¡¿¹l L−l−Re So the eighth year was good for UTSAV nl−a, aMe Evph HL pç¡q ¢f¢R−u 2l¡ A−ƒ¡hl f§S¡ too. Utsav has got new members, Utsav öl¦ Ll−m −c¡o −eCz ¢h−no L−l 2l¡ A−ƒ¡hl qm 15C members have attained new heights in their B¢nÄe - B¢nÄ−el j¡T¡j¡¢T, L¢h…l¦l j−a f§S¡l h¡Se¡ professional careers, were honored by −h−S JW¡l p¢WL pjuz renowned organizations, kids have gone to HhRl −ch£l −c¡m¡u BNje - gm jsLz −p¡u¡Ce new and prestigious schools and so on. (b¤¢s, HCQ Ju¡e He Ju¡e) gÓ¥-l i−u a¡C LÇfj¡e Like earlier years this year too the pages of p¡l¡ c¤¢eu¡z A−ƒ¡h−l −ke iÉ¡L¢pe V¡ h¡S¡−l B−p j¡z ‘Chowrongee’ reveals the various facets of a−h Aa O¡hs¡−e¡l clL¡l −eC, −ch£l N−S Nje - gm interest and qualities of Utsav members and npÉf§ZÑ¡ hp¤¤ål¡z gÓ¥-l fË−L¡f −b−L k¡l¡ hy¡Q−he a¡−cl well wishers. It has travelogues, report on the i¢hoÉa i¡mz −no hoÑ¡l h¢loZ i¡l−al Ml¡l fË−L¡f gala jamboree of the Bengalis called NABC A−eL L¢j−u−R Bl Jh¡j¡J h−m−Re ¢l−pne −l¡M¡ 2009, poems and paintings by the young ¢N−u−R HMe fËa£r¡ h¡S¡l Q¡‰¡ qJu¡lz generation. The members of literary ph¡C i¡m b¡L¥e, f§S¡ Ef−i¡N Ll¦e Hhw −Q±l‰£ fs¥ez committee took all the initiatives to motivate quite a good number of occasional writers to j¡ep l¡u spend some time on computers sharing their tales through the pages of Chowrongee. I convey my sincere thanks to all the contributors and literary committee members. Special thanks to my predecessor Rashmi Nandi for her untiring assistance to ensure publication of this issue as per schedule. Wish you all Puja Greetings. Manas Ray −Q±l‰£ 2009 5 Chowrongee 2009 UTSAV Committee Members Governing Body Members (GBM) Registration Committee: Adi Choudri (President) Prodosh Chakraborty (Chairperson) Sanjib Nayak (Vice President) Adi Choudri Arun Chowdhury (Treasurer) Anand Adoni Sharmila Mukherjee (Cultural Secretary) Subhra Gima Anand Adoni (Public Relations / Secretary) Food Committee: Community Council Members (CCM) Subir Sarkar (Chairperson) Biswanath Mukherjee (Chairperson) Sanjib Nayak Satya Chatterjee Adi Choudri Debasis Saha Fundraising Committee: Literary Committee Adi Choudri (Chairperson) Rashmi Nandi Sanjib Nayak Patricia Chattejee Deb Saha Biswanath Mukherjee Ajay Joshi Rajat Saha Udayan Chanda Somen Nandi Kingshuk Sharma Saquib Najmus Website Committee: Manas Ray (Editor) Koushik Das Cultural Committee: Santana Das Sharmila Mukherjee (Chairperson) Sudeep Sarkar Udayan Chanda Suman Sarkar Nupur Joshi Welcome Committee: Subhra Mukherjee Mitra Choudri (Chairperson) Seema Chanda Mita Chakraborty Election Committee: Pat Chatterjee Shomeek Paul Subhra Gima Somen Nandi Simi Sarkar TBD Tapati Bhaumik Puja Committee: Utsav Youth Group: Rupa Chowdhury (Chairperson) Arunav Sarkar (Chairperson) Arun Chowdhury Neha Joshi Mitra Choudri Sahana Sarkar Santana Das Natasha Chanda Anima Kumar Anindya Chowdhury Sunoy Nandi Clubhouse Committee: Biswanath Mukherjee (Chairperson) Farah Billah Somen Nandi Mitra Choudri (Coordinator) Shyamal Chowdhury Subir Sarkar Udayan Chanda Sanjib Nayak Adi Choudri −Q±l‰£ 2009 6 Chowrongee 2009 Message from the UTSAV Boardroom Greetings to all, It has been a busy year for Utsav. We Natok group did a phenomenal job and was began 2009 with the celebration of well received by the audience. Their Saraswati pujo in January. This was outstanding performance led to an invitation followed by our Annual picnic and NABC to perform in Canada. Our adults and kids participation. And now the Durga Pujo is did an outstanding dance performance. here. I guess time goes fast when you are Shomeek Paul from Utsav participated in having fun. their Fashion show. Dr. Mitra Choudri and Dr. Satya Chatterjee were the primary On reflection, it has been a year of organizers of a medical forum at NABC, a stabilization and growth for Utsav.
Recommended publications
  • Contribution of Nabakanta Baruah to Assamese Children Literature
    © 2021 IJRAR February 2021, Volume 8, Issue 1 www.ijrar.org (E-ISSN 2348-1269, P- ISSN 2349-5138) Contribution of Nabakanta Baruah to Assamese Children Literature Abul Hussain Research Scholar Department of Folklore Research Gauhati University Abstract: The origin of children literature is found in various oral songs, tales, stories that are revolved round the children. They have fascinated not only the kids but also the adults. The Missionary published the stories of the Bible and tales from across the world in the Arunudoi which were helpful in shaping the moral character of the children. Apart from giving pleasure, children literature also imparts moral lesson to the kids. Among the figures who have contributed to extend the range of Assamese children literature the name of Nabakanta Baruah is mentioned worthy. His writings for the kids have filled the treasure of Assamese children literature. Therefore, the objective of the paper is to discuss the contribution of Nabakanta Baruah to Assamese children literature. Key words: Children literature Nabakanta Baruah, Contribution. Introduction: Children’s literature is recognized as one of the genres of literature. The primary source of the children was the oral literature. Various oral songs, tales, stories that are revolved round the children are considered as children literature. The origin of children literature is to be found in the age of Sankardeva. There was no specific category which can be claimed as the children literature in the ancient Assamese literature. The portrayals which appealed to the children were available in some of the writings like Bheem sorit, Kankhowa, Sishuleela etc which have fascinated not only the kids but also the adults.
    [Show full text]
  • Bihu Festival: Dance of the Goddesses
    Vol-7 Issue-3 2021 IJARIIE-ISSN(O)-2395-4396 BIHU FESTIVAL: DANCE OF THE GODDESSES SUWANEE GOSWAMI* & ERIC SORENG**, Ph. D. *Research Scholar Department of Psychology University of Delhi Delhi **Associate Professor Department of Psychology University of Delhi Delhi Abstract The amorous dance of the Goddesses—Kolimoti, Seuti and Malati—has given birth to the Bihu festival in Assam which has instinctively ingrained the joy of dance and music in every Assamese woman and man in every form of festivities in and beyond Bohag Bihu. The mythic origin of Bohag Bihu shows diversion from the blood sacrifice to the Goddesses to the repetition of and participation in the dance of the Goddesses. In the archaic spirituality of Assam, women dance repeating the mythic acts of the Goddesses and men partake in the joy as nature blooms and humankind prosper in the amorous state of the Goddesses. The paper presents interpretation of one of the myths of the origin of the Bihu festival. “Man is obliged to return to the actions of his Ancestor, either to confront or else repeat them; in short, never to forget them, whatever way he may choose to perform this regressus ad originem” (Eliade, 1959). Humankind has evolved as a race from the primitive to the modern state of being with numerous breakthroughs and developments in various spheres of activity since the twilight of civilization. However, even in this age of technology and materialism, the modern mentality continues to display traces of mythic traits, in spite of the mutations in religious and cultural history. To reinstate the words of Jung: “…every civilized human being, whatever his conscious development, is an archaic man at the deeper levels of his psyche” (Jacobi, 1953, p.
    [Show full text]
  • Cultural Value of Bell Metal Utensils in the Assamese Society
    Shikshan Sanshodhan : Journal of Arts, Humanities and Social Sciences ISSN: 2581-6241 Volume - 3, Issue - 3, May-June – 2020 Bi-Monthly, Peer-Reviewed, Refereed, Indexed Journal Impact Factor: 3.589 Received on : 05/05/2020 Accepted on : 18/05/2020 Publication Date: 30/06/2020 Cultural Value of Bell metal Utensils in the Assamese Society Kritartha Dutta Research Scholar, Gauhati University , Guwahati , Assam , India . Email : [email protected] Abstract : Bell metal utensils are an integral part of the Assamese culture. Every Assamese people keep it in their family as a symbol of their rich cultural heritage . From day to day activities to wedding ceremonies and even in the religious rituals to various festivals where aren’t it used ? This handicraft industry has a glorious past .It got royal patronages from the Ahom and the Koch kings , the two prominent dynasties of Assam and it will not be exaggerated if we say that Jaat Kahi ( a bell metal dish)made by Puspa kanhar ( a bell metal artisan of Assam ) could able to impress Queen Victoria . Sarthebari , a small town of Assam is the main hub of bell metal handicraft . Therefore , it is known as Kanh Shilpa Nagari ( the bell metal craft town ).Now , this glorious industry is on the verge of extinction.For its revival government should give keen interest , unless a part of the Assamese culture will be paralysed . Several studies have been conducted on this handicraft industry , most of which highlighted only on the problems faced by this industry but there are very few articles which emphasis on its cultural value .therefore , in this article our primary focus will be to reveal its cultural value and for that purpose data have been collected from both primary and secondary sources .
    [Show full text]
  • ดนตรีในเทศกาลบิฮู รัฐอัสสัม ประเทศอินเดีย Music in Bihu Festival in Assam, India (Received : August 30, 2018 Revised : May 30, 2019 Accepted : June 15, 2019)
    ดนตรีในเทศกาลบิฮู รัฐอัสสัม ประเทศอินเดีย Music in Bihu Festival in Assam, India (Received : August 30, 2018 Revised : May 30, 2019 Accepted : June 15, 2019) ภาวิณี ธีรวุฒิ1 Pavinee Teeravut ปัณณรุจน์ อนันต์จรัสภัทร2 Pannaruj Anancharuspat บทคัดย่อ บทความวิชาการนี้มีวัตถุประสงค์เพื่ออธิบายดนตรีในเทศกาลบิฮู เมืองจอร์หัต รัฐอัสสัม ประเทศอินเดีย โดยการลงพื้นที่เก็บข้อมูลในระหว่าง วันที่ 10 - 17 เมษายน 2561 บทความนี้แบ่งเนื้อหาออกเป็นสามส่วน คือ เทศกาลบิฮู ดนตรีในเทศกาลบิฮู บทบาทของดนตรีในเทศกาลบิฮู บทความวิชาการนี้พบว่า บิฮู คือ เทศกาลที่ได้รับความนิยม ธ�ารงอัตลักษณ์ทางดนตรีและวัฒนธรรม ของชาวอัสสัมจัดขึ้นเฉพาะในรัฐอัสสัม ถือเป็นวันขึ้นปีใหม่ของชาวอัสสัม เป็นช่วงเวลาของการเฉลิมฉลอง ซึ่งเป็นสัญลักษณ์ การเริ่มต้นวันแรกของปีปฏิทิน ของชาวอัสสัม รวมทั้งยังมีการเฉลิมฉลองของชาวอัสสัมในต่างประเทศ ซึ่งเป็น บุคคลพลัดถิ่นที่อาศัยอยู่ทั่วโลกด้วย ในหนึ่งปีจะมีการจัดแสดงบิฮู 3 ครั้ง โดยแบ่งตามช่วงเวลาดังนี้ รอนกาลิ หรือ บอฮัค บิฮู จัดขึ้นในช่วงกลางเดือนเมษายน กาติบิฮู จัดขึ้นในช่วงกลางเดือนตุลาคม มัค บิฮู จัดขึ้นในช่วงกลางเดือนมกราคม ซึ่งประกอบไปด้วยการร้องเพลง การเต้นร�า และดนตรี ช่วยสร้างบรรยากาศ 1นักศึกษาปริญญาเอก สาขามานุษยดุริยางควิทยา มหาวิทยาลัยศรีนครินทรวิโรฒ 2อาจารย์พิเศษ สาขามนุษยศาสตร์และสังคมศาสตร์ มหาวิทยาลัยราชภัฎนครศรีธรรมราช 202 วารสารมนุษยศาสตร์และสังคมศาสตร ์ มหาวิทยาลัยราชภัฏบ้านสมเด็จเจ้าพระยา ปีที่ 13 ฉบับที่ 1 (มกราคม - มิถุนายน 2562) ที่สนุกสนานรื่นเริงให้กับคนในรัฐอัสสัมอย่างมาก ดนตรีในเทศกาลบิฮูประกอบด้วย เครื่องดนตรีพื้นบ้าน ดังนี้ ดอล (Dhol) ปีปา (Pepa) โกวโกวนา (Gogona) โตวก้า (Toka) บาฮิ (Baahi) ทอล (Taal) เมนจิรา (Manjira)
    [Show full text]
  • Bohag Bihu and Other Spring Festivals Among the People of Lakhimpur District of Assam: an Understanding of Their Present Status
    Journal of Shanghai Jiaotong University ISSN: 1007-1172 Bohag Bihu and other Spring Festivals among the People of Lakhimpur District of Assam: An Understanding of their Present Status ---------------------------------------------------------------------------------------------------- Submitted by Dr. Montu Chetia Department of History, Kampur College, Nagaon, Assam-782426 Gmail ID: [email protected] Phone: 9101093556 ----------------------------------------------------------------------------------------- Volume 16, Issue 11, November - 2020 https://shjtdxxb-e.cn/ Page No: 319 Journal of Shanghai Jiaotong University ISSN: 1007-1172 Bohag Bihu and other Spring Festivals among the People of Lakhimpur District of Assam : An Understanding of their Present Status. Dr Montu Chetia ----------------------------------------------------------------------------------------------------- The Bihu is a national festival of Assam celebrated by all sections of the society irrespective of caste, creed and religion. The Bihu is the identity of Assamese people in all over the country. It is also the symbol of unity among the people of the state. There are three kinds of Bihu generally observed in Assam- Bohag Bihu or Rongali Bihu, Magh Bihu or Bhogali Bihu and Kati Bihu or Kongali Bihu. Every Bihu has its own features and characteristics which have enriched the cultural prosperity of Assam as well as the whole north eastern region . On the other hand although Bihu is the national festival of Assam yet it varies in form from place to place which have developed the cultural diversity of the state . Being a part of the state people of Lakhimpur district observe all these Bihus in their customary and ritualistic manner. Along with the Bihus some other spring festivals are also observed in Lakhimpur district with great enthusiasm. The present paper has an attempt to study the nature of these festivals of Lakhimpur district which are primarily observed in the spring season.
    [Show full text]
  • Agricultural Folk Songs of Assam
    e-publication AGRICULTURAL FOLK SONGS OF ASSAM A. K. Bhalerao Bagish Kumar A. K. Singha P. C. Jat R. Bordoloi A. M. Pasweth Bidyut C.Deka ICAR-ATARI , Zone-III Indian Council of Agricultural Research Umiam, Meghalaya- 793103 1 e-publication AGRICULTURAL FOLK SONGS OF ASSAM A. K. Bhalerao Bagish Kumar A. K. Singha P. C. Jat R. Bordoloi A. M. Pasweth Bidyut C. Deka ICAR-ATARI , Zone-III Indian Council of Agricultural Research 2 Umiam, Meghalaya- 793103 FORWARD The ICAR-Agricultural Technology Application Research institute, Zone-III with its headquarters at Umiam, Meghalaya is the nodal institution for monitoring the extension activities conducted by the Krishi Vigyan Kendras (KVKs) in North East Region, which comprises of eight states, namely Arunachal Pradesh, Assam, Manipur, Meghalaya, Mizoram, Nagaland, Sikkim and Tripura. All these states have the tribal population which gives them the unique identity as compared to the other part of the country. This peculiarity is due to the traditional wealth conserved by the people of this region from ancestors through oral traditions. Folk songs in relation of agriculture are one of the traditional assets for this region. These songs describe the different aspects of nature in general and agriculture in particular for understanding them in a comprehensive way. It simply shows the close liaison of the native people with the natural phenomenon. I appreciate the effort and hardship of the KVK staffs in general and editors of this publication in particular for bringing out such a useful document for the benefit of all the stakeholders working for the prosperity of indigenous people.
    [Show full text]
  • A Study on Organoleptic Evaluation and Acceptability of Traditional Tribal Therapeutic Recipes of Assam for Gastro Intestinal Disorders
    INTERNATIONAL WEB CONFERENCE ON FOOD TECHNOLOGY AND NUTRITION – PROSPECTS FOR HEALTH FTNPHJAN2021 – JOAASR A Study On Organoleptic Evaluation and Acceptability of Traditional Tribal Therapeutic Recipes of Assam for Gastro Intestinal Disorders. Pallabika Gogoi a* & Dr V. Premala Priyadharshini b a Research scholar, b Professor Department of Food Service Management and Dietetics, Avinashilingam Institute for Home Science and Higher Education for Women, Coimbatore, Tamilnadu, India. Abstract Assam, a state with a blend of culture, heritage, faith and belief of numerous ethnic tribes with a distinct food culture has once been a cradle of therapeutic cuisines. Urbanization and westernization has resulted in a drastic shift of eating habits of people of Assam leading to spare usage of recipes that have potential therapeutic values .Reintroducing the forgotten therapeutic recipes into the tribal communities of Assam is the need of the day. A total of 50 tribal women (purposive sampling) above the age group of 60 years from Sadiya in Assam were interviewed to collect the original traditional therapeutic recipes of Assam. A total of 120 traditional therapeutic tribal recipes were collected ,documented and classified for 13 different disease conditions namely Gastrointestinal diseases(43), Degenerative diseases(15), Infectious diseases(21), Respiratory diseases(14), Liver disease(8), Renal disorder(3), Cardiovascular Disease(3), Reproductive problems(5), Nutritional deficiency(20), Sleeping disorder(2), Vision problem(2), Blood toxicity(2) and Others (1). The classified recipes were standardized and tested for its organoleptic qualities by a semi trained panel of 10 members using a 9 point hedonic scale and it was found to be acceptable for all sensory characteristic indicating the grater scope of its consumption by a different population across the nation for therapeutic uses.
    [Show full text]
  • Research Paper in Assamese DR. RUPAM BORTHAKUR Assistant
    DOI PREFIX 10.22183 An International Refereed, Peer Reviewed & Indexed Quarterly ISSN 2277-8071 JOURNAL DOI 10.22183/RN Journal in Arts, Commerce, Education & Social Sciences Impact Factor 3.018 Research Paper in Assamese ROLE OR SIGNIFICANCE OF WOMEN IN ASSAMESE FOLK CULTURE : DR. RUPAM AN ANALYTICAL STUDY BORTHAKUR ABSTRACT Culture is the mirror of a society. A society develop with culture. A society’s history, Assistant Professor, geographical location, ancient belief, customs and traditions, behaviors etc gives a Department of Assamese distinct form or shape to it. In other words, customs of our social life is culture. Darrang College, Tezpur According to J.A. Banks culture means, “Most social scientists today view culture as (Assam) consisting primarily of the symbolic, ideational, and intangible aspects of human societies. The essence of a culture is not its artifacts, tools, or other tangible cultural elements but how the members of the group interpret, use, and perceive them. It is the values, symbols, interpretations, and perspectives that distinguish one people from another in modernized societies; it is not material objects and other tangible aspects of human societies. People within a culture usually interpret the meaning of symbols, artifacts, and behaviors in the same or in similar ways.” 0.0 Introduction: For this topic, we have use analytical system of According to G. Hofstede, “Culture is the study. In order to write the research paper we have collective programming of the mind which abide by the rules and regulation of “ MLA Handbook distinguishes the members of one category of people for Writers of Research Papers, SEVENTH EDITION.
    [Show full text]
  • A Studywith Special Reference to the Assamese Language
    Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 GLOBALISATION,ADVERTISEMENTS ANDTHEIRIMPACTONASSAMESECULTURE: A STUDYWITH SPECIAL REFERENCE TO THE ASSAMESE LANGUAGE Shikha Moni Saharia 1 Ph.D. Research Scholar,Department of Assamese Gauhati University, Assam, India ABSTRACT This paper is an analytical discussion on the impact of advertisements ,chiefly digital ,on Assamese culture ,particularly on the Assamese language . Globalisation opens up the scope of free trade and global marketing in the economic sector of India .This competitive economic scenario leads to the expansion of advertisements .The paper traces how such advertisements impact on the cultural aspects of a society ,especially upon the regional languages .The inter- mingling and code switching of languages in the advertisements often lead to serious linguistic threats before the native languages as English is found to be the most dominating language in such commercial practices. The paper is formulated in an analytical manner .Goodnumbers of contemporary digital advertisements are selected to develop the analysis. The original language of the advertisements is used for the analysis which is transcripted into English. Key Words - Globalisation, advertisement, Assamese, language, impact, English Volume XIII, Issue 5, 2021 Page No: 457 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 INTRODUCTION Globalisation is a inclusive process by which the world is becoming increasingly interconnected as a result of massively increased trade and cultural exchange. Globalisation has completely changed the traditional concept of the globe and presents it in a changing manner .Originally ,the concept of Globalisation was related to economics. But with the passage of time, globalisation extends its impact upto every aspect of the universe.
    [Show full text]
  • 3. People of Assam
    2. People of Assam 3. People of Assam 3.1.Introduction Assam falls in one of the great migration routes of mankind and over the ages there have been waves of migration of diverse groups. The possible routes of migrations are: the northern passes of Bhutan, Tibet and Nepal, Assam- Burma routes on the eastern side, the valleys of the western side formed by the Brahmaputra- Gangetic plains and the sea route, by Bay of Bengal via Bengal and Burma (Choudhury, N.D., 1985, pp. 25-26). The migration which started thousands of years ago is continuing till present day. 3.2.Early Migrations As we trace the background of the people inhabiting Assam, we find literature referring to the earliest settlers. There is the mention of the Kiratas, Cinas, Nishada, and other tribes. When the Vedic Aryan people came to Assam, they encountered these communities. The literatures of ancient times also have some references about the physical features and skin colour of the people. Some anthropologists have used the term Nishada to denote the Australoids. The Kiratas were also mentioned in the ancient literatures. In The Ramayana, Mahabharata, and the Kalika Purana, references have been made to their yellow skin colour. These people were occupying the different regions of the Himalayas and the northeastern part of India. The Kiratas were regarded as Mongoloid people. The term ‘Kirata’ was first mentioned in the Yajurveda. The first ruler of ancient Kamarupa was Mahiranga Danav. He was a Kirata .The other rulers like Hatak Asur, Sambar Asur and Ratna Asur were also Kirata rulers and their subjects were all Kiratas .
    [Show full text]
  • Food Stock in Assamese Culture Monika Das Department of Assamese Rabindranath Tagore University, Hojai, Assam
    IJARSCT ISSN (Online) 2581-9429 International Journal of Advanced Research in Science, Communication and Technology (IJARSCT) Volume 4, Issue 2, April 2021 Impact Factor: 4.819 Food Stock in Assamese Culture Monika Das Department of Assamese Rabindranath Tagore University, Hojai, Assam Abstract: Depending on the natural and geographical environment, the food supply of a single ethnic group or community in a region is based on. Just as the natural environment caters to the food supply, so too does the diet seem to be accepted by all. Therefore, there is a difference between the food security of the people living in the desert and the food security of the people living in the coastal areas. If you look at it from that side it is a combination of innumerable hills and plain areas. The diversity of its geographical and natural environment is remarkable. There are many rivers and sub-rivers like Brahmaputra, Dihing, Dichang etc that flows through the chest of the Assam. Therefore Assam is also known as reverie area (mother zone of river). The climate of Assam is neither hot nor cold. As well as the climate, Assam is naturally a fairly pristine state. Due to the abundance of paddy in Assam; rice is the staple food of these people. In this article we will discuss about vegetables, fish, and meat drinks etc. which are taken with rice. Keywords: Food stock, Assamese culture, Pitha, Dishes I. INTRODUCTION Assamese culture is influenced by these two threads as the Assamese culture is a combination of Aryan and non Aryan elements. This Aryan and non Aryan influence exists in all aspects of Assamese culture .Food is one of the basic human needs.
    [Show full text]
  • In Lakhimpur District, Assam, India Tonlong
    Available online: www.notulaebiologicae.ro Print ISSN 2067-3205; Electronic 2067-3264 AcademicPres Not Sci Biol, 2019, 11(1):138-144. DOI: 10.15835/nsb11110354 Notulae Scientia Biologicae Original Article Bio-cultural Diversity and Ethnobotanic Utility of Indigenous Rice (Oryza sativa L.) in Lakhimpur District, Assam, India Tonlong WANGPAN, Hemprova GOGOI, Taka TAPI, Sumpam TANGJANG* Rajiv Gandhi University, Rono Hills, Doimukh-791112, Arunachal Pradesh, India; [email protected] (*corresponding author); [email protected] ; [email protected] ; [email protected] Abstract The traditional landraces of rice plant had a major role in building socio-economic status of rural poor. The present study deals with the diversity and ethnobotanic significance of indigenous landraces of rice in Lakhimpur district of Assam, India. Altogether, twenty-one indigenous landraces of rice were collected during the present study. Each class having important role to play, the major classes of rice include glutinous, common rice and aromatic rice. Other than being a staple food, rice and its products are still frequently used by rural folk in various festivals, religious and social ceremonies in the form of sweets, cakes, snacks and beverages. Bora-dhan was reported with the highest use value. Based on grain’s qualitative and quantitative traits, the obtained dendrogram contains four different clusters; while, the OTUs (Operational taxonomic unit) present in a cluster display morphological similarity. The dendrogram also illustrated diversified distribution of grains in this region. The study also reveals the profound relationship of people with the traditional landraces of rice. The ethnic farmers should be made aware to promote on-farm conservation of crop diversity, before it is lost under the debris of modernization.
    [Show full text]