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The Vietnam War in the American Mind, 1975-1985 Mark W
University of Richmond UR Scholarship Repository Master's Theses Student Research 8-1989 Half a memory : the Vietnam War in the American mind, 1975-1985 Mark W. Jackley Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Jackley, Mark W., "Half a memory : the Vietnam War in the American mind, 1975-1985" (1989). Master's Theses. Paper 520. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Half A Memory: The Vietnam War In The American Mind, 1975 - 1985 Mark W. Jackley Submitted for the Degree of Master of Arts in History University of Richmond, 1989 Dr. Barry Westin, Thesis Director This study attempts to show how Americans in general remembered the Vietnam War from 1975 to 1985, the decade after it ended. A kind of social history, the study concentrates on the war as remembered in the popular realm, examining novels as well as nonfiction, poetry, plays, movies, articles in political journals, songs, memorials, public opinion polls and more. Most everything but academic history is discussed. The study notes how the war's political historY. was not much remembered; the warrior, not the war, became the focus of national memory. The study argues that personal memory predominated over political memory for a number of reasons, the most important being the relative unimportance of the nation of Vietnam to most Americans. -
Coping Strategies: Three Decades of Vietnam War in Hollywood
Coping Strategies: Three Decades of Vietnam War in Hollywood EUSEBIO V. LLÁCER ESTHER ENJUTO The Vietnam War represents a crucial moment in U.S. contemporary history and has given rise to the conflict which has so intensively motivated the American film industry. Although some Vietnam movies were produced during the conflict, this article will concentrate on the ones filmed once the war was over. It has been since the end of the war that the subject has become one of Hollywood's best-sellers. Apocalypse Now, The Return, The Deer Hunter, Rambo or Platoon are some of the titles that have created so much controversy as well as related essays. This renaissance has risen along with both the electoral success of the conservative party, in the late seventies, and a change of attitude in American society toward the recently ended conflict. Is this a mere coincidence? How did society react to the war? Do Hollywood movies affect public opinion or vice versa? These are some of the questions that have inspired this article, which will concentrate on the analysis of popular films, devoting a very brief space to marginal cinema. However, a general overview of the conflict it self and its repercussions, not only in the soldiers but in the civilians back in the United States, must be given in order to comprehend the between and the beyond the lines of the films about Vietnam. Indochina was a French colony in the Far East until its independence in 1954, when the dictator Ngo Dinh Diem took over the government of the country with the support of the United States. -
Women's Entrepreneurship Development in Vietnam I.4 General Profile of Interviewed Enterprises
International VIETNAM CHAMBER OF COMMERCE AND INDUSTRY Labour Organization in Vietnam Women’s Entrepreneurship Development in Vietnam The Vietnam Women Entrepreneurs Council (VWEC) Women’s Entrepreneurship Development in Vietnam The Vietnam Women Entrepreneurs Council (VWEC) September 2007 Copyright © International Labour Organization 2007 Table of contents Publications of the International Labour Office enjoy copyright under Protocol 2 of the Universal Copyright Convention. Nevertheless, short excerpts from them may be reproduced without authorization, on condition that the source is indicated. For rights of reproduction or FOREWORDS....................................................................................................... 3 translation, application should be made to the Publications Bureau (Rights and Permissions), International Labour Office, CH-1211 Geneva 22, Switzerland. The International Labour Office ACKNOWLEDGEMENTS ................................................................................. 5 welcomes such applications. ABBREVIATIONS ............................................................................................... 7 Libraries, institutions and other users registered in the United Kingdom with the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP [Fax: (+44) (0)20 7631 5500; LIST OF TABLES & FIGURES.............................................................................. 8 email: [email protected]], in the United States with the Copyright Clearance Center, 222 Rosewood Drive, -
The Incidence of Sexual Harassment Among Female Vietnam War Era Veterans with Posttraumatic Stress Disorder Symptoms
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1998 The incidence of sexual harassment among female Vietnam War era veterans with posttraumatic stress disorder symptoms Carolyn Bong Ai Ogden Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Gender and Sexuality Commons Recommended Citation Ogden, Carolyn Bong Ai, "The incidence of sexual harassment among female Vietnam War era veterans with posttraumatic stress disorder symptoms" (1998). Theses Digitization Project. 1456. https://scholarworks.lib.csusb.edu/etd-project/1456 This Project is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE INCIDENCE OF SEXUiUlj HARASSMENT AMONG FEMALE VIETNAM WAR ERA VETERANS WITH POSTTRAUMATIC STRESS DISORDER SYMPTOMS A Project Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Social Work by Carolyn Bong Ai Ogden June 1998 THE INCIDENCE OF SEXUAL HARASSMENT AMONG FEMALE VIETNAM WAR ERA VETERANS WITH POSTTRAUMATIC STRESS DISORDER SYMPTOMS A Project Presented to the Faculty of California State University, San Bernardino by Carolyn Bong Ai Ogden June 1998 Approved by: Dr. Ma:^]orie H\int ate Project Advisor, Social Work Dr. Rosemary Mccaslin, Co-Chair, Date Research Sequence, Social Work (c) 1998 Carolyn B. Ogden. All rights reserved I don't regret going [to Vietnam]. It was awful and awesome at the same time. -
Intimate Perspectives from the Battlefields of Iraq
'The Best Covered War in History': Intimate Perspectives from the Battlefields of Iraq by Andrew J. McLaughlin A thesis presented to the University Of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in History Waterloo, Ontario, Canada, 2017 © Andrew J. McLaughlin 2017 Examining Committee Membership The following served on the Examining Committee for this thesis. The decision of the Examining Committee is by majority vote. External Examiner Marco Rimanelli Professor, St. Leo University Supervisor(s) Andrew Hunt Professor, University of Waterloo Internal Member Jasmin Habib Associate Professor, University of Waterloo Internal Member Roger Sarty Professor, Wilfrid Laurier University Internal-external Member Brian Orend Professor, University of Waterloo ii Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract This study examines combat operations from the 2003 invasion of Iraq War from the “ground up.” It utilizes unique first-person accounts that offer insights into the realities of modern warfare which include effects on soldiers, the local population, and journalists who were tasked with reporting on the action. It affirms the value of media embedding to the historian, as hundreds of journalists witnessed major combat operations firsthand. This line of argument stands in stark contrast to other academic assessments of the embedding program, which have criticized it by claiming media bias and military censorship. Here, an examination of the cultural and social dynamics of an army at war provides agency to soldiers, combat reporters, and innocent civilians caught in the crossfire. -
And Where He Did
Vol. 2 No. 9 October 1992 $4.00 and where he did Volume 2 Number 9 I:URI:-KA STRI:-eT October 1992 A m agazine of public affairs, the arts and theology 21 CoNTENTS TOPGUN Michael McGirr reports on gun laws and the calls for capital punishment in the 4 Philippines. COMMENT In this year of elections we are only as good 22 as our choices, says Peter Steele. Andrew DON'T KISS ME, HARDY Hamilton looks at the Columbus quin James Griffin concludes his series on the centary, and decides that the past must be Wren-Evatt letters. owned as well as owned up to (pS). 6 25 ORIENTATIONS LETTERS Peter Pierce and Robin Gerster take their pens to Shanghai and Saigon; Emmanuel 7 Santos and Hwa Goh take their cameras to COMMISSIONS AND OMISSIONS Tianjin. ICAC chief Ian Temby Margaret Simons talks to Australia's top speaks for himself: p 7 crime-busters. 34 11 BOOKS AND ARTS Cover photo: A member of Was the oldest part of the Pentateuch CAPITAL LETTER the Tianjing city planning office written by a woman? Kevin Hart reviews in Jei Fang Bei Road, three books by Harold Bloom, who thinks the 'Wall Street' of Tianjin. 12 it was; Robert Murray sizes up Columbus BLINDED BY THE LIGHT and colonialism (p38 ). Cover photo and photos pp25, 29 and 30 Bruce Williams visits the Columbus light by Emmanuel Santos; house in Santo Domingo, and wonders who Photo p27 by Hwa Goh; will be enlightened. 40 Photos p12 by Belinda Bain; FLASH IN THE PAN Photo p41 by Bill Thomas; 15 Reviews of the films Patriot Games Cartoons pp6, 36 and 3 7 by Dean Moore; Zentropa, Edward II, and Deadly. -
(XXXIII: 11) Brian De Palma: the UNTOUCHABLES (1987), 119 Min
November 8, 2016 (XXXIII: 11) Brian De Palma: THE UNTOUCHABLES (1987), 119 min. (The online version of this handout has color images and hot url links.) DIRECTED BY Brian De Palma WRITING CREDITS David Mamet (written by), Oscar Fraley & Eliot Ness (suggested by book) PRODUCED BY Art Linson MUSIC Ennio Morricone CINEMATOGRAPHY Stephen H. Burum FILM EDITING Gerald B. Greenberg and Bill Pankow Kevin Costner…Eliot Ness Sean Connery…Jimmy Malone Charles Martin Smith…Oscar Wallace Andy García…George Stone/Giuseppe Petri Robert De Niro…Al Capone Patricia Clarkson…Catherine Ness Billy Drago…Frank Nitti Richard Bradford…Chief Mike Dorsett earning Oscar nominations for the two lead females, Piper Jack Kehoe…Walter Payne Laurie and Sissy Spacek. His next major success was the Brad Sullivan…George controversial, ultra-violent film Scarface (1983). Written Clifton James…District Attorney by Oliver Stone and starring Al Pacino, the film concerned Cuban immigrant Tony Montana's rise to power in the BRIAN DE PALMA (b. September 11, 1940 in Newark, United States through the drug trade. The film, while New Jersey) initially planned to follow in his father’s being a critical failure, was a major success commercially. footsteps and study medicine. While working on his Tonight’s film is arguably the apex of De Palma’s career, studies he also made several short films. At first, his films both a critical and commercial success, and earning Sean comprised of such black-and-white films as Bridge That Connery an Oscar win for Best Supporting Actor (the only Gap (1965). He then discovered a young actor whose one of his long career), as well as nominations to fame would influence Hollywood forever. -
Vietnam Goes Intermedia – Reconsidering Media Boundaries in Michael Herr’S Dispatches
Vietnam Goes Intermedia – Reconsidering Media Boundaries in Michael Herr’s Dispatches Madita Oeming 1 Introduction: The Vietnam War In- and Outside Plato’s Cave What does Plato have to do with the Vietnam War? To turn to a piece of philoso- phical writing from antiquity to approach a twentieth-century political event seems absurd. However, re-reading Plato’s The Republic with this aspect in mind opens up an illuminating perspective. His famous cave allegory in Book VII suddenly reads like a trenchant commentary on the splitting of the American people during the Vietnam era: soldiers experiencing the war first hand versus civilians following it via the media. To be more precise, those going to Vietnam left the cave to face reality; while those staying in the US lingered in the cave’s darkness with nothing but representations of reality. It almost goes without saying that this dichotomy implies the primacy of the former over the latter, for whom “the truth would be literally nothing but the shadows of images” (Plato 42). Aligning the experience of war with the “beatific vision” portrayed in Plato (45) – which is to equate the sol- dier with the philosopher – would certainly be over the top. Yet, the inherent hier- archy of contrasting the “uninformed of the truth” (ibid. 47) with those who have been to “the world of knowledge” (ibid. 44) can be discovered in much Vietnam writing – “there exists within the cultural production of Vietnam a privileging … of personal experience, of ‘Having Been There, Man’” (Bonn 208). 60 Madita Oeming Though being in fact applicable to virtually any other war, this binarism of first- hand war experience versus mediated knowledge thereof is particularly characteris- tic of the Vietnam War. -
Vietnamese Women's Critical Reflections on Their Adaptation to Living in the United Sates Mai Le Ho Del Buono
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 2008 Vietnamese women's critical reflections on their adaptation to living in the United Sates Mai Le Ho Del Buono Follow this and additional works at: https://repository.usfca.edu/diss Part of the Education Commons Recommended Citation Del Buono, Mai Le Ho, "Vietnamese women's critical reflections on their adaptation to living in the United Sates" (2008). Doctoral Dissertations. 162. https://repository.usfca.edu/diss/162 This Dissertation is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The University of San Francisco VIETNAMESE WOMEN‘S CRITICAL REFLECTIONS ON THEIR ADAPTATION TO LIVING IN THE UNITED STATES A Dissertation Presented to The Faculty of the School of Education International and Multicultural Education Department In Partial Fulfillment Of the Requirements for the Degree Doctor of Education by Mai Le Ho Del Buono San Francisco, California December 2008 This dissertation, written under the direction of the candidate‘s dissertation committee and approved by the members of the committee, has been presented to and accepted by the Faculty of the School of Education in partial fulfillment of the requirements for the degree of Doctor of Education. The content and research methodologies presented in this work represent the work of the candidate alone. -
Film, Politics, and Ideology: Reflections on Hollywood Film in the Age of Reagan* Douglas Kellner (
Film, Politics, and Ideology: Reflections on Hollywood Film in the Age of Reagan* Douglas Kellner (http://www.gseis.ucla.edu/faculty/kellner/) In our book Camera Politica: Politics and Ideology in Contemporary Hollywood Film (1988), Michael Ryan and I argue that Hollywood film from the 1960s to the present was closely connected with the political movements and struggles of the epoch. Our narrative maps the rise and decline of 60s radicalism; the failure of liberalism and rise of the New Right in the 1970s; and the triumph and hegemony of the Right in the 1980s. In our interpretation, many 1960s films transcoded the discourses of the anti-war, New Left student movements, as well as the feminist, black power, sexual liberationist, and countercultural movements, producing a new type of socially critical Hollywood film. Films, on this reading, transcode, that is to say, translate, representations, discourses, and myths of everyday life into specifically cinematic terms, as when Easy Rider translates and organizes the images, practices, and discourses of the 1960s counterculture into a cinematic text. Popular films intervene in the political struggles of the day, as when 1960s films advanced the agenda of the New Left and the counterculture. Films of the "New Hollywood," however, such as Bonnie and Clyde, Medium Cool, Easy Rider, etc., were contested by a resurgence of rightwing films during the same era (e.g. Dirty Harry, The French Connection, and any number of John Wayne films), leading us to conclude that Hollywood film, like U.S. society, should be seen as a contested terrain and that films can be interpreted as a struggle of representation over how to construct a social world and everyday life. -
Framing 'The Other'. a Critical Review of Vietnam War Movies and Their Representation of Asians and Vietnamese.*
Framing ‘the Other’. A critical review of Vietnam war movies and their representation of Asians and Vietnamese.* John Kleinen W e W ere Soldiers (2002), depicting the first major clash between regular North-Vietnamese troops and U.S. troops at Ia Drang in Southern Vietnam over three days in November 1965, is the Vietnam War version of Saving Private Ryan and The Thin Red Line. Director, writer and producer, Randall Wallace, shows the viewer both American family values and dying soldiers. The movie is based on the book W e were soldiers once ... and young by the U.S. commander in the battle, retired Lieutenant General Harold G. Moore (a John Wayne- like performance by Mel Gibson).1 In the film, the U.S. troops have little idea of what they face, are overrun and suffer heavy casualties. The American GIs are seen fighting for their comrades, not their fatherland. This narrow patriotism is accompanied by a new theme: the respect for the victims ‘on the other side’. For the first time in the Hollywood tradition, we see fading shots of dying ‘VC’ and of their widows reading loved ones’ diaries. This is not because the filmmaker was emphasizing ‘love’ or ‘peace’ instead of ‘war’, but more importantly, Wallace seems to say, that war is noble. Ironically, the popular Vietnamese actor, Don Duong, who plays the communist commander Nguyen Huu An who led the Vietnamese People’s Army to victory, has been criticized at home for tarnishing the image of Vietnamese soldiers. Don Duong has appeared in several foreign films and numerous Vietnamese-made movies about the War. -
Worldradiohistory.Com › Archive-Billboard › 90S › 1990 › BB
IN THIS ISSUE # t% * ***-x*;: *3- DIGIT 908 006817973 4401 9013 MAR92QGZ PolyGram Has `Fine' MONJTY GREENLY APT A Future In U.S., Says 3740 ELM LONG BEACH CA 90807 Label's Global Chief PAGE 6 Simmons Links Rush Labels With Columbia PAGE 6 R THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 31, 1990/$4.50 (U.S.), $5.50 (CAN.), £3.50 (U.K.) Newest Sell -Thru Megahit Pubs, Writers On Lyric Sidelines A `Honey' In Sales, Rentals Trade Groups Won't Fight Labeling Bills vol- BY EARL PAIGE disers because it's a family movie. BY BILL HOLLAND feels the industry needs to take We also see it promising as a gift Tennessee Stickering Bill Appears untary self-regulation more serious- LOS ANGELES -The Buena Vista item." WASHINGTON, D.C. -The leading To Have Fizzled Out ... See Page 5 ly. Home Video release "Honey, I Video buyer Gail Reed at 54 -store associations of music publishers and "NMPA has no position on this as Shrunk The Kids," the last of three Spec's Music in Miami says, "Every songwriters have decided not to join ers and writers, have joined the re- yet," Murphy says. "While no one is for a moment there shouldn't closely watched early -1990 sell - piece rented." In terms of sales, the music industry fight against the cently formed Coalition Against Lyr- saying through blockbusters, jumped out though, she says the Disney comedy passage of state record-labeling bills ics Legislation. be First Amendment protection, free of the box with solid showings in is running "100 pieces" behind at this time.