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Fantasy Football University Chapter 1
Fantasy Football University Chapter 1 What is Fantasy Football? Fantasy Football puts you in charge and gives you the opportunity to become the coach, owner, and general manager of your own personal football franchise. You'll draft a team of pro football players and compete against other team owners for your league's championship. The game and its rules are designed to mimic pro football as much as possible, so you'll live the same thrills and disappointments that go along with a football season. And your goal is simple: build a complete football team, dominate the competition and win your league's championship. Why should you be playing Fantasy Football? The game is easy to learn and fun to play. You'll become more knowledgeable about football than ever before. It does not take a huge commitment to be competitive and requires only as much time as you'd like to invest. And you don't have to be a die-hard fan to enjoy playing. In fact, most people who are trying Fantasy Football for the first time are casual fans. Chapter 2 Team & League Team name: The first step to getting started is creating a name for your new team. This is how you and your team will be identified throughout the season so get creative and have a little fun. Join or create a league: Your competition will be made up of the other owners in your league. The number of teams in a Fantasy Football league can vary but should always be an even number. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Irish Gothic Fiction
THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. -
Here's What's Happening at AAA in 2013
AMERICAN ACCORDIONISTS’ ASSOCIATION Newsletter A bi-monthly publication of the American Accordionists’ Association JANUARY 2013 From the Editor Here’s What’s Welcome to the January 2013 edition of the AAA Newsletter. As we begin the New Year, it is already shaping up to be an exciting 12 months, full of spectacular accordion events anchored by our own organization’s 75th An- Happening at niversary to be celebrated in New York City in August. My sincere thanks go to our AAA President Linda Reed for her kind assistance in AAA in 2013 the production of this bi-monthly Newsletter which is now celebrating its first an- niversary! I would also like to extend a special thank you to my fellow Board of Director Rita David- son for helping gather and research the News articles, and to all the members who have been able to MARCH 16, 2013 submit items for publication. Coupe Mondiale Items for the March Newsletter can be sent to me at [email protected]. Please include qualifying categories. ‘AAA Newsletter’ in the subject box, so that none of the items are missed when they come in. Text See article on this page should be sent within the e-mail or as a Word .doc (not docx) attachment. Pictures should be sent as a high quality .jpg or similar image file, and the larger the file size the better. We can always MARCH 17, 2013 reduce/crop the picture if necessary, however we are unable to increase the quality from smaller pic- 2:00 pm tures. The deadline for the March 2013 edition will be the 15th of February. -
Lonestarcon 2 PR 2
L.A.con III ©1996 Worldcon Q James White • Roger Corman Elsie Wollheim • Connie Willis ANAHEIM, CALIFORNIA, U.S.A. August 29-September 2, 1996 Takumi & Sachiko Shibano Thu-Fri-Sat-Sun-Mon (Labor Day Weekend) The world is coming to California for the Anaheim Worldcon. Come and join the fun! Sign up today! ANAHEIM HILTON & TOWERS • Anaheim Convention Center • Anaheim Marriott • across from Bisnevfanb Memberships All © Five Days $110 u.s. Supporting: $30. Child-in-tow (3-12): $35. Rates subject to change December 31, 1995. Higher at the door. Please make checks payable to LA.con III c/o S.C.LF.L, P.O. Box 8442, Van Nuys CA 91409. CHARGE IT: send name on card, number, expiration date, and signature. EMAIL INFOBOT: [email protected] "WORLD WIDE WEB" URL: http './/sundry.hsc.usc.edu/iacon3/ or: ftp://ftp.netcom.com/pub/la/lacon3-info/www/lacon3.html EX S0 CO ft A FIVE DAYS OF FUN: Art Show, Anime, Authors, CANADA: CS1 55 payable to BRUCE PELZ, c/o SCIFI, P.O. Box 8442, Van Nuys Autographs, Books, Con Suite, Dancing CA 91409, USA AUSTRALIA: A$1 55 payable to ERIC LINDSAY. 7 Nicoll Ave.. Ryde. NSW. 2112 A -t—i a? s * so? 1 ' Australia Dealers Room, Exhibits, Fans, Fanzines, Filk, EUROPE: NLC 170. Please contact our agent. KEES VAN TOORN, PO Box 341 1. Films. Gaming, Hugo Awards, Ice Cream Social NL-3OO3 AK Rotterdam. Netherlands. JAPAN: Please contact our agent. MASAMICHI OSAKO, #523 1-5-1 1 Inaba, Higashi- a© as a <<•■.»'* a 0 Osaka, Osaka Prefecture. -
GURPS Dungeon Fantasy Monsters 1 Is Copyright © 2011 by Steve Jackson Games Incorporated
TM Written by PETER V. DELL’ORTO and SEAN PUNCH Illustrated by IGOR FIORENTINI, JOYCE MAUREIRA, ROD REIS, BOB STEVLIC, and JACOB WALKER An e23 Sourcebook for GURP S® STEVE JACKSON GAMES ® Stock #37-0322 Version 1.0 – June 2011 CONTENTS I NTRODUCTION . 3 GIANT APE . 16 SWORD SPIRIT . 29 About the Authors . 3 Acting Like an Ape . 16 Live By the Sword . 29 About GURPS . 3 King of the Apes . 16 Die By the Sword . 29 GLADIATOR APE . 17 THROTTLER . 30 1. THE MONSTERS . 4 Battle Rage . 17 Full Throttle . 30 Reading Monster Stats . 4 Cestus Is Bestest . 17 It’s Not Easy Being Green . 30 BRONZE SPIDER . 5 HORDE PYGMY . 18 TROLL . 31 Spiders? Try Cockroaches! . 5 Nasty, Brutish, and Short . 18 Killin’ Trolls . 31 Along Came a Spider . 5 Island of the Pygmies . 18 . and Trolls Killin’ . 31 BUGBEAR . 6 HORRID SKULL . 19 UNDEAD SLIME . 32 Lair of the Bugbear . 6 It’s a Trap! . 19 Endurance Event . 32 CIUACLÁ . 7 Unholy Hand Grenade . 19 Cage Fight . 32 Killing Death . 7 ICE WYRM . 20 VOID BRUTE . 33 CORPSE GOLEM . 8 Icing the Wyrm . 20 Serving the Masters . 33 Not-Quite-Life Is Cheap . 8 Lair of the Ice Wyrm . 20 Berserk Void Brutes . 33 That’s Just Sickle! . 8 KARKADANN . 21 WATCHER AT DEMON FROM Soothing the Savage Breast . 21 THE EDGE OF TIME . 34 BETWEEN THE STARS . 9 Karkadann Pride . 21 Time Is on Their Side . 34 Harassers From LEAPING LEECH . 22 Hero-Killers . 34 Between the Stars . 9 Harmless Nuisance . 22 Hello Darkness My Old Friend . -
SFC Bulletin Shall Be Published at All Officers of the SFC Must Reside Within the Confederacy
THE SOUTHERN FANDOM CONFEDERATION BULLETIN Volume 8 Number 5 March 2004 The Southern Fandom Confederation Bulletin Volume 8 Number 5 SOUTHERN FANDOM CONFEDERATION BULLETIN CONTENTS PAGE Ad Rates Cleary Comments 3 Separated At Birth? 3 Type Full Page Half Page ¼ Page Convention Reports 4 Fan $50.00 $25.00 $12.50 Pro $100.00 $50.00 $25.00 Book Reviews 4 Treasurer’s Report 5 SFC Handbooks Doomsday Book Word Search Puzzle 5 Annotated Fanzine Listings 6 This amazing 196 page tome of Southern Fannish lore, The Chronicles of Narnia Scramblet Puzzle 7 edited by T.K.F.W. Reinhardt, is now available to all comers News 8 for $5, plus a $2 shipping and handling charge if we have to Southern Convention List 11 mail it. The Handbook is also available online, thanks to the SFC By-Laws 13 efforts of Samuel Smith, at www.smithuel.net/sfcbh/. The Letters of Comment 15 SFC Handbook Errata page is: www.smithuel.net/sfchb/hberrata.html. Policies T-Shirts The Southern Fandom Confederation Bulletin Volume 8, Number 5, March 2004, is the official publication of the Sizes Quantity (Animals) Quantity (States) Southern Fandom Confederation (SFC), a not-for-profit Medium 1 2 literary organization and information clearinghouse Large 2 4 dedicated to the service of Southern Science Fiction and XXL 1 Not Available Fantasy Fandom. The Bulletin is edited by R. B. Cleary and is published at least three times per year. Membership in the T-Shirts are $10 each plus $3 shipping and handling fee SFC is $15 annually, running from DeepSouthCon to if we have to mail it. -
Updated on 6-19-09 FILK
Updated on 6-19-09 (all information is subject to change at any time up to, during and even after the convention…) FILK - all Filk events are in the Dolores Room FILK – COURTING OUR MUSES. Filkers talk about the ideas behind their songs -- how and where the ideas occurred, why the ideas inspired them to create filk songs, and how they used the ideas in their creation. Fri 4p-5p. Bill Laubenheimer, Jennifer Aronson, Lynn Gold FILK – FILK AS A PRESSURE VALVE. Songs that unleash frustrations: literary, sexual, emotional, intellectual, and social. Sat 4p-5p. Chris Paige, Tom Tuerff, Lynn Gold, Jennifer Aronson FILK – FILK SPAWN or One Filk Leads to Another. Like all the variations on “Dawson’s Christian”, i.e. Nancy Freeman’s “Dawson’s Mizvah”, or the filk war between Rennie Levine and Kanefvsky, or the lovely “Swing on a Star” variations. Fri 2p-3p. Tom Tuerff, Bill Laubenheimer, Darren Reale FILK – FILL IN THE BLANK FILK. Remember doing mad-libs as a kid? Where you take a story or whatever, take out some of the words, and replace them with words suggested by people who don't know what they're replacing. Well, as Tom Smith proved, you can do them for filk songs, too. Come join our panelists, who have brought ready-to- madlib songs, or bring your own to throw into the fray. Sun 1p-2p. Melissa Trible, Gary Swaty, Jennifer Aronson FILK/DEMO - HISTORY OF BARDIC MUSIC & STORYTELLING. - Reale Medieval Music. An overview of Bardic arts and storytelling. Demonstrations and Q&A session if time allows. -
Full Program Book
Concert Times Friday 7:30pm Vanessa Cardui 8:30pm Toastmaster: Allegra Sloman Saturday 11:00am Starlight 2:30pm Interfilk Guest: Daniela Festi 7:30pm Cade Tinney 9:00pm Guest of Honor: Cheshire Moon Sunday 11:30am Creede Lambard 4:30pm Alyssa Yeager ALL CONCERTS ARE IN NORTHWEST 1 Where Is Everything? Our con space is in the Northwest Ballroom area on the ground floor of the main building of the hotel (containing the tower). Elevators to the Con Suite and tower rooms are just down a short hallway. The hotel map is on the back of this program book. Registration is in the Northwest Foyer. Concerts and the Interfilk auction are in Northwest 1. The Dealers Room is in Northwest 2. Unscheduled time in Northwest 3 and Olympic 2 is available for rehearsal, filking, socializing, or just to get away from the main con. The Northwest Cloakroom is for scheduled rehearsals first, unscheduled rehearsals second, and anything else third. The Con Suite is in Room 1370. The ticketed Conflikt lunch is Sunday at 12:30pm in Cascade 9 and 10, on the second floor of the tower. Information about other things near the hotel is on the hotel page of the con website and on the info table near registration. Table of Contents Cover art by Shawna Jacques...Cover Programming Grid...........................12 Concerts, Locations. Inside front cover Friday Schedule...............................14 Con Suite, Dealers............................1 Singalong Lyrics..............................15 Conflikt Rules and Policies................2 Saturday Schedule..........................17 A Note From the Chair.......................3 Sunday Schedule............................21 Concert and Circle Etiquette..............5 Signups Info.....................................24 Guest of Honor: Cheshire Moon........7 Unscheduled program room use.....24 Toastmaster: Allegra Sloman............9 Acknowledgements. -
Andean Music, the Left and Pan-Americanism: the Early History
Andean Music, the Left, and Pan-Latin Americanism: The Early History1 Fernando Rios (University of Illinois, Urbana-Champaign) In late 1967, future Nueva Canción (“New Song”) superstars Quilapayún debuted in Paris amid news of Che Guevara’s capture in Bolivia. The ensemble arrived in France with little fanfare. Quilapayún was not well-known at this time in Europe or even back home in Chile, but nonetheless the ensemble enjoyed a favorable reception in the French capital. Remembering their Paris debut, Quilapayún member Carrasco Pirard noted that “Latin American folklore was already well-known among French [university] students” by 1967 and that “our synthesis of kena and revolution had much success among our French friends who shared our political aspirations, wore beards, admired the Cuban Revolution and plotted against international capitalism” (Carrasco Pirard 1988: 124-125, my emphases). Six years later, General Augusto Pinochet’s bloody military coup marked the beginning of Quilapayún’s fifteen-year European exile along with that of fellow Nueva Canción exponents Inti-Illimani. With a pan-Latin Americanist repertory that prominently featured Andean genres and instruments, Quilapayún and Inti-Illimani were ever-present headliners at Leftist and anti-imperialist solidarity events worldwide throughout the 1970s and 1980s. Consequently both Chilean ensembles played an important role in the transnational diffusion of Andean folkloric music and contributed to its widespread association with Leftist politics. But, as Carrasco Pirard’s comment suggests, Andean folkloric music was popular in Europe before Pinochet’s coup exiled Quilapayún and Inti-Illimani in 1973, and by this time Andean music was already associated with the Left in the Old World. -
Dialogues Between a Violin and a Body
Kurs: AA1022 Examensarbete master, folkmusik 30 hp 2021 Konstnärlig masterexamen i musik Institutionen för folkmusik Handlare: Olof Misgeld Coline Genet Dialogues between a violin and a body How to be a dancing musician on stage ? Skriftlig reflektion inom självständigt arbete Inspelning av det självständiga, konstnärliga arbetet finns dokumenterat i det tryckta exemplaret av denna text på KMH:s bibliotek . Contents Abstract . .3 PREFACE . .4 1 Introduction . .5 2 Background and concepts . .6 2.1 Performances . .6 2.2 Master and doctoral thesis in artistic research . .7 2.3 Other inspiring artists . .7 2.4 Scientific works . .8 2.5 Concepts . .9 3 Chapter 1: Discovery, dialogue . 14 3.1 Material - The French bourrée ..................... 14 3.2 Construction of the performance . 15 3.3 Space and creativity . 16 4 Chapter 2: Freedom, improvisation . 17 4.1 Upstream work for dance improvisation . 17 4.2 Construction of the performance . 19 4.3 Borders of folk dance and music . 20 5 Chapter 3: Technique, precision, understanding . 21 5.1 Dance meter vs. musical meter . 21 5.1.1 Method . 21 5.1.2 Waltz styles . 22 5.1.3 Polyrhythmic layers: The case of the bourrée . 24 5.2 Dancing and playing at the same time . 26 5.2.1 Common posture . 27 5.2.2 Tune the different meters up . 28 5.2.3 Exercises . 29 5.3 Results . 30 Conclusion . 31 Bibliography 32 References . 33 Appendices . 34 1 The Dancing Musicians - John. B. Vallely 2 Acknowledgement I would like to thank Olof Misgeld and Ellika Frisell for supervising this project, inspiring and supporting -
March 1-3, 2013
March 1-3, 2013 The San Francisco Bay Area Filk convention! This Year’s Guests! breakfast buffet until noon in the Champagne I ballroom, and will be offering room service at Guests of Honor: Ookla the Mok West lunch and dinner with no service charge, and with a 10% Consonance discount. In other Toastmaster: Scott Snyder words, if you order room service, you’ll be Interfilk Guests: Merav Hoffman paying what you’d pay in the hotel restaurant. There are also a bunch of restaurants within International Guest: “Downtown” Freddy walking distance of the hotel, and many more within a short drive. Brown The Con Suite will be hosted by Riley, RJ, and Devon this year, with the return of RJ’s patent-pending video wallpaper, featuring no- Message from sound classic SF films and television. As the Chair always, there will be snacks and light meal fixings — drop by for conversation and a cup of tea. Victor Stevko Be sure to swing by the Dealers’ Room in Korbell to stock up on the latest music — the Welcome, everyone, dealers will be happy to help you find what to Consonance 2013! you’re looking for. This year, we’ve returned to our old/new Speaking of finding what you’re looking hotel, the newly refurbished, filk-friendly for, Miss Kitty will be at the Info Desk to Crowne Plaza Silicon Valley, for our annual answer all your questions. Don’t be a stranger! weekend of friends, filk, and fun. We have a Thanks go out to the Crowne Plaza staff, rockin’ group of guests this year.