'Smart Paper' in Neal Stephenson's 'The Diamond Age: Or, a Young
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The Apocalypse Archive: American Literature and the Nuclear
THE APOCALYPSE ARCHIVE: AMERICAN LITERATURE AND THE NUCLEAR BOMB by Bradley J. Fest B. A. in English and Creative Writing, University of Arizona, Tucson, 2004 M. F. A. in Creative Writing, University of Pittsburgh, Pittsburgh, 2007 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Bradley J. Fest It was defended on 17 April 2013 and approved by Jonathan Arac, PhD, Andrew W. Mellon Professor of English Adam Lowenstein, PhD, Associate Professor of English and Film Studies Philip E. Smith, PhD, Associate Professor of English Terry Smith, PhD, Andrew W. Mellon Professor of Contemporary Art History and Theory Dissertation Director: Jonathan Arac, PhD, Andrew W. Mellon Professor of English ii Copyright © Bradley J. Fest 2013 iii THE APOCALYPSE ARCHIVE: AMERICAN LITERATURE AND THE NUCLEAR BOMB Bradley J. Fest, PhD University of Pittsburgh, 2013 This dissertation looks at global nuclear war as a trope that can be traced throughout twentieth century American literature. I argue that despite the non-event of nuclear exchange during the Cold War, the nuclear referent continues to shape American literary expression. Since the early 1990s the nuclear referent has dispersed into a multiplicity of disaster scenarios, producing a “second nuclear age.” If the atomic bomb once introduced the hypothesis “of a total and remainderless destruction of the archive,” today literature’s staged anticipation of catastrophe has become inseparable from the realities of global risk. -
Novelist Neal Stephenson Once Again Proves He's the King of the Worlds by Steven Levy 08.18.08
Novelist Neal Stephenson Once Again Proves He's the King of t... http://www.wired.com/print/culture/art/magazine/16-09/mf_ste... << Back to Article WIRED MAGAZINE: 16.09 Novelist Neal Stephenson Once Again Proves He's the King of the Worlds By Steven Levy 08.18.08 Illustration: Nate Van Dyke Tonight's subject at the History Book Club: the Vikings. This is primo stuff for the men who gather once a month in Seattle to gab about some long-gone era or icon, from early Romans to Frederick the Great. You really can't beat tales of merciless Scandinavian pirate forays and bloody ninth-century clashes. To complement the evening's topic, one clubber is bringing mead. The dinner, of course, is meat cooked over fire. "Damp will be the weather, yet hot the pyre in my backyard," read the email invite, written by host Njall Mildew-Beard. That's Neal Stephenson, best-selling novelist, cult science fictionist, and literary channeler of the hacker mindset. For Stephenson, whose books mash up past, present, and future—and whose hotly awaited new work imagines an entire planet, with 7,000 years of its own history—the HBC is a way to mix background reading and socializing. "Neal was already doing the research," says computer graphics pioneer Alvy Ray Smith, who used to host the club until he moved from a house to a less convenient downtown apartment. "So why not read the books and talk about them, too?" With his shaved head and (mildewless) beard, Stephenson could cut something of an imposing figure. -
Odalisque (Baroque Cycle) Online
ciBr0 (Download free pdf) Odalisque (Baroque Cycle) Online [ciBr0.ebook] Odalisque (Baroque Cycle) Pdf Free Neal Stephenson ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #3361818 in Books 2015-06-09Formats: Audiobook, MP3 Audio, UnabridgedOriginal language:EnglishPDF # 1 6.75 x .50 x 5.25l, Running time: 13 HoursBinding: MP3 CD | File size: 15.Mb Neal Stephenson : Odalisque (Baroque Cycle) before purchasing it in order to gage whether or not it would be worth my time, and all praised Odalisque (Baroque Cycle): 0 of 0 people found the following review helpful. Book Three of the Author's Baroque CycleBy Steven M. AnthonyOdalisque is Book Three of Volume I (Quicksilver) of the author’s Baroque Cycle. Book One introduced Daniel Waterhouse, a 17th century member of the English Royal Society. Both the college years and twilight years of Waterhouse’s life are covered in separate threads. Book Two follows the exploits of Half-Cocked Jack Shaftoe and his traveling companion Eliza, whom he liberated from the Turks at the Siege of Vienna.Book Three merges the characters of Books One and Two during the historical period covering the reigns of Charles II, James II, Louis XIV and William of Orange. This equates to the middle age of Daniel Waterhouse, a Puritan who is navigating the perilous religious landscape between the Protestant King Charles II and the Catholic King James II. Meanwhile Eliza shuttles between the Versailles court of Louis XIV and the Dutch Republic, acting as both financial manipulator and covert operative. Various other historical figures make their appearances throughout the pages.If you enjoyed Books One and Two, then this is more of the same. -
Emergence, AI and Intellectual Property
The Emergent1 Property2 Market3 Jon Crowcroft, University of Cambridge, Computer Laboratory Abstract The title of this piece is a somewhat heavy-handed word play. The property market I’m writing about is the market in Intellectual Property, which is broken in so many ways, evidenced by the existence of patent mountains and patent trolls, fighting over how many angles they can fit in the 360 degrees around the head of a pin, rather than actually innovating. (It is well known in creative tech circles that pausing to talk to the IP lawyers would never have led to the discovery of the Internet Protocol). The Emergent Property I’m referring to is the possibility that such a complex system could fairly suddenly exhibit some new behavior. In this article, I speculate that this new behavior could just be that the idea of property ceases to exist. The article is written somewhat derivatively after the 1960s SF style of writers such as Cyril Kornbluth, JG Ballard, and John Brunner. Any resemblance to their very creative output is entirely good luck rather than actual skill. 1 A good example of emergence is described in Stephenson’s Anathem book. Complex systems suddenly exhibit simple, powerful effects, fireflies flashing and synchronizing all together in phase, or a murmuration of starlings being common natural examples. Crystalisation. See also footnote 33. 2 Some people have proposed putting the UK’s Land Registry (the national record of property) on the blockchain. Blockchains, or distributed ledgers, are suitable for storing information you wish to remain immutable, in a decentralized way where you cannot find any single trustworthy third party. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
Neal Stephenson Rides Again Heaven Is in the Cloud in the Prolific Science-Fiction Writer’S New Tome
BOOKS & ARTS COMMENT Digital lives could allow us to construct our own reality. FICTION A digital god: Neal Stephenson rides again Heaven is in the Cloud in the prolific science-fiction writer’s new tome. Paul McEuen watches in wonder. eal Stephenson likes to blow things Fall starts with awry, and he dies. Almost. His body is up. In Seveneves (2015), for instance, Dodge preparing for medically kept alive, because his will stipu- the prolific science-fiction writer an unnamed routine lates that his brain be preserved until technol- Ndetonated the Moon, then played out how medical procedure. ogy is capable of regenerating it. This might humanity tried to save itself from extinc- As the morning not lead anywhere beyond a disembodied NEAL/GETTY LEON tion. In his new tome, Fall, the metaphori- unspools, he notices head on ice, joining the likes of psychologist cal explosion kills just one man. But this is a pair of books on James Bedford — were it not for the billions an individual sitting on a few billion dollars, Greek and Norse in Dodge’s bank account, managed by his and longing to escape the shackles of mortal- myths left behind executor and former employee Corvallis ity. The aftermath of the blast is thus just as by his grandniece, Fall; or, Dodge in Kawasaki. (Corvallis, from the Latin for powerful, and changes the fate of humanity Sophia. At his favour- Hell crow, denotes intelligence and inscrutability. just as profoundly. ite bakery, the owner NEAL STEPHENSON Names map characters in Fall; Stephenson The book’s billionaire protagonist is presents him with a William Morrow has a lot of balls in the air, so he gives you Richard ‘Dodge’ Forthrast, a tech-head in near-perfect apple. -
PDF Download Cryptonomicon Pdf Free Download
CRYPTONOMICON PDF, EPUB, EBOOK Neal Stephenson | 1168 pages | 01 Dec 2002 | HarperCollins Publishers Inc | 9780060512804 | English | New York, NY, United States Cryptonomicon PDF Book Taking up our resources, our time to care for you. Learn More - opens in a new window or tab International shipping and import charges paid to Pitney Bowes Inc. It is a game, a cryptographic chess match between Waterhouse and his German counterpart, translated into action by the gung- ho Shaftoe and his forces. More by Lisa Jewell. Log in. Please enter a valid ZIP Code. In seeming disgust for having contributed to a method for concealing knowledge, Wilkins attempts to create a Philosophickal Language to disseminate it instead. Just a moment while we sign you in to your Goodreads account. On to better things! Randy has worked out a set of mental blueprints for a special cereal-eating spoon that will have a tube running down the handle and a little pump for the milk, so that you can spoon dry cereal up out of a bowl, hit a button with your thumb, and squirt milk into the bowl of the spoon even as you are introducing it into your mouth. In , phenomenally talented cryptanalyst Lawrence Waterhouse is plucked from the ruins of Pearl Harbor and posted to Bletchley Park, England, center of Allied code-breaking operations. Featured Blogs Fast- forward to the present, where Waterhouse's crypto-hacker grandson, Randy, is attempting to create a "data haven" in Southeast Asia—a place where encrypted data can be stored and exchanged free of repression and scrutiny. -
SF COMMENTARY 81 40Th Anniversary Edition, Part 2
SF COMMENTARY 81 40th Anniversary Edition, Part 2 June 2011 IN THIS ISSUE: THE COLIN STEELE SPECIAL COLIN STEELE REVIEWS THE FIELD OTHER CONTRIBUTORS: DITMAR (DICK JENSSEN) THE EDITOR PAUL ANDERSON LENNY BAILES DOUG BARBOUR WM BREIDING DAMIEN BRODERICK NED BROOKS HARRY BUERKETT STEPHEN CAMPBELL CY CHAUVIN BRAD FOSTER LEIGH EDMONDS TERRY GREEN JEFF HAMILL STEVE JEFFERY JERRY KAUFMAN PETER KERANS DAVID LAKE PATRICK MCGUIRE MURRAY MOORE JOSEPH NICHOLAS LLOYD PENNEY YVONNE ROUSSEAU GUY SALVIDGE STEVE SNEYD SUE THOMASON GEORGE ZEBROWSKI and many others SF COMMENTARY 81 40th Anniversary Edition, Part 2 CONTENTS 3 THIS ISSUE’S COVER 66 PINLIGHTERS Binary exploration Ditmar (Dick Jenssen) Stephen Campbell Damien Broderick 5 EDITORIAL Leigh Edmonds I must be talking to my friends Patrick McGuire The Editor Peter Kerans Jerry Kaufman 7 THE COLIN STEELE EDITION Jeff Hamill Harry Buerkett Yvonne Rousseau 7 IN HONOUR OF SIR TERRY Steve Jeffery PRATCHETT Steve Sneyd Lloyd Penney 7 Terry Pratchett: A (disc) world of Cy Chauvin collecting Lenny Bailes Colin Steele Guy Salvidge Terry Green 12 Sir Terry at the Sydney Opera House, Brad Foster 2011 Sue Thomason Colin Steele Paul Anderson Wm Breiding 13 Colin Steele reviews some recent Doug Barbour Pratchett publications George Zebrowski Joseph Nicholas David Lake 16 THE FIELD Ned Brooks Colin Steele Murray Moore Includes: 16 Reference and non-fiction 81 Terry Green reviews A Scanner Darkly 21 Science fiction 40 Horror, dark fantasy, and gothic 51 Fantasy 60 Ghost stories 63 Alternative history 2 SF COMMENTARY No. 81, June 2011, 88 pages, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia. -
Scott Mcnulty's Library 261 Items A-T
Scott McNulty's Library 261 Items A-T A-C C-A T A Heartbreaking Work of Staggering Genius Cat's Cradle The Deptford Trilogy: Fifth Business/the Manticore/World of … Dave Eggers Kurt Vonnegut Robertson Davies AGAINST A DARK BACKGROUND Certified Macromedia ColdFusion 5 Developer Study Guide The Design of Everyday Things Iain Banks Ben Forta Donald Norman All-American Ads of the 50s The Cheese Monkeys : A Novel in Two Semesters Designing Web Graphics.3 (3rd Edition) Jim Heimann Chip Kidd Lynda Weinman American Gods Chomsky for Beginners Designing Web Usability : The Practice of Simplicity Neil Gaiman David Cogswell & Paul Gordon Jakob Nielsen Americana (Contemporary American fiction) Code: The Hidden Language of Computer Hardware and … The Devil in the White City: Murder, Magic, and Madness at t… Don DeLillo Charles Petzold Erik Larson Animal Farm ColdFusion 5 Web Application Construction Kit (4th Edition) Dhalgren (Vintage) George Orwell Ben Forta & Nate Weiss & Leon Chalnick & David Crawfiord & John … Samuel R. Delany Apple Confidential 2.0: The Definitive History of the World's … The Complete Works (Penguin Classics) The Diamond Age : Or, a Young Lady's Illustrated Primer (… Owen Linzmayer & Owen W. Linzmayer John Wilmot & Frank H. Ellis Neal Stephenson AppleScript : The Definitive Guide (Definitive Guides) Complications: A Surgeon's Notes on an Imperfect Science The Difference Engine Matt Neuburg Atul Gawande William Gibson AppleScript for Applications: Visual QuickStart Guide Complicity The Difference Engine: Charles Babbage and the Quest to … Ethan Wilde Iain Banks Doron Swade & Charles Babbage AppleScript in a Nutshell: A Desktop Quick Reference (Nut… Computer Networks Dissolution Bruce W. -
The Drink Tank 252 the Hugo Award for Best Novel
The Drink Tank 252 The Hugo Award for Best Novel [email protected] Rob Shields (http://robshields.deviantart.com/ This is an issue that James thought of us doing Contents and I have to say that I thought it was a great idea large- Page 2 - Best Novel Winners: The Good, The ly because I had such a good time with the Clarkes is- Bad & The Ugly by Chris Garcia sue. The Hugo for Best Novel is what I’ve always called Page 5 - A Quick Look Back by James Bacon The Main Event. It’s the one that people care about, Page 8 - The Forgotten: 2010 by Chris Garcia though I always tend to look at Best Fanzine as the one Page - 10 Lists and Lists for 2009 by James Bacon I always hold closest to my heart. The Best Novel nomi- Page 13 - Joe Major Ranks the Shortlist nees tend to be where the biggest arguments happen, Page 14 - The 2010 Best Novel Shortlist by James Bacon possibly because Novels are the ones that require the biggest donation of your time to experience. There’s This Year’s Nominees Considered nothing worse than spending hours and hours reading a novel and then have it turn out to be pure crap. The Wake by Robert J. Sawyer flip-side is pretty awesome, when by just giving a bit of Page 16 - Blogging the Hugos: Wake by Paul Kincaid your time, you get an amazing story that moves you Page 17 - reviewed by Russ Allbery and brings you such amazing enjoyment. -
ENG 335 Science Fiction Dr. Deborah C. Mitchell Spring 2017 TC 312, Ext
ENG 335 Science Fiction Dr. Deborah C. Mitchell Spring 2017 TC 312, Ext. 7030 MWF 9:20-10:20 a.m. Office Hours: M 11:30 – 12:30, F 10:30 – Noon, Mueller Theater and by appointment Science Fiction is the future ahead of schedule. --Syd Mead, visual futurist Warp speed. Wormholes. Time travel. Transporters. Androids. Aliens. Space cowboys and Saurian brandy. This is the stuff of science fiction, of future worlds and alternate universes. Syd Mead’s definition focuses our study since science fiction stories should lie within the realm of scientific possibility. (Think about Captain Kirk’s communicator and then look down at your cell phone.) In this course, we’ll boldly explore what critics call the “literature of ideas,” the genre that bridges the arts and sciences, and we’ll discuss how writers have used science fiction as a vehicle for social criticism and a commentary on the human condition. We’ll be reading some of the finest science fiction ever written and watching some great film adaptations. You will also be reading a variety of critical articles written by the leading scholars of their time. By the end of the course, you should be able to do the following: • Trace the evolution of the science fiction tradition • Identify the leading writers and scholars in the canon • Grasp the conventions and characteristics of the science fiction genre • Conduct research in science fiction appropriate for a 300-level English course • Read a text through several critical methodologies • Construct and support a sound, reasonable argument • Demonstrate control of your reading and thinking about texts • Engage in your own creative work in the genre • Formulate some of your own conclusions about the importance of the science fiction genre and its significance to contemporary culture Learning Outcomes for English majors In addition to the outcomes for the course, English majors will demonstrate the following: 1. -
Teaching the Conflicts Neal Stephenson's Cryptonomicon And
Teaching the Conflicts Neal Stephenson’s Cryptonomicon and The Baroque Cycle Lee Barbrook Doctor of Philosophy Newcastle University May 2012 Abstract I read Neal Town Stephenson’s Cryptonomicon and The Baroque Cycle to interrogate what types of links they make to US countercultural writing, postmodern discourse in American culture, and perceived uninterrogated links to the term America itself in images of modern progressive liberalism. Postmodernist readings of literary texts came under increasing public scrutiny in intellectual debates of the 80s and 90s. My analysis is to situate and reconsider these fictions within debates happening in the North American academy at this time and the more recent one concerning the demise of poststructuralism in the humanities. Linking together works of Sean McCann, Michael Szalay, John Guillory and Mark McGurl I locate Cryptonomicon as constitutive of the postwar drift from the modernist aesthetic yet simultaneously developing within Sacvan Bercovitch’s model of dissensus. Through reference to McGurl’s work in particular, my thesis will offer the first sustained critical reading of Cryptonomicon relevant to the University’s new teaching standards of diversity and research excellence . Through Lauren Berlant’s concept of an intimate public I argue The Baroque Cycle develops a richly aesthetic form of criticism that challenges the consensus view of culturally affirming alternatives to American sociopolitical and economic life. In addition, each chapter charts specific aspects of the impact of European critical theories that presided over the marriage of intellectualism and professionalism in the North American academy. More specifically, and throwing particular focus on resistances to theory and canon change, I discuss how the politics of the classroom developed within the literary culture wars brought with it a renewed emphasis on what postwar professors taught in the classroom.