New Pulp-Related Books and Periodicals Available from Michael Chomko for September 2007
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University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the mateiial submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Sf Commentary 76
SF COMMENTARY 76 30TH ANNIVERSARY EDITION October 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION SF COMMENTARY No. 76 THIRTIETH ANNIVERSARY EDITION OCTOBER 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION COVER GRAPHICS Ditmar (Dick Jenssen) Introductions 3 GEORGE TURNER: THE UNRELENTING GAZE Bruce Gillespie 4 GEORGE TURNER: CRITIC AND NOVELIST John Foyster 6 NOT TAKING IT ALL TOO SERIOUSLY: THE PROFESSION OF SCIENCE FICTION No. 27 12 SOME UNRECEIVED WISDOM Famous First Words 16 THE DOUBLE STANDARD: THE SHORT LOOK, AND THE LONG HARD LOOK 20 ON WRITING ABOUT SCIENCE FICTION 25 The Reviews 31 GOLDEN AGE, PAPER AGE or, WHERE DID ALL THE CLASSICS GO? 34 JOHN W. CAMPBELL: WRITER, EDITOR, LEGEND 38 BACK TO THE CACTUS: THE CURRENT SCENE, 1970 George and Australian Science Fiction 45 SCIENCE FICTION IN AUSTRALIA: A SURVEY 1892–1980 George’s Favourite SF Writers URSULA K. LE GUIN: 56 PARADIGM AND PATTERN: FORM AND MEANING IN ‘THE DISPOSSESSED’ 64 FROM PARIS TO ANARRES: ‘The Wind’s Twelve Quarters’ THOMAS M. DISCH: 67 TOMORROW IS STILL WITH US: ‘334’ 70 THE BEST SHORT STORIES OF THOMAS M. DISCH GENE WOLFE: 71 TRAPS: ‘The Fifth Head of Cerberus’ 73 THE REMEMBRANCE OF THINGS PRESENT: ‘Peace’ George Disagrees . 76 FREDERIK POHL AS A CREATOR OF FUTURE SOCIETIES 85 PHILIP K. DICK: BRILLIANCE, SLAPDASH AND SLIPSHOD: ‘Flow My Tears, the Policeman Said’ 89 LETTERS TO THE EDITOR: ‘New Dimensions I’ 93 PLUMBERS OF THE COSMOS: THE AUSSIECON DEBATE Peter Nicholls and George Turner George and the Community of Writers 100 A MURMURATION OF STARLING OR AN EXALTATION OF LARK?: 1977 Monash Writers’ Workshop Illustrations by Chris Johnston 107 GLIMPSES OF THE GREAT: SEACON (WORLD CONVENTION, BRIGHTON) AND GLASGOW, 1979 George Tells A Bit About Himself 111 HOME SWEET HOME: HOW I MET MELBA 114 JUDITH BUCKRICH IN CONVERSATION WITH GEORGE TURNER: The Last Interview 2 SF COMMENTARY, No. -
Fine Books in All Fields
Sale 480 Thursday, May 24, 2012 11:00 AM Fine Literature – Fine Books in All Fields Auction Preview Tuesday May 22, 9:00 am to 5:00 pm Wednesday, May 23, 9:00 am to 5:00 pm Thursday, May 24, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. -
Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A. -
Spacehounds of IPC
Spacehounds of IPC By E. E. Smith Spacehounds Of IPC CHAPTER I The IPV Arcturus Sets Out for Mars ANARROW football of steel, the Interplanetary Vessel Arcturus stood upright in her berth in the dock like an egg in its cup. A hundred feet across and a hundred and seventy feet deep was that gigantic bowl, its walls supported by the structural steel and concrete of the dock and lined with hard-packed bumper-layers of hemp and fibre. High into the air extended the upper half of the ship of space—a sullen gray expanse of fifty- inch hardened steel armor, curving smoothly upward to a needle prow. Countless hundred of fine vertical scratches marred every inch of her surface, and here and there the stubborn metal was grooved and scored to a depth of inches—each scratch and score the record of an attempt of some wandering cosmic body to argue the right-of-way with the stupendous mass of that man-made cruiser of the void. A burly young man made his way through the throng about the entrance, nodded unconcernedly to the gatekeeper, and joined the stream of passengers flowing through the triple doors of the double air-lock and down a corridor to the center of the vessel. However, instead of entering one of the elevators which were whisking the passengers up to their staterooms in the upper half of the enormous football, he in some way caused an opening to appear in an apparently blank steel wall and stepped through it into the control room. -
Literatura Y Cine De Ciencia Ficción. Perspectivas Teóricas
Universitat Autònoma de Barcelona Facultad de Letras Departamento de Filología Española Programa de Doctorado en Teoría de la Literatura y Literatura Comparada LITERATURA Y CINE DE CIENCIA FICCIÓN. PERSPECTIVAS TEÓRICAS Tesis doctoral Presentada por: NOEMÍ NOVELL MONROY Dirigida por: DRA.MERI TORRAS FRANCÉS Barcelona, 2008 Esta tesis fue realizada gracias a una beca del Consejo Nacional de Ciencia y Tecnología (CONACyT), del Gobierno de México. AGRADECIMIENTOS Una tesis parece un trabajo individual, proveniente de la reflexión en soledad. Y en un sentido lo es. Pero en otro, quizá más profundo o más permanente, una tesis, para mí, es resultado de un esfuerzo colectivo. Pues aunque la escriba una sola persona, en realidad es un palimpsesto en el que se dejan entrever otras escrituras, otras vidas, otras preocupaciones y otras intenciones. Así pues, el palimpsesto que es esta tesis no pudo haber sido sin la presencia en mi vida de mucha gente. Primero, mis padres, Elizabeth y Enrique (†), mis hermanas y hermanos, sus hijos e hijas; mi familia política. Cada uno de ellos contribuyó en maneras que seguramente no conocen a la escritura de esta tesis. Su presencia permanente ha sido indispensable. Mis profesoras y profesores. Todos. No quiero hacer una larga lista de nombres, pero todos ellos están aquí, desde la primaria hasta el doctorado; de cada uno de ellos aprendí algo. En especial quiero incluir a Colin White (†). A mí, y seguramente a muchos otros estudiantes de Letras Modernas de la UNAM, nos transmitió no sólo conocimiento, sino que nos recordó continuamente que leer era un acto de pasión. -
By SEAN BARRETT Revised by Andrew Hackard Additional Material by William H
™ SECOND EDITION Roleplaying in E.E. “Doc” Smith’s Classic Space Opera By SEAN BARRETT Revised by Andrew Hackard Additional Material by William H. Stoddard Edited by Scott Haring and Steve Jackson Cover by Kelly Freas Illustrated by Dan Smith Additional Illustrations by Denis Loubet Production by Remi Treuer GURPS System Design Steve Jackson The Playtesters of the Lens: Leif Bennett, Winchell D. Chung, Ben Coambs, Managing Editor Alain H. Dawson Scott Corum, Marc A. Dostaler, GURPS Line Editor Sean Punch Dr. John S. Eickemeyer, David Gordon Empey, Robert Gilson, Nate Hanner, Travis Herring, Design and Typography Jeff Koke and Alexander Lewis Jones, Charles Keith-Stanley, Remi Treuer Joseph Melton, H. Ian Novack, Laird Popkin, David L. Pulver, Tad Simmons, Timothy Tai, and Production Manager Gene Seabolt the Illuminati BBS. Print Buyer Paul Rickert Advice and Assistance: Art Director Philip Reed Kelly Freas, Dr. Laura Freas, Paul Hume, GURPS Errata Coordinator Andy Vetromile David Joiner, and Bonnie Long-Hemsath. Special thanks to Sales Manager Ross Jepson Verna Smith Trestrail and Susan Miller. GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. GURPS Lensman, and Pyramid, and the names of products published by Steve Jackson Games Incorporated are registered trademark or trademarks of Steve Jackson Games Incorporated, or used under license. Lensman is a trademark of the E.E. “Doc” Smith Estate. All rights reserved. GURPS Lensman is copyright ©1993, 2001 by Steve Jackson Games Incorporated. All rights reserved. ISBN 1-55634-527-5 1 2 3 4 5 6 7 8 9 10 INTRODUCTION . -
Moscow, Idaho PRESENTS
September 29 & 30, 1979 - Moscow, Idaho PRESENTS AN HOUR WITH AN HOUR WITH AN HOUR WITH ISAAC ASIMOV MARION ZIMMEi BRADLEY KATHERINE KURTZ "Building A Firm Founda110n" "An Introductionto the Author Interviewed by Randall Garrell "A Personal Note" and her work" AN HOUR AN HOUR WITH �saac Asimov Katherine Kurtz Marlon Zimmer Bradley Fritz Leiber Harlan Ellison Larry Niven Randall Garrett Kathleen Sky David Gerrold Karen WIiison _Stephen Goldin FRIT.Z LEIBER 'The Author and His Works" r-----------------------------------------------------------------,I I Send plus 50¢ postage for each tape. Make checks payable I $4.98 I to: HOURGLASS PRODUCTIONS. Mail to Hourglass Productions I I 10292 Westminster Avenue, Garden Grove, CA 92643. (California I I residents add 6% sales tax.) I I An Hour with Isaac Asimov ...................................... □ I I An Hour with Marlon Zimmer Bradley ............................ □ An Hour with Harlan Elll1on� ..................................... □ An Hour with Randall Garrett .................................... D An Hour with David Gerrold. ..................................... □ An Hour with Stephen Goldln .................................... □ An Hour with Katherine Kurtz .................................... □ An Hour with Fritz Lieber ........................................ □ An Hour with Larry Niven ........................................ □ An Hour with Kathleen Sky ...................................... □ An Hour with Karen WIiison ................................... '.. □ *$5.98 Name ___________________ -
Science Fiction and Fantasy Published by Ace Books
SCIENCE FICTION AND FANTASY PUBLISHED BY ACE BOOKS (1953-1968) Compiled by: DICK SPELMAN SCIENCE FICTION AND FANTASY PUBLISHED BY ACE BOOKS (1953-1968) Compiled by: DICK SPELMAN Published by: INSTITUTE FOR SPECIALIZED LITERATURE Post Office Box 4201 North Hollywood, California 91607 Copywrite - 1976 FORWARD The following listing of the alpha-numeric ACE BOOKS has been compiled in three parts: Part 1 - Listing by Publisher’s Number Part 2 - Listing by Author Part 3 - Listing by Title The data contained in the listing has been checked carefully against the actual books and has been proofread three time; I am certain that there are still some typing errors, however. I believe that the listing is complete and I can authenticate every entry from my own collection. There may be arguments, however, concerning some of the titles that I chose to include or exclude. Considering the importance of Edgar Rice Burroughs and Andre Norton to ACE BOOKS, I have included all of their titles, regardless of the science fictional content. On the other hand, I have excluded most of the STAR ("K") series, Asimov’s Is Anyone There? (N-4) and Lupoff’s biography of Edgar Rice Burroughs (N-6) on the basis that they are not science fiction. The system that I have used for alphabetizing is based on the first signif icant word, and any punctuation is disregarded. Therefore, "Moondust" (one word) is shown later in the listing than "Moon Maid" (two words), and "Game-Player" is considered a single word. I have been assisted greatly in making this listing by Don Kramer and Marty Massoglia, both members of the Los Angeles Science Fantasy Society. -
Chronology of Key Titles in Science Fiction and Developments in Science
Chronology of Key Titles in Science Fiction and Developments in Science c.80 Plutarch, Peri tou prosôpou c.100 Antonius Diogenes, Ta huper Thulên c.170 Lucian, Alêthês Historia 1516 Thomas More, Utopia 1543 Copernicus, De revolutionibus orbium coelestium c.1600 Johannes Kepler’s Somnium written (not published until 1634) 1622 Giovan Battista Marino, L’Adone 1638 William Godwin, The Man in the Moone John Wilkins, The Discovery of a World in the Moone 1644 René Descartes, Principia Philosophiae 1657 Savinien de Cyrano de Bergerac, L’Autre Monde ou les Etats et Empires de la lune (Voyage dans la lune) 1656 Athanasius Kircher, Iter exstaticum coeleste 1659 Jacques Guttin, Epigone, histoire du siècle futur 1665 Robert Hooke, Micrographia 1685 Isaac Newton, ‘De Motu Corporum’ 1686 Bernard de Fontenelle, Entretiens sur la pluralité des mondes 1687 Isaac Newton, Principia Mathematica 1690 Gabriel Daniel, Voyage du Monde de Descartes 1698 Christiaan Huygens, Cosmotheoros 1726 Jonathan Swift, Travels into Several Remote Nations of the World (Gulliver’s Travels) 1730 Voltaire’s Micromégas (published 1750) 1737 Thomas Gray, ‘Luna habitabilis’ 1741 Ludvig Holberg, Nikolai Klimi iter subterraneum 1750 Robert Paltock, The Life and Adventures of Peter Wilkins 1765 Marie-Anne de Roumier, Les Voyages de Milord Ceton dans les sept planettes 1771 Louis Sébastien Mercier, L’An deux mille quatre cent quarante 1781 Nicolas-Edme Restif de la Bretonne, La découverte australe par un homme volant 1798 Thomas Malthus, An Essay on the Principle of Population, as it -
Thought Experiment
Thought Experiment James Gunn SPACE OPERA AND THE QUEST FOR TRANSCENDENCE Half a dozen years ago I chose to return to a kind of science fiction I had turned my back on almost sixty years earlier—space opera. Jack Williamson, my collaborator in one of my two first 1955 novels, wrote that space travel was to science fiction what the Trojan War was to the Greeks—a defining myth. That myth became a reality, of sorts, after the Moon landing and unmanned re - search vessels to Venus, Mars, Jupiter, Saturn, and beyond. But that was only the first small step. Still to come in the fulfillment of humanity’s explorations into the un - known and the untouched were the exploration of the planets and then, in the more distant future, extrasolar expeditions. That imagined future was fueled by recent as - tronomical discoveries of planets around other suns, some of them with conditions re - sembling those on Earth. Focus on space started early. A substantial number of magazine covers, beginning with Amazing Stories, featured spaceships, aliens, or other worlds. In the twenties and thirties the spaceships were fanciful; by the fifties they had become more tech - nologically plausible as the realization of the myth became more credible with the use of rocket-propelled missiles in World War II. When book publishers began to is - sue science fiction, Doubleday identified its hardcover science fiction line with a rocketship on the spine. I would look for it in the new-books section at the public li - brary. John Campbell once defined science fiction as “the dreams . -
Galaxy Magazine (February 1951)
^^^^^™ 1 FEBRUARY 1951 25« ANC SCIENCE FICTION » > -< Ui >l > X 3 \VXSV V V , S •--, A THE FIREMAN o By Ray Bradbury \ H | : . Galaxy SCIENCE FICTION February, 1951 Vol. 1, No. 5 Edilor-in-Chief VERA CERUTTI Editor H, L GOLD CONTENTS Art Director NOVELLA W. L VAN DER POEL Advertising Manager THE FIREMAN - * * < * ••.«.*«>.. GENE MARTINAT by Ray Bradbury 4 SHORT STORIES . AND IT COMES OUT HERE by Lester del Rey 62 Cover by CHESLEY BONESTELL .... •*»«*«*»#*•» «.*«> Illustrating THE PROTECTOR The Tying Down of a by Betsy Curtis 75 Spaceship on Mars in a Desert sandstorm SECOND CHILDHOOD GALAXY Science Fiction is published monthly by , by Clifford D. S/mafc 83 World Editions, Inc. Main offices: 105 West 40th St., New York 18, N. Y. 250 WEEKS IN AUGUST per copy, Subscriptions TWO (12 copies) $2.50 per year in the United States, by Frank M. Robinson 1 02 Canada, Mexico, South and Central America and U. S. Possessions. Elsewhere BOOK-LENGTH SERIAL—Installment 2 $3,25. Application for entry as second-class matter is TYRANN pending at the Post Office, New York, N. Y. Copyright, 1950, by World Editions, by Isaac Asimov 108 Inc. President: George A, Gogniat. Vice-President Marco Lombi. Secretary FEATURES and Treasurer : Anne Swe- reda. All rights, including EDITORIAL PAGE translation, reserved. Ail material submitted must be by H. Gold 2 accompanied by self-ad- L dressed stamped envelopes. The publisher assumes no responsibility for unsolic- FIVE-STAR SHELF ited material. All stories printed^ in this magazine by Groff Conklin 99 are fiction, and any simil- arity between characters and actual persons is co- incidental* Next issue at your newsstand first week In February o|^|s^k^l73 Printed in the U.