Galaxy Magazine (February 1951)
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Saturday Auction Preliminary Catalog
LOT TITLE DESCRIPTION Collection of Letters from Henry Steeger — founder of 400 Popular Publications — to Nick Carr Proceeds to Wooda “Nick” Carr 1/28/28, 2/4/28, 2/18/28, 2/25/28, 3/10/28, 4/7/28, 4/21/28, 401 12 issues WESTERN STORY MAGAZINE (1928) 5/12/28, 5/19/28, 6/23/28, 7/14/28, 7/28/28 8/4/28, 8/18/28, 8/25/28, 9/8/28, 9/15/28, 9/22/28, 11/24/28, 402 10 issues WESTERN STORY MAGAZINE (1928-1929) 12/22/28, 1/5/29, 1/26/29 2/9/29, 3/9/29, 7/27/29, 8/3/29, 8/10/29, 8/17/29, 8/24/29, 403 12 issues WESTERN STORY MAGAZINE (1929) 9/7/29, 9/14/29, 9/21/29, 9/28/29, 11/16/29 1/11/30, 2/8/30, 3/22/30, 4/5/30, 5/17/30, 7/19/30, 8/2/30, 404 10 issues WESTERN STORY MAGAZINE (1930) 8/9/30, 11/8/30, 12/27/30 5/9/31, 5/23/31, 6/13/31, 7/18/31, 4/16/32, 8/13/32, 8/27/32, 405 10 issues WESTERN STORY MAGAZINE (1931-1932) 9/3/32, 10/22/32, 11/19/32 5/13/33, 5/27/33, 8/19/33, 9/9/33, 9/23/33, 11/25/33, 1/13/34, 406 10 issues WESTERN STORY MAGAZINE (1933-1934) 2/10/34, 2/17/34, 3/17/34 3/31/34, 5/12/34, 5/26/34, 12/15/34, 1/19/35, 1/26/35, 2/2/35, 407 10 issues WESTERN STORY MAGAZINE (1934-1935) 2/9/35, 2/23/35, 3/16/35 3/10/35, 4/6/35, 4/20/35, 5/4/35, 5/11/35, 5/18/35, 5/25/35, 408 10 issues WESTERN STORY MAGAZINE (1935) 6/1/35, 6/8/35, 6/15/35 2/5/44, 10/44, 2/45, 8/45, 10/45, 1/46, 2/46, 3/46, 4/46, 5/46, 409 15 issues WESTERN STORY MAGAZINE (digest size) 6/46, 7/46, 8/46, 9/46, 10/46 1/47, 3/47, 4/47, 9/47, 2/48, 5/48, 1948 annual, 3/49, 5/49, 8 & 410 10 issues WESTERN STORY MAGAZINE (digest size) 9/49 CONAN THE CONQUEROR & THE SWORD OF 411 RHIANNON -
University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the mateiial submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Asimov on Science Fiction
Asimov On Science Fiction Avon Books, 1981. Paperback Table of Contents and Index Table of Contents Essay Titles : I. Science Fiction in General 1. My Own View 2. Extraordinary Voyages 3. The Name of Our Field 4. The Universe of Science Fiction 5. Adventure! II. The Writing of Science Fiction 1. Hints 2. By No Means Vulgar 3. Learning Device 4. It’s A Funny Thing 5. The Mosaic and the Plate Glass 6. The Scientist as Villain 7. The Vocabulary of Science Fiction 8. Try to Write! III. The Predictions of Science Fiction 1. How Easy to See The Future! 2. The Dreams of Science Fiction IV. The History of Science Fiction 1. The Prescientific Universe 2. Science Fiction and Society 3. Science Fiction, 1938 4. How Science Fiction Became Big Business 5. The Boom in Science Fiction 6. Golden Age Ahead 7. Beyond Our Brain 8. The Myth of the Machine 9. Science Fiction From the Soviet Union 10. More Science Fiction From the Soviet Union Isaac Asimov on Science Fiction Visit The Thunder Child at thethunderchild.com V. Science Fiction Writers 1. The First Science Fiction Novel 2. The First Science Fiction Writer 3. The Hole in the Middle 4. The Science Fiction Breakthrough 5. Big, Big, Big 6. The Campbell Touch 7. Reminiscences of Peg 8. Horace 9. The Second Nova 10. Ray Bradbury 11. Arthur C. Clarke 12. The Dean of Science Fiction 13. The Brotherhood of Science Fiction VI Science Fiction Fans 1. Our Conventions 2. The Hugos 3. Anniversaries 4. The Letter Column 5. -
Dinosaurs and B.-E
THE HISTORY OF SCIENCE FICTION: “Dinosaurs and B.-E. M.” Page One The Age of Enlightenment brought decisive steps toward modern science, giving birth to the Scientific Revolution. During the 19th Century, the practice of science became professionalized and institutionalized, which continues to today. So, upon this stage in the 19th Century strode the “Mother of Science Fiction,” Mary Shelley (1797- 1851), whose Frankenstein of 1818 electrified the world! The promotion of the 1931 film featured a supply of smelling salts in theatre lobbies for those who might swoon! The “Co-Father of Science Fiction” was H. G. Welles (1866-1946), whose War of the Worlds of 1898, as adapted on radio by Orson Wells on Halloween, 1938, sparked a mini-panic of alien invasion terror! His The Time Machine of 1895 and The Invisible Man of 1897 became best sellers. Hints of our future were depicted by aircraft, tanks, space and time travel, nuclear weapons, satellite television, and the World-Wide Web. Page Two The other “Co-Father of Science Fiction” was the commercially-successful French author Jules Verne (1828-1905). I remember watching, with wonder, the 1954 Disney film of Twenty Thousand Leagues Under The Sea, of 1870. And I remember riding on the ride in Disneyland in California in the 1950’s. The 1959 film of Journey To The Center Of The Earth, starring James Mason and an unknown Pat Boone, featured an epic battle of dinosaurs, joining Arthur Conan Doyle’s The Lost World, of 1912, and the 1993 film Jurassic Park with dinosaur themes in science fiction. -
2, July 2008 (5 Months Late) Is Edited and Published by Rich Coad, 2132 Berkeley Drive, Santa Rosa, CA 95401
Sense of Wonder Stories 2, July 2008 (5 months late) is edited and published by Rich Coad, 2132 Berkeley Drive, Santa Rosa, CA 95401. e-mail: [email protected] Wondertorial......................................... .........................................page 3 Editorial natterings by Rich Coad The Good Soldier: George Turner as Combative Critic.................page 6 Bruce Gillespie on the well known author and critic A Dream of Flight..........................................................................page 13 Cover artist Bruce Townley on steam driven planes Heresy, Maybe?............................................................................page 16 FAAn Award winner Peter Weston battles James Blish J.G.Ballard A Journey of Inference...............................................page 18 Graham Charnock reminds us how good Mundane SF could be The Readers Write.......................................................................page 22 To get SF fans talking SF simply mention Heinlein Great Science Fiction Editors..................................................back cover Horace Gold: Galaxy Master 2 WONDERTORIAL SF seems to be a literature that thrives upon manifes- Hard to argue with that. Science fiction rooted in sci- toes, written and unwritten, loudly proclaimed for all ence fact - sounds like Campbell’s prescription for As- to inveigh upon, or stealthily applied by editors at large tounding. And the future is here on Earth for most of to shift the field into a new direction. us seems less than controversial He goes on to say Geoff Ryman, a writer of immense talent and ambi- tion as anyone who has read Was will tell you, has fol- “I wrote a jokey Mundane Mani- lowed the loud proclamation route with his provoca- festo. It said let’s play this serious tive call for more mundane SF. It’s difficult to think of game. Let’s agree: no FTL, no FTL a name more calculated to drive the average SF fan communications, no time travel, into a state of copralaliac Tourette’s twitches than no aliens in the flesh, no immortal- “Mundane SF”. -
Sf Commentary 76
SF COMMENTARY 76 30TH ANNIVERSARY EDITION October 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION SF COMMENTARY No. 76 THIRTIETH ANNIVERSARY EDITION OCTOBER 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION COVER GRAPHICS Ditmar (Dick Jenssen) Introductions 3 GEORGE TURNER: THE UNRELENTING GAZE Bruce Gillespie 4 GEORGE TURNER: CRITIC AND NOVELIST John Foyster 6 NOT TAKING IT ALL TOO SERIOUSLY: THE PROFESSION OF SCIENCE FICTION No. 27 12 SOME UNRECEIVED WISDOM Famous First Words 16 THE DOUBLE STANDARD: THE SHORT LOOK, AND THE LONG HARD LOOK 20 ON WRITING ABOUT SCIENCE FICTION 25 The Reviews 31 GOLDEN AGE, PAPER AGE or, WHERE DID ALL THE CLASSICS GO? 34 JOHN W. CAMPBELL: WRITER, EDITOR, LEGEND 38 BACK TO THE CACTUS: THE CURRENT SCENE, 1970 George and Australian Science Fiction 45 SCIENCE FICTION IN AUSTRALIA: A SURVEY 1892–1980 George’s Favourite SF Writers URSULA K. LE GUIN: 56 PARADIGM AND PATTERN: FORM AND MEANING IN ‘THE DISPOSSESSED’ 64 FROM PARIS TO ANARRES: ‘The Wind’s Twelve Quarters’ THOMAS M. DISCH: 67 TOMORROW IS STILL WITH US: ‘334’ 70 THE BEST SHORT STORIES OF THOMAS M. DISCH GENE WOLFE: 71 TRAPS: ‘The Fifth Head of Cerberus’ 73 THE REMEMBRANCE OF THINGS PRESENT: ‘Peace’ George Disagrees . 76 FREDERIK POHL AS A CREATOR OF FUTURE SOCIETIES 85 PHILIP K. DICK: BRILLIANCE, SLAPDASH AND SLIPSHOD: ‘Flow My Tears, the Policeman Said’ 89 LETTERS TO THE EDITOR: ‘New Dimensions I’ 93 PLUMBERS OF THE COSMOS: THE AUSSIECON DEBATE Peter Nicholls and George Turner George and the Community of Writers 100 A MURMURATION OF STARLING OR AN EXALTATION OF LARK?: 1977 Monash Writers’ Workshop Illustrations by Chris Johnston 107 GLIMPSES OF THE GREAT: SEACON (WORLD CONVENTION, BRIGHTON) AND GLASGOW, 1979 George Tells A Bit About Himself 111 HOME SWEET HOME: HOW I MET MELBA 114 JUDITH BUCKRICH IN CONVERSATION WITH GEORGE TURNER: The Last Interview 2 SF COMMENTARY, No. -
VECTOR 6 Winter Im
VECTOR---------- NO. 6 0FF1CJAL ORGAN OF THE BSFA -- VECTOR 6 winter im -CONTENTS This issue of VECTOR is published from: 41, North End Road, Fitz James' Ave., W.14. Editorial staff: Roberta Grey, Michael Moorcock, Sandra Hall and John Phillifent. Artwork and lettering by Jim Cawthorn, Michael Jones and Mike Moorcock. Pages Items Authors 3 Editorial R. Grey 5 Treasure's Report A. Mercer 7 The Complete Enchanter M. Moorcock 13 The Secretary Reports S. Hall 15 Magazine Reviews T. Jeeves 19 Book Reviews A. Weir (B.Sc) 22 SF in Portugal The CDLP 25 Psionics Fiction E. Bentcliffe 28 Film Review M. Moorcock 30 Letter Column BSFA Members Editors Mrs Roberta Grey (nee Wild) 14» Bennington Street, Cheltenham, GLOUCESTERSHIRE Secretarys Sandra Hall, 41, North End House, Fitz Janes-’ -Awenaq, London, W. 14. Treasurers Archie Mercer, 434/4» Newark Road, North Hykeham, LINCOLN. Librarian: Peter Mabey, BSFA Postal Library, 130, London Road, Cheltenham, GLOUCESTERSHIRE. WE WOULD LIKE TO KNOW WHaT YOU THINK OF VECTOR. All letters should be sent to the Editor at the address given above and not to North End House VECTOR, The Official Organ of the British Science Fiction Association is published and produced by the BSFA 1/1/60 3 'Ne had hoped to have Vector ready for you- hy Christmas, but one or two holds up have occurred so we can only say now that we hope you all had a wonderful Christmas and wish you the very best for a happy and prosperous New Year. Once again we have Mike Moorcock to thank for helping with the material and arranging for the artwork with Jim Cawthorn. -
Fine Books in All Fields
Sale 480 Thursday, May 24, 2012 11:00 AM Fine Literature – Fine Books in All Fields Auction Preview Tuesday May 22, 9:00 am to 5:00 pm Wednesday, May 23, 9:00 am to 5:00 pm Thursday, May 24, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. -
Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A. -
Spacehounds of IPC
Spacehounds of IPC By E. E. Smith Spacehounds Of IPC CHAPTER I The IPV Arcturus Sets Out for Mars ANARROW football of steel, the Interplanetary Vessel Arcturus stood upright in her berth in the dock like an egg in its cup. A hundred feet across and a hundred and seventy feet deep was that gigantic bowl, its walls supported by the structural steel and concrete of the dock and lined with hard-packed bumper-layers of hemp and fibre. High into the air extended the upper half of the ship of space—a sullen gray expanse of fifty- inch hardened steel armor, curving smoothly upward to a needle prow. Countless hundred of fine vertical scratches marred every inch of her surface, and here and there the stubborn metal was grooved and scored to a depth of inches—each scratch and score the record of an attempt of some wandering cosmic body to argue the right-of-way with the stupendous mass of that man-made cruiser of the void. A burly young man made his way through the throng about the entrance, nodded unconcernedly to the gatekeeper, and joined the stream of passengers flowing through the triple doors of the double air-lock and down a corridor to the center of the vessel. However, instead of entering one of the elevators which were whisking the passengers up to their staterooms in the upper half of the enormous football, he in some way caused an opening to appear in an apparently blank steel wall and stepped through it into the control room. -
James Gunn.Pdf
James Gunn On Radio: One Man’s Fling With Aural Fame By Ryan Ellett Acclaimed science-fiction writer James Gunn is a member of a dying breed, an old school writer who got his start publishing in the pulps. He turn to writing sci-fi in 1948, a year after graduating from the University of Kansas. In the sixty years since then he’s had 26 books published, 100 short stories, and edited 18 books on top of that. He is probably one of the few writers still active today that had a firsthand connection to old time radio. Between 1956 and 1957 Gunn had four stories published in Galaxy Science Fiction magazine which were subsequently adapted to the prominent old time radio series X Minus One. How this came about is somewhat a mystery to Gunn; He made no effort to interest NBC in his work. The show “had an arrangement with Galaxy to use its stories for adaptations and included a promotion for the upcoming new issue. Nobody asked for permission, as I recall, and no author had any input on the final product.” In return Gunn received fifty dollars per story and a recording of the program on a transcription disc. He had to send the record to Kansas City station WDAF for transfer to a standard record because, of course, he had no equipment for transcription discs. Even though television had overtaken radio by the late 50s, it was still a thrill for the young author to hear his work on the air. Gunn clearly still has a fondness for the adaptations, even fifty years later: So radio was still a force [in 1956], and getting my first dramatization was great! And it was even better that the dramatizations were effective - more so than later TV or film adaptations. -
Galaxy Magazine (November 1954)
NOVEMBER 1954 p 35< galaxy ASTEROID ROUNDUP < SCIENCE FICTION By Willy Ley ! . For real job security... ? 7RMW Do you enjoy our magazine Competition for The pressure is mounting. jobs is growing fast. Business and industry are tightening up. Every man or woman holding a good job is now, in effect, "on probation." If so you'll be interested in the Special Offer on Are there "weak spots" in your training? Now's the time to get after them! Six months from now may be too late. I How can you fill the gaps — quickly? Inter- national Correspondence Schools can help you! There's no faster, surer way to get exactly the training you need! You have 277 famous, spare-time I. C. S. Page 117 Courses to choose from: trade, industrial engi- neering, office, executive, high school. Or you can arrange for "refresher" courses, advanced training or special instruction combining two or more specific business or technical subjects. Find out for yourself how quickly, how I. C. S. has the most complete line-up of job- thoroughly I. C. S. can fill the gaps in your related instruction you can find anywhere. training! No obligation. Just mark and mail Courses are tailored to fit your needs. This the coupon! means you waste no time on subjects you can't 2 FREE BOOKS use. You lose no time traveling back and forth 32-page, pocket-size gold mine of facts, "How to to classes. You set your own schedule— no Succeed," plus catalog outlining opportunities in interference with business or social activities.