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Sexo, Amor Y Cine Por Salvador Sainz Introducción
Sexo, amor y cine por Salvador Sainz Introducción: En la última secuencia de El dormilón (The Sleeper, 1973), Woody Allen, desengañado por la evolución polí tica de una hipotética sociedad futura, le decí a escéptico a Diane Keaton: “Yo sólo creo en el sexo y en la muerte” . Evidentemente la desconcertante evolución social y polí tica de la última década del siglo XX parecen confirmar tal aseveración. Todos los principios é ticos del filósofo alemá n Hegel (1770-1831) que a lo largo de un siglo engendraron movimientos tan dispares como el anarquismo libertario, el comunismo autoritario y el fascismo se han desmoronado como un juego de naipes dejando un importante vací o ideológico que ha sumido en el estupor colectivo a nuestra desorientada generación. Si el siglo XIX fue el siglo de las esperanzas el XX ha sido el de los desengaños. Las creencias má s firmes y má s sólidas se han hundido en su propia rigidez. Por otra parte la serie interminable de crisis económica, polí tica y social de nuestra civilización parece no tener fin. Ante tanta decepción sólo dos principios han permanecido inalterables: el amor y la muerte. Eros y Tá natos, los polos opuestos de un mundo cada vez má s neurótico y vací o. De Tánatos tenemos sobrados ejemplos a cada cual má s siniestro: odio, intolerancia, guerras civiles, nacionalismo exacerbado, xenofobia, racismo, conservadurismo a ultranza, intransigencia, fanatismo… El Sé ptimo Arte ha captado esa evolución social con unas pelí culas cada vez má s violentas, con espectaculares efectos especiales que no nos dejan perder detalle de los aspectos má s sombrí os de nuestro entorno. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
08B5c9e2872f9584a7a6df3ac68
128 minutes / Color / 2.35 / HD / 5.1 / 2015 SYNOPSIS Mizuki’s husband (Yusuke) drowned at sea three years ago. When he suddenly comes back home, she is not that surprised. Instead, Mizuki is wondering what took him so long. She agrees to let Yusuke take her on a journey. DIRECTOR’S STATEMENT In Japanese, there is a verb for the act of accompanying a dying person, or watching over them until their death. It is called « mitoru ». It remains to be seen if it is possible to translate all the subtleties of this word into a foreign language... Rare are those who have gone through the experience of remaining next to a dying person, delicately taking their hand and feeling a vague mutual intention without ever looking away from their face. Fortunately, I have never been confronted with this myself. But according to those who have, those few days, those few hours spent face-to-face with this person constitute a precious and truly sacred moment of sharing. Inside this moment, the past they have shared, the parts of their respective pasts that the other has never known, but also the future that both will one day experience together – all these moments are evoked, evaluated, and understood. The verb « mitoru » includes this entire process. In reality, this extremely intimate and emotional dialogue takes place at the dying person’s bedside. But in the world of fiction, why not stretch time and space out to however long the process requires, narrating it in the form of a « journey »? This is the audacious premise upon which the original novel Kishibe no tabi was built. -
William A. Seiter ATTORI
A.A. Criminale cercasi Dear Brat USA 1951 REGIA: William A. Seiter ATTORI: Mona Freeman; Billy DeWolfe; Edward Arnold; Lyle Bettger A cavallo della tigre It. 1961 REGIA: Luigi Comencini ATTORI: Nino Manfredi; Mario Adorf; Gian Maria Volont*; Valeria Moriconi; Raymond Bussires L'agente speciale Mackintosh The Mackintosh Man USA 1973 REGIA: John Huston ATTORI: Paul Newman; Dominique Sanda; James Mason; Harry Andrews; Ian Bannen Le ali della libert^ The Shawshank Redemption USA 1994 REGIA: Frank Darabont ATTORI: Tim Robbins; Morgan Freeman; James Whitmore; Clancy Brown; Bob Gunton Un alibi troppo perfetto Two Way Stretch GB 1960 REGIA: Robert Day ATTORI: Peter Sellers; Wilfrid Hyde-White; Lionel Jeffries All'ultimo secondo Outlaw Blues USA 1977 REGIA: Richard T. Heffron ATTORI: Peter Fonda; Susan Saint James; John Crawford A me la libert^ A nous la libert* Fr. 1931 REGIA: Ren* Clair ATTORI: Raymond Cordy; Henri Marchand; Paul Olivier; Rolla France; Andr* Michaud American History X USA 1999 REGIA: Tony Kaye ATTORI: Edward Norton; Edward Furlong; Stacy Keach; Avery Brooks; Elliott Gould Gli ammutinati di Sing Sing Within These Walls USA 1945 REGIA: Bruce H. Humberstone ATTORI: Thomas Mitchell; Mary Anderson; Edward Ryan Amore Szerelem Ung. 1970 REGIA: K‡roly Makk ATTORI: Lili Darvas; Mari T*r*csik; Iv‡n Darvas; Erzsi Orsolya Angelo bianco It. 1955 REGIA: Raffaello Matarazzo ATTORI: Amedeo Nazzari; Yvonne Sanson; Enrica Dyrell; Alberto Farnese; Philippe Hersent L'angelo della morte Brother John USA 1971 REGIA: James Goldstone ATTORI: Sidney Poitier; Will Geer; Bradford Dillman; Beverly Todd L'angolo rosso Red Corner USA 1998 REGIA: Jon Avnet ATTORI: Richard Gere; Bai Ling; Bradley Whitford; Peter Donat; Tzi Ma; Richard Venture Anni di piombo Die bleierne Zeit RFT 1981 REGIA: Margarethe von Trotta ATTORI: Jutta Lampe; Barbara Sukowa; RŸdiger Vogler Anni facili It. -
PRESS RELEASE 06 Feb 2017 SPANISH & LATIN AMERICAN
HOME is a trading name of Greater Manchester Arts Ltd a company limited by guarantee, registered in England and Wales No: 1681278 Registered office 2 Tony Wilson Place Manchester M15 4FN. Charity No: 514719 PRESS RELEASE 06 Feb 2017 Image credits: Sol Picó, One-Hit Wonders ; La Movida /Alejandría Cinque; Cien años de perdón (To Steal from a Thief) SPANISH & LATIN AMERICAN FESTIVAL ¡VIVA! RETURNS TO HOME WITH INTERNATIONAL FILM & THEATRE PREMIERES AND PIONEERING NEW GROUP EXHIBITION LA MOVIDA Fri 31 Mar – Mon 17 Apr 2017 • The popular festival returns with a venue-wide, 18-day celebration of Spanish and Latin American culture • ¡Viva! 2017 commemorates the 40th anniversary of the abolition of censorship in Spain, investigating the transition to democracy era (La Transición) • 29 films and 15 UK Premieres from new and established directors from 10 different countries including Spain, Argentina, Chile, Colombia, Costa Rica, Cuba, Ecuador, Mexico, Peru and Venezuela • Five international theatre productions including three UK Premieres and a World Premiere from Sol Picó, Agrupación Señor Serrano, Emma Frankland and Barcelona playwright Josep Maria Miró Coromina • HOME, CBRE, First Street and partners present three weekends of live music, dancing and performances, spilling out from HOME into Tony Wilson Place, featuring party nights, DJs plus Spanish-inspired cuisine & drinks • New group show La Movida , a pioneering contemporary exhibition exploring the artistic and socio-cultural movement of post-Franco Spain with new commissions by Luis -
Diapositive 5 Casiraghi N
DIAPOSITIVE 5 CASIRAGHI N. INVENTARIO 198404 : ITALIA ’40-’50 [1.] diapositive n. 40 Don Pasquale / Camillo Mastrocinque,Armando Falconi. 1940 diapositive n.1 Tosca / Carl Koch, 1941, con Imperio Argentina, Michel Simon 2 A che servono questi quattrini / Esodo Pratelli, 1942, con E. e P. De Filippo 8 Maria Malibran / Guido Frignone, 1943 1 La vita ricomincia / Mario Mattoli, 1945 , con Alida Valli 2 L’Elisir d’amore / Mario Costa, 1946, con Silvana Mangano 2 Avanti a lui tremava tutta Roma / Carmine Gallone, 1946 1 Che tempi! / Giorgio Bianchi, 1947, con Walter Chiari, Lea Padovani 4 Natale al campo 119 / Pietro Francisci, 1947, (il manifesto) A. Fabrizi, V. De Sica 4 Follie per l’Opera / Mario Costa, 1947 (manifesto) 2 Rigoletto / Carmine Gallone, 1947 1 Assunta Spina / Mario Mattoli, 1947, con Anna Magnani, Eduardo De Filippo 5 Anni difficili / Luigi Zampa, 1948 2 Cesare Zavattini 1 Marcello Mastroianni primi anni cinquanta 1 Olivetti, Ferrara, Silone 1 Di Vittorio, A.C.Jemolo 1 Brancati, Comencini, Moravia 1 N. INVENTARIO 198405 : [ITALIA] ANNI ’40-’50 [2.] diapositive n. 35 Catene / Raffaello Matarazzo, 1950 diapositive n. 3 Napoleone / Carlo Borghesio ; 1951, con Renato Rascel 4 I figli di nessuno / Raffaello Matarazzo, 1951 2 Totò a colori / Steno, (il manifesto) , 1952 4 Passaporto per l’Oriente / Alessandrini Goffredo, 1952, con Gina Lollobrigida 2 Aida / Clemente Fracassi, 1953 , con Sophia Loren… 10 Caso Renzi – Aristarco, 1953 copertina Cinema Muto 1 Rigoletto e la sua tragedia / Flavia Calzavara, 1954 4 Italia K2 / Marcello Baldi, 1954 1 Totò all’inferno / Mastrocinque, 1955 2 La banda degli onesti / Camillo Mastrocinque, 1956, Totò Peppino De Filippo 1 Totò truffa’62 / Camillo Mastrocinque, 1961 1 N. -
DP Tokyo Sonata
Dossier de presse trigon-film TOKYO SONATA un film de Kiyoshi Kurosawa (Japon, 2008) DISTRIBUTION trigon-film Limmatauweg 9 5408 Ennetbaden Tél: 056 430 12 30 Fax: 056 430 12 31 [email protected] www.trigon-film.org CONTACT MÉDIAS Régis Nyffeler 077 410 76 08 [email protected] MATÉRIEL PHOTOGRAPHIQUE www.trigon-film.org FICHE TECHNIQUE Réalisation Kiyoshi Kurosawa Scénario Max Mannix, Kiyoshi Kurosawa & Sachiko Tanaka Image Akiko Ashizawa Montage Koichi Takahashi Musique Kazumasa Hashimoto Son Masayuki Iwakura Décors Tomoyuki Maruo & Tomoe Matsumoto Production Django Film, Entertainment Farm Durée 119 minutes Langues Japonais f/a FICHE ARTISTIQUE Ryuhei Sasaki Teruyuki Kagawa Megumi Sasaki Kyoko Koizumi Takashi Sasaki Yu Koyanagi Kenji Sasaki Kai Inowaki Kaneko Haruka Igawa Kurosu Kanji Tsuda Le voleur Koji Yakusho PRIX ET FESTIVALS Prix du Jury, Un certain regard, Cannes Grand Jury Prize, Chicago Film Festival Best Director, Mar del Plata Film Festival Film of the Week, «Time Out London» 2 SYNOPSIS Tokyo Sonata dresse le portrait d'une famille japonaise contemporaine ordinaire. Le père, licencié sans préavis, le cache à sa famille. Le fils aîné est de plus en plus absent. Le plus jeune prend des leçons de piano en secret. Et la mère, impuissante, ne peut que constater qu’une faille invisible est en train de détruire sa famille. 3 BIOGRAPHIE DU RÉALISATEUR Né en 1955 à Kobe, Kiyoshi Kurosawa fait partie des cinéastes phares de la nouvelle génération japonaise. Après des débuts derrière la caméra en réalisant des films en 8mm, parallèlement à ses études de sociologie, il s'illustre rapidement en tournant des «pinku eiga». -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Suso Cecchi D'amico
Suso Cecchi D'Amico Suso Cecchi D'Amico Nombre Giovanna Cecchi 21 de julio de 1914 Nacimiento Italia, Roma 31 de julio de 2010, 96 años Fallecimiento Italia, Roma Nacionalidad italiana Ocupación guionista, escritora Cónyuge Fedele D'Amico Hijos Silvia, Masolino y Caterina Padres Leonetta Pieraccini y Emilio Cecchi Suso Cecchi d'Amico (Giovanna Cecchi) (Roma, 21 de julio de 1914 – Roma, 31 de julio de 2010)1 , fue una de las más famosas guionistas del cine italiano, especialmente por sus guiones para Luchino Visconti, Vittorio De Sica, Franco Zeffirelli, Mario Monicelli y otros realizadores del neorrealismo italiano. Era conocida como La Reina de Cinecittà. Biografía Hija del escritor y guionista Emilio Cecchi (1884-1966) y de la pintora Leonetta Pieraccini, perteneció a la alta burguesía intelectual romana de principios de siglo. Su padre la llamó "Suso" (sobrenombre de Susana en dialecto toscano). Cursó estudios en el Liceo Francés y durante la guerra debió refugiarse en una granja de la familia cercana a Florencia por sus convicciones antifascistas que la llevaron a unirse a la resistencia. Fue la guionista de más de cien largometrajes entre 1946 y 2006. Sus más relevantes trabajos fueron con Roberto Rossellini (Roma, ciudad abierta), Vittorio de Sica (Ladri di biciclette, Milagro en Milán), Luchino Visconti (El gatopardo, Senso, Rocco y sus hermanos, Bellissima, El extranjero, Ludwig, El inocente, Nosotras las mujeres (quinto episodio con Anna Magnani), Mario Monicelli (Casanova '70), Franco Zeffirelli (La fierecilla domada; Hermano sol, hermana luna, Jesús de Nazaret), Mauro Bolognini (Metello), y otros. Fue condecorada con la Orden al Mérito de la República Italiana y en 1994 se le concedió el León de Oro del Festival de Venecia en honor a su trayectoria. -
Italianfilmsnz Www .Studioitalia.Co.Nz
www.studioitalia.co.nz 2019 Whakatane 3 - 8 September Christchurch 11 - 20 June Matakana 6 -14 September Nelson 14 - 28 June Cambridge 10 - 15 September Tauranga 5 - 15 July Taupo 13 - 19 September Napier 25 - 31 July Auckland 17 - 30 September Havelock North 30 July - 11 August Wellington 6 - 18 November Masterton 7 - 12 August New Plymouth 8 - 14 November Martinborough 8 - 15 August 2020 Arrowtown 21 - 25 August Waiheke 9 -15 January web: cinemaitalianonz.com facebook: cinemaitalianofestivalnz instagram: @italianfilmsnz Contents De Sica Naming Sponsor Proudly Supported by Fellini Sponsors Visconti Sponsors Business Amici Benvenuti / Welcome 04 Luoghi / Locations 06 Cinema / Films 08 UNSCRIPTED Programma / Schedule 40 Ticketing Info 53 Amici Ringraziamenti / Acknowledgements 55 ONDAZZURRA PLANETFM 104.6 Technology Partners Proud Technical Support Specialists of the Studio Italia Cinema Italiano Festival. Benvenuti / Welcome 5 AMBASCIATORE fostering, through films, a deeper AUCKLAND THE STUDIO ITALIA CINEMA Our perception of the past, STUDIO ITALIA PEOPLE’S FABRIZIO MARCELLI understanding of the cultural, FESTIVAL ITALIANO 2018 ITALIANO FESTIVAL the present and the future has CHOICE AWARD AMBASSADOR OF ITALY linguistic and socio-political so often been shaped by the The Studio Italia Cinema Italiano We are immensely proud to Email your favourite film choice context we live in, engaging films we have seen. Living so far It is my great pleasure to present Festival 2019 once again kicks announce Studio Italia as our from our 2019 curation to audiences with the Italian society, from Italy, my connection to my another edition of The Cinema off ‘THE ITALIAN SEASON’ first ‘Naming Sponsor’. [email protected] lifestyle and traditions. -
El Viajero Total Antonio Soler, Autor De ‘El Camino De Los Ingleses’, Retrata a Aquel Chico Que Supo Elegir El Tren Apropiado Pag
aisge la revista de los artistas Especial Andalucía nº 42 MARÍA GALIANA l JESÚS CARROZA l SANTI RODRÍGUEZ l EVA YERBABUENA enero/marzo · 2015 Antonio banderas El viajEro total Antonio Soler, Autor de ‘el cAmino de loS ingleSeS’, retrAtA A Aquel chico que Supo elegir el tren ApropiAdo Pag. 17 javier gutiérrez «Estoy en tránsito hacia el arrojo» p. 64 2 enero/marzo 2015 ÍNDICE EL OBJETIVO AMIGO ACTÚA REVISTA CULTURAL 3 conteNidos raquel martos 4 premios, premios, premios 14 El valor curativo de la cultura, según la Goya, Unión de Actores, Medallas del CEC, novelista, periodista y cómica madrileña en Forqué, Gaudí, Feroz... Un repaso exhausti- un artículo original. vo a nuestro palmarés. Vicente Aranda radiografía ecuatoriana ACTÚA 6 PANORAMA 32 “Las críticas, cuando Una filmografía aún poco divulgada, pero nº 42 enero/mArzo de 2015 son malas, me ponen en línea muy ascendente. Descubrimos sus revista cultural de AiSGE • Artistas enfermo”. Todo un mejores títulos con esta nueva sección. (maravilloso) tempera- Intérpretes, Sociedad de Gestión mento. edita • Fundación AISGE mi lugar en el mundo 44 depósito legal • M-41944-2004 la Joven compañía 10 Nueva sección de Héctor Martín Rodrigo: iSSn • 1698-6091 sugerencias viajeras a cargo de nuestros director de la Fundación AiSGE • Un torrente de talento precoz para los es- socios. Giuseppe di Bella nos habla esta Abel Martín cenarios, pero también para que el gusani- vez de Milazzo (Sicilia), el lugar al que gerente de la Fundación AiSGE • llo del teatro prenda en los institutos. siempre vuelve. José Carlos Erdozain coordinador del comité editorial • campanadas de genio 12 la película de mi vida 45 Willy Arroyo Centenario de Orson Welles y 50 años del El siempre heterodoxo Juan José Millás se director de ACTÚA • Fernando Neira rodaje por media España de su magistral queda con ‘El cebo’, la cinta firmada en diseño original • Beatriz Sánchez repaso al orondo y mítico Falstaff. -
Download Program (PDF)
Tickets and Passes Available at SIFF.NET FESTIVAL PASS: $150 / $100 SIFF MEMBERS • INDIVIDUAL FILM ADMISSION: $15 / $10 SIFF MEMBERS SCHEDULE TUESDAY, FEBRUARY 18 6:00 PM … AND THE FIFTH HORSEMAN IS FEAR 35MM 8:30 PM FRIDAY, FEBRUARY 14 90 DEGREES IN THE SHADE 5:45PM Music by The Ben Thomas Trio before screening WEDNESDAY, FEBRUARY 19 6:30 PM THE BEAST MUST DIE 35MM 6:00 PM 9:15 PM THE HOUSEMAID THE BLACK VAMPIRE 8:30 PM BLACK HAIR SATURDAY, FEBRUARY 15 THURSDAY, FEBRUARY 20 Seattle-based writers Vince and Rosemarie Keenan (Vince is managing editor of NOIR CITY e-magazine) take over hosting duties for Eddie Muller on Saturday, February 15. 5:15PM Music by the Dmitri Matheny Group before screening 12:30 PM 6:00 PM PANIC THE DEVIL STRIKES AT NIGHT 35MM 3:00 PM 8:30 PM RAZZIA BLACK GRAVEL 6:00 PM FINGER MAN 8:30 PM ANY NUMBER CAN WIN 35MM SUNDAY, FEBRUARY 16 12:30 PM A COLT IS MY PASSPORT 3:00 PM BRANDED TO KILL 6:00 PM PALE FLOWER 35MM 8:30 PM RUSTY KNIFE MONDAY, FEBRUARY 17 The Film Noir Foundation is a 12:30 PM non-profi t public benefi t THE FACTS OF MURDER corporation created by Eddie 3:15 PM Muller in 2005 as an educational A WOMAN’S FACE resource regarding the cultural, 6:00 PM NEVER LET GO 35MM historical, and artistic signifi cance 8:30 PM of fi lm noir as an original VICTIM 35MM cinematic movement. The Czar of Noir Even if you haven’t experienced NOIR CITY before, you may recognize Eddie Muller from the dark corridors of TCM’s Noir Alley.