Kansas ›Point of Know Return‹-Anniversary Tour
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RADIAL VELOCITIES in the ZODIACAL DUST CLOUD
A SURVEY OF RADIAL VELOCITIES in the ZODIACAL DUST CLOUD Brian Harold May Astrophysics Group Department of Physics Imperial College London Thesis submitted for the Degree of Doctor of Philosophy to Imperial College of Science, Technology and Medicine London · 2007 · 2 Abstract This thesis documents the building of a pressure-scanned Fabry-Perot Spectrometer, equipped with a photomultiplier and pulse-counting electronics, and its deployment at the Observatorio del Teide at Izaña in Tenerife, at an altitude of 7,700 feet (2567 m), for the purpose of recording high-resolution spectra of the Zodiacal Light. The aim was to achieve the first systematic mapping of the MgI absorption line in the Night Sky, as a function of position in heliocentric coordinates, covering especially the plane of the ecliptic, for a wide variety of elongations from the Sun. More than 250 scans of both morning and evening Zodiacal Light were obtained, in two observing periods – September-October 1971, and April 1972. The scans, as expected, showed profiles modified by components variously Doppler-shifted with respect to the unshifted shape seen in daylight. Unexpectedly, MgI emission was also discovered. These observations covered for the first time a span of elongations from 25º East, through 180º (the Gegenschein), to 27º West, and recorded average shifts of up to six tenths of an angstrom, corresponding to a maximum radial velocity relative to the Earth of about 40 km/s. The set of spectra obtained is in this thesis compared with predictions made from a number of different models of a dust cloud, assuming various distributions of dust density as a function of position and particle size, and differing assumptions about their speed and direction. -
Yamaha Corporation of America Winter Namm 2012 Press Kit
YAMAHA CORPORATION OF AMERICA WINTER NAMM 2012 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2012 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/ FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION LISA CESARANO [email protected] 914-414-1556 (MOBILE) ELISE COOPER 914-584-7952 BAND AND ORCHESTRAL DIVISION, CORPORATE LISA CESARANO [email protected] 914-414-1556 (MOBILE) PAC, LIVE SOUND,MUSIC PRODUCTION, STEINBERG: MARC FERRIS [email protected] 914-478-1233 (MOBILE) CORPORATE POPULAR YAMAHA JUNIOR ORIGINAL CONCERT SERIES RETURNS TO NAMM —Talented Young Musicians Take to the Stage at Annual Winter NAMM Crowd Favorite — ANAHEIM, Calif.—The Yamaha Music Education System will present its perennially captivating Junior Original Concert (JOC) on Thursday, January 19. For the first time, the young musicians will perform at two NAMM venues: 8:30 a.m. at the NAMMU Dealer Breakfast in the Pacific Ballroom, Hilton Anaheim Hotel and 1:00 p.m. at the Yamaha Booth, Keyboard Division area, Marquis Ballroom at the Anaheim Marriott Hotel. All NAMM attendees are invited to enjoy the free 1 p.m. concert event, which will feature young talented Yamaha Music School students performing their own original compositions. Nine-year-old Alexander Hurvitz, a student at Harmony Music World, Fullerton, Calif., will perform his original piano solo composition, “Pushy Cat and Nutty Squirrels.” Chloe Li, also age 9 and a JSAC student at the Irvine Yamaha Music Center, will play the Clavinova CVP-509 in her original ensemble composition, “First Flight.” Chloe will play along with percussionists Dominic Primo, Sarah Chen and Lauren Chen, as well as her sister Claire Li, who will be performing on a second CVP-509. -
Lyrics Dust in the Wind
Lyrics dust in the wind Continue This article is about a 1977 Kansas song. For the 1986 film Hou Xiao-Sien, see the dust in the wind (film). For Todd Rundgren's song, see something/anything? For the songs of King Gizzard and the lizard wizard, see your eyes like the sky. Dust in the WindSing Kansas from the album Point of Know ReturnB- sideParadoxSoped January 16, 1978DStudioWoodland Studios (Nashville)GenreSoft Rock-1'Length3:27LabelKirshnerSongwriter (s) Kerry LivgrenProducer (s) Jeff Glickman Kansas Singles Chronology Point know the return (1977) Dust in the Wind (1978) Portrait (He Knew) (1978) Point to Know The Return of the Track listing10 Tracks Point Know the Return of The Spider Portrait Paradox (He Knew) Closet Chronicles Lightning's Hand Dust in the Wind Sparks of the Tempest Nobody's Home Hopelessly Human Dust in the Wind - Song, recorded by the American progressive rock band Kansas and written by band member Kerry Livgren, first released on their 1977 album Point of Know Return. The song peaked at number six on the Billboard Hot 100 the week of April 22, 1978, making it kansas's only single to reach the top ten in the US. The 45-a-minute single was certified Gold for sale to one million RIAA units shortly after its high popularity as a hit single. More than 25 years later, the RIAA certified Gold Digital Format downloading songs, Kansas' only single to make it certified on September 17, 2008. The Kansas version of Inspiration The title of the song is a biblical reference, paraphrasing Ecclesiastes: I thought about everything that is achieved by man on earth, and I have come to the conclusion that everything he has achieved is useless - as the pursuit of the wind! Meditation on mortality and the inevitability of death, the lyrical theme bears a striking resemblance to the famous biblical passages of Genesis 3:19 (.. -
Kansas DOUBLE “DEVICE-VOICE-DRUM” LIVE 'BEST OF' CD RELEASED JAN
Kansas DOUBLE “DEVICE-VOICE-DRUM” LIVE 'BEST OF' CD RELEASED JAN. 27TH 2003 ON SPV Phil Ehart - Drums Billy Greer - Bass & Vocals Robby Steinhardt - Vocals & Violin Steve Walsh - Vocals & Keyboards Richard Williams - Guitar American heartland art rock band Kansas, who have sold over 30 million albums during their long and illustrious career, are set to release 'Device - Voice - Drum', a double live CD (recorded at Earthlink Live! - Atlanta, Georgia - on June 15th 2002), on SPV Records on January 27th 2003. 'Device - Voice - Drum' is a live concert film recorded for DVD and CD. The 'Device - Voice - Drum' live CD also features a live multimedia bonus track not included on the upcoming DVD, which SPV are set to release later in the year. Formed in Topeka in 1972, Kansas have played a minimum of 100 concerts a year before a million people a year over the last decade. A specially selected career-spanning set list was chosen for the gig and this double live CD features performances of such mega hits as 'Dust In The Wind', 'Carry On Wayward Son' and 'Point Of Know Return'. 'Device - Voice - Drum' also features the vocal talents of 60 members of Atlanta’s New Advent Choir. Kansas appeared on the Billboard charts for over 200 weeks throughout the 70s and 80s and the band remains a staple of U.S. classic rock radio, with “Carry On Wayward Son” named as the Most Played Track of that format in 1997. 'Device - Voice - Drum' is being released as a double CD audio set with enhanced features. Creative Edge Advertising designed a multimedia platform that includes the video outtake of the song “Distant Vision,” screensavers for Mac and PC, and a photo album of the DVD production. -
By Tedwartide by Barry S
EE CS head irked by Tedwartide By Barry S. Surman Moses said, but could remain An article revealing details of a open if Tlhe Te(/h reapplied for ac- self-evaluation report drafted by cess. the Department of Electrical Moses "doesn't understand Engineering and Computer what's going on," Eric M. Science (EECS) has department Ostron-i, EECS conputer systelns officials upset. nzanager, slid. "He doesn't kno,-k The story, published in the July anfthing, he's just the department 30 issue of The Tech, said EECS head." fears it may lose its ranking as the "A lot of accounts are going premier electrical engineering lwa;y now, saisid Ostrom. Sum- school in the country, and slip to mer systen users with "strvng third in computer science. connections to living groups" are Tech Photo by Rod Wester "It is unfortunate that it came routinely denied access, he said, The Charles River will be renamed the Kwa Na Ha Nee River, if Cambridge Mayor Alfred E. Vellucci has out in The 7 ech," said Course VI1 while the Residence/Orientation his way. Head Joel Moses '67. week Clearinghouse system for Moses claimed the' story may tracking freshmen is on the corn- have given readers the impression pu ter. Mayor tries to LECS gave the report to the new- The account, used by The Tech naF e river spaper. "We did not," he said. to develop software for its new By Tony Zamparutti First People, a group planning a name, chief Little Velvet, several The Tech's account on the electronic composition system, Cambridge mayor Alfred E. -
AD GUITAR INSTRUCTION** 943 Songs, 2.8 Days, 5.36 GB
Page 1 of 28 **AD GUITAR INSTRUCTION** 943 songs, 2.8 days, 5.36 GB Name Time Album Artist 1 I Am Loved 3:27 The Golden Rule Above the Golden State 2 Highway to Hell TUNED 3:32 AD Tuned Files and Edits AC/DC 3 Dirty Deeds Tuned 4:16 AD Tuned Files and Edits AC/DC 4 TNT Tuned 3:39 AD Tuned Files and Edits AC/DC 5 Back in Black 4:20 Back in Black AC/DC 6 Back in Black Too Slow 6:40 Back in Black AC/DC 7 Hells Bells 5:16 Back in Black AC/DC 8 Dirty Deeds Done Dirt Cheap 4:16 Dirty Deeds Done Dirt Cheap AC/DC 9 It's A Long Way To The Top ( If You… 5:15 High Voltage AC/DC 10 Who Made Who 3:27 Who Made Who AC/DC 11 You Shook Me All Night Long 3:32 AC/DC 12 Thunderstruck 4:52 AC/DC 13 TNT 3:38 AC/DC 14 Highway To Hell 3:30 AC/DC 15 For Those About To Rock (We Sal… 5:46 AC/DC 16 Rock n' Roll Ain't Noise Pollution 4:13 AC/DC 17 Blow Me Away in D 3:27 AD Tuned Files and Edits AD Tuned Files 18 F.S.O.S. in D 2:41 AD Tuned Files and Edits AD Tuned Files 19 Here Comes The Sun Tuned and… 4:48 AD Tuned Files and Edits AD Tuned Files 20 Liar in E 3:12 AD Tuned Files and Edits AD Tuned Files 21 LifeInTheFastLaneTuned 4:45 AD Tuned Files and Edits AD Tuned Files 22 Love Like Winter E 2:48 AD Tuned Files and Edits AD Tuned Files 23 Make Damn Sure in E 3:34 AD Tuned Files and Edits AD Tuned Files 24 No More Sorrow in D 3:44 AD Tuned Files and Edits AD Tuned Files 25 No Reason in E 3:07 AD Tuned Files and Edits AD Tuned Files 26 The River in E 3:18 AD Tuned Files and Edits AD Tuned Files 27 Dream On 4:27 Aerosmith's Greatest Hits Aerosmith 28 Sweet Emotion -
In 1977 the Group Kansas Added a Song to Their Album Point of Know
The Fifth Sunday of Ordinary Time February 5, 2012 Center for Spirituality and Sustainability Southern Illinois University Edwardsville Edwardsville, Illinois + Most Reverend Thomas John Paprocki Bishop of Springfield in Illinois In 1977 the group Kansas added a song to their album Point of Know Return that soared to the top of the music charts. This last minute addition – which was almost not included on the album - became their most popular song. The song, of course, is “Dust in the Wind” and it echoes the sentiments of Job expressed well in the first reading today. After everything in his life was taken from him – his family, his livestock, his crops, and even his health – Job sighed, saying, “Remember that my life is like the wind” (Job 7:7). In “Dust in the Wind,” Kansas sang: I close my eyes Only for a moment and the moment’s gone All my dreams Pass before my eyes with curiosity Dust in the wind All they are is dust in the wind 2 Same old song Just a drop of water in an endless sea All we do Crumbles to the ground, though we refuse to see Dust in the wind All we are is dust in the wind If Kansas is right – if everything we do crumbles to the ground and if all we are is dust in the wind – then Job’s question is almost certainly true: “Is not man’s life on earth a drudgery” (Job 7:1)? There are many people today who go from day to day with this question ever in the hearts. -
KANSAS Has Spent Than Four Decades As a Part of the Soundtrack of the Lives of Multiple Generations of Music Lovers
KANSAS has spent than four decades as a part of the soundtrack of the lives of multiple generations of music lovers. The band’s first public statement appeared on their self-titled album in 1974. "From the beginning, we considered ourselves and our music different and we hope we will always remain so." Little did this legendary rock group realize that back in the early ‘70's, what seemed to be “different," was actually ahead of its time. This "garage band" from Topeka released their debut album in 1974 after being discovered by Wally Gold, who worked for Don Kirshner. The band has produced eight gold albums, three sextuple-Platinum albums (Leftoverture, Point of Know Return, Best of KANSAS), one platinum live album (Two for the Show), and a million-selling gold single, ‘Dust in the Wind.’ KANSAS appeared on the Billboard charts for over 200 weeks throughout the ‘70's and ‘80's and played to sold-out arenas and stadiums throughout North America, Europe and Japan. ‘Carry On Wayward Son’ was the #2 most played track on classic rock radio in 1995 and went to #1 in 1997. In 1998, KANSAS released an orchestral album; "Always Never the Same," recorded with the London Symphony Orchestra at Abbey Road Studios in London. They followed with an orchestral tour accompanied by top-caliber symphony orchestras. In 2000 KANSAS went back into the studio with original band member and songwriter Kerry Livgren to produce "Somewhere to Elsewhere," the first album featuring all 6 of the original players in 20 years! The ten new songs were written by Kerry Livgren and recorded in his studio in Topeka, KS. -
Analyzing KANSAS' “Carry on Wayward Son” (1976)
Analyzing KANSAS’ “Carry on Wayward Son” (1976) Matthew A. Bardin, BM Eastman School of Music: Theory 481 The goal of this paper is to, after providing a brief historical context, show a show a multi- faceted analysis of the song “Carry on Wayward Son” by KANSAS. Specifically, I will be looking at the lyrics of the song and giving my personal interpretation of their meaning, The formal arrangement of each section of the song, an analysis of the chords and their harmonic function, the melodic content and notable aspects of each formal section, the use of syncopation, and KANSAS’ use of instruments and timbres over the course of their song. It is my goal that looking at this information will allow me to create a generalized statement that evokes the essential characteristics of the track. KANSAS originally formed as a stereotypical ‘garage band’ out of Topeka, KS in the early 1970s. since their debut album in 1974, they have produced eight gold albums, three sextuple- platinum albums (of which Leftoverture (1976) is one), a platinum live album, and two different one million-selling singles. Over more than 40-year tenure of the band there has been several changes in the band’s line up, including a hiatus where the band was broken up in 1984. Currently, Phil Ehart (percussion) and Rich Williams (guitars) are the only two original band members still playing with the group. While the specific group dynamics play an interesting part in KANSAS’ sound and popularity over the years, it is beyond the scope of this paper. -
Kansas – Point of Know Return Live
Kansas – Point Of Know Return Live & Beyond (43:41 + 68:31, CD, Digital, Vinyl, InsideOut Music / Sony Music, 2021) Nach diversen Umbesetzungen vor einigen Jahren ist das amerikanische Progschlachtschiff Kansas wieder schwer auf Kurs. Man legte nach dem geglückten Neustart mit The„ Prelude Implicit“ (2016) und besonders „The Absence Of Presence“ (2020) nicht nur zwei prächtige Studioalben vor, auch live präsentiert sich die Band nach der alterstechnischen Blutauffrischung vitaler denn je. Deswegen geht ebenfalls „Live & Beyond“ in die zweite Runde. Vor rund drei Jahren würdigte man bereits den 76er Klassiker „Leftoverture“ in seiner Gesamtheit im Livekontext, jetzt folgt der zweite, ebenfalls verkaufstechnisch sehr erfolgreiche Platinum Seller „Point Of Know Return“. Wies das erste „Live & Beyond“ Package noch einige Makel auf, besonders durch die massive Verwendung von Autotune bei den Gesangspassagen, so macht die Band dieses Mal alles richtig. Gerade der Steve Walsh Nachfolger Ronnie Platt hat anscheinend wesentlich mehr an Vertrauen in seine eigene Stimmkraft gewonnen und liefert eine perfekte Performance voller vokaler Leidenschaft ab. Natürlich gibt es einige Überschneidungen mit dem letzten Livepackage, da man eben nicht grundsätzlich auf „Leftoverture“ Klassiker wie ‚The Wall‘, ‚Miracles Out Of Nowhere‘ und dem unverwüstlichen ‚Carry On Wayward Son‘ verzichten wollte. Doch neben dem kompletten 77er Album „Point Of Know Return“ bietet man einen sehr gut austarierten Mix aus Klassikern, neuem Material (u.a. ‚Summer‘ und ‚Refugee‘ von „The Prelude Implicit“), aber auch selten gehörtes Material wie das äußerst dynamisch interpretierte ‚Two Cents Worth‘ von „Masque“ (1975) oder die ursprünglich vonSteve Morse geprägten ‚Musicatto / Taking In The View‘ von „Power“ (1986). Was aber in erster Linie überzeugt, ist die Hingabe, Spielfreude und unglaubliche Power, die die aktuelle Kansas Besetzung auf der Bühne bietet. -
Jon Theodore
12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZhEWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities. -
Kansas – Miracles out of Nowhere (Documentary)
Kansas – Miracles Out Of Nowhere (documentary) (79:28+78:00, CD+DVD, Epic/Legacy/Sony Music, 2015) Das vergangene Jahr war für die Musiker von Kansas ein besonderes, schließlich feierte man sozusagen den 40. Geburtstag ihres Debütalbums. Grund genug, sich noch einmal in der Originalbesetzung zusammenzufinden und über die gemeinsame Vergangenheit zu philosophieren. Das natürlich vor dem Hintergrund, das Ergebnis auf einer Doku-DVD zu verewigen (Regie: Charley Randazzo). Und eines sei gleich vorweggenommen: wer jetzt einen Komplettüberblick über das Schaffen von Kansas erwartet und auch etwas über die John Elefante-Phase, Steve Morse, über die Rückkehr von Steve Walsh, das Ersetzen von Robbie Steinhardt durch David Ragsdale oder gar die aktuelle Entwicklung mit dem neuen Sänger Ronnie Platt erfahren möchte, wird enttäuscht, denn darüber wird kein Wort verloren. Lediglich die Namen David Ragsdale und Billy Greer tauchen immerhin in der Danksagung auf. Vielmehr geht es hier um das, was Kerry Livgren, Steve Walsh, Phil Ehart, Rich Williams, Dave Hope und Robby Steinhardt bis zum ’77er Album „Point Of Know Return“ vollbracht haben. Warum der Einblick nicht weitergeht – schließlich gab es auch danach noch Alben in genau der gleichen Besetzung – bleibt unklar. Auf der rund 78-minütigen DVD wird man allerdings bestens unterhalten. Sämtliche Musiker kommen zu Wort, und es ist allein schon optisch überraschend, wie sehr sich die Musiker zum Teil verändert haben. Ich erinnere mich beispielsweise noch sehr deutlich, wie überaus „raumfüllend“ Gitarrist Rich Williams war, als ich ihn zuletzt live gesehen habe. Nichts mehr davon zu erkennen. Neben den Musikern kommen auch noch Manager, Techniker etc. zu Wort, sodass man jetzt nicht erwarten sollte, viel Live-Musik erleben zu können.