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DEATHCEMBER – the Ultimate Advent Horror Anthology Movie Production of 24-Short Film Genre Anthology Has Started – International Line-Up

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DEATHCEMBER – the Ultimate Advent Horror Anthology Movie Production of 24-Short Film Genre Anthology Has Started – International Line-Up In 2019, December will be bloody... DEATHCEMBER – The Ultimate Advent Horror Anthology Movie Production of 24-short film genre anthology has started – International line-up Dec. 27, 2018 – Frankfurt, Germany Set for its world premiere in fall 2019 is DEATHCEMBER, a European production advertised as the world’s first cinematic Advent calendar, consisting of 24 short films by 24 directors from around the globe. With its tagline “24 Doors to Hell”, the movie unmistakably positions itself at the heart of the horror genre. Nevertheless it will offer audiences a thoroughly diversified viewing experience, with shorts that range from classic scares to black comedy to action to sci-fi to pure, brutal splatter. DEATHCEMBER was conceived by Dominic Saxl and is produced by him, Ivo Scheloske and Frank Vogt, three long-time friends and genre enthusiasts hailing from Frankfurt, Germany. They managed to convince federal German HessenFilm funding board to provide them with a grant of about $ 210,000 to produce a horror feature; something they still can’t believe has actually happened, since “official Germany isn’t really fond of horror movies, to put it mildly”, as producer Frank Vogt says. Drawing from this grant, as well as – substantially – from personal funds and funds acquired from a small group of private investors, the three friends have set out to combine three things that are at the heart of most every genre fan: Christmas, horror, and anthologies; brought together within a framework that seems so obvious as a conceptual choice that it’s hard to believe an idea like this has never been realized before: a cinematic Advent calendar of death, with 24 doors that will open up to reveal 24 stories about mayhem, slaughter, and all other kinds of festive fun. Then again, a project of this magnitude requires a certain amount of dedication – and, probably, sheer insanity – on the part of the makers. Managing the logistics of a production that features 24 individual filmmakers with the most diverse backgrounds, visions, styles (who also live in the most diverse time zones), “can prove to be a real nightmare, albeit a very beautiful and exciting one”, says producer Dominic Saxl. Awed and inspired by genre milestones such as ABCs OF DEATH and V/H/S that have set new anthology standards, the makers of DEATHCEMBER try to bring together the best that modern genre cinema has to offer. Giving their directors complete creative freedom, Saxl, Scheloske and Vogt asked them for one thing only: to deliver a short that serves as a unique take on the Christmas horror genre, and does so within a time frame of 2–5 minutes. Exciting line-up of international genre directors More than 40 directors from all over the world answered their call, and the most promising 24 pitches were chosen to be realized for the feature film. 3 extra short films will be made to serve as a “safety net”, in case some directors fail to deliver. DEATHCEMBER’s line-up of directors includes big names as well as up-and-comers, from genre mainstays such as Lucky McKee (THE WOMAN) and Trent Haaga (68 KILL) to current festival favorites like Isaac Ezban (PARALLEL) and Lazar Bodroza (EDERLEZI RISING) to exciting fresh talent, among them a number of Blumhouse alumni such as Chelsea Stardust (Fangoria’s SATANIC PANIC) and Sam Wineman (THE QUIET ROOM). Also attached as directors are names like Pollyanna McIntosh, who is currently best known as Jadis/”Anne” in AMC’s THE WALKING DEAD, but has also recently written and directed DARLIN’, the sequel to THE WOMAN, which will be released in 2019. And, as a special surprise, the living genre legend, Ruggero Deodato (CANNIBAL HOLOCAUST). “We’re really excited and proud to have been able to assemble such an amazing group of talented, enthusiastic and kind-hearted people, whose works will make DEATHCEMBER a stand-out anthology,” says producer Ivo Scheloske. Going all-in on the Advent calendar theme, the producers opted to announce one participating director per day from December 1 to 24 – on their Facebook, Instagram, Twitter, as well as on their Kickstarter campaign page. Kickstarter campaign offering unique rewards On that note: the 24 shorts of DEATHCEMBER will be connected by animated sequences that tell a story about the Advent calendar itself. In order to raise extra funds to provide for better animation and post-production capabilities, the producers have launched a Kickstarter campaign that will run until January 15. The campaign offers backers the opportunity to obtain a number of exclusive, limited rewards, such as a special edition media-book version of the movie, a “preferred guest” attendance of a festival screening of DEATHCEMBER, or even an Associate or Executive Producer credit. The campaign has started out really well, raising over 30% of its funding goal within the starting weekend. DEATHCEMBER’s timeline The first two of the anthology’s short films have already been completed: “Kill Santa” by Sadrac González-Perellón (BLACK HOLLOW CAGE), and “Joy to the Girls” by Sonia Escolano (HOUSE OF SWEAT AND TEARS). Two more, by Trent Haaga and Jason Rostovsky (DON’T BE AFRAID OF THE LIGHT), have been shot this December, the rest will follow between January and March 2019. The movie’s frame story will be illustrated, animated and edited in February and March. A rough cut of the movie is planned to be finished by May 2019; and the world premiere is already fixed for Sitges International Filmfestival in October 2019, with a small chance for it to take place even earlier, at Fantastic Fest in Austin, September 2019. There are already a number of companies pitching to handle world sales of DEATHCEMBER. Depending upon negotiations, the movie will see its theatrical or home entertainment release in all markets sometime in late 2019 or in 2020. PR and advertising Initial marketing for DEATHCEMBER relies heavily on social media channels. Since November 1, the movie has been communicated to (potential) fans and followers through a huge number of posts and ads primarily on Facebook, using a wide range of branded images and videos. Since December 1, these communication efforts have been intensified, as one participating director per day was introduced to social media audiences by means of various audio-visual material. In their home country of Germany, the producers have launched a broad PR offensive towards classical and digital news outlets, film magazines, blogs and fanzines, on top of that. Dominic Saxl, Ivo Scheloske and Frank Vogt hope to find an interested audience in other countries, too. They are eager to answer any question the media might have and provide them with further information as well as images and digital assets of any kind. Please do reach out! Best regards, Dominic Saxl / DEATHCEMBER [email protected] www.deathcembermovie.com facebook.com/Deathcembermovie instagram.com/Deathcembermovie twitter.com/Deathcemberfilm http://bit.ly/DeathKick (Kickstarter campaign page) https://1drv.ms/f/s!Ah4DewWmrtY3lMh48larBiXfA8XQqA (further press material) The producers of DEATHCEMBER are three long-time friends based in and around Frankfurt, Germany who share a passion for genre films of all sorts, for horror anthologies, and for creating stuff that entertains the hell out of you. Click their names to learn even more on Facebook! Dominic Saxl Dominic earns his livelihood as an advertising creative since 1999. He has created dozens of commercials (some of which are actually quite good), won numerous international awards. Writer and co-director of serial killer short film ZIELGERADE (2005). Freelance writer for DEADLINE, one of Germany’s biggest film magazines. He hosts an underground film club in Frankfurt that screens lost and obscure genre gems. Dedicated Christmas horror fanatic – who probably had to come up with the idea to DEATHCEMBER at some point in his life. Ivo Scheloske Ivo works as a product manager at independent film label Anolis Entertainment since the turn of the millennium. He has produced a number of documentaries as bonus materials for the label’s releases. Ivo was in charge of press relations and film festival partnerships for Anolis‘ self-produced features TEARS OF KALI (2004) and MASKS (2011), and he also acted as Associate Producer for the latter title. Long-time professional horror geek, and loving it. Frank Vogt DEATHCEMBER’s resident post-production magician and COO of Magna Mana Production, founded in 1996 as a full-service production company for feature films, advertising, TV and digital media, event and service companies. For more than 10 years, Frank produced the trailers for Germany’s most important genre film festival “Fantasy Filmfest”. His company offers the complete range of services pertaining to film production, post-production, and digital image editing, and Frank himself offers veteran genre fandom. Yazid Benfeghoul Also attached as a co-producing partner is Yazid Benfeghoul, one of the most prolific figures in Germany's genre landscape, initially making a name for himself as editor of influential splatter fanzine GORY NEWS and host of long-running film festival “Splatterday Night Fever”. Since 2000, he has produced 12 German and international horror films such as Olaf Ittenbach’s BEYOND THE LIMITS, Alex Chandon’s INBRED or Marc Fehses's SKY SHARKS starring Naomi Grossman and Cary- Hiroyuki Tagawa (currently in post-production). Today he is one of the publishers of DEADLINE film magazine. Yazid brings a lot of valuable experience and tons of contacts to the project, helping DEATHCEMBER move along smoothly. Trent Haaga is a screenwriter, director, and actor based in Los Angeles who has been involved in over 100 feature films. He got his start working for Troma Films as the writer/producer of THE TOXIC AVENGER PART 4 and went on to make many films for Full Moon Pictures.
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