The Great Philosophers: an Introduction to Western Philosophy
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Reading Isaiah Berlin in China1
Reading Isaiah Berlin in China1 A year before his death in 1997, Isaiah Berlin was invited by a Chinese scholar named Ouyang Kang to write a summary of his thought for the Chinese reading public. Berlin, as Dr Henry Hardy recalls, much valued this new readership, and therefore wrote his last essay, ‘My Intellectual Path’. It was first published in English in the New York Review of Books, and then included in The Power of Ideas, an anthologies edited by Hardy.2 Eight years later, this piece finally received its Chinese translation. According to Ouyang Kang, his incentive is to edit a book composed of intellectual self-portraits by several distinguished Anglophone philosophers as a way to introduce contemporary Anglophone philosophy to common readers in China. Ironically, when Ouyang’s volume was published, many of Berlin’s writings had already been translated and his thought been made accessible to the general public.3 Unlike his Oxford colleague, the historian Hugh Trevor-Roper, Isaiah Berlin never went to China; nor did he write anything directly related to it. Although he sometimes mentioned China in passing, he seemed not to have known much about either its history or its status quo, and he probably viewed it, along with India and Japan, as an old, mysterious and exotic civilisation. Among his interlocutors, Joseph Alsop had served in the ‘Flying Tigers’ commanded by C.L. Chennault in fighting the Japanese. After the Communist Party took power by defeating Chiang Kai-shek’s army in 1949, thus ending a civil war lasted for three years, China became a Communist regime, which borrowed its totalitarian system entirely from the Soviet Union. -
History of Philosophy Outlines from Wheaton College (IL)
Property of Wheaton College. HISTORY OF PHILOSOPHY 311 Arthur F. Holmes Office: Blanch ard E4 83 Fall, 1992 Ext. 5887 Texts W. Kaufman, Philosophical Classics (Prentice-Hall, 2nd ed., 1968) Vol. I Thales to Occam Vol. II Bacon to Kant S. Stumpf, Socrates to Sartre (McGraW Hill, 3rd ed., 1982, or 4th ed., 1988) For further reading see: F. Copleston, A History of Philosophy. A multi-volume set in the library, also in paperback in the bookstore. W. K. C. Guthrie, A History of Greek Philosophy Diogenes Allen, Philosophy for Understanding Theology A. H. Armstrong & R. A. Markus, Christian Faith and Greek Philosophy A. H. Armstrong (ed.), Cambridge History of Later Greek and Early Medieval Philosophy Encyclopedia of Philosophy Objectives 1. To survey the history of Western philosophy with emphasis on major men and problems, developing themes and traditions and the influence of Christianity. 2. To uncover historical connections betWeen philosophy and science, the arts, and theology. 3. To make this heritage of great minds part of one’s own thinking. 4. To develop competence in reading philosophy, to lay a foundation for understanding contemporary thought, and to prepare for more critical and constructive work. Procedure 1. The primary sources are of major importance, and you will learn to read and understand them for yourself. Outline them as you read: they provide depth of insight and involve you in dialogue with the philosophers themselves. Ask first, What does he say? The, how does this relate to What else he says, and to what his predecessors said? Then, appraise his assumptions and arguments. -
Taking Politics Seriously – but Not Too Seriously
Taking Politics Seriously – but Not Too Seriously Charles Blattberg Professor of Political Philosophy Université de Montréal It makes one ashamed that men of our advanced years should turn a thing as serious as this into a game. Seneca1 One of Edward’s Mistresses was Jane Shore, who has had a play written about her, but it is a tragedy & therefore not worth reading. Jane Austen2 To Isaiah Berlin, the idea “that all good things must be compatible…and perhaps even entail one another in a systematic fashion [is] perhaps one of the least plausible beliefs ever entertained by profound and influential thinkers.”3 So says pluralism of monism. The claim is meant to apply as much to personal as to political life, and it has led pluralists to argue that monists overlook the inescapably tragic dimension of both. If, when values conflict, we cannot turn to a systematic theory for guidance, then it seems we have no choice but to compromise and, by compromising, diminish what we believe to be good. That, at least, is what comes from negotiation, which is what pluralists recommend as the chief alternative to the application of monist theories of morality or justice. And they do so even though – or rather because – it means embracing a world that is inherently unsystematic, sometimes tragically so.4 One might push this point even further. Monists do not merely fail to give the tragedy of morals or politics its due; some can even be accused of treating them frivolously, as if they were *A chapter from Towards One, As Many (forthcoming). -
As in Milan Kundera's the Unbearable Lightness of Being
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Postmodernism and the Concept of Kitsch- As in Milan Kundera’s The Unbearable Lightness of Being Dr.Shanthichitra Associate Professor & Head, Dept. of English, College of Science and Humanities SRMIST, Chennai, India Abstract: The concept of Kitsch is one of the difficult concepts which has been so easily handles by Milan Kundera in his incredible work of art – The Unbearable Lightness of Being. Culturally accepted words and situations vs. the words which are labeled as grotesque points out that peculiar point which deviates the ordinary to sublimity. This paper studies that ordinary which is ignored in culture through Milan Kundera’s The Unbearable Lightness of Being. Keywords: Kitsch, Postmodernism, Phenomenology, Milan Kundera, Ideologies and Culture. When I came across the concept of Taipei modern Toilet diner, I was reminded of Milan Kundera’s Kitsch…This Modern Toilet diner is one of chain of themed eateries in Taiwan appealing to largely the youngsters of the city. This diner has greater relevance to the modern culture, culture in which youngsters call each other by bad words out of love…they have overcome all the grotesques!? Are they above all the human hurts?! Or is it an effort to deviate from kitsch?! Milan Kundera in his The Unbearable Lightness of Being talks about the concept of Kitsch. Kitsch is a German word that’s been adopted by a number of other languages, including English. It refers primarily to art that is overly sentimental or melodramatic, and so refers to aesthetics. What’s interesting is the way Kundera uses the concept in his novel, not to talk about art, but to talk about political ideology and about life. -
A Phenomenological Investigation of Lighting in Built Environments
Think About Thinking About Light: A Phenomenological Investigation of Lighting in Built Environments A Major Paper submitted to the Faculty of Environmental Studies in partial fulfillment of the requirements for the degree of Master in Environmental Studies, York University, Ontario, Canada. Taylor Stone 210601706 July 26, 2011 Student Signature: _____________________________________ Supervisor Signature: __________________________________ (Peter Timmerman) Stone i Table of Contents Abstract ii Foreword iii Acknowledgements iv 1. Introduction: In Search of Light 1 Times Square at Night… Light as a Topic of Inquiry… Note on Paper Structure 2. Questioning Architecture: Ecological Design as a Qualitative Field of Inquiry 8 Environmentalism and Architecture… This is Not About Architecture 3. Phenomenology: Theoretical Framework 15 In Search of the Experiential Basis of Experiences… Architectural Phenomenology… Ecophenomenology… Questions of Scale 4. Finding the Light: Experiential and Interpretive Understandings 25 Seeing the Light… Some Thoughts on Light as Metaphor… Metaphors Buried but Not Forgotten… Seeing the Light, Almost 5. Dundas Square: Big City Lights 46 The City at Night… Light and Space, and Darkness… A Cosmos Unto Itself 6. The Terrence Donnelly Centre for Cellular and Biomolecular Research: A World Without Windows 63 A World of Glass… Allan Gardens… Inside Out, Outside In 7. St. Gabriel’s Passionist Parish: In Light of Religious Experience 81 Light, Materialization, Colour… The Light of God in the Dark Ages… A New Religious Experience… Cathedral Church of St. James 8. Conclusion: Reflections 105 Summary and Concluding Remarks… Looking Back… Looking Forward… Coda: Still Searching Appendix 112 1) Research Method 2) Building Credits Works Cited 119 Stone ii Abstract This Major Paper is a phenomenological investigation of lighting in built environments. -
Leibniz's Monads Vis-À-Vis the Immortality of the Soul
LEIBNIZ’S MONADS VIS-À-VIS THE IMMORTALITY OF THE SOUL: A COMPARATIVE APPROACH George Franklin Umeh* Abstract Gottfried Wilhelm von Leibniz published little during his lifetime, and his philosophical masterpiece, Monadology is such a triumph of succinct expression that, to fully interpret it, one must look at many other works and to his correspondence, in order to know the detailed arguments which underlie its conclusions. Leibniz raised a problem in his attempt to compare his monads with the human soul, sharing the same features of immortality. Philosophers are divided in this idea, while some refute it as illogical, some still accept it though with a pinch of salt, saying that he is not the originator of the idea. However, I salute his courage for taken such a bold step in making this delicate comparison of the monads and souls’ immortality. It is also worthy of note that more philosophers have written on the immortality of the soul but the most classical of them all is that of Thomas Aquinas. The importance of this work is to help us understand the deep relationship between the monads and the human souls. To achieve this, the method of comparative analysis of the ideas is going to be used, giving it an interpretation to discover the strength of Leibniz’s argument and his flaws. Solution to the flaws will be proffered. Keywords: Monads, Soul, Immortality, Substance Introduction Interpretation of Leibniz is made doubly difficult by the fact that he changed his mind about certain of his most influential ideas during the course of his lifetime, while remaining obstinately attached to them and unable overtly to reject them. -
Malebranche's Augustinianism and the Mind's Perfection
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Malebranche's Augustinianism and the Mind's Perfection Jason Skirry University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Philosophy Commons Recommended Citation Skirry, Jason, "Malebranche's Augustinianism and the Mind's Perfection" (2010). Publicly Accessible Penn Dissertations. 179. https://repository.upenn.edu/edissertations/179 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/179 For more information, please contact [email protected]. Malebranche's Augustinianism and the Mind's Perfection Abstract This dissertation presents a unified interpretation of Malebranche’s philosophical system that is based on his Augustinian theory of the mind’s perfection, which consists in maximizing the mind’s ability to successfully access, comprehend, and follow God’s Order through practices that purify and cognitively enhance the mind’s attention. I argue that the mind’s perfection figures centrally in Malebranche’s philosophy and is the main hub that connects and reconciles the three fundamental principles of his system, namely, his occasionalism, divine illumination, and freedom. To demonstrate this, I first present, in chapter one, Malebranche’s philosophy within the historical and intellectual context of his membership in the French Oratory, arguing that the Oratory’s particular brand of Augustinianism, initiated by Cardinal Bérulle and propagated by Oratorians such as Andre Martin, is at the core of his philosophy and informs his theory of perfection. Next, in chapter two, I explicate Augustine’s own theory of perfection in order to provide an outline, and a basis of comparison, for Malebranche’s own theory of perfection. -
Chapter One Transcendentalism and the Aesthetic Critique Of
Chapter One Transcendentalism and the Aesthetic Critique of Modernity Thinking of the aesthetic as both potentially ideological and potentially utopian allows us to understand the social implications of modern aes- thetics. The aesthetic experience can serve to evade questions of justice and equality as much as it offers the opportunity for a vision of freedom. If the Transcendentalists stand at the end of a Romantic tradition which has always been aware of the utopian dimension of the aesthetic, why should they have cherished the consolation the aesthetic experience of- fers while at the same time forfeiting its critical implications, which have been so important for the British and the early German Romantics? Is the American variety of Romanticism really much more submissive than European Romanticism with all its revolutionary fervor? Is it really true that “the writing of the Transcendentalists, and all those we may wish to consider as Romantics, did not have this revolutionary social dimension,” as Tony Tanner has suggested (1987, 38)? The Transcendentalists were critical of established religious dogma and received social conventions – so why should their aesthetics be apolitical or even adapt to dominant ideologies? In fact, the Transcendentalists were well aware of the philo- sophical and social radicalism of the aesthetic – which, however, is not to say that all of them wholeheartedly embraced it. While the Transcendentalists’ American background (New England’s Puritan legacy and the Unitarian church from which they emerged) is crucial for an understanding of their social, religious, and philosophical thought, it is worth casting an eye across the ocean to understand their concept of beauty since the Transcendentalists were also heir to a long- standing tradition of transatlantic Romanticism which addressed the re- lationship between aesthetic experience, utopia, and social criticism. -
Monadology a New Translation and Guide
Leibniz’s Monadology A New Translation and Guide Lloyd Strickland Leibniz’s Monadology A New Translation and Guide LLOYD STRICKLAND For Dan Cook and Vernon Pratt, for all of the help and support over the years: thank you © Lloyd Strickland, 2014 Edinburgh University Press Ltd The Tun - Holyrood Road, 12(2f) Jackson’s Entry, Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13pt Ehrhardt MT Pro by Servis Filmsetting Ltd, Stockport, Cheshire and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9321 4 (hardback) ISBN 978 0 7486 9323 8 (webready PDF) ISBN 978 0 7486 9322 1 (paperback) ISBN 978 0 7486 9324 5 (epub) The right of Lloyd Strickland to be identified as Author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements iv Key vi Abbreviations vii Introduction 1 About the Text and Translation 13 The Monadology 14 The Structure of the Monadology 34 The Monadology: Text with Running Commentary 39 Appendix 162 1. Theodicy 162 2. The Principles of Nature and Grace, Founded on Reason 270 3. Leibniz to Nicole Remond: Appendix on Monads 278 Glossary of Terms 280 Questions for Further Study 283 Further Reading 285 Index 292 Acknowledgements I would like to extend my warmest thanks to an anonymous reviewer for Edinburgh University Press for feedback on the entire manuscript. Parts of the commentary were incorporated into a talk given to members of the Oxford Philosophical Society in November 2013. -
Existential Investigation: the Unbearable Lightness of Being and History
Existential Investigation: The Unbearable Lightness of Being and History Gregory Kimbrell To fully understand a piece of writing requires a grasp of its historical context. It follows then that an understanding of Czechoslovak history is necessary for the full appreciation of Milan Kundera’s The Unbearable Lightness of Being. Kundera, however, disagrees.1 What is a reader who is seeking to do an historical analysis of Kundera’s novel to make of his opinion, and what implications does his opinion bear on the historical analysis itself? Even if the contents of the novel cannot be directly related to Czechoslovak history, it may nevertheless be the case that Kundera’s opinion is itself rooted in historical circumstances. To determine the relation of Kundera and The Unbearable Lightness of Being to history, one must first make sense of his attitude towards history and the ways in which it has influenced the creation of his novel. Kundera explains in his non-fiction work The Art of the Novel that history has traditionally been thought to be an expression of the progress of humankind through time which can be explained rationally. To Kundera, this definition is not simply idealistic but downright delusional. Having experienced life under Soviet totalitarianism, he believes that there can be no rational explanation for what he found to be the absurdities and cruelties of the regime. “[W]hy does Russia today want to dominate the world?” Kundera wrote. “To be richer? Happier? Not at all. The aggressivity of [this] force is thoroughly disinterested…it is pure irrationality.”2 To appropriately comprehend history, Kundera feels that it “must be understood…as an existential situation.”3 He draws his Chrestomathy: Annual Review of Undergraduate Research at the College of Charleston Volume 1, 2002: pp. -
What the Book Contains Is a Theory of the Nature of Philosophy. Philosophy Is an Unstable Derived Cultural Activity Like the Opera
The Philosophical Inquiry: Towards a Global Account, was published by the University Press of America, Langham, 2002) What the book contains is a theory of the nature of philosophy. Philosophy is an unstable derived cultural activity like the opera. It takes its materials, motivations and procedures from three different cultural fields: art, religion, and science, with different polarizations according to the author or the tradition. As philosophy is the cradle of sciences, they dictate the direction, and by opposing Science from philoophy the most proper nature of Science i salso uncovered. As I published this book as I was in Berkeley 18 years ago it was a death-born child. There were no reviews, no nothing. Anyway, I cannot deny that in my view it still gives the best explanation of the nature of philosophy I’ve already met. THE PHILOSOPHICAL INQUIRY TOWARDS A GLOBAL ACCOUNT ____________________ _________ CLAUDIO COSTA THE PHILOSOPHICAL INQUIRY * (Heraklit) Nun scheint mir, gibt es ausser der Arbeit des Kunstlers noch eine andere, die Welt sub specie aeterni einzufangen. Es ist – glaube ich, der Weg des Gedankens, der gleichsam über die Welt hinfliege und sie so lässt, wie sie ist – sie von oben von Fluge betrachtend.** (Wittgenstein) Science is what we know; philosophy is what we don’t know. (…) Science is what we can prove to be true; philosophy is what we can’t prove to be false. (B. Russell) _____________ * The sibyl with raving mouth uttering her unlaughing, unadorned, unincensed words reaches out over a thousand years with her voice through the god. (tr. K. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.