Walk of Fame Artists

Total Page:16

File Type:pdf, Size:1020Kb

Walk of Fame Artists WALK OF FAME ARTISTS 1973 1977 1981 Ernie Sigley Keith Michell Janet Vernon Julie Anthony Ruth Cracknell Peter Goers Peter Brook & Royal Rudolf Nureyev Liza Minnelli Shakespeare Company 1978 1982 1974 Dennis Olsen Mary Moore Tristram Cary Olivia Newton-John John Wood Robert Helpmann Ella Fitzgerald Debbie Reynolds Daddy Cool 1979 1983 1975 John Gaden David Williamson Elizabeth Cameron Dalman Dame Edna Everage Geoffrey Rush John Farnham Gene Pitney Joni Mitchell Roy Orbison 1980 1984 1976 Nick Enright Thomas Edmonds Joan Sutherland Peter Allen Hugo Weaving Cold Chisel June Bronhill Richard Harris Merce Cunningham 1985 1989 1993 Bobby Limb Marilyn Richardson Todd McKenney Anthony Warlow The Seekers Noni Hazlehurst Kiri Te Kanawa Marcel Marceau Carmel Johnson 1986 1990 1994 Nancye Hayes Paul Blackwell Meryl Tankard Robyn Archer Anne Wills John Williamson John Denver Eric Clapton Michael Nyman 1987 1991 1995 Gale Edwards Shaun Micallef Douglas McNicol Garry McDonald Gary Sweet Cate Blanchett John Bell Jacki Weaver Slava Grigoryan 1988 1992 1996 Rosalba Clemente Jim Sharman Patrick White Peter Combe Guy Pearce Rhonda Burchmore Georg Solti & Chicago Eartha Kitt Philippe Genty Symphony Orchestra 1997 2001 2005 Richard Bonynge Andrew Bovell Ruby Hunter Deborah Mailman David Campbell Tim Minchin Wesley Enoch Bert Newton Joe Cocker 1998 2002 2006 Graeme Koehne Lucinda Dunn Kasey Chambers Brian Gilbertson James Morrison Paul Kelly Lenny Henry Jimmy Little Mandy Patinkin 1999 2003 2007 Benedict Andrews Nicholas Braithwaite Johanna Allen Billy Connolly Clive James Guy Sebastian Troy Cassar-Daley Graeme Murphy Burt Bacharach 2000 2004 2008 Jane Peters Arvo Volmer Beccy Cole Chrissy Amphlett Charles ‘Bud’ Tingwell The Umbilical Brothers Bryn Terfel Elizabeth Campbell Raymond Crowe 2009 2013 2017 Jimmy Barnes Leigh Warren Michael Griffiths Kate Ceberano Rachael Leahcar Barrie Kosky Pinchas Zukerman Carole King Annette Shun Wah 2010 2014 2018 Hugh Sheridan Garry Stewart Björn Ulvaeus and Niki Vasilakis Nick Cave Benny Andersson The Angels Pepe Romero Archie Roach 2011 2015 Tommy Emmanuel Natsuko Yoshimoto Greta Bradman 2019 Glenn Shorrock Adam Hills Siti Nurhaliza Paco Peña Jacqy Phillips Frances Rings 2012 2016 William Barton Geoff Cobham Dami Im HONORARY Tina Arena Hugh Colman Anthony Steel Tan Dun Billy Crystal Frank Ford.
Recommended publications
  • CLS Sprig of Heather June 2014
    Sprig Of Heather June 2014 Sprig Of Heather Vol 21 No 2 June 2014 The Official Newsletter of Clan Little Society New Zealand & Australia www.littleclan.net Sprig Of Heather June 2014 As I wrote this editorial a call came in on SKYPE from a friend in Auckland. Oh how our world has changed ! We are now more inter connected through diverse technologies than at any time in History. Had our ancestors a fraction of the technologies we have today how would we have evolved? Scotland in early 1800s was a largely agricultural nation. Work was usually manual and cottage-based. A shift in this trend came with the industrial age. The industrialisation of Scotland began in the late 18th and early 19th centuries. The adoption of mechanisation led to the building of factories and a move away from cottage industries. Production was linked to the use of machines as well as the establishment of the railway and canal networks, which transported the raw materials from the dockland (notably cotton) and were able to distribute the finished goods. With the arrival of the steam engine, numbers of miners increased in order to produce the coal needed to power the engines. Iron and steel works also became a major employer at the time. In Scotland the hundred years between 1840 and 1940 saw enormous change in the countries economic and social structure. Our ancestors living in 1840 would have been astounded at the scale and pace of change in the century ahead. Since the dawn of civilization, there existed a need to communicate information over distance.
    [Show full text]
  • In Concert OCTOBER–NOVEMBER 2012
    ABOUT THE MUSIC SCHUBERT QUINTET /IN CONCERT OCTOBER–NOVEMBER 2012 ROMEO AND JULIET 1 AND 2 NOVEMBER PRESENTED IN ASSOCIATION WITH THE SOLDIER’S TALE 11 NOVEMBER DURUFLÉ REQUIEM 15–17 NOVEMBER MEET YOUR MSO MUSICIANS: ELEANOR MANCINI AND ROBERT CLARKE JOHN BELL ON SHAKESPEARE AND MUSIC BENJAMIN NORTHEY’S INCREDIBLE MONTH OF MUSIC-MAKING JONATHAN GRIEVES- SMITH ON PREPARING DURUFLÉ twitter.com/melbsymphony facebook.com/melbournesymphony Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WElcOME As I write this I’m in the middle trombonist Michael Bertoncello as of my busiest period with the soloist, as well as daytime concerts Orchestra so far, as we offer a for schools. snapshot of the diverse life of a The month began with music for modern symphony orchestra, with the whole family (even across a concerts for all ages and musical range of species!) as the MSO tastes, in venues from Melbourne brought Saint-Saëns’ magical Zoo to the Capital in Bendigo, and Carnival of the Animals to Melbourne featuring spoken word, film and Zoo, with Nick Enright’s wonderful the mighty MSO Chorus. verse narrated by Noni Hazlehurst. The unique collaboration with This is the kind of event that gives Bell Shakespeare promises to so many young people their first be a perfect marriage of classic taste of live orchestral music.
    [Show full text]
  • The Premiere Fund Slate for MIFF 2021 Comprises the Following
    The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people.
    [Show full text]
  • Teaching Social Issues with Film
    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
    [Show full text]
  • Middle Years (6-9) 2625 Books
    South Australia (https://www.education.sa.gov.au/) Department for Education Middle Years (6-9) 2625 books. Title Author Category Series Description Year Aus Level 10 Rules for Detectives MEEHAN, Adventure Kev and Boris' detective agency is on the 6 to 9 1 Kierin trail of a bushranger's hidden treasure. 100 Great Poems PARKER, Vic Poetry An all encompassing collection of favourite 6 to 9 0 poems from mainly the USA and England, including the Ballad of Reading Gaol, Sea... 1914 MASSON, Historical Australia's The Julian brothers yearn for careers as 6 to 9 1 Sophie Great journalists and the visit of the Austrian War Archduke Franz Ferdinand aÙords them the... 1915 MURPHY, Sally Historical Australia's Stan, a young teacher from rural Western 6 to 9 0 Great Australia at Gallipoli in 1915. His battalion War lands on that shore ready to... 1917 GARDINER, Historical Australia's Flying above the trenches during World 6 to 9 1 Kelly Great War One, Alex mapped what he saw, War gathering information for the troops below him.... 1918 GLEESON, Historical Australia's The story of Villers-Breteeneux is 6 to 9 1 Libby Great described as wwhen the Australians held War out against the Germans in the last years of... 20,000 Leagues Under VERNE, Jules Classics Indiana An expedition to destroy a terrifying sea 6 to 9 0 the Sea Illustrated monster becomes a mission involving a visit Classics to the sunken city of Atlantis... 200 Minutes of Danger HEATH, Jack Adventure Minutes Each book in this series consists of 10 short 6 to 9 1 of Danger stories each taking place in dangerous situations.
    [Show full text]
  • Phillip Street Theatre
    COLLECTION FINDING AID Phillip Street Theatre Performing Arts Programs and Ephemera (PROMPT) Australian ColleCtion Development The Phillip Street Theatre (sucCeeded by the Phillip Theatre) was a popular and influential commercial Sydney theatre and theatriCal Company of the 1950s and 1960s that beCame well known for its intimate satiriCal revue produCtions. William Orr was the Company’s founding DireCtor of ProduCtions, and EriC DuCkworth was General Manager. After taking over the MerCury Theatre in Phillip Street, William Orr re- opened it as the Phillip Street Theatre in 1954, presenting a series of “Phillip Street Revues” and children's musicals, including Top of the Bill and Hit and Run (both 1954), Willow Pattern Plate (1957), Cross Section (1957-58), Ride on a Broomstick (1959), Mistress Money (1960). These featured many noted Australian performers, many who later went on to beCome well known film, theatre and television personalities, inCluding Gordon Chater, Margot Lee, Barry Creyton, Jill Perryman, Noeline Brown, Robina Beard, Judi Farr, Kevin Miles, Charles "Bud" Tingwell, Ray Barrett, Ruth CraCknell, June Salter, John Meillon, Barry Humphries, Reg Livermore, Peter Phelps, and Gloria Dawn. The Phillip Street Theatre was demolished at the time of Out on a Limb with Bobby Limb and Dawn Lake in 1961, and the Company moved to the Australian Hall at 150 Elizabeth Street, near Liverpool Street. The Company's name was then shortened to the Phillip Theatre in reCognition of this move. Content Printed materials in the PROMPT ColleCtion include programs and printed ephemera such as broChures, leaflets, tiCkets, etC. Theatre programs are taken as the prime doCumentary evidenCe of a performanCe at the Phillip Street Theatre.
    [Show full text]
  • Company B ANNUAL REPORT 2008
    company b ANNUAL REPORT 2008 A contents Company B SToRy ............................................ 2 Key peRFoRmanCe inDiCaToRS ...................... 30 CoRe ValueS, pRinCipleS & miSSion ............... 3 FinanCial Report ......................................... 32 ChaiR’S Report ............................................... 4 DiReCToRS’ Report ................................... 32 ArtistiC DiReCToR’S Report ........................... 6 DiReCToRS’ DeClaRaTion ........................... 34 GeneRal manaGeR’S Report .......................... 8 inCome STaTemenT .................................... 35 Company B STaFF ........................................... 10 BalanCe SheeT .......................................... 36 SeaSon 2008 .................................................. 11 CaSh Flow STaTemenT .............................. 37 TouRinG ........................................................ 20 STaTemenT oF ChanGeS in equiTy ............ 37 B ShaRp ......................................................... 22 noTeS To The FinanCial STaTements ....... 38 eDuCaTion ..................................................... 24 inDepenDenT auDiT DeClaRaTion CReaTiVe & aRTiSTiC DeVelopmenT ............... 26 & Report ...................................................... 49 CommuniTy AcceSS & awards ...................... 27 DonoRS, partneRS & GoVeRnmenT SupporteRS ............................ 28 1 the company b story Company B sprang into being out of the unique action taken to save Landmark productions like Cloudstreet, The Judas
    [Show full text]
  • Yarnupings Issue 1 March 2018
    March 2018 Issue 2 Aboriginal Heritage Office Yarnupings www.aboriginalheritage.org In this Edition: ∗ NSW Aboriginal Knockout in Dubbo 2018 ∗ It’s a Funny World ∗ Is it possible? ∗ Kids page... Nature Page ∗ Crossword & Quizerama ∗ Book Review: A Fortunate Life by A.B Facey ∗ This Months Recipe : Chicken Pot Roast ∗ Strathfield Sites ∗ YarnUp Review: Guest Speaker Tjimpuna ∗ Walk of the Month: West Head Loop Mackerel Beach -West Head Loop Shell Fish -Hooks Page 2 For at least the last thousand years BC (Before Cook) the waters of Warringá (Middle Har- bour), Kay -ye -my (North Harbour), Weé -rong (Sydney Cove) and other Sydney estuaries were the scenes of people using shell fish -hooks to catch a feed. With no known surviving oral tradition for how and who would make the fish -hooks and use them in this area, the historical and archaeological records become more important. What do we know? Shell fish -hooks were observed and reported on by a number of people from the First Fleet. They mention being made and used by local women. “Considering the quickness with which they are finished, the excellence of the work, if it be inspected, is admirable”, Watkin Tench said on witnessing Barangaroo making one on the north shore. First Fleet painting of fish -hook (T. Watling) The manufacturing process involved the use of a strong shell. So far the only archaeological evidence is from the Turbo species. Pointed stone files were used to create the shape and then file down the edges to the recognisable form. Use -wear analysis on files has confirmed that they were used on shell as well as wood, bone and plant material.
    [Show full text]
  • Comedy and Theatre Sports Events
    Comedy and theatre sports events Posters PS120 To view items in the Poster collection, contact the State Library of Western Australia. Date Number Venue Title Performers Notes Size 1993 9 Nov 1993 PS120/1993/1 Playhouse Theatre Ennio Marchetto; Ennio Marchetto; Costumes made out of Choux Choux Baguette Annette Tesoriero card‐board and paper; Remembers and Cathie Travers Opera spoof 1995 10‐11 Feb PS120/1995/1 Regal Theatre Flacco and Sandman in Flacco and Corridor of Uncertainty 1995 the Corridor of Sandman National Tour 1995 Uncertainty 2004 15 – 20 June PS120/2004/1 His Majesty’s Melbourne Comedy Live comedy 60 x 42 cm 2004 Theatre Festival 2004 Roadshow 2007 Jan – March PS120/2007/1 Comedy Lounge, Raw Comedy 2007 Various Presented by 42 x 30 cm 2007 Hyde Park Hotel Melbourne International Comedy Festival 2008 28 Oct – 22 PS120/2008/1 Various venues in Wild West Comedy Various Nov 2008 Subiaco PS120 Page 1 of 5 Copyright SLWA ©2010 Date Number Venue Title Performers Notes Size 16 – 18 Oct PS120/2008/2 Octagon Theatre Wilosophy Will Anderson 14 – 15 Aug PS120/2008/3 Curtin Theatre, John A funny thing happened National Science Week 2008 Curtin College of the on the way to the lab: a comedy sketch revue Arts sketchy history of science By Steve Browning & Glenn Hall 5 September PS120/2008/4 Comedy Lounge, The Girls Stand‐Up Claire Hooper, 2008 Charles Hotel Kehau Jackson, Hanna Gadsby, Andrea Gibbs 20 – 21 July PS120/2008/5 Perth Concert Hall Where you from? Lenny Henry Stand‐up, music and 2008 character comedy 23 – 24 Sept PS120/2008/6 Perth Concert Hall Rove 2008 stand up Rove McManus 2008 tour 8 – 9 Sept PS120/2008/7 Burswood Theatre Tinselworm Bill Bailey 2008 15 – 15 Feb PS120/2008/8 Regal Theatre Hughesy goes bananas Dave Hughes 60 x 42 cm 2008 24 – 25 Feb PS120/2008/9 Perth Concert Hall Russell Peter and Russell Peters, Jo Australian tour 42 x 30 cm 2008 Friends Koy, Ahmed Ahmed, DJ ‘Starting from Scratch’.
    [Show full text]
  • Golden Yearbook
    Golden Yearbook Golden Yearbook Stories from graduates of the 1930s to the 1960s Foreword from the Vice-Chancellor and Principal ���������������������������������������������������������5 Message from the Chancellor ��������������������������������7 — Timeline of significant events at the University of Sydney �������������������������������������8 — The 1930s The Great Depression ������������������������������������������ 13 Graduates of the 1930s ���������������������������������������� 14 — The 1940s Australia at war ��������������������������������������������������� 21 Graduates of the 1940s ����������������������������������������22 — The 1950s Populate or perish ���������������������������������������������� 47 Graduates of the 1950s ����������������������������������������48 — The 1960s Activism and protest ������������������������������������������155 Graduates of the 1960s ���������������������������������������156 — What will tomorrow bring? ��������������������������������� 247 The University of Sydney today ���������������������������248 — Index ����������������������������������������������������������������250 Glossary ����������������������������������������������������������� 252 Produced by Marketing and Communications, the University of Sydney, December 2016. Disclaimer: The content of this publication includes edited versions of original contributions by University of Sydney alumni and relevant associated content produced by the University. The views and opinions expressed are those of the alumni contributors and do
    [Show full text]
  • Theatre Costume, Celebrity Persona, and the Archive
    Persona Studies 2019, vol. 5, no. 2 THEATRE COSTUME, CELEBRITY PERSONA, AND THE ARCHIVE EMILY COLLETT ABSTRACT This essay considers the archived costume in relation to the concept of the celebrity performer’s persona. It takes as its case study the Shakespearean costume of Indigenous actress Deborah Mailman, housed in the Australian Performing Arts Collection. It considers what the materiality of the theatre costume might reveal and conceal about a performer’s personas. It asks to what extent artefacts in an archive might both create a new persona or freezeframe a particular construct of a performer. Central to the essay are questions of agency in relation to the memorialisation of a still living actress and the problematisation of persona in terms of the archived object. Can a costume generate its own persona in relation to the actress? And what are the power dynamics involved in persona construction when an archived costume presents a charged narrative which is very different to the actress’s current construction of her persona? KEY WORDS Costume; Archive; Deborah Mailman; Indigenous; Memory; Shakespeare COSTUME IN THE ARCHIVE: A CHARGED OBJECT In this essay I consider the archived theatre costume in relation to persona studies and what the materiality of costume might reveal or conceal about the celebrity performer’s persona(s). Can an archived costume have its own persona? What complexities arise when the charged historical narrative of an archived costume is at odds with a current persona? And in the following case study of Deborah Mailman, what happens when the framing of a living Indigenous actress’s costume constructs a persona that is quite different to the one that the actress currently constructs for herself? A costume worn by a performer live on stage is remembered in particular ways – and many in the audience might focus more on the performer’s stance, physicality, and verbal prowess than what they are wearing.
    [Show full text]
  • Ned Kelly and the Myth of a Republic of North-Eastern Victoria
    Ned Kelly and the Myth of a Republic of North-Eastern Victoria Stuart E. Dawson Department of History, Monash University Ned Kelly and the Myth of a Republic of North-Eastern Victoria Dr. Stuart E. Dawson Creative Commons Attribution-NonCommercial-NoDerivs Published by Dr. Stuart E. Dawson, Adjunct Research Fellow, Department of History, School of Philosophical, Historical and International Studies, Monash University, Clayton, VIC, 3800. Published June 2018. ISBN registered to Primedia E-launch LLC, Dallas TX, USA. Copyright © Stuart Dawson 2018. The moral right of the author has been asserted. Author contact: [email protected] ISBN: 978-1-64316-500-4 Keywords: Australian History Kelly, Ned, 1855-1880 Kelly Gang Republic of North-Eastern Victoria Bushrangers - Australia This book is an open peer-reviewed publication. Reviewers are acknowledged in the Preface. Inaugural document download host: www.ironicon.com.au Creative Commons Attribution-NonCommercial-NoDerivs This book is a free, open-access publication, and is published under the Creative Commons Attribution- NonCommercial-NoDerivs licence. Users including libraries and schools may make the work available for free distribution, circulation and copying, including re-sharing, without restriction, but the work cannot be changed in any way or resold commercially. All users may share the work by printed copies and/or directly by email, and/or hosting it on a website, server or other system, provided no cost whatsoever is charged. Just print and bind your PDF copy at a local print shop! (Spiral-bound copies with clear covers are available in Australia only by print-on-demand for $199.00 per copy, including registered post.
    [Show full text]