Wood's Edition of the Songs of Scotland
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Some Provisional Remarks on the Burns Paper Database.1
1 “A parcel of mash’d old rags”: some provisional remarks on the Burns Paper 1 Database. (RONNIE YOUNG) Considering their widespread publication and global reach, the works of Robert Burns are perhaps worth far more than the paper they were originally written on, even taking into account the substantial cash value of a genuine manuscript by the poet. Yet paper - to us a relatively disposable medium - was for Burns a crucial part of a complex creative process and a central part of his life as poet, farmer and exciseman. The Burns Paper Database is a project to capture some of that life and, for the first time, to record the various details about the paper on which Burns wrote. Using recent technology - the software database and the digital image – to compare and assess Burns’s manuscripts, we can develop an aid to dating and authenticating Burns’s manuscripts and even reveal clues about the writing of specific works. As a poet who was characteristically self-aware about the process of writing, Burns also frequently showed awareness of the medium on which he wrote. On 18 July 1788, Robert Burns replied from Mauchline to the bookseller Peter Hill (1754-1837), excusing his failure to maintain a regular correspondence with his friend and business representative in Edinburgh: “You injured me, my dear Sir, in your construction of the cause of my Silence.—From Ellisland in Nithsdale to Mauchline in Kyle, is forty & five miles; there, a house a building, & farm inclosures & improvements to tend; here, A new—not so much indeed a new as a young -
A Discography of Robert Burns 1948 to 2002 Thomas Keith
Studies in Scottish Literature Volume 33 | Issue 1 Article 30 2004 A Discography of Robert Burns 1948 to 2002 Thomas Keith Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Keith, Thomas (2004) "A Discography of Robert Burns 1948 to 2002," Studies in Scottish Literature: Vol. 33: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/30 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas Keith A Discography of Robert Bums 1948 to 2002 After Sir Walter Scott published his edition of border ballads he came to be chastised by the mother of James Hogg, one Margaret Laidlaw, who told him: "There was never ane 0 my sangs prentit till ye prentit them yoursel, and ye hae spoilt them awthegither. They were made for singing an no forreadin: butye hae broken the charm noo, and they'll never be sung mair.'l Mrs. Laidlaw was perhaps unaware that others had been printing Scottish songs from the oral tradition in great numbers for at least the previous hundred years in volumes such as Allan Ramsay's The Tea-Table Miscellany (1723-37), Orpheus Caledonius (1733) compiled by William Thompson, James Oswald's The Cale donian Pocket Companion (1743, 1759), Ancient and Modern Scottish Songs (1767, 1770) edited by David Herd, James Johnson's Scots Musical Museum (1787-1803) and A Select Collection of Original Scotish Airs (1793-1818) compiled by George Thompson-substantial contributions having been made to the latter two collections by Robert Burns. -
The Minstrelsy of the Scottish Border
*> THE MINSTRELSY OF THE SCOTTISH BORDER — A' for the sake of their true loves : I ot them they'll see nae mair. See />. 4. The ^Minstrelsy of the Scottish "Border COLLECTED BY SIR WALTER SCOTT EDITED AND ARRANGED WITH INTRODUCTION AND NOTES BY ALFRED NOYES AND SIX ILLUSTRATIONS BY JOHN MACFARLANE NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS • • * « * TO MARGARET AND KATHARINE BRUCE THIS EDITION OF A FAMOUS BOOK OF THEIR COUNTRY IS DEDICATED WITH THE BEST WISHES OF ITS EDITOR :593:3£>3 CONTENTS l'AGE Sir Patrick Spens I 6 The Wife of Usher's Well Clerk Saunders . 9 The Tvva Corbies 15 Barthram's Dirge 16 The Broom of Cowdenknows iS The Flowers of the Forest 23 25 The Laird of Muirhead . Hobbie Noble 26 Graeme and Bewick 32 The Douglas Tragedy . 39 The Lament of the Border Widow 43 Fair Helen 45 Fause Foodrage . 47 The Gay Goss-Hawk 53 60 The Silly Blind Harper . 64 Kinmont Willie . Lord Maxwell's Good-night 72 The Battle of Otterbourne 75 O Tell Me how to Woo Thee 81 The Queen's Marie 83 A Lyke-Wake Dirge 88 90 The Lass of Lochroyan . The Young Tamlane 97 vii CONTENTS PACE 1 The Cruel Sister . 08 Thomas the Rhymer "3 Armstrong's Good-night 128 APPENDIX Jellon Grame 129 Rose the Red and White Lilly 133 O Gin My Love were Yon Red Rose 142 Annan Water 143 The Dowie Dens of Yarrow .46 Archie of Ca'field 149 Jock o' the Side . 154 The Battle of Bothwell Bridge 160 The Daemon-Lover 163 Johnie of Breadislee 166 Vlll LIST OF ILLUSTRATIONS "A' for the sake of their true loves ;") ^ „, .,,/". -
RBWF Burns Chronicle Index
A Directory To the Articles and Features Published in “The Burns Chronicle” 1892 – 2005 Compiled by Bill Dawson A “Merry Dint” Publication 2006 The Burns Chronicle commenced publication in 1892 to fulfill the ambitions of the recently formed Burns Federation for a vehicle for “narrating the Burnsiana events of the year” and to carry important articles on Burns Clubs and the developing Federation, along with contributions from “Burnessian scholars of prominence and recognized ability.” The lasting value of the research featured in the annual publication indicated the need for an index to these, indeed the 1908 edition carried the first listings, and in 1921, Mr. Albert Douglas of Washington, USA, produced an index to volumes 1 to 30 in “the hope that it will be found useful as a key to the treasures of the Chronicle” In 1935 the Federation produced an index to 1892 – 1925 [First Series: 34 Volumes] followed by one for the Second Series 1926 – 1945. I understand that from time to time the continuation of this index has been attempted but nothing has yet made it to general publication. I have long been an avid Chronicle collector, completing my first full set many years ago and using these volumes as my first resort when researching any specific topic or interest in Burns or Burnsiana. I used the early indexes and often felt the need for a continuation of these, or indeed for a complete index in a single volume, thereby starting my labour. I developed this idea into a guide categorized by topic to aid research into particular fields. -
Oral Tradition 29.1
Oral Tradition, 29/1 (2014):47-68 Voices from Kilbarchan: Two versions of “The Cruel Mother” from South-West Scotland, 1825 Flemming G. Andersen Introduction It was not until the early decades of the nineteenth century that a concern for preserving variants of the same ballad was really taken seriously by collectors. Prior to this ballad editors had been content with documenting single illustrations of ballad types in their collections; that is, they gave only one version (and often a “conflated” or “amended” one at that), such as for instance Thomas Percy’s Reliques of Ancient English Poetry from 1765 and Walter Scott’s Minstrelsy of the Scottish Border from 1802. But with “the antiquarian’s quest for authenticity” (McAulay 2013:5) came the growing appreciation of the living ballad tradition and an interest in the singers themselves and their individual interpretations of the traditional material. From this point on attention was also given to different variations of the same ballad story, including documentation (however slight) of the ballads in their natural environment. William Motherwell (1797-1835) was one of the earliest ballad collectors to pursue this line of collecting, and he was very conscious of what this new approach would mean for a better understanding of the nature of an oral tradition. And as has been demonstrated elsewhere, Motherwell’s approach to ballad collecting had an immense impact on later collectors and editors (see also, Andersen 1994 and Brown 1997). In what follows I shall first give an outline of the earliest extensively documented singing community in the Anglo-Scottish ballad tradition, and then present a detailed analysis of two versions of the same ballad story (“The Cruel Mother”) taken down on the same day in 1825 from two singers from the same Scottish village. -
Melodic Identity and Tune Resemblance Karen E. Mcaulay
1 ABSTRACTS (grouped by session) Session 1: Melodic Identity and Tune Resemblance Karen E. McAulay (Royal Conservatoire of Scotland, Glasgow) ‘All the right notes, but not necessarily in the right order’*: Musical Resemblances over the Border The appealing Northumbrian pipe-tune, “I saw my love come passing by me”, appears in at least three nineteenth century sources, and again in Cock’s Tutor for the Northumbrian Half-Long Bagpipes. The latest two of these are shorter, whilst the first two elaborate the tune with variations. Nonetheless, the resemblances are clear; their kinship is indisputable. However, there are two much earlier appearances of similar tunes in publications north of the border. A century older, each has a different title, and although the shapes of these tunes are undeniably similar, they are certainly neither identical forerunners to one another, nor to “I saw my love”. Indeed, one source was linked in 1925 to a totally different tune. Notwithstanding this earlier identification, I dispute the similarity, and propose that there is some kind of link between “I saw my love” and her earlier Scottish cousins. Whilst the Tune Archive enabled me to trace the iterations of the Border tunes, it failed to flag up these Scottish tunes as potential relatives, partly because their rhythmic notation means the Theme Code index failed to pick up the same strong beats. I propose to demonstrate the methodology I have adopted to attempt to prove my hypothesis. If I’m right, it suggests that before I saw my love come passing by me, she had enjoyed a bit of a shadowy Celtic past. -
A Collection of Ballads
A COLLECTION OF BALLADS INTRODUCTION When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with European Märchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis— “I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. -
The Songs of Robert Burns
— ; ; — I. LOVE-SONGS : PERSONAL 387 ' O saw ye my father, or saw ye my mother, Or saw ye my true love, John? I saw not your father, I saw not your mother, But I saw your true love, John. ' Up Johnnie rose, and to the door he goes, And gently tirled the pin ; The lassie taking tent, unto the door she went, And she open'd and let him in. * Flee, flee up, my bonny grey cock. And craw whan it is day Your neck shall be like the bonny beaten gold, And your wings of the silver grey. ' The cock prov'd false, and untrue he was. For he crew an hour o'er soon The lassie thought it day when she sent her love away, And it was but a blink of the moon.' The origin of this beautiful song has been disputed by Chappell {Popular Music, p. 7J/), who claimed that the original publication of five stanzas is in Vocal Music, or the Songsters Companion, London, 1772, ii. j6. He stated that a Scottified version was reprinted by Herd in 1776, but I have shown that the song was printed in Herd's first edition of 1769. The third stanza in Focal Music, as follows, can be compared with the above second stanza : ' Then John he up arose, and to the door he goes, And he twirled, he twirled at the pin ; The lassie took the hint, and to the door she went, And she let her true love in.' The English copyist discloses his ignorance of the Scots language in the second line, where the lover tirls the wooden latch or pin of the door to arrest his sweetheart's attention. -
RBWF Burns Chronicle
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1987 The digital conversion of this Burns Chronicle was sponsored by Jan Boydol & Brian Cumming The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com BURNS CHRONICLE 1987 BURNS CHRONICLE AND CLUB DIRECTORY INSTITUTED 1891 FOURTH SERIES: VOLUME XII PRICE: Paper £6.50, Cl oth £10.00. (Members £4.50 and £7.00 respecti ve ly). CONTENTS D. Wilson Ogilvie 4 From the Editor 6 Obituaries 8 Burns and Loreburn Irving Miller 10 Sixth Annual Scots County Ball R. 0. Aitken 12 Burns, Jean Lorimer and James Hogg David Groves 13 Ae Paisley Prenter's Greeting T.G.11 13 The Subscribers' Edition J. A. M. 14 Gordon Mackley 15 West Sound Burns Supper Joe Campbell 16 Exotic Burns Supper William Adair 16 Henley and Henderson G. Ross Roy 17 Book Reviews 28 Sir James Crichton-Browne Donald R. Urquhart 46 Elegy Geoffrey Lund 48 The Star o' Robbie Burns Andrew E. Beattie 49 Junior Chronicle 51 Dumfries Octocentenary Celebrations David Smith 64 Frank's Golden Touch George Anderson 66 And the Rains Came! David McGregor 68 Burns and Co. David Smith 71 Burns in Glass ... James S. Adam 72 Wauchope Cairn 73 Alexander Findlater James L. Hempstead 74 Burns Alive in the USA! Robert A. Hall 86 Fraternal Greetings from Greenock Mabel A. Irving 89 Federation Centenary Celebration in Toronto Jim Hunter 90 Random Reflections from Dunedin William Brown 92 Steam Trains o the Sou-west Ronnie Crichton 93 We Made a Film about Rabbie James M. -
The Sin of Pride in Dressing Bodies in Spanish and Anglo-American Ballads
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 19 (2017) Issue 3 Article 4 The Sin of Pride in Dressing Bodies in Spanish and Anglo-American Ballads Ana Belén Martínez García University of Navarra Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Literature in English, British Isles Commons, Literature in English, North America Commons, and the Spanish Literature Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Martínez García, Ana Belén. "The Sin of Pride in Dressing Bodies in Spanish and Anglo-American Ballads." CLCWeb: Comparative Literature and Culture 19.3 (2017): <https://doi.org/10.7771/1481-4374.3017> This text has been double-blind peer reviewed by 2+1 experts in the field. -
The Burns Almanac for 1897
J AN U AR Y . “ ” This Tim e wi n ds 1 0 day etc . Composed 79 . 1 Letter to Mrs . Dunlop , 7 93 . f 1 Rev . Andrew Je frey died 795 . “ Co f G ra ha m py o Epistle to Robert , of Fintry , sent to 1 8 . Dr . Blacklock , 7 9 n 1 8 1 Al exa der Fraser Tytler , died 3 . ” t Copy of Robin Shure i n Hairst , se nt to Rober Ainslie, 1 789 . ’ d . Gilbert Burns initiate into St James Lodge , F A M 1 786 . fi e Th e poet de nes his religious Cr ed in a letter to Clarinda , 1 788 . ” Highland Mary , published by Alexander Gardner , 1 8 . Paisley , 94 1 1 8 . Robert Graham of Fintry , died 5 z 1 8 Dr . John Ma cken ie , died 3 7 . ’ o n t . d The p et presen t at Grand Maso ic Meeting , S An rew s 1 8 Lodge , Edinburgh , 7 7 . u z 1 8 . Y . Albany , (N ) Burns Cl b , organi ed 54 8 2 1 0 . Mrs . Burnes , mother of the poet , died The poet describes his favorite authors i n a letter to Joh n 1 8 . Murdoch , 7 3 U 1 0 . The Scottish Parliament san ctions the nion , 7 7 1 1 Letter to Peter Hill , 79 . ” B r 2 i a n a 1 1 . u n s v . u 8 , ol , iss ed 9 1 88 Letter to Clarinda , 7 . Mrs . Candlish , the Miss Smith of the Mauchline Belles , 1 8 died 54 . -
Table ID Book Titile Song Title 4
Table ID Book Titile Song Title 4 701 - 4 672 "Lo'e me little, and lo'e me lang" 4 707 "O Mither, ony Body" 4 1176 "Saw ye Johnnie comin'?" quo' She 4 766 "The Dream of Life's young Day " 1 2111 "Your Hand is cauld as Snaw " (xxx.) 2 1555 [O] hearken, and I will tell you how 4 596 Whistle Binkies Vol1 A Bailie's Morning Adventure 2 5 Jacobite Relics of Scotland v. 2 A BALLAND, &c 4 845 Whistle Binkie Vol 2 A Bonnie Bride is easy buskit 4 846 A bonnie wee lassie 1 1753 Scots Minstrelsie v. 3 A Braw young Lad o' High Degree (xxi.) 4 597 A British Sailor's Song 1 573 A cogie o' ale an' a pickle aitmeal 4 598 A Cook's Legacy 4 847 A December Dirty 1 574 A famous man was Robin Hood 1 284 A friend o' mine cam' here yestreen 4 477 A guid new year to ane and a' 1 129 A Health 1 1468 A health to Betty, (note,) 2 139 A Health to the Constitution 4 600 A Highland Garland 2 653 A Highland Lad 4 850 A Highland Pilgram's Progress 4 1211 A jacobite Lament 1 579 A' kinds o' lads an' men I see 2 7 A lamentable Ditty on the Death of Geordie 1 130 A Litany 1 1842 A Love-Note a' to yersel' (xi.) 4 601 A Lullaby 4 1206 A lyke wake dirge 1 291 A Man's a Man for a that 4 602 A Mother's Advice 4 989 Whistle Binkie Vol 2 (Songs for the A Mother's Cares and Toil's 4 603 Nursery) A Mother's Duty 4 990 A Mother's Farewell 4 991 A Mother's Joys 4 992 A Mother's Song 4 993 A Mother's Welcome 1 92 A Narrative of the old Plot; being a new Song 1 93 A new Litany 4 1065 Whistle Binkie Vol 2 (Scenes … A noisy Nursery 3 757 Nursery) A puir mitherless Wean 2 1990 A red, red rose 4 251 A Rosebud by my early Walk 4 855 A Scottish Welcome to H.