Teaches Creativity in Choreography from the Top
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Ana Flavia Ferreira Silva
GLOBALIZING MASCULINITY 1 Master’s Thesis Globalizing Masculinity: A CROSS-CULTURAL ANALYSIS OF HEGEMONIC MASCULINITY IN CONTEMPORARY MUSIC VIDEOS Ana Flavia Ferreira Silva Semester 2 Student Number: 10275800 Supervisor: Anne-Marie van Oosten Date: Feb 2, 2018 Master’s Programme in Communication Sciences: Entertainment Communication GLOBALIZING MASCULINITY 2 Abstract Although hegemonic masculinity is still prevalent in popular media culture, recent changes to the gender scape have started to redefine discourses of hegemony. In the present study, a coding instrument was developed to measure the level of hegemonic masculinity across three countries: United States, Brazil, and South Korea. The analysis examined the assumption of the existence of hegemonic masculinity in contemporary music videos, and compared these discourses across the three different countries. Results suggest discourses of hegemonic masculinity could be changing on a global scale and that globalization may explain this change. This study is intended to add new contributions to explorations into the content of contemporary media in maintaining a comprehensive understanding of the role of hegemonic masculinity in media discourses today. Findings could benefit both practical and theoretical implications, since there is a scarcity of research that investigates cross-cultural representation of hegemonic masculinity in music videos. Keywords: Hegemonic masculinity, globalization GLOBALIZING MASCULINITY 3 Introduction Since the launch of MTV in 1981, the popularity of music videos -
Fashion with a Purpose: Sustainability, Empowerment, Inclusivity
Fashion With A Purpose: Sustainability, Empowerment, Inclusivity While the majority of fashion still revolves around trendy, outlandish apparel intended to make a statement, create a sense of exclusivity and incite superficial gossip, it has evolved to become something far more meaningful. Now a vehicle for female empowerment, diversity and to champion environmental issues (a large portion of which admittedly stem from the industry itself), fashion as a tool to unite people and create positive change has never been more worth celebrating. Environmental devastation throughout the history of the fashion industry has been rampant. Trends come and go at the click of a button and many fast fashion brands have turnover rates of less than a day. But consumers have become increasingly aware of the unethical and unsustainable practices and their purchasing choices have begun to shift - buyers no longer desire flashy and erratic outfits that succumb to fleeting trends. The growing awareness and widespread sharing on social media of the absurd levels of textile waste, water pollution and greenhouse gas emissions caused by the industry have resulted in fast- fashion brands taking a huge hit - H&M closed down 160 stores last year, announcing in March 2018 that it had US$4.3billion worth of unsold inventory. A majority of consumers, particularly from the younger generations, have become eco-conscious, opting instead for sustainably produced apparel which they are willing to pay a premium for. According to a Nielsen poll surveying 30,000 consumers across 60 countries, 73% of Millennials have demonstrated a willingness to pay more for products that are sustainable. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
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“UpsiteTown” a dystopian film by Sara Balestrieri Chapter One: From an italian legend to political crisis CHAPTER TWO: THE UPSIDE chapter three: the court and politicians - characters’ development CHAPTER FOUR: THE PERFORMERS chapter FIVE: the invisibles of the upside - BEHIND THE SCENES INDEX chapter six: the downside chapter seven: From the page it comes to life cHAPTER EIGHT: the final designs of upsidetown CHAPTER ONE from an italian legend to political crisis ONCE UPON A TIME: THE BEGINNING This story was inspired by an Italian legend relating to a beauti- that isn’t, however, the reality. To protect her feelings and emo- ful palace in Vicenza: Villa Valmarana ai Nani. tions, her parents keep the little princess in a bubble of lies. The legend talks about a dwarf small girl, Princess Layana, I analyzed this theme, focusing on the passage between the daughter of one of the noble owners of the villa. Because of childhood and adult age, and its loss of innocence as her deformity, the parents ordered that the young woman lived consequence. I built this character grew in a world detached confined within the high walls of the mansion and, to avoid from reality, which makes her develop a distorted vision of life, hurting the girl’s feelings, all the servants and custodians of the embellishing it and enriching it with wonders. This doesn’t let villa were chosen exclusively among the dwarves. her know to see the truth: she grows up in a world of injustice and pain, provoked by her father who is the head of the gov- The myth of the princess never seen before and confined in the ernment and he wants to maintain this situation of disparity for villa started to circulate amongst the folks of the village, until personal advantages. -
Chapter 1 Introduction
CHAPTER 1 INTRODUCTION 1.1 Background of The Problem Social class as one of a social factor that play a role in language variation is the structure of relationship between groups where people are clasified based on their education, occupation, and income. Social class in which people are grouped into a set of hierarchical social categories, the mos common being the upper, middle, working class, and lower classes. Variation in laguage is an important topic in sociolinguistics, because it refers to social factror in society and how each factor plays a role in language varieties. Languages vary between ethnic groups, social situations, and spesific location. In social relationship, language is used by someone to represent who they are, it relates with strong identity of a certain social group. In this study the writer concern about swear words in rap song lyric. Karjalainen (2002:24) “swearing is generally considered to be the use of language, an unnecessary linguistic feature that corrupts our language, sounds unpleasant and uneducated, and could well be disposed of”. It can be concluded that swear words are any kind of rude language which is used with or without any purpose. Usually we can finds swear words on rap songs. Rap is one of elements of hip-hop culture that has been connected to the black people. The music of the artists who were born during 80’s appeared to present the music in a way that describes as a social critique. This period of artists focused on the social issue of black urban life, which later forulated hardcore activist, and gangster rap genres of hip-hop rap. -
Outstanding Lighting Design/Lighting Direction for a Variety Special
2021 Primetime Emmy® Awards Ballot Outstanding Lighting Design/Lighting Direction For A Variety Series The Amber Ruffin Show Episode 117 In this episode of The Amber Ruffin Show, Amber’s first audience member is attacked after stealing her sidekick’s joke, Amber previews a movie chronicling Harriet Tubman’s true dream, sings a song about her fear of the coronavirus, and coaches the parents who opposed transgender representation in a school book program. America's Got Talent The Finals The top 10 acts perform one last time from Universal Studios for their chance to win $1 million and be named the most talented act in America. American Idol Episode 419 Season 4 of American Idol concludes with the top three finalists taking the stage one last time in hopes of securing America’s vote to becoming this season’s winner. In addition to the top 3, former contestants returned to join renowned music artists for unforgettable performances throughout the show. Antiques Roadshow American Stories Antiques Roadshow transports audiences across America to discover captivating stories about items ranging from the everyday to the extraordinary. For the first time, Antiques Roadshow visits with notable people from comedy, film, TV, literature, music, and sports to learn about their personal treasures while exploring our collective history. A Black Lady Sketch Show If I’m Paying These Chili’s Prices, You Cannot Taste My Steak! A common Black figure-of-speech comes alive; commentators analyze a high-stakes search for a cafeteria seat; a fast-paced nail appointment gets pricey; a woman uses a cult-like seminar to scare off her friend; a psycho tampers with his hostage’s purse; a woman reaches hair nirvana; the women stage a presidential debate. -
Nicki Minaj Pink Friday Deluxe Version Explicit FLAC · Cad Cam Software Free
1 / 5 Nicki Minaj - Pink Friday (Deluxe Version) [Explicit] {FLAC} Apr 3, 2021 — 6ix9ine - TROLLZ - Alternate Edition (with Nicki Minaj) [2020] [bunny] ... Nicki Minaj - Pink Friday (Complete Edition) [16 bits|44.1 kHz FLAC & Apple Lossless] ... Nicki Minaj - Beam Me Up Scotty (Explicit) 2021 [Tidal 16bits/44.1kHz] ... Nicki Minaj The Pinkprint Target Deluxe Edition + 2 bonus track itunes.. by I Dunham · 2018 — Pg. 112: Figure 11: Torrent file hash info. 11. Pg. 117: Figure 12: A screenshot of a private tracker's search functions, as well as other elements through which .... Feb 8, 2021 — Nicki Minaj - Pink Friday (Deluxe Version) [Explicit] {FLAC} ... Minaj Nicki: Pink Friday - Roman Reloaded -Deluxe Edition CD.. In 2009 an .... korean music flac download 1MB 02 - Scream Hard as You Can. flac 07 Don´t Let ... with 2014′s “Dirty Vibe,” which saw him and Some settings need to be done in ... [Flac+tracks] Nicki Minaj – Pink Friday 2010 (Japan Edition) [Flac+tracks] The ... 2020년 6월 20일 Download [FLAC] K-pop kpop Epub Torrent. iso to flac free .... Aug 7, 2016 — Torrent nicki minaj discography mp3 David Guetta - The Whisperer feat. ... Artist Album name Pink Friday Best Buy Exclusive Deluxe Version Date 2010 Genre Play time 01:08:39 Format FLAC 1107 Kbps MP3 320 Kbps M4A 320 ... Torrent Info Name: Nicki Minaj Feat Lil Wayne High School Explicit Edit.. Dec 15, 2010 — Исполнитель: Diddy & Dirty Money Наименование: Last Train to Paris ... Аудио кодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продол. ... Allowed (Deluxe Edition) (2010) Lossless · Nicki Minaj - Pink Friday ... Read reviews and buy Nicki Minaj - Queen [Explicit] (Target Exclusive) (CD) at Target. -
The-Stinging-Fly-42V2-Sampler.Pdf
‘… God has specially appointed me to this city, so as though it were a large thoroughbred horse which because of its great size is inclined to be lazy and needs the stimulation of some stinging fly…’ —Plato, The Last Days of Socrates A sampler of work from Issue 42 Volume Two Summer 2020 Editor: Danny Denton Publisher: Declan Meade Assistant Editor: Sara O’Rourke Poetry Editor: Cal Doyle Eagarthóir Filíochta: Aifric MacAodha Reviews Editor: Lily Ní Dhomhnaill Online Editor: Ian Maleney Contributing Editors: Dan Bolger, Mia Gallagher, Lisa McInerney, Thomas Morris and Sally Rooney The Stinging Fly gratefully acknowledges the support of The Arts Council/An Chomhairle Ealaíon. A Note on Navigation: Please feel free to scroll freely through these pages. From the contents page – coming up next – you can also click through to particular stories, essays or poems. Click on the text in the box below, wherever it appears, and we will return you safely to the contents page. the stinging fly NEW WRITERS, NEW WRITING the stinging fly NEW WRITERS, NEW WRITING CONTENTS Danny Denton Editorial 4 Various Pandemic Notes from Contributors 5 FICTION Aude Enigma Of The Bend (translated by Cristy Stiles) 21 Robin Fuller Chinese Whispers 35 Niamh Campbell This Happy (an extract) 65 Yan Ge The Little House 74 Alex Bell Caledonia Whipping Boy 109 Philip Ó Ceallaigh My Life In The City 118 NONFICTION Ali Isaac The Word & The Kiss Are Born From The Same Body Part 47 Lisa McInerney Fantastic Babies: Notes on a K-pop Music Video 93 POETRY Celia Parra As I said I am (translated by Patrick Loughnane) 34 Dylan Brennan Desertion 64 Michael Dooley Eavesdropping 73 Nidhi Zak/Aria Eipe Featured Poet – Two poems 88 Ruth Wiggins O 92 Katie O’Sullivan Sonnet to a SoftBoy™ (He Microwaved My Heart) 107 Jess McKinney The Good Kind of Green 108 Emily S. -
“The Social Cut of Black and Yellow Female Hip Hop” Erick Raven
“The Social Cut of Black and Yellow Female Hip Hop” Erick Raven University of Texas at Arlington May 2020 Abstract Korean female hip hop artists are expanding the definition of femininity in South Korea through hip hop. In doing so, they are following a tradition first established by Black female musical performers in a new context. Korean artists are conceiving and expressing, through rap and dance, alternative versions of a “Korean woman,” thus challenging and attempting to add to the dominant conceptions of “woman.” This Thesis seeks to point out the ways female Korean hip hop artists are engaging dominant discourse regarding skin tone, body type, and expression of female sexuality, and creating spaces for the development of new discourses about gender in South Korean society. Contents Introduction – Into the Cut ................................................ 1 Chapter I – Yoon Mi-rae and Negotiating the West and East of Colorism ............................................................. 12 Chapter II – The Performing Black and Yellow Female Body ................................................................................ 31 Chapter III – Performing Sexuality ................................. 47 Chapter IV – Dis-Orientation .......................................... 59 Conclusion .................................................................... 67 Works Cited .................................................................... 70 Introduction – Into the Cut Identities are performed discourse; they are formed when those who identify as a particular personality perform and establish a discourse in a particular social context. As George Lipsitz states, “improvisation is a site of encounter” (61). In South Korea, female Korean hip hop is the site of a social cut in dominant culture and has become a space of improvisation where new, counter-hegemonic identities are constructed and performed. In this Thesis, I argue that Korean female hip hop artists are enacting a social rupture by performing improvised identities. -
Hip-Hop and Cultural Interactions: South Korean and Western Interpretations
HIP-HOP AND CULTURAL INTERACTIONS: SOUTH KOREAN AND WESTERN INTERPRETATIONS. by Danni Aileen Lopez-Rogina, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Sociology May 2017 Committee Members: Nathan Pino, Chair Rachel Romero Rafael Travis COPYRIGHT by Danni Aileen Lopez-Rogina 2017 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Danni Aileen Lopez-Rogina, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. DEDICATION To Frankie and Holly for making me feel close to normal. ACKNOWLEDGEMENTS I want to acknowledge my mom, dad, and sister first and foremost. Without their love and support over the years, I would not have made it this far. They are forever my cheerleaders, no matter how sassy I may be. Professor Nathan Pino was my chosen mentor who took me under his wing when I chose him like a stray cat. His humor and dedication to supporting me helped me keep my head up even when I felt like I was drowning. Professor Rachel Romero was the one to inspire me to not only study sociology, but also to explore popular culture as a key component of society. -
Man: Gender Performed Through Fashion As an Agent of Socialization
Union College Union | Digital Works Honors Theses Student Work 6-2020 Clothes Make the (Wo)Man: Gender Performed Through Fashion as an Agent of Socialization Madison Altman Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Gender and Sexuality Commons, Inequality and Stratification Commons, and the Sociology of Culture Commons Recommended Citation Altman, Madison, "Clothes Make the (Wo)Man: Gender Performed Through Fashion as an Agent of Socialization" (2020). Honors Theses. 2379. https://digitalworks.union.edu/theses/2379 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. Clothes Make the (Wo)Man: Gender Performed Through Fashion as an Agent of Socialization By Madison Altman ************* Submitted for the Department of Sociology Union College March 2020 1 Table of Contents ABSTRACT ............................................................................................................................................................ 3 INTRODUCTION ................................................................................................................................................... 4 CHAPTER 1: LITERATURE REVIEW ......................................................................................................................... 6 PART I - FASHION IN A HISTORICAL -
Songliste Koreanisch (Juli 2018) Sortiert Nach Interpreten
Songliste Koreanisch (Juli 2018) Sortiert nach Interpreten SONGCODETITEL Interpret 534916 그저 널 바라본것 뿐 1730 534541 널 바라본것 뿐 1730 533552 MY WAY - 533564 기도 - 534823 사과배 따는 처녀 - 533613 사랑 - 533630 안녕 - 533554 애모 - 533928 그의 비밀 015B 534619 수필과 자동차 015B 534622 신인류의 사랑 015B 533643 연인 015B 975331 나 같은 놈 100% 533674 착각 11월 975481 LOVE IS OVER 1AGAIN 980998 WHAT TO DO 1N1 974208 LOVE IS OVER 1SAGAIN 970863기억을 지워주는 병원2 1SAGAIN/FATDOO 979496 HEY YOU 24K 972702 I WONDER IF YOU HURT LIKE ME 2AM 975815 ONE SPRING DAY 2AM 575030 죽어도 못 보내 2AM 974209 24 HOUR 2BIC 97530224소시간 2BIC 970865 2LOVE 2BORAM 980594 COME BACK HOME 2NE1 980780 DO YOU LOVE ME 2NE1 975116 DON'T STOP THE MUSIC 2NE1 575031 FIRE 2NE1 980915 HAPPY 2NE1 980593 HELLO BITCHES 2NE1 575032 I DON'T CARE 2NE1 973123 I LOVE YOU 2NE1 975236 I LOVE YOU 2NE1 980779 MISSING YOU 2NE1 976267 UGLY 2NE1 575632 날 따라 해봐요 2NE1 972369 AGAIN & AGAIN 2PM Seite 1 von 58 SONGCODETITEL Interpret 972191 GIVE IT TO ME 2PM 970151 HANDS UP 2PM 575395 HEARTBEAT 2PM 972192 HOT 2PM 972193 I'LL BE BACK 2PM 972194 MY COLOR 2PM 972368 NORI FOR U 2PM 972364 TAKE OFF 2PM 972366 THANK YOU 2PM 980781 WINTER GAMES 2PM 972365 CABI SONG 2PM/GIRLS GENERATION 972367 CANDIES NEAR MY EAR 2PM/백지영 980782 24 7 2YOON 970868 LOVE TONIGHT 4MEN 980913 YOU'R MY HOME 4MEN 975105 너의 웃음 고마워 4MEN 974215 안녕 나야 4MEN 970867 그 남자 그 여자 4MEN/MI 980342 COLD RAIN 4MINUTE 980341 CRAZY 4MINUTE 981005 HATE 4MINUTE 970870 HEART TO HEART 4MINUTE 977178 IS IT POPPIN 4MINUTE 975346 LOVE TENSION 4MINUTE 575399 MUZIK 4MINUTE 972705 VOLUME UP 4MINUTE 975332 WELCOME