Fashion with a Purpose: Sustainability, Empowerment, Inclusivity
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Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Savage X Fenty, Rihanna's Disruptive Lingerie Brand, Secures $115 Million in Series B Funding Led by L Catterton's Growth Fu
SAVAGE X FENTY, RIHANNA’S DISRUPTIVE LINGERIE BRAND, SECURES $115 MILLION IN SERIES B FUNDING LED BY L CATTERTON’S GROWTH FUND Investment Round Will Accelerate Next Phase of Growth and Expansion into Retail EL SEGUNDO, Calif., Feb. 10, 2021 – Savage X Fenty (the “Company”) today announced that it has completed a $115 million Series B fundraising round to support the Company’s rapid growth and upcoming expansion into retail. The heavily oversubscribed round was led by the Growth Fund of L Catterton, the largest global consumer-focused private equity firm, with significant participation from existing investors such as Marcy Venture Partners and Avenir, along with a number of new investors, including Sunley House Capital, Advent International’s crossover fund. Savage X Fenty was launched in 2018 by Rihanna to celebrate fearless individuality and broaden the definition of what is beautiful. The Series B financing follows an exceptional year for Savage X Fenty in which it experienced explosive revenue growth of over 200 percent, while increasing its active VIP member base by over 150 percent. With the Series B funding, the Company plans to further invest behind customer acquisition and expand into retail. “Lingerie is about celebrating your body and that’s what Savage is all about,” explained Rihanna. “Savage to me is such a powerful word. It’s about being confident, in charge, and taking ownership of our choices. This brand is a home, a hub and a safe space for everyone – regardless of shape, size, ethnicity, gender identity or sexual orientation. It is a representation of all and a validation that everyone is beautiful no matter what.” “As we continue to grow the brand at a remarkable pace, it is imperative that we move forward with partners who not only have a deep understanding of our business and customer base, but share our ambitious vision for Savage X Fenty and have the operational know-how to work with us to achieve it,” said Natalie Guzman and Christiane Pendarvis, Co-Presidents of Savage X Fenty. -
Rihanna: Ecco La Prima Collezione Fenty (E I Primi Sospensori) Per Il Pride Month
Leggi l'articolo su beautynews Rihanna: ecco la prima collezione Fenty (e i primi sospensori) per il Pride Month pagina 1 / 10 La collezione Pride di Savage x Fenty pagina 2 / 10 La collezione Pride di Savage x Fenty pagina 3 / 10 La collezione Pride di Savage x Fenty pagina 4 / 10 La collezione Pride di Savage x Fenty pagina 5 / 10 La collezione Pride di Savage x Fenty pagina 6 / 10 La collezione Pride di Savage x Fenty pagina 7 / 10 La collezione Pride di Savage x Fenty In fatto di inclusione e diversità Rihanna ha impartito grandi lezioni da quando, nel 2018, ha lanciato il suo brand di lingerie Savage x Fenty: non solo l’artista ha dato vita a un nuovo format di show per presentare le sue nuove collezioni, ma ha sempre fatto sì che ognuno di essi, così come le campagne pubblicitarie, fosse animato da corpi, identità di genere ed etnie molto diverse tra loro. Una scelta che ha reso la griffe di Rihanna un enorme successo, raccogliendo solo qualche mese fa ben 115 milioni di dollari di fondi per un’ ulteriore espansione nella vendita al dettaglio. Ma non finisce qui, perché Savage x Fenty ha appena presentato anche la sua prima collezione in occasione del Pride Month. Considerando la filosofia alla base del brand, era solo una questione di tempo prima che Rihanna dedicasse un’intera collezione all’orgoglio LGBTQ+, e non lo ha fatto solamente attraverso una campagna con artisti del calibro di Gigi Goode, Yusef Williams e Dexter Mayfield: la linea di intimo infatti contiene boxer, bralette, reggiseni, reggicalze e, per la prima volta, anche dei sospensori che, così come ogni altro prodotto, sono etichettati come all gender. -
An Intimate Question
A GEMIC WHITEPAPER AN INTIMATE QUESTION BY FATTORI FRASER, STRATEGIST GEMIC REIMAGINING MARKETS A GEMIC WHITEPAPER AN INTIMATE QUESTION Rihanna dropped a bomb on the lingerie indus- into the satiny smoothness of the leading lingerie try. In September, the New York runway show brands. And the overwhelming consensus is that for the pop icon’s Savage x Fenty intimates line most young women are unwilling to play along showed just how dramatically out of step the with those roles and themes – let alone pay the industry is with contemporary culture and how prices. This is a challenge. In an age where fem- desperately it clings to residual models of femi- ininity itself is being weaponized, whereby even ninity and sexuality. being in possession of a female or female-identi- fying body is to exist under threat, young women Transforming the Brooklyn Navy Yard into a look at a product category such as lingerie and sensuous, sweaty tropical garden of Eden, the ask themselves, “How does this speak to me” and set, music and choreography of the show trans- “How does this reflect my values?”. ported attendees into a gyno-cratic wonderland. Above and beyond what any brand in the indus- Ultimately, brands need to respond to today’s try has done with a show, including Victoria Se- young female consumer (and by ‘young’ we cret with its annual extravaganza, Rihanna clear- should really look to the parental Gen Xers as ly presented more than just lingerie designs. She the seed of many of these shifts) with a fruitful, unveiled something very new to the lingerie busi- safe and connected space that can engage direct- ness – a manifesto, a POV, an epistemology, a ly and intelligently with her and her needs. -
View Supporting Document (PDF)
“UpsiteTown” a dystopian film by Sara Balestrieri Chapter One: From an italian legend to political crisis CHAPTER TWO: THE UPSIDE chapter three: the court and politicians - characters’ development CHAPTER FOUR: THE PERFORMERS chapter FIVE: the invisibles of the upside - BEHIND THE SCENES INDEX chapter six: the downside chapter seven: From the page it comes to life cHAPTER EIGHT: the final designs of upsidetown CHAPTER ONE from an italian legend to political crisis ONCE UPON A TIME: THE BEGINNING This story was inspired by an Italian legend relating to a beauti- that isn’t, however, the reality. To protect her feelings and emo- ful palace in Vicenza: Villa Valmarana ai Nani. tions, her parents keep the little princess in a bubble of lies. The legend talks about a dwarf small girl, Princess Layana, I analyzed this theme, focusing on the passage between the daughter of one of the noble owners of the villa. Because of childhood and adult age, and its loss of innocence as her deformity, the parents ordered that the young woman lived consequence. I built this character grew in a world detached confined within the high walls of the mansion and, to avoid from reality, which makes her develop a distorted vision of life, hurting the girl’s feelings, all the servants and custodians of the embellishing it and enriching it with wonders. This doesn’t let villa were chosen exclusively among the dwarves. her know to see the truth: she grows up in a world of injustice and pain, provoked by her father who is the head of the gov- The myth of the princess never seen before and confined in the ernment and he wants to maintain this situation of disparity for villa started to circulate amongst the folks of the village, until personal advantages. -
Outstanding Lighting Design/Lighting Direction for a Variety Special
2021 Primetime Emmy® Awards Ballot Outstanding Lighting Design/Lighting Direction For A Variety Series The Amber Ruffin Show Episode 117 In this episode of The Amber Ruffin Show, Amber’s first audience member is attacked after stealing her sidekick’s joke, Amber previews a movie chronicling Harriet Tubman’s true dream, sings a song about her fear of the coronavirus, and coaches the parents who opposed transgender representation in a school book program. America's Got Talent The Finals The top 10 acts perform one last time from Universal Studios for their chance to win $1 million and be named the most talented act in America. American Idol Episode 419 Season 4 of American Idol concludes with the top three finalists taking the stage one last time in hopes of securing America’s vote to becoming this season’s winner. In addition to the top 3, former contestants returned to join renowned music artists for unforgettable performances throughout the show. Antiques Roadshow American Stories Antiques Roadshow transports audiences across America to discover captivating stories about items ranging from the everyday to the extraordinary. For the first time, Antiques Roadshow visits with notable people from comedy, film, TV, literature, music, and sports to learn about their personal treasures while exploring our collective history. A Black Lady Sketch Show If I’m Paying These Chili’s Prices, You Cannot Taste My Steak! A common Black figure-of-speech comes alive; commentators analyze a high-stakes search for a cafeteria seat; a fast-paced nail appointment gets pricey; a woman uses a cult-like seminar to scare off her friend; a psycho tampers with his hostage’s purse; a woman reaches hair nirvana; the women stage a presidential debate. -
Back in Action Denim for Good
BACK IN ACTION DENIM FOR GOOD SOURCINGJOURNAL.COM NO. 12 / JUNE 2021 Angela Velasquez Executive Editor, Rivet EMPIRE STATE Peter Sadera Editor in Chief, Sourcing Journal Jessica Binns Managing Editor OF MIND Arthur Friedman Senior Editor Vicki M. Young Executive Financial Reporter As I write, 140 million individuals in the U.S. are fully vaccinated against Covid- Jasmin Malik Chua Sourcing & Labor Editor 19 and thousands, perhaps even millions, more will be by press time, includ- Kate Nishimura Features Editor ing yours truly. But it doesn’t take data to sense that people feel safer, at least Glenn Taylor Business Editor not in New York City where subways are filling up, lunch joints are packed with Liz Warren Staff Writer office workers and pandemic politeness has checked out—all signs that nature is 102 restoring itself in the City That Never Sleeps. Victor Vaughns Jr. Rivet Market Editor 1 It’s enough to warm the heart of any New Yorker because the city had Chuck Dobrosielski Staff Writer indeed descended into a bleak state one year ago. New Yorkers don’t easily accept Sarah Jones Business Reporter defeat, but even the most steadfast recognized that the city—as the U.S. pan- Tonya Blazio-Licorish Contributor, Fairchild Archive Assistant demic epicenter with sirens wailing every few minutes and temporary morgues lining our streets—was far from its brashly dynamic self. ART DEPARTMENT It takes a real New Yorker to admit that. We New Yorkers, after all, famously Celena Tang Associate Art Director wear our New York-ness like a crown atop our inflated heads. -
Man: Gender Performed Through Fashion As an Agent of Socialization
Union College Union | Digital Works Honors Theses Student Work 6-2020 Clothes Make the (Wo)Man: Gender Performed Through Fashion as an Agent of Socialization Madison Altman Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Gender and Sexuality Commons, Inequality and Stratification Commons, and the Sociology of Culture Commons Recommended Citation Altman, Madison, "Clothes Make the (Wo)Man: Gender Performed Through Fashion as an Agent of Socialization" (2020). Honors Theses. 2379. https://digitalworks.union.edu/theses/2379 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. Clothes Make the (Wo)Man: Gender Performed Through Fashion as an Agent of Socialization By Madison Altman ************* Submitted for the Department of Sociology Union College March 2020 1 Table of Contents ABSTRACT ............................................................................................................................................................ 3 INTRODUCTION ................................................................................................................................................... 4 CHAPTER 1: LITERATURE REVIEW ......................................................................................................................... 6 PART I - FASHION IN A HISTORICAL -
Philip Martin Gallery 2712 S. La Cienega Blvd., Los Angeles, CA
Philip Martin Gallery 2712 S. La Cienega Blvd., Los Angeles, CA 90034 philipmartingallery.com 310 559 0100 Philip Martin Gallery Rihanna is ready. First she moved our interview from Thursday to Wednesday. Then from evening to afternoon. When I get word of this latest change, on a slick and humid August day in Los Angeles, I have just enough time to shower and get to the Hotel Bel-Air. Waiting for Rihanna is practically a journalistic genre all its own. That the Barbadian superstar is now running ahead of schedule seems evidence of her new life as global fashion mogul. Only three and a half years have passed since she presented her first Fenty x Puma collection at New York Fashion Week, a vision of gothleisure delivered to a clamoring world (“if the Addams Family went to the gym” was how she put it). At the time, design was something she was trying on; over the following year, Puma’s profits rose by 92 percent. Since then the 31-year-old has done nothing less than upend the beauty and lingerie industries. In 2017 Fenty Beauty introduced 40 shades of foundation in a business where a dozen was the norm—making a reported $100 million in the first 40 days and nearly $600 million in the first year. Dior, CoverGirl, and Revlon quickly followed, establishing a 40-shade standard now known as “the Fenty effect.” (Rihanna upped the ante again this summer with a hydrating foundation in 50 shades, writing on Instagram, “When the foundation takeova ain’t ova!”) In 2018 she unveiled Savage X Fenty, an intimates line available in many sizes and shades of “nude.” (The brand just secured a reported $50 million in new funding.) Now Rihanna is reimagining fashion at the highest levels. -
THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR
Friday, August 13, 2021 | 7:30 PM Saturday, August 14, 2021 | 7:30 PM Livestreamed MANHATTAN SCHOOL OF MUSIC MUSICAL THEATRE Liza Gennaro, Associate Dean and Director THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR Original Broadway production of The Drowsy Chaperone produced by Kevin McCollum, Roy Miller, Bob Boyett, Stephanie McClelland, Barbara Freitag, and Jill Furman Friday, August 13, 2021 | 7:30 PM Saturday, August 14, 2021 | 7:30 PM Livestreamed MANHATTAN SCHOOL OF MUSIC MUSICAL THEATRE Liza Gennaro, Associate Dean and Director THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR Original Broadway production of The Drowsy Chaperone produced by Kevin McCollum, Roy Miller, Bob Boyett, Stephanie McClelland, Barbara Freitag and Jill Furman Evan Pappas, Director Liza Gennaro, Choreographer David Loud, Music Director Dominique Fawn Hill, Costume Designer Nikiya Mathis, Wig, Hair, and Makeup Designer Kelley Shih, Lighting Designer Scott Stauffer, Sound Designer Megan P. G. Kolpin, Props Coordinator Angela F. Kiessel, Production Stage Manager Super Awesome Friends, Video Production Jim Glaub, Scott Lupi, Rebecca Prowler, Jensen Chambers, Johnny Milani The Drowsy Chaperone is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com STREAMING IS PRESENTED BY SPECIAL ARRANGEMENT WITH MUSIC THEATRE INTERNATIONAL (MTI) NEW YORK, NY. All authorized performance materials are also supplied by MTI. www.mtishows.com WELCOME FROM LIZA GENNARO, ASSOCIATE DEAN AND DIRECTOR OF MSM MUSICAL THEATRE I’m excited to welcome you to The Drowsy Chaperone, MSM Musical Theatre’s fourth virtual musical and our third collaboration with the video production team at Super Awesome Friends—Jim Glaub, Scott Lupi and Rebecca Prowler. -
Sorry, Rihanna. I Can't Celebrate Billionaires
_________________________________________________________________________________________________________________ Opinion Sorry, Rihanna. I can’t celebrate billionaires – even if they are Black The last thing we need right now is another billionaire, regardless of their skin color ‘Celebrating the success of another Black billionaire obscures the dangers that the Black upper class poses to the Black working class and working-class people of all ethnicities.’ Akin Olla Sat 7 Aug 2021 Rihanna just became the newest member of the Black billionaire class. She did it through her ambitious and game-changing makeup company, Fenty Beauty. Fenty rejects eurocentric beauty standards and provides a wide array of cosmetics that celebrate darker skin tones often ignored by the beauty industry. That’s great. Unfortunately, the last thing we need right now is another billionaire, regardless of their skin color. While headlines like Yahoo’s “How Rihanna became a billionaire (as she should be)” and the Cut’s “The only acceptable billionaire” may feel good, the framing is harmful. Rihanna’s genius should be celebrated, but the wealth that she has amassed must be criticized. The mere existence of billionaires is a detriment to us all; celebrating the success of another Black billionaire obscures the dangers that the Black upper class poses to the Black working class and working-class people of all ethnicities. 2 The current ranks of Black billionaires leave a lot to be desired. While many of them espouse a pro-Black rhetoric, they have often stood on the wrong side of Black empowerment. Jay-Z, now ranked No 12, undermined the efforts of Colin Kaepernick – football player turned Black liberation icon – by providing political cover to the NFL and forming a partnership between the league and his company Roc Nation. -
Influencers and Retailers: a Power Disparity 3.4 Marketplace Impacts PART 3 PART
Final major project The feminine beauty ideal Report by Molly White What are the impacts of this ever-shifting ideal upon the fashion industry and what steps can“ the industry take to become more inclusive? “ 1 04 06Introduction 08 Executive PART 1 - summary The feminine beauty ideal 26 36PART 3 - 52Case studies PART 2 - Influencers Social media 72 84 104 PART 4 - PART 5 - PART 6 - Models Covid-19 Moving forward Table of 114Conclusion 116Reference list 130Appendix Contents2 3 Executive Summary This report critically investigates the ever-changing feminine beauty ideal and its impact upon the fashion industry. Feminine idealism is explored including what and who has influenced shifts to this concept over time. Influencers portraying the beauty ideal and their control over social attitudes, consumption habits and retailers are discussed. There is a particular focus on contemporary, powerful influencers and how they have disrupted traditional marketing models. Throughout history there have been various methods of marketing the beauty ideal. The influence upon consumer attitudes and the impact on consumer mental health with traditional marketing and then the evolution of social media and inclusive marketing are scrutinised. There is an in-depth analysis of how the shifting ideal impacts both internal and external industry players including retailers, consumers and models. The report highlights how COVID-19 will impact the fashion industry in years to come and what opportunities and challenges this might bring. Solutions are proposed as to how retailers can attempt to overcome challenges presented by the pandemic whilst simultaneously considering societal shifts towards the perception of beauty. There is a retrospective view of inclusivity in the 21st century, looking at how far the industry has come and what it can do to progress further.