Travel to Asia

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PERFORMANCE: SAMUL NORI AND KOREAN DRUM DANCE WITH HANSOL SAMULNORI 7:30 PM | Flora Fountain FRIDAY, Samul nori is a genre of traditional percussion music originating in Korea. The word samul means “four SEPTEMBER 19 objects” and nori means “play.” Literally, samul nori is performed with four traditional Korean musical 2014 | FREE instruments: Kkwaenggwari (a small gong), Jing (a 6 PM to Midnight larger gong), Janggu (an hourglass-shaped drum) and Buk (a barrel drum similar to the bass drum). Samul nori has its roots in Pungmulnori (literally “Korean TRAVEL TO ASIA traditional percussion instruments playing”), a Korean folk genre comprising music, acrobatics, folk dance, Join the Crow Collection and rituals, which was traditionally performed in rice of Asian Art in an East farming villages in order to ensure and to celebrate meets West art and good harvests. Stop by and enjoy the beat of a culture exchange during different drum. the Dallas Arts District’s PERFORMANCE: JASMINES CHINESE Fall Block Party. DANCE TROUPE ART ACTIVITY: CHINESE HAND FANS 8:30 PM | Grand Gallery, 2nd floor 6–8 PM | Arbor Walk, 2nd floor Founded January 2008 in Plano, this group of In the past, Chinese fans were used to signify a high experienced dancers specializes in Chinese classical social status. Today they are used to display grace and folk dance. in dances and personality traits of characters in GALLERY CHALLENGE theatrical plays or storytelling. Beat the heat and join us for fan making and even get your name written in 8:30 PM | Link Asia, 2nd floor Join a Crow Collection Gallery Educator for a unique Chinese. tour experience that includes an activity in the COMMUNITY ACTIVITY: MAP OF ASIA galleries, while learning about a work of art from the 6–10 PM | Jade Room, 2nd floor collection or exhibit. Ever wanted to travel to Asia? Well now is your EAST MEETS WEST COCKTAIL TASTING chance to share where you would want to go in Asia on our community map of Asia. 9 - 11 PM | Grand Gallery, 2nd floor Explore the different tastes and flavors in a variety of COMMUNITY ACTIVITY: SAND RANGOLI Asian inspired cocktails. Supplies are limited. Must 6–10 PM | Flora Street show proof of age to be served alcohol. Rangoli are intricate designs put on floors in SCREENING: JIRO DREAMS OF SUSHI courtyards or other significant sites in a home or public place that are made of colored sand, flour, 10:00 PM | Grand Gallery, 2nd floor Jiro Dreams of Sushi rice, or even flowers. They are meant to ward off evil is a 2011 American and invite and welcome Hindu deities into the space. documentary film directed Using actual stencils from India, help create a sand by David Gelb. The film rangoli mural to adorn the entrance to the museum. follows Jiro Ono, an GAMES: DIABOLO JUGGLING, TUHO AND 85-year-old sushi master and owner of Sukiyabashi SHUTTLECOCK Jiro, a Michelin three-star restaurant, on his continuing 6-10 PM | Flora Street quest to perfect the art of sushi. The film also profiles Stop by and learn how to play these Jiro’s two sons, both of whom are also sushi chefs. traditional games. Evolved from the The younger son, Takashi, left Sukiyabashi Jiro to Chinese yo-yo, Diabolo Juggling is open a mirror image of his father’s restaurant in a game played by pulling the string Roppongi Hills. The 50-year-old elder son, Yoshikazu, and turning the axle repeatedly obligated to succeed his father, still works for Jiro to make the diabolo rotate faster. and is faced with the prospect of one day taking over Tuho is a traditional Chinese and Korean game that the flagship restaurant. Grab a cocktail and sit back requires players to throw sticks into a large, ornate and enjoy this enthralling look at a man’s pursuit of canister. As for Shuttlecock, Jianzi in Chinese, players perfection through the art of sushi. aim to keep a heavily weighted shuttlecock in the air by using their bodies, apart from their hands. May the Stop by the Nasher Sculpture Center and the Dallas odds be ever in your favor. Museum of Art and experience all museums for free. PERFORMANCE: DALLAS ASIAN AMERICAN Please consider becoming a Friend of the Crow YOUTH ORCHESTRA Collection to be a part of building a bridge from East to 6:30 PM | Sculpture Garden West, from Asia to Dallas. To join today, please contact From traditional Western classical music to the music the Membership Team at 214-979-6435 of Eastern Asia, the Dallas Asian American Youth or visit crowcollection.org. Orchestra, DAAYO, will create a special blend of musical styles. Follow us on Facebook, Twitter @Crow_Collection and GALLERY TALK Instagram @CrowCollection and make sure to use #CrowAfterDark. 7:30 PM | Grand Gallery, 2nd floor Join a Crow Collection Gallery Educator for the start of a progressive tour through the Arts District. Tours begin at the Nasher at 6:30 PM and continue to the Dallas Museum of Art at 7:00 PM then complete your tour experience here at the Crow Collection. 2010 Flora Street Dallas Arts District crowcollection.org.
Recommended publications
  • National Circus and Acrobats of the People's Republic of China

    National Circus and Acrobats of the People's Republic of China

    Friday, September 11, 2015, 8pm Saturday, September 12, 2015, 2pm & 8pm Zellerbach Hall National Circus and Acrobats of the People’s Republic of China Peking Dreams Cal Performances’ $"#%–$"#& season is sponsored by Wells Fargo. PROGRAM Peking Dreams EKING (known today as Beijing), the capital of the People’s Republic of China, is a Pfamous historical and cultural city with a history spanning 1,000 years and a wealth of precious Chinese cultural heritage, including the Great Wall, the Forbidden City, the Summer Palace, and the Temple of Heaven. Acrobatic art, Chinese circus, and Peking opera are Chinese cultural treasures and are beloved among the people of Peking. These art forms combine music, acrobatics, performance, mime, and dance and share many similarities with Western culture. Foreign tourists walking along the streets or strolling through the parks of Peking can often hear natives sing beautiful Peking opera, see them play diabolo or perform other acrobatics. Peking Dreams , incorporating elements of acrobatics, Chinese circus, and Peking opera, invites audiences into an artistic world full of history and wonder. The actors’ flawless performance, colorful costumes, and elaborate makeup will astound audiences with visual and aural treats. PROGRAM Opening Acrobatic Master and His Pupils The Peking courtyard is bathed in bright moonlight. In the dim light of the training room, three children formally become pupils to an acrobatic master. Through patient teaching, the master is determined to pass his art and tradition down to his pupils. The Drunken Beauty Amidst hundreds of flowers in bloom, the imperial concubine in the Forbidden City admires the full moon while drinking and toasting.
  • THE BENEFITS of LEARNING to JUGGLE for CHILDREN Written by Dave Finnigan

    THE BENEFITS of LEARNING to JUGGLE for CHILDREN Written by Dave Finnigan

    THE BENEFITS OF LEARNING TO JUGGLE FOR CHILDREN Written by Dave Finnigan Fitness, Motor Skills, Rhythm, Balance, Coordination Benefits . Students can start acquiring pre-juggling skills in pre-school and kindergarten by learning to toss and catch one big, colorful, slow-moving nylon scarf. Once tossing and catching becomes routine, you can use one nylon scarf anywhere that you would normally use a ball or beanbag for most games and many individual challenges. Just think of the scarf as a "ball with training wheels." Scarf juggling and scarf play progresses in a step-by-step manner from one, to two, and on to three. Scarf play and scarf juggling requires big, flowing movements. Children get a great cardio-vascular and pulmonary work-out when they juggle scarves, exercising the big muscles close to the head and close to the heart. They will find scarf juggling to be a great deal of work and lots of fun at the same time. Once they move on to beanbags or other faster moving equipment, they get exercise not only from tossing, but from bending over to pick up errant objects as well. Once a student can juggle continuously, they can "workout" with heavy or bulky objects such as heavyweight beanbags, basketballs, or other items which provide strenuous exercise while they improve focus and dexterity. Because all of this tossing and catching activity can be done to music, you can use different types of music to help children acquire a sense of rhythm and a natural "beat." By working together, students can participate in a group activity requiring concentration and attention to task and reinforcing rhythm.
  • Book Review: the Mathematics of Juggling, Volume 51, Number 1

    Book Review: the Mathematics of Juggling, Volume 51, Number 1

    Book Review The Mathematics of Juggling Reviewed by Allen Knutson The Mathematics of Juggling • (to avoid considering boundary conditions) The Burkard Polster juggler has been juggling since the infinite past Springer-Verlag, New York, 2003 and will continue into the infinite future. 226 pages, $39.95 • The throws come one per second, with right ISBN 0-387-95513-5 throws at even times and left throws at odd times (this can be ensured by reparametrizing Around 1985 three groups of jugglers (in Santa the time coordinate). Cruz, California; in Pasadena, California; and in More notable, though, is the assumption about Cambridge, England) independently created the what one actually wants to record: same notational system for juggling patterns. These • The only information kept about the ball thrown ∈ Z numerical descriptions have been well publicized at time n is when it is next thrown, at time in the juggling world under the name “siteswaps” f (n). (and, even so, continue to be rediscovered by new- In particular, this assumption loses any extra de- comers). tail about the throw like “under the leg”, “with a triple spin” (if the objects juggled are pins rather As we will see shortly upon presentation of the than balls), “while telling joke #1729”, etc. But it basic definitions, a rather simple list of restric- suggests a very nice mathematical theory of cer- tions leads easily to a unique notational system. tain functions f : Z → Z: More surprising is the near-simultaneity of the dis- 1. The function f should be one-to-one, since we covery! The best explanation of this seems to be do not want two balls landing at the same time.
  • The Beginner's Guide to Circus and Street Theatre

    The Beginner's Guide to Circus and Street Theatre

    The Beginner’s Guide to Circus and Street Theatre www.premierecircus.com Circus Terms Aerial: acts which take place on apparatus which hang from above, such as silks, trapeze, Spanish web, corde lisse, and aerial hoop. Trapeze- An aerial apparatus with a bar, Silks or Tissu- The artist suspended by ropes. Our climbs, wraps, rotates and double static trapeze acts drops within a piece of involve two performers on fabric that is draped from the one trapeze, in which the ceiling, exhibiting pure they perform a wide strength and grace with a range of movements good measure of dramatic including balances, drops, twists and falls. hangs and strength and flexibility manoeuvres on the trapeze bar and in the ropes supporting the trapeze. Spanish web/ Web- An aerialist is suspended high above on Corde Lisse- Literally a single rope, meaning “Smooth Rope”, while spinning Corde Lisse is a single at high speed length of rope hanging from ankle or from above, which the wrist. This aerialist wraps around extreme act is their body to hang, drop dynamic and and slide. mesmerising. The rope is spun by another person, who remains on the ground holding the bottom of the rope. Rigging- A system for hanging aerial equipment. REMEMBER Aerial Hoop- An elegant you will need a strong fixed aerial display where the point (minimum ½ ton safe performer twists weight bearing load per rigging themselves in, on, under point) for aerial artists to rig from and around a steel hoop if they are performing indoors: or ring suspended from the height varies according to the ceiling, usually about apparatus.
  • JUGGLING in the U.S.S.R. in November 1975, I Took a One Week Tour to Leningrad and Ring Cascade Using a "Holster” at Each Side

    JUGGLING in the U.S.S.R. in November 1975, I Took a One Week Tour to Leningrad and Ring Cascade Using a "Holster” at Each Side

    Volume 28. No. 3 March 1976 INTERNATIONAL JUGGLERS ASSOCIATION from Roger Dol/arhide JUGGLING IN THE U.S.S.R. In November 1975, I took a one week tour to Leningrad and ring cascade using a "holster” at each side. He twice pretended Moscow, Russia. I wasfortunate to see a number of jugglers while to accidentally miss the catch of all 9 down over his head before I was there. doing it perfectly to rousing applause and an encore bow. At the Leningrad Circus a man approximately 45 years old did Also on the show was a lady juggler who did a short routine an act which wasn’t terribly exciting, though his juggling was spinning 15-inch square glass sheets. She finished by spinning pretty good. He did a routine with 5, 4, 3 sticks including one on a stick balanced on her forehead and one on each hand showering the 5. He also balanced a pole with a tray of glassware simultaneously. Then, she did the routine of balancing a tray of on his head and juggled 4 metaf plates. For a finish, he cqnter- glassware on a sword balanced point to point on a dagger in her spun a heavy-looking round wooden table upside-down on a 10- mouth and climbing a swaying ladder ala Rosana and others. foot sectioned pole balanced on his forehead, then knocked the Finally, there were two excellent juggling acts as part of a really pole away and caught the table still spinning on a short pole held great music and variety floor show at the Arabat Restaurant in in his hands.
  • Circus Class Overview & Links to Victorian Curriculum

    Circus Class Overview & Links to Victorian Curriculum

    Circus Class Overview & Links to Victorian Curriculum FunFit Circus classes assist students to develop a variety of circus skills that are increasingly popular today. There is nothing like learning a new skill for satisfaction and self-approval. With our huge range of different circus disciplines, there’s something for everyone. Most are individual activities so students can learn at their own pace and hone in on the circus toys they love. They can then work together on partner and group skills and even create short or long circus shows. Circus skills are also something that students can take home and develop. Families and friends love watching as students proudly perform their new circus tricks! Each class addresses the Victorian Curriculum learning area of Health and Physical Education through the strand and sub-strands identified below: Health and Physical Education: Movement and Physical Activity • Moving the body • Understanding movement • Learning through movement Circus classes may also align to the following learning areas and capabilities: • Health and Physical Education: Personal, Social and Community Health • The Arts: Dance • The Arts: Drama • The Arts: Music • Personal and Social Capability • Critical and Creative Thinking Capability For a more detailed understanding of what and how the Movement and Physical Activity content descriptors are addressed through our Circus classes see below: Foundation Level – Includes Juggling, Hula Hoops, Acrobalance, Poi, Staff, Diabolo and Clowning Movement & Physical Activity: Sub-Strand Curriculum (what) - Content Description Pedagogy (how) – Through these circus workshops students will: Practice fundamental movement skills and Practice a variety of fundamental movement skills through a fun warm up activity.
  • Juggling – 15013000/15013100 HOPE PE 1506320G

    Juggling – 15013000/15013100 HOPE PE 1506320G

    Course: Juggling – 15013000/15013100 HOPE PE 1506320G Credit for Graduation: 1.0 Credit – HOPE elective credit / Physical Education Credit Pre-requisite: Desire to explore and develop the skill set needed for juggling. Description: Expectations: The purpose of this course is to provide students Students will be expected to embrace the many with the knowledge, skills, and values they need to challenges involved in developing a unique skill become healthy and physically active for a lifetime. set. In addition to developing skills with assorted This course addresses both the health and skill- props, students will be expected to learn about related components of physical fitness which are the greater juggling community, learning theory, critical for students' success. The SAIL juggling program exists to promote self-expression and to prop building, routine development etc. encourage creativity. Students will have the Participation and movement are key components opportunity to form new friendships and develop for being successful in this course. skills that will last a lifetime. In addition to conventional ball, club and ring juggling, students will be exposed to a plethora of props likely including but not limited to unicycle, cigar box manipulation, rolla bolla, contact juggling, card throwing, throw top, yo-yo, diabolo, hacky sack, passing, kendama and ball spinning. Resources/Materials: Assorted jugging equipment Website: https://www.leonschools.net/Domain/2453 Course: Juggling 15013000 / 15013000 HOPE PE: #15063200 Credit for Graduation: 1.0 Credit - HOPE elective credit Pre-requisite: Description: Expectations: HOPE PE: The purpose of this course is to develop and enhance healthy behaviors that influence lifestyle choices and student health and fitness.
  • HISTORY and STAGE METHOD of JUGGLING with HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine

    HISTORY and STAGE METHOD of JUGGLING with HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine

    INNOVATIVE SOLUTIONS IN MODERN SCIENCE № 2(11), 2017 UDC 792 (792.7) HISTORY AND STAGE METHOD OF JUGGLING WITH HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine Research the methods of teaching juggling tricks by the big and small hula hoops, due to rising demand for hula hoops in recent years. Hula hoops acquire much popularity both abroad and in Ukraine, and are used not only in school, gymnastics and emotional pleasure, but also in a circus and juggling sports. Also highlights the main directions in the juggling with their features and how the juggling acts itself directly on human health. Also will be examined where this fascinating art form came to us, how it developed, and what kinds acquired in the present. Keywords: hula hoops, juggling, "track", stage technique, white substance, "helicopter". Problem definition and analysis of researches. Today juggling reached incredible development. There is no country where people would not be interested in juggling. There are a lot of conventions and juggling competitions, where people come from all over the world and share experiences with each other. But it should be noted, that there aren’t so much professional juggling schools. And if we talk about juggling by hula hoops, we can admit that there aren’t so much real experts in this field. Peter Bon, Tony Buzan in collaboration with Michael J. Gelb, Luke Burridge, Alexander Kiss, Paul Koshel and many others have written about all kinds of juggling, but left unattended hula hoops juggling. That is why in this article will be examples of author’s tricks with large and small hula hoops with a detailed description.
  • Heft-Misterm-201909 95X150 002 PSD Und Druckdaei --- EN.Indd

    Heft-Misterm-201909 95X150 002 PSD Und Druckdaei --- EN.Indd

    Same as step 2 but 2 balls in right, 1 in the left hand. throw from one hand Begin with the right hand. Throw 30 throws from left to to the other and to other hand and when the ball is right, then right to left. count loud „1 and 2“ at its highest point, throw number Remember, throw 2, then 3. „1 and 2 and 3.“ Don‘t Then left » right » left. when the ball is at catch the balls. Do this about 30 its highest point. times. Then try to catch only the first thrown ball. Do this 30 times. Then try to catch the first two balls - 30 times. Then try to catch all 3 balls. www.MisterM.net/vid 2 balls, one in the left hand, Use a box and lean onto a one in the right. Throw wall. Roll balls on there and straight up, when the ball is practice step 2 and 3, at the highest point, throw the balls will roll slower. 3 BALL SET 5 BALL SET the other one straight up. Juggling scarves is much Of course, these scarves are not easier than juggling balls Take 2 scarves in only for juggling. Children love because they fly slower, hence one hand. Practice to play dress up with them, hide you have more time to react. lifting and releasing behind them or even make head Start with one scarf. Lift up and just one scarf. Best bands. Let your imagination run over and let it fall to the other to hold one with wild! hand.
  • Understanding Siteswap Juggling Patterns a Guide for the Perplexed by Greg Phillips, Greg.Phillips@Juggler.Net

    Understanding Siteswap Juggling Patterns a Guide for the Perplexed by Greg Phillips, [email protected]

    Understanding Siteswap Juggling Patterns A guide for the perplexed by Greg Phillips, [email protected] Core rules (for all patterns) Synchronous siteswap (simultaneous throws) C1 We imagine a metronome ticking at some constant rate. Some juggling patterns involve both hands throwing at the Each tick is called a “beat.” same time. We describe these using synchronous siteswap. C2 We indicate each thrown object by a number that tells us how many beats later that object must be back in a hand S1 The right and left hands throw at the same time (which and ready to re-throw. counts as two throws) on every second beat. We group C3 We indicate a sequence of throws by a string of numbers the simultaneous throws in parentheses and separate the (plus punctuation and the letter x). We imagine these hands with commas. strings repeat indefinitely, making 531 equivalent to S2 We indicate throws that cross from hand to hand with an …531531531… So are 315 and 153 — can you see x (for ‘xing’). why? C4 The sum of all throw numbers in a siteswap string divided Rules C2 and S1 taken together demand that there be only by the number of throws in the string gives the number of even numbers in valid synchronous siteswaps. Can you see objects in the pattern. This must always be a whole why? The x notation of rule S2 is required to distinguish number. 531 is a three-ball pattern, since (5+3+1)/3 patterns like (4,4) (synchronous fountain) from (4x,4x) equals three; however, 532 cannot be juggled since (synchronous crossing).
  • Dec 14 Newsletter

    Dec 14 Newsletter

    Mill Run Register Newsletter for Mill Run Elementary Volume 48 December 2014 Vickers’ Views: December At-A-Glance As I type my monthly newsle/er ar2cle, I am excitedly awai2ng the arrival of many of you to OUR school, as this is the day of our annual SCA Warming Tree will continue until th Turkey Feast. We will soon be serving nearly 2,000 turkey meals. We December 12 ! Please consider sending in new hats, gloves, scarves, and thermal had six wonderful volunteers here this morning to help with the set- socks. These will be shared with our up, and everyone just seems to be in the best of spirits. I was raised friends in Sterling, VA! by my own parents to love tradi2ons and to do everything within my power to perpetuate them. The Mill Run Turkey Feast is one of the Dec. 1 : Science Expo packets go home very best tradi2ons that we have here, and the excitement is Dec. 3 : Mt. Lion Pride Citizenship Breakfast @ 7:50 palpable with our students, their parents, and our staff. am (by invitation) Dec. 4 : This is a 2me of year when many of us become especially nostalgic, PTO Gift Card Orders Due and we cleave 2ghtly to our families and to our own tradi2ons. As I Snowman Contest info sent home look back to all that has happened here at Mill Run in November and Dec. 5 : PTO Movie Night from 6:30-9:00 p.m. project myself forward through Winter Break, I can’t help but focus Dec.
  • Dust Palace Roving and Installation Price List 2017

    Dust Palace Roving and Installation Price List 2017

    ROVING AND INSTALLATION CIRQUE ENTERTAINMENT HAND BALANCE AND CONTORTION One of our most common performance installations is Hand Balance Contortion. Beautiful and graceful this incredible art is mastered by very few, highly skilled performers. Roving or installation spots are only possible for 30 mins at a time and are priced at $950+gst per performer. ADAGIO AND ACROBATICS Adagio, hand to hand, balance acrobatics and trio acro are all ways to describe the art of balancing people on people. Usually performed as a couple this is the same as hand balance contortion in that it’s only possible for 30 minute stints. Roving or installation can be performed in any style and we’re always happy to incorporate your events theme or branding into the theatrics around the skill. Performers are valued at $950+gst per 30 minute slot. MANIPULATION SKILLS Manipulation skills include; Hula Hoops, Juggling, Cigar boxes, Diabolo, Chin Balancing, Poi Twirling, Plate Spinning and Crystal Ball. As a roving or installation act these are fun and lively, bringing some nice speedy movement to the room. All are priced by the ‘performance hour’ which includes 15 minutes break and range between $400+gst and $700+gst depending on the performer and the skill. Some performers are capable of character work and audience interaction. Working these skills in synchronisation with multiple performers is a super cool look. Most of these skills can be performed with LED props. EQUILIBRISTICS aka balance skills The art of balancing on things takes many long hours of dedication to achieve even the most basic result.