Diabolo Orientation Stabilization by Learning Predictive Model for Unstable Unknown-Dynamics Juggling Manipulation
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
THE BENEFITS of LEARNING to JUGGLE for CHILDREN Written by Dave Finnigan
THE BENEFITS OF LEARNING TO JUGGLE FOR CHILDREN Written by Dave Finnigan Fitness, Motor Skills, Rhythm, Balance, Coordination Benefits . Students can start acquiring pre-juggling skills in pre-school and kindergarten by learning to toss and catch one big, colorful, slow-moving nylon scarf. Once tossing and catching becomes routine, you can use one nylon scarf anywhere that you would normally use a ball or beanbag for most games and many individual challenges. Just think of the scarf as a "ball with training wheels." Scarf juggling and scarf play progresses in a step-by-step manner from one, to two, and on to three. Scarf play and scarf juggling requires big, flowing movements. Children get a great cardio-vascular and pulmonary work-out when they juggle scarves, exercising the big muscles close to the head and close to the heart. They will find scarf juggling to be a great deal of work and lots of fun at the same time. Once they move on to beanbags or other faster moving equipment, they get exercise not only from tossing, but from bending over to pick up errant objects as well. Once a student can juggle continuously, they can "workout" with heavy or bulky objects such as heavyweight beanbags, basketballs, or other items which provide strenuous exercise while they improve focus and dexterity. Because all of this tossing and catching activity can be done to music, you can use different types of music to help children acquire a sense of rhythm and a natural "beat." By working together, students can participate in a group activity requiring concentration and attention to task and reinforcing rhythm. -
Book Review: the Mathematics of Juggling, Volume 51, Number 1
Book Review The Mathematics of Juggling Reviewed by Allen Knutson The Mathematics of Juggling • (to avoid considering boundary conditions) The Burkard Polster juggler has been juggling since the infinite past Springer-Verlag, New York, 2003 and will continue into the infinite future. 226 pages, $39.95 • The throws come one per second, with right ISBN 0-387-95513-5 throws at even times and left throws at odd times (this can be ensured by reparametrizing Around 1985 three groups of jugglers (in Santa the time coordinate). Cruz, California; in Pasadena, California; and in More notable, though, is the assumption about Cambridge, England) independently created the what one actually wants to record: same notational system for juggling patterns. These • The only information kept about the ball thrown ∈ Z numerical descriptions have been well publicized at time n is when it is next thrown, at time in the juggling world under the name “siteswaps” f (n). (and, even so, continue to be rediscovered by new- In particular, this assumption loses any extra de- comers). tail about the throw like “under the leg”, “with a triple spin” (if the objects juggled are pins rather As we will see shortly upon presentation of the than balls), “while telling joke #1729”, etc. But it basic definitions, a rather simple list of restric- suggests a very nice mathematical theory of cer- tions leads easily to a unique notational system. tain functions f : Z → Z: More surprising is the near-simultaneity of the dis- 1. The function f should be one-to-one, since we covery! The best explanation of this seems to be do not want two balls landing at the same time. -
The Beginner's Guide to Circus and Street Theatre
The Beginner’s Guide to Circus and Street Theatre www.premierecircus.com Circus Terms Aerial: acts which take place on apparatus which hang from above, such as silks, trapeze, Spanish web, corde lisse, and aerial hoop. Trapeze- An aerial apparatus with a bar, Silks or Tissu- The artist suspended by ropes. Our climbs, wraps, rotates and double static trapeze acts drops within a piece of involve two performers on fabric that is draped from the one trapeze, in which the ceiling, exhibiting pure they perform a wide strength and grace with a range of movements good measure of dramatic including balances, drops, twists and falls. hangs and strength and flexibility manoeuvres on the trapeze bar and in the ropes supporting the trapeze. Spanish web/ Web- An aerialist is suspended high above on Corde Lisse- Literally a single rope, meaning “Smooth Rope”, while spinning Corde Lisse is a single at high speed length of rope hanging from ankle or from above, which the wrist. This aerialist wraps around extreme act is their body to hang, drop dynamic and and slide. mesmerising. The rope is spun by another person, who remains on the ground holding the bottom of the rope. Rigging- A system for hanging aerial equipment. REMEMBER Aerial Hoop- An elegant you will need a strong fixed aerial display where the point (minimum ½ ton safe performer twists weight bearing load per rigging themselves in, on, under point) for aerial artists to rig from and around a steel hoop if they are performing indoors: or ring suspended from the height varies according to the ceiling, usually about apparatus. -
JUGGLING in the U.S.S.R. in November 1975, I Took a One Week Tour to Leningrad and Ring Cascade Using a "Holster” at Each Side
Volume 28. No. 3 March 1976 INTERNATIONAL JUGGLERS ASSOCIATION from Roger Dol/arhide JUGGLING IN THE U.S.S.R. In November 1975, I took a one week tour to Leningrad and ring cascade using a "holster” at each side. He twice pretended Moscow, Russia. I wasfortunate to see a number of jugglers while to accidentally miss the catch of all 9 down over his head before I was there. doing it perfectly to rousing applause and an encore bow. At the Leningrad Circus a man approximately 45 years old did Also on the show was a lady juggler who did a short routine an act which wasn’t terribly exciting, though his juggling was spinning 15-inch square glass sheets. She finished by spinning pretty good. He did a routine with 5, 4, 3 sticks including one on a stick balanced on her forehead and one on each hand showering the 5. He also balanced a pole with a tray of glassware simultaneously. Then, she did the routine of balancing a tray of on his head and juggled 4 metaf plates. For a finish, he cqnter- glassware on a sword balanced point to point on a dagger in her spun a heavy-looking round wooden table upside-down on a 10- mouth and climbing a swaying ladder ala Rosana and others. foot sectioned pole balanced on his forehead, then knocked the Finally, there were two excellent juggling acts as part of a really pole away and caught the table still spinning on a short pole held great music and variety floor show at the Arabat Restaurant in in his hands. -
What's Happening at the IJA ?
THE INTERNATIONAL JUGGLERS’ ASSOCIATION October 2007 IJA e-newsletter editor: Don Lewis (email: [email protected]) Renew at http://www.juggle.org/renew What’s Happening at the IJA ? In This Issue: 2008 Lexington IJA Festival Help Wanted Have You Moved, or Gotten a New Email Address? Treasury Remember, the only way to ensure that you don't miss a World Juggling Day single issue of JUGGLE magazine is to give us your new Marketing the IJA address. The USPS will generally not forward JUGGLE Joggling Record magazine. Insurance To update your mailing address, email, or phone, please Regional Festivals send email to [email protected] or call TurboFest - Quebec City 415-596-3307 or write to: IJA, PO Box 7307, Austin, TX 78713-7307 USA. World Circus Year 2008 IJA Festival, Lexington, Kentucky The Hyatt is connected to the convention center. The convention center has a food court and shops and they are Lexington Notes by Richard Kennison open on a daily basis. There is a vibrant downtown area right Everyone, around the convention center. I just spent two days in Lexington, KY. I am very thrilled to tell The convention center contact person, the hotel contact person you that I think it is a wonderful site. I will not go into long and the theatre contact person are all professional and excited details here but: that we are coming. Bond Jacobs—the visitors bureau contact You can park your car (for free if you stay the the Hyatt) and person is an asset and will go the extra mile for us. -
The Coriolis Force and the Rattleback
The Coriolis Force and the Rattleback Frederick David Tombe, Belfast, Northern Ireland, United Kingdom, [email protected] 17th December 2010 Abstract. The rattleback (Celtic Stone) is the most mysterious phenomenon in classical mechanics. It reverses its angular momentum by inducing a Coriolis pressure from the dense background sea of rotating electron-positron dipoles which is the medium for the propagation of light. [1] Magnets and Rattlebacks I. Magnets and rattlebacks share in common the fact that they involve a mutual alignment of the spin moments of their constituent atoms and molecules. They differ however in that rattlebacks involve a rotation on the large scale in order to bring this alignment about. In magnetic materials, the induced spin alignment results in a linear force, whereas in rattlebacks, the induced spin alignment results in a reversal torque which opposes the initial rotation. Another important difference is that rattlebacks are generally made of materials which are not as dense as magnetic materials. [2] Gravity and Friction II. Gravity acts vertically downwards and so the reversal torque in a rattleback cannot be sourced in gravity. Sliding friction is involved in that it dissipates the entire motion, but sliding friction by its nature is not something that could cause a reversal torque. Static friction is necessary in order to enable the rocking stage of the rattleback’s cycle. Without static friction, a rattleback will not work. However, static friction by its nature is not something that could actually go as far as to cause a reversal torque. 1 Forging a Torque by Mathematical Manipulation III. -
HISTORY and STAGE METHOD of JUGGLING with HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine
INNOVATIVE SOLUTIONS IN MODERN SCIENCE № 2(11), 2017 UDC 792 (792.7) HISTORY AND STAGE METHOD OF JUGGLING WITH HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine Research the methods of teaching juggling tricks by the big and small hula hoops, due to rising demand for hula hoops in recent years. Hula hoops acquire much popularity both abroad and in Ukraine, and are used not only in school, gymnastics and emotional pleasure, but also in a circus and juggling sports. Also highlights the main directions in the juggling with their features and how the juggling acts itself directly on human health. Also will be examined where this fascinating art form came to us, how it developed, and what kinds acquired in the present. Keywords: hula hoops, juggling, "track", stage technique, white substance, "helicopter". Problem definition and analysis of researches. Today juggling reached incredible development. There is no country where people would not be interested in juggling. There are a lot of conventions and juggling competitions, where people come from all over the world and share experiences with each other. But it should be noted, that there aren’t so much professional juggling schools. And if we talk about juggling by hula hoops, we can admit that there aren’t so much real experts in this field. Peter Bon, Tony Buzan in collaboration with Michael J. Gelb, Luke Burridge, Alexander Kiss, Paul Koshel and many others have written about all kinds of juggling, but left unattended hula hoops juggling. That is why in this article will be examples of author’s tricks with large and small hula hoops with a detailed description. -
Heft-Misterm-201909 95X150 002 PSD Und Druckdaei --- EN.Indd
Same as step 2 but 2 balls in right, 1 in the left hand. throw from one hand Begin with the right hand. Throw 30 throws from left to to the other and to other hand and when the ball is right, then right to left. count loud „1 and 2“ at its highest point, throw number Remember, throw 2, then 3. „1 and 2 and 3.“ Don‘t Then left » right » left. when the ball is at catch the balls. Do this about 30 its highest point. times. Then try to catch only the first thrown ball. Do this 30 times. Then try to catch the first two balls - 30 times. Then try to catch all 3 balls. www.MisterM.net/vid 2 balls, one in the left hand, Use a box and lean onto a one in the right. Throw wall. Roll balls on there and straight up, when the ball is practice step 2 and 3, at the highest point, throw the balls will roll slower. 3 BALL SET 5 BALL SET the other one straight up. Juggling scarves is much Of course, these scarves are not easier than juggling balls Take 2 scarves in only for juggling. Children love because they fly slower, hence one hand. Practice to play dress up with them, hide you have more time to react. lifting and releasing behind them or even make head Start with one scarf. Lift up and just one scarf. Best bands. Let your imagination run over and let it fall to the other to hold one with wild! hand. -
Understanding Siteswap Juggling Patterns a Guide for the Perplexed by Greg Phillips, [email protected]
Understanding Siteswap Juggling Patterns A guide for the perplexed by Greg Phillips, [email protected] Core rules (for all patterns) Synchronous siteswap (simultaneous throws) C1 We imagine a metronome ticking at some constant rate. Some juggling patterns involve both hands throwing at the Each tick is called a “beat.” same time. We describe these using synchronous siteswap. C2 We indicate each thrown object by a number that tells us how many beats later that object must be back in a hand S1 The right and left hands throw at the same time (which and ready to re-throw. counts as two throws) on every second beat. We group C3 We indicate a sequence of throws by a string of numbers the simultaneous throws in parentheses and separate the (plus punctuation and the letter x). We imagine these hands with commas. strings repeat indefinitely, making 531 equivalent to S2 We indicate throws that cross from hand to hand with an …531531531… So are 315 and 153 — can you see x (for ‘xing’). why? C4 The sum of all throw numbers in a siteswap string divided Rules C2 and S1 taken together demand that there be only by the number of throws in the string gives the number of even numbers in valid synchronous siteswaps. Can you see objects in the pattern. This must always be a whole why? The x notation of rule S2 is required to distinguish number. 531 is a three-ball pattern, since (5+3+1)/3 patterns like (4,4) (synchronous fountain) from (4x,4x) equals three; however, 532 cannot be juggled since (synchronous crossing). -
IJA Enewsletter Editor Don Lewis (Email: [email protected]) Renew at Http
THE INTERNATIONAL JUGGLERS! ASSOCIATION August 2011 IJA eNewsletter editor Don Lewis (email: [email protected]) Renew at http:www.juggle.org/renew IJA eNewsletter IJA Stage Championships Results, July 21 - 22, 2011 Individuals Contents: 1st: Tony Pezzo 2011 Championships Results 2nd: Kitamura Shintarou IJA Busking Competition 3rd: Tomohiro Kobayashi Joggling Correction Video Download Help Teams Club Tricks Handouts 1st: Showy Motion - Stefan Brancel and Ben Hestness Magazine Process 2nd: Smirk - Reid Belstock and Warren Hammond Will Murray in Afghanistan 3rd: The Jugheads - Rory Bade, Michael Barreto, Alex Behr, Daniel Burke, Sean YEP Report Carney, Tom Gaasedelen, Joe Gould, Danny Gratzer, Conor Hussey, Reid Johnson, Griffin Kelley, Jonny Langholz, Jack Levy, Chris Lovdal, Mara Moettus, Chris Olson, Montreal Circus Festival Evan Peter, Scott Schultz, Joey Spicola, and Brenden Ying Stagecraft Corner Regional Festivals Juniors Best Catches IJA Games Winners 1st: David Ferman 2nd: Jack Denger FLIC Auditions 3rd: Patrick Fraser Busking Competition 1st: Cate Flaherty 2nd: Kevin Axtell 3rd: Gypsy Geoff See all the results online at: http://www.juggle.org/history/champs/champs2011.php Juggling Festivals: Davidson, NC S.Gloucestershire, UK Kansas City, MO Portland, OR Philadelphia, PA Asheville, NC St. Louis, MO Baden, PA Waidhofen, Austria North Goa, India Bali, Indonesia photo: Martin Frost WWW.JUGGLE.ORG Page 1 THE INTERNATIONAL JUGGLERS! ASSOCIATION August 2011 IJA Busking Competition, Most of us know there are a lot of great buskers amongst IJA members, but most of us don!t get to see their street acts in the wild. Stage shows and street shows are totally different dynamics, and different again from the zaniness that occurs on the Renegade stage. -
What's Happening at the IJA ?
THE INTERNATIONAL JUGGLERS’ ASSOCIATION January 2008 IJA eNewsletter editor: Don Lewis (email: [email protected]) Renew at http://www.juggle.org/renew What’s Happening at the IJA ? Happy New Year from the IJA Board In This Issue: Championship Rules Regional Festivals Host a Festival Video Party Green Club Tips Atlanta Groundhog Day Archive News Never Too Old... Austin JuggleFest XV Forum Changes World Juggling Day RIT Rochester Finance News IJA Insurance JAQ Montreal Video Projects Feedback & Opinion IJA Festval 2008 - Lexington Kentucky The 61st Annual IJA Juggling Festival will be held July 14-20, 2008, in Lexington, Kentucky, in the large, well-lit, climate-controlled juggling space of the Lexington Convention Center (with free wireless Internet). Specially invited guests include: * Performers from Ecole de Cirque de Quebec (Quebec Circus School) * Niels Duinker * Casey Boehmer * More to come... * * Youth Group Discount: Event Packages are available through June 1 for only $79 each to groups of 10 or more youths attending with a chaperone and registered together. For details, contact festival director Richard Kennison at [email protected]. Early Bird: Register by April 1 and pay only $159 for an Adult Event Package or $89 for a Youth-Senior Event Package. (Youth-Senior packages are for ages 11-17 and 65+.) Advanced: Register April 2 through June 15 and pay $189/Adult or $109/Youth-Senior. Last Minute: Register after June 15 and pay $229/Adult or $139/Youth-Senior. Full fest information (including online registration, hotel info, a room/ride-sharing forum and more) is available at: http://www.juggle.org/festival WWW.JUGGLE.ORG Page 1 THE INTERNATIONAL JUGGLERS’ ASSOCIATION January 2008 Throw a Juggling Video Party! by Steve Rahn Missing in Action? For those of you who have received your DVD of the IJA We have had reports of padded DVD mailers damaged in the 2007 Festival and have a group of juggling friends or mail and arriving without their contents. -
Rattlebacks for the Rest of Us Simon Jonesa) Department of Mechanical Engineering, Rose-Hulman Institute of Technology, Terre Haute, Indiana 47803 Hugh E
Rattlebacks for the rest of us Simon Jonesa) Department of Mechanical Engineering, Rose-Hulman Institute of Technology, Terre Haute, Indiana 47803 Hugh E. M. Hunt Engineering Dynamics and Vibration, University of Cambridge, Cambridge CB21PZ, United Kingdom (Received 21 November 2018; accepted 18 June 2019) Rattlebacks are semi-ellipsoidal tops that have a preferred direction of spin (i.e., a spin-bias). If spun in one direction, the rattleback will exhibit seemingly stable rotary motion. If spun in the other direction, the rattleback will being to wobble and subsequently reverse its spin direction. This behavior is often counter-intuitive for physics and engineering students when they first encounter a rattleback, because it appears to oppose the laws of conservation of momenta, thus this simple toy can be a motivator for further study. This paper develops an accurate dynamic model of a rattleback, in a manner accessible to undergraduate physics and engineering students, using concepts from introductory dynamics, calculus, and numerical methods classes. Starting with a simpler, 2D planar rocking semi-ellipse example, we discuss all necessary steps in detail, including computing the mass moment of inertia tensor, choice of reference frame, conservation of momenta equations, application of kinematic constraints, and accounting for slip via a Coulomb friction model. Basic numerical techniques like numerical derivatives and time-stepping algorithms are employed to predict the temporal response of the system. We also present a simple and intuitive explanation for the mechanism causing the spin-bias of the rattleback. It requires no equations and only a basic understanding of particle dynamics, and thus can be used to explain the intriguing rattleback behavior to students at any level of expertise.