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In the United States District Court for the Middle District of Florida Fort Myers Division
Case 2:19-cv-00843-JES-NPM Document 1 Filed 11/25/19 Page 1 of 46 PageID 1 IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF FLORIDA FORT MYERS DIVISION : PRO MUSIC RIGHTS, LLC and SOSA : ENTERTAINMENT LLC, : : Civil Action No. 2:19-cv-00843 Plaintiffs, : : v. : : SPOTIFY AB, a Swedish Corporation; SPOTIFY : USA, INC., a Delaware Corporation; SPOTIFY : LIMITED, a United Kingdom Corporation; and : SPOTIFY TECHNOLOGY S.A., a Luxembourg : Corporation, : : Defendants. PLAINTIFFS’ COMPLAINT WITH INJUNCTIVE RELIEF SOUGHT AND DEMAND FOR JURY TRIAL Plaintiffs Pro Music Rights, LLC (“PMR”), which is a public performance rights organization representing over 2,000,000 works of artists, publishers, composers and songwriters, and Sosa Entertainment LLC (“Sosa”), which has not been paid for 550,000,000+ streams of music on the Spotify platform, file this Complaint seeking millions of dollars of damages against Defendants Spotify AB, Spotify USA, Inc., Spotify Limited, and Spotify Technology S.A. (collectively, “Spotify” or “Defendants”), alleging as follows: NATURE OF ACTION 1. Plaintiffs bring this action to redress substantial injuries Spotify caused by failing to fulfill its duties and obligations as a music streaming service, willfully removing content for anti-competitive reasons, engaging in unfair and deceptive business practices, Case 2:19-cv-00843-JES-NPM Document 1 Filed 11/25/19 Page 2 of 46 PageID 2 obliterating Plaintiffs’ third-party contracts and expectations, refusing to pay owed royalties and publicly performing songs without license. 2. In addition to live performances and social media engagement, Plaintiffs rely heavily on the streaming services of digital music service providers, such as and including Spotify, to organically build and maintain their businesses. -
The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
The Fan Data Goldmine Sam Hunt’S Second Studio Full-Length, and First in Over Five Years, Southside Sales (Up 21%) in the Tracking Week
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 24, 2021 Page 1 of 30 Leader; Travis Denning Makes History INSIDE The Fan Data Goldmine Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lionBY audienceTATIANA impressions, CIRISANO up 16%). Top Country• Spotify’s Albums Music chart dated April 18. In its first week (ending April 9), it earnedLeaders 46,000 onequivalent the album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingStreaming to Nielsen Giant’s Music/MRC JessieData. Reyez loves to text, especially with fans.and Ustotal- Countryand Airplay Community No. 1 as “Catch” allows (Big you Machine to do that, Label especially Group) ascends Southside‘Audio-First’ marks Future: Hunt’s seconding No.a phone 1 on the number assigned through the celebrity when you’re2-1, not increasing touring,” 13% says to 36.6Reyez million co-manager, impressions. chart andExclusive fourth top 10. It followstext-messaging freshman LP startup Community and shared on her Mauricio Ruiz.Young’s “Using first every of six digital chart outletentries, that “Sleep you canWith- Montevallo, which arrived at thesocial summit media in No accounts,- the singer-songwriter makes to make sureout you’re You,” stillreached engaging No. -
Drill Rap and Violent Crime in London
Violent music vs violence and music: Drill rap and violent crime in London Bennett Kleinberg1,2 and Paul McFarlane1,3 1 Department of Security and Crime Science, University College London 2 Dawes Centre for Future Crime, University College London 3 Jill Dando Institute for Global City Policing, University College London1 Abstract The current policy of removing drill music videos from social media platforms such as YouTube remains controversial because it risks conflating the co-occurrence of drill rap and violence with a causal chain of the two. Empirically, we revisit the question of whether there is evidence to support the conjecture that drill music and gang violence are linked. We provide new empirical insights suggesting that: i) drill music lyrics have not become more negative over time if anything they have become more positive; ii) individual drill artists have similar sentiment trajectories to other artists in the drill genre, and iii) there is no meaningful relationship between drill music and ‘real- life’ violence when compared to three kinds of police-recorded violent crime data in London. We suggest ideas for new work that can help build a much-needed evidence base around the problem. Keywords: drill music, gang violence, sentiment analysis INTRODUCTION The role of drill music – a subgenre of aggressive rap music (Mardean, 2018) – in inciting gang- related violence remains controversial. The current policy towards the drill-gang violence nexus is still somewhat distant from understanding the complexity of drill music language and how drill music videos are consumed by a wide range of social media users. To build the evidence base for more appropriate policy interventions by the police and social media companies, our previous work looked at dynamic sentiment trajectories (i.e. -
Drill Music in the Dock
1 Drill music in the dock A look at the use of drill music in criminal trials and a practical guide for defence practitioners Introduction The recent Sewell report has, some might say deliberately and for political reasons, sparked further exchanges between the perceived opposing sides in the so-called ‘culture wars’. This has sought to paint an overall picture of the treatment of minorities in Britain which is it at odds with the lived experience of many. To give a judicial summing-up style warning up front: ‘if we appear to express a view, reject it unless it accords with your own’. The authors of this article are, at best, only really placed to speak of the situation as it affects the Criminal Justice System. How the dynamics and politics of race play out in our courtrooms up and down the country. In these places, inequalities are laid bare on a daily basis in terms of the proportional representation of the different ethnic groups. The recent Sewell report at least acknowledges this imbalance: “..people from ethnic minorities are overrepresented at many points of the criminal justice system. The largest disparities appear at the point of stop and search and, as the Lammy Review pointed out, at arrest, custodial sentencing and prison population. Among ethnic minority groups, Black people are usually the most overrepresented.1” 1 h#ps://assets.publishing.service.gov.uk/government/uploads/system/uploads/a#achment_data/file/ 974507/20210331_-_CRED_Report_-_FINAL_-_Web_Accessible.pdf 2 The David Lammy Review2 came to a number of conclusions about the way people, particularly young black men, are treated within the Criminal Justice System. -
Amici Curiae Brief of Erik Nielson, Charis E
No. 15-666 __________________________________________ In the Supreme Court of the United States _____ ____ TAYLOR BELL, Petitioner, V. ITAWAMBA COUNTY SCHOOL BOARD, Respondent. _____ ____ On Petition for a Writ of Certiorari to the United States Court Of Appeals for the Fifth Circuit ______ ___ AMICI CURIAE BRIEF OF ERIK NIELSON, CHARIS E. KUBRIN, TRAVIS L. GOSA, MICHAEL RENDER (AKA “KILLER MIKE”) AND OTHER SCHOLARS AND ARTISTS IN SUPPORT OF PETITIONER _____ ____ CHARLES “CHAD” BARUCH Counsel of Record COYT RANDAL JOHNSTON JR. JOHNSTON TOBEY BARUCH 3308 Oak Grove Avenue Dallas, Texas 75204 (214) 741-6260 [email protected] Counsel for Amici Curiae __________________________________________ LEGAL PRINTERS LLC, Washington DC ! 202-747-2400 ! legalprinters.com i TABLE OF CONTENTS Table of Contents ........................................................ i Table of Authorities ................................................... ii Interests of Amici Curiae ........................................... 1 Summary of Argument .............................................. 3 Argument .................................................................... 6 A. “Fight the power”: The politics of hip hop .......... 6 B. “Put my Glock away, I got a stronger weapon that never runs out of ammunition”: The non- literal rhetoric of hip hop .................................. 12 C. “They ain’t scared of rap music—they scared of us”: Rap’s bad rap .............................................. 19 Conclusion ............................................................... -
14 År Gamle Bhad Bhabie Signerer Platekontrakt Med Atlantic Records
19-09-2017 14:37 CEST 14 år gamle Bhad Bhabie signerer platekontrakt med Atlantic Records YouTube-sensasjonen Bhad Bhabie signerer platekontrakt med Atlantic Records etter debutsuksess. Danielle Bregoli er ung, men har med sin store personlighet allerede slått rekorder. Bregoli slapp debutsingelen «These Heaux» i slutten av august under artistnavnet Bhad Bhabie, og toppet raskt Spotify’s Viral liste i USA og globalt, og har på virallista i Norge vært helt opp på #6. Låtas tilhørende musikkvideo kom for to uker siden og eksploderte på internett. Innen 24 timer hadde den over 2 millioner visninger på YouTube, og i skrivende stund, to uker senere, har musikkvideoen blitt sett imponerende 25 millioner ganger. Bhad Bhabie ble i forrige uke den yngste kvinnelige rapperen til å debutere på Billboard Hot 100, med «These Heaux» på 77. plass. Se video på YouTube her Tross alderen er Bhad Bhabie ingen nykommer til musikk eller uttrykk. Hun sluttet på ungdomsskolen i 2016 for å satse på rapkarrieren, etter at videoklipp fra hennes besøk på Dr. Phil spredde seg verden over, og hun fikk kallenavnet som ”Cash Me Ousside”-jenta. Med all oppmerksomheten har hun opparbeidet seg et merkenavn, og kraftig økt sine følgere på sosiale plattformer. På Instagram gikk hun på bare 6 måneder fra 400 til 11,3 millioner følgere, en av de raskeste økningene i bildedelingstjenestens historie. Aktuell med singelen, emoji-appen Bhadmoji og med nylig signert platekontrakt er Bhad Bhabie klar til å vise verden at hun er mer enn en meme. Hør These Heaux HER. Følg Bhad Bhabie på Facebook // Instagram // YouTube // Twitter Warner Music Norway - et Warner Music Group selskap. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
A Pedagogy of Freedom: Using Hip Hop in the Classroom to Engage African-American Students
A PEDAGOGY OF FREEDOM: USING HIP HOP IN THE CLASSROOM TO ENGAGE AFRICAN-AMERICAN STUDENTS _______________________________________________________________________ A Dissertation Proposal presented to the Faculty of the Graduate School University of Missouri-Columbia ________________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Education ________________________________________________________________________ by TRACY D. HALL Dr. Barbara N. Martin, Dissertation Supervisor DECEMBER 2007 © Copyright by Tracy D. Hall 2007 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled A PEDAGOGY OF FREEDOM: USING HIP HOP IN THE CLASSROOM TO ENGAGE AFRICAN-AMERICAN STUDENTS ___________________________________________________ Professor Barbara Martin ___________________________________________________ Professor Sandy Hutchinson ___________________________________________________ Professor Patricia Antrim ______________________________________________________ Professor Doug Thomas _____________________________________________________ Professor Michael Jinks ACKNOWLEDGMENTS I am grateful to God for the wonderful people who have assisted me along the way to fulfilling my dream of earning a doctorate degree. First, my sincere appreciation to my dissertation supervisor, Dr. Barbara Martin, for your encouragement, support, guidance and great humor, throughout this dissertation writing process. For encouraging me -
Rick Ross – Bio (Port of Miami 2) After Thirteen Triumphant Years Served In
Rick Ross – Bio (Port of Miami 2) After thirteen triumphant years served in the coliseum of hip hop, Rick Ross has begun his victory lap towards rap legend. The catalyst for the leader of the Maybach Music Group’s longevity is consistency. After introducing himself in 2006 with a classic anthem (“Hustlin’”) and platinum debut (Port of Miami), the Slip-N-Slide franchise player spent the following decade plus dominating as both mogul and Top 10 scribe. While his mighty pen positioned him as peer to southern kings like T.I. and Gucci Mane and empowered him to stand bar-for-bar with the greatest to ever spit (Jay-Z, Andre 3000, Drake) and sing (Chris Brown, Usher, John Legend), Ross’ contribution to his craft and culture travels far deeper than rap. Grammy nominations and classic verses aside, “The Biggest Boss” graduated his unparalleled vision and insane work ethic from Carol City’s unforgiving corners to corner offices and corporate partnerships. Inside the music business, his MMG label catapulted the careers of future legends Meek Mill and Wale. Outside of the biz, he’s the brilliant owner of a litany of brands from spirits (Belaire, Bumbu) to comfort food franchises (Wingstop, Checkers). But after birthing nine stellar albums, Ross, like any great, has challenged himself to outdo his greatest work. He accomplishes that on his latest opus Port of Miami 2. “I felt album number 10 is a special one,” says Ross. “It’s a milestone period. It almost feels like Pac doing the double CD.” Rozay’s tenth studio composition as the sequel to his debut is apropos poetry. -
Dj Drama Mixtape Mp3 Download
1 / 2 Dj Drama Mixtape Mp3 Download ... into the possibility of developing advertising- supported music download services. ... prior to the Daytona 500. continued on »p8 No More Drama Will mixtape bust hurt hip-hop? ... Highway Companion Auto makers embrace MP3 Barsuk Backed Something ... DJ Drama's Bust Leaves Future Of The high-profile police raid.. Download Latest Dj Drama 2021 Songs, Albums & Mixtapes From The Stables Of The Best Dj Drama Download Website ZAMUSIC.. MP3 downloads (160/320). Lossless ... SoundClick fee (single/album). 15% ... 0%. Upload limits. Number of tracks. Unlimited. Unlimited. Unlimited. MP3 file.. Dec 14, 2020 — Bad Boy Mixtape Vol.4- DJ S S(1996)-mf- : Free Download. Free Romantic Music MP3 Download Instrumental - Pixabay. Lil Wayne DJ Drama .... On this special episode, Mr. Thanksgiving DJ Drama leader of the Gangsta Grillz movement breaks down how he changed the mixtape game! He's dropped .. Apr 16, 2021 — DJ Drama, Jacquees – ”QueMix 4′ MP3 DOWNLOAD. DJ Drama, Jacquees – ”QueMix 4′: DJ Drama join forces tithe music sensation .... Download The Dedication Lil Wayne MP3 · Lil Wayne:Dedication 2 (Full Mixtape)... · Lil Wayne - Dedication [Dedication]... · Dedicate... · Lil Wayne Feat. DJ Drama - .... Dj Drama Songs Download- Listen to Dj Drama songs MP3 free online. Play Dj Drama hit new songs and download Dj Drama MP3 songs and music album ... best blogs for downloading music, The Best of Music For Content Creators and ... SMASH THE CLUB | DJ Blog, Music Blog, EDM Blog, Trap Blog, DJ Mp3 Pool, Remixes, Edits, ... Dec 18, 2020 · blog Mix Blog Studio: The Good Kind of Drama.. Juelz Santana.