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The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
3.02 Base of a Bronze Statuette May Osiris-Iah-Thoth Give Life, Prosperity and Health to Padiwesir, Son of Udjahekau, Born of the Lady of the Bronze
01 Part 1-3/S. 1-249/korr.drh 04.08.2006 16:00 Uhr Seite 171 Late Period, Ptolemaic and Roman Periods 171 been found in this hollow space. Often the space is not many thousands of animal mummies laid to rest in nearly large enough to contain a complete animal underground catacombs at this time – what to us is a mummy, so a relic consisting of only a few bones had to rather bizarre custom served to ensure a personal con- suffice. These relic holders served the same aim as the tact between the god and man. MJR 3.02 Base of a bronze statuette May Osiris-Iah-Thoth give life, prosperity and health to Padiwesir, son of Udjahekau, born of the lady of the Bronze. house, the lay priestess of Mut, Iriru”. The title given to Late Period, Dynasty 25–26, c.712–525BC. the mother is quite rare; its literal meaning is “follower” H. 2.4cm, W. 4.5cm, D. 5.7cm. or “female servant” of Mut; women with this title appear to have served as a kind of unofficial, uncanon- ical priestesses in the temple of the goddess Mut in Kar- This hollow rectangular base is all that is left of what nak.2 They are chiefly known from a number of bronze was once a statuette of Osiris-Iah-Thoth, a lunar form 1 mirrors which played an important part in certain ritu- of the god Osiris. The appearance of the god would in als connected with Mut. The title is attested only from all essential aspects have been the same as our no.3.16: the time of Dynasties 25 and 26. -
De Forniranska Folkgrupperna Meder Och Perser I Västerländsk Och Iransk Litteratur?
Institutionen för lingvistik och filologi Iranska språk Kandidatuppsats, VT 2018 De forniranska folkgrupperna meder och perser i västerländsk och iransk litteratur? Handledare: Ashk Dahlén Författare: Marcus Maafi 0 Innehållsförteckning 1. Inledning…………………………………………………………...…………..……..3 1.1 Bakgrund……………………………………………………..………………...…3 1.2 Syfte……………………………………………………………………….…...…3-4 1.3 Frågeställning……………………………………………………….……...….….4 1.4 Metod……………………………………………………………...………...……4-5 1.5 Material……………………………………………………………………...……5 1.6 Avgränsning……………………………………………………...………...……. 5 2. Den forniranska folkgruppen meder……………………………………...……...….. 5-6 3. Den forniranska folkgruppen perser…………………………………………...…..….6-7 4. Lite kort fakta om meder och perser……………………………………………...…...7 5. Västerländsk litteratur………………………………………….…………..…..……..8 5.1 Grekisk litteratur…………………………………………………………….…… 8-9 5.2 Bibeln……………………………………………………………………………. 9-10 6. Iransk litteratur……………………………………………………….……………... 10 6.1 Shāhnāmeh……………………………..…………………………………………10-11 7. Hur beskrivs meder och perser i västerländsk litteratur …………….………...…….. 11 7.1 Vilka egenskaper får mederna i västerländsk litteratur? ………………..………. 11-15 7.2 Vilka egenskaper får perserna i västerländsk litteratur? …………….……..…….15-22 8. Hur beskrivs mederna och perserna i iransk litteratur……………………….….…....23 8.1 Vilka egenskaper får mederna i iransk litteratur?………………….……….…….23-27 8.2 Vilka egenskaper får perserna i iransk litteratur?…………………..…………… 27-32 9. Konklusion………………………………………………………………………....…33-36 10. Referenser………………………………………………………………...…….…...36-38 -
Original Title Page from the 1611 King James Bible, by Corneilus Boel. the King James Bible in America Pilgrim, Prophet, President, Preacher
Original title page from the 1611 King James Bible, by Corneilus Boel. The King James Bible in America Pilgrim, Prophet, President, Preacher John S. Tanner This paper was given on May 14, 2011, at Harris Manchester College at Oxford University as part of “The King James Bible Symposium: The People, the Lan- guage, the Effect,” cosponsored by Harris Manchester College and The Church of Jesus Christ of Latter-day Saints, in celebration of the 400th anniversary of the publication of the King James Bible in 1611. am honored to be invited to speak to you today about that book of books, I the King James Bible, in connection with the quatercentenary of its pub- lication. It is fitting to address this topic here in Oxford, a place that hosted a third of the translators. I have been asked to speak to the influence of the KJB on America, which forms a huge part of the story, for the KJB may have had an even greater impact across the Atlantic than it has had here on this “sceptred isle.”1 Ironically, although we declared our independence politi- cally from a king of England, for hundreds of years we remained deeply dependent on a Bible bearing the name of an English king. The magisterial KJB long reigned as the unrivaled monarch among Bible translations in America. In some respects, it does so still. Introduction: Like the Air Americans Breathe The great Harvard historian of American Puritanism, Perry Miller, once remarked that “the Old Testament is truly so omnipresent in the American culture of 1800 or 1820 that historians have as much difficulty taking cogni- zance of it as of the air people breathed.”2 This is precisely the problem posed BYU Studies 50, no. -
Children of Eden Notes for DIRECTORS
Children of Eden Notes for DIRECTORS The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] This PDF includes SECTION 1 – General SECTION 2 – Casting SECTION 3 – Sets, Props, Staging ADDITIONAL RESOURCES SECTION 1 – GENERAL Is Children of Eden ADVISABLE for High Schools? Question: Do you advise High Schools to do this show? My high school has an excellent music department but it's stage direction and choreography leaves much to be desired. We did Bye Bye Birdie this past year and with a lack of direction, the only thing that held up the show was the music. So, with those points, and also with High School students trying to "find themselves" so to speak, let me know what you think yea or nay and if you have suggestions for a production in the high school environment, that would be very appreciated. Answer from Stephen Schwartz: CHILDREN OF EDEN is very often presented by high schools, and indeed, I have seen an excellent high school production (at a high school in Las Vegas). So the question is: is it advisable for YOUR high school? You can answer that far better than I. The most difficult thing about the show is the music requirements, and it sounds from your description as if that is your school's strong point. -
Volume 33, Issue 3
July 2013—Page 4 NON-PROFIT ORG. U. S. POSTAGE PAID Music Theatre of PERMIT NO. 412 Wenatchee, Inc. WENATCHEE, WA 98807 Script Notes Volume 33 Issue 3 Music Theatre of Wenatchee July 2013 Page 1 233B N Wenatchee Ave P. O. Box 3042 Inside this issue: Wenatchee WA 98807-3042 Short Shakespeareans Present: Phone: (509) 662-7814 A Midsummer Night’s E-mail: [email protected] A Midsummer Night’s Dream 1 OR CURRENT RESIDENT Dream Inside this issue: Abney; Abby Carl- MTW News 1 A Midsummer Night’s Dream son; Ella Playhouse News And Then There Were Bradshaw; 2 And Then There Were None None The Quiltmaker’s Gift Carly Ostrem; 35 years of Short Shakes The Quiltmaker’s Gift 2 Annual BBQ Lauren 2014 Apple Blossom Musical Bixby; and 35 Years of Short Children of Eden William Tif- 3 Shakes fany. V ISIT O UR W EB S ITE ! J OIN OUR A Midsum- Annual BBQ 3 W WW.MTOW . ORG F ACEBOOK PAGE ! mer Night’s Dream por- trays the Children of Eden 3 The Short Shakespeare- will be directed for the MTW Board: Music Theatre of Wenatchee needs your membership to con- events surrounding the ans present A Midsum- first time by Kelly At- marriage of the Duke of tinue producing quality plays and musicals. Becoming a mem- Membership 4 President: Sheryl Sutherland mer Night’s Dream wood. This year’s cast Athens, with the adven- President-Elect: Jeff Heminger ber of MTW is a great way to show your support. August 7 – 10. features an ensemble of tures of four young Athe- Secretary: Sue Lawson Short Shakes will be 29 children, ages 2-16. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. -
Anabasis 5 (2014) Studia Classica Et O Rie Ntalia
ANABASIS 5 (2014) STUDIA CLASSICA ET O RIE NTALIA Leonardo Gregoratti (Durham University, UK) THE MARDIANS: A NOTE Keywords: Mardians, Caucasus, Armenia, Alexander, Rome in the East In the spring of 59 AD, Emperor Nero’s war against the Parthians for control of the kingdom of Armenia and supremacy over western Asia was rapidly reach- ing its climax.1 Domitius Corbulo’s legions, after taking possession of Artaxata, the historical capital of the Artaxiad dynasty, almost without fighting, headed westwards to storm Tigranocerta, the former capital of Tigranes the Great. Dur- ing the journey, as Tacitus says, the general crossed some mountainous regions, whose inhabitants, faced with the approaching army, preferred to leave their remote villages and seek refuge in caves than surrender to the enemy.2 The march proceeded close to the territory of the Mardians, latrociniis exer- citi contraque inrumpentem montibus defensi, a people committed to robbery and protected from external assaults by the mountainous nature of their lands, which probably lay on the Niphates mountains, nowadays Ala Dagh, to the north-east of the Van Lake.3 They attempted an attack on Corbulo, but were quickly driven off by the Iberians, a population allied with the Romans and themselves mountaineers warriors.4 In this phase of the conflict the Mardians * I am grateful to the journal’s anonymous reviewers for their comments and suggestions. All remaining errors are my own. 1 Schur 1923, 7–12; Schur 1926, 215–222; Debevoise, 1938, 184; Chaumont 1976, 104–107; Dąbrowa, 1983, 138–139. 2 Tac. Ann. 14.23.2. 3 Dillemann 1962, 95; Pigulevskaja 1963, 61; Chaumont 1976, 83–84; Schippmann 1980, 50; Frye 1984, 237; Briant 1976, 167; Olbrycht 1998, 142. -
1 Children of Eden – General Information and History, Themes and Meaning
Children of Eden – General Information and History, Themes and Meaning Children of Eden is an original musical conceived by Charles Lisanby, with music and lyrics by Stephen Schwartz, and book by John Caird. It has not played on Broadway, but in 1998, RCA recorded the score from the final version of the show, performed by the cast of a Paper Mill Playhouse production. There is no DVD of the show. A schedule of local productions for North America can be found in the Children of Eden section of the licensing agency’s site: www.mtishows.com The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] This PDF includes SECTION 1 – Program Note and General introduction SECTION 2 – Show history SECTION 3 – Various Questions SECTION 4 – Themes and meaning SECTION 5 – Praise for Children of Eden ADDITIONAL RESOURCES SECTION 1 – Program Note and General introduction Children of Eden program note Stephen Schwartz wrote the following commentary as a general introduction to the show: The book of Genesis has fascinated and inspired dramatists for centuries, from the medieval mystery plays to such modern American theatre writers as Arthur Miller and Richard Rodgers. Still, when John Caird and I began work on Children of Eden, it was with a certain amount of trepidation. After all, this was the Bible we were dealing with. -
2013 the Theatre in the Park Season Opens June 7; Family Musical “Children of Eden” Takes the Stage
FOR IMMEDIATE RELEASE Please contact: Ruth Baum Bigus Publicist, Theatre in the Park (913) 707-7746 [email protected] 2013 The Theatre in the Park Season opens June 7; Family musical “Children of Eden” takes the stage It’s summer and what could be more fun than enjoying live theater and movies in a park under the star- lit sky? On June 7, the Theatre in the Park will open its 44th summer season with the family-friendly and colorful production of “Children of Eden,” with music by Stephen Schwartz (“Wicked,” “Godspell”). “Children of Eden” is freely based on the story of Genesis featuring the stories of Adam and Eve in the Garden of Eden and Noah and the Flood. It is a frank, heartfelt and often humorous examination of the age-old conflict between parents and children. “Children of Eden,” directed by Kevin Bogan and choreography by Tiffany Powell, includes 61 adults, 12 children and a community choir of 90 voices—all are volunteers! The cast includes several from area schools as well as performers from all over the Greater Kansas City Metro area. A 44-piece orchestra under the direction of Kevin Hershberger performs the beautiful symphonic score. “Children of Eden” runs June 7-9 and June 13-15 at the Theatre in the Park. Curtain time for the production is 8:30 p.m. with gates opening at the Park theatre at 6:30 p.m. In addition to “Children of Eden,” Theatre in the Park offers four additional musicals including our first co-production. “Hairspray” will be staged in partnership with the Jewish Community Center of Greater Kansas City with performances both on the Theatre in the Park stage and in the JCC’s White Theatre. -
SINGER's MUSICAL THEATRE ANTHOLOGY Master Index, All Volumes
THE SINGER’S MUSICAL THEATRE ANTHOLOGY SERIES GUIDE AND INDEXES FOR ALL VOLUMES • Alphabetical Song Index • Alphabetical Show Index Updated September 2016 Key Accompaniment Book Only CDs Book/Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 NA NA M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00747031 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 NA NA T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00740238 00000495 T4 = Tenor, Volume 4 00000395 00000401 00000499 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor, Volume 6 00145260 00151248 00145266 TT = Tenor, Teen's Edition 00230045 00230053 00230049 T16 = Tenor, 16-Bar Audition 00230041 NA NA B1 = Baritone/Bass, Volume 1 00361074 00740236 00000486 B2 = Baritone/Bass, -
IQBAL REVIEW Journal of the Iqbal Academy, Pakistan
QBAL EVIEW I R Journal of the Iqbal Academy, Pakistan October 1967 Editor Bashir Ahmad Dar IQBAL ACADEMY PAKISTAN Title : Iqbal Review (October 1967) Editor : Bashir Ahmad Dar Publisher : Iqbal Academy Pakistan City : Karachi Year : 1967 DDC : 105 DDC (Iqbal Academy) : 8U1.66V12 Pages : 165 Size : 14.5 x 24.5 cm ISSN : 0021-0773 Subjects : Iqbal Studies : Philosophy : Research IQBAL CYBER LIBRARY (www.iqbalcyberlibrary.net) Iqbal Academy Pakistan (www.iap.gov.pk) 6th Floor Aiwan-e-Iqbal Complex, Egerton Road, Lahore. Table of Contents Volume: 8 Iqbal Review: October 1967 Number: 3 1. FOREWORD ................................................................................................................. 4 2. HISTORY OF IRAN .................................................................................................. 13 3. ADVENT OF ISLAM ................................................................................................ 91 4. MOVEMENT FOR MODERNISM AND PROGRESS .................................. 128 FOREWORD This issue of the Iqbal Review is dedicated to a great and happy occasion, the Coronation on the 26th of October 1967 of Their Imperial Majesties Mohammad Raza Pahlavi Shahanshah Arya Mehr and the Empress Farah Pahlavi of Iran. It is an occasion for rejoicing for all of us. The Shahanshah not only represents modern Iran and the remark-able progress it has made under his inspiring leadership ; he also stands as a living symbol of the common cultural heritage of Pakistan and Iran. The modernisation of Iran began in real earnest with the Shahan-shah's father, Raza Shah Pahlavi. It was, however, the Shahanshah himself who led his country through The White Revolution. This comprised a series of measures introduced by the Shahanshah with the object of placing the economy of the country on a broader and more stable basis and accelerating the pace of education among the people.