Philosophy and the Abrahamic Religions: Scriptural Hermeneutics and Epistemology
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CRATYLUS by Plato Translated by Benjamin Jowett the Project Gutenberg Ebook of Cratylus, by Plato
CRATYLUS By Plato Translated by Benjamin Jowett The Project Gutenberg EBook of Cratylus, by Plato INTRODUCTION. The Cratylus has always been a source of perplexity to the student of Plato. While in fancy and humour, and perfection of style and metaphysical originality, this dialogue may be ranked with the best of the Platonic writings, there has been an uncertainty about the motive of the piece, which interpreters have hitherto not succeeded in dispelling. We need not suppose that Plato used words in order to conceal his thoughts, or that he would have been unintelligible to an educated contemporary. In the Phaedrus and Euthydemus we also find a difficulty in determining the precise aim of the author. Plato wrote satires in the form of dialogues, and his meaning, like that of other satirical writers, has often slept in the ear of posterity. Two causes may be assigned for this obscurity: 1st, the subtlety and allusiveness of this species of composition; 2nd, the difficulty of reproducing a state of life and literature which has passed away. A satire is unmeaning unless we can place ourselves back among the persons and thoughts of the age in which it was written. Had the treatise of Antisthenes upon words, or the speculations of Cratylus, or some other Heracleitean of the fourth century B.C., on the nature of language been preserved to us; or if we had lived at the time, and been 'rich enough to attend the fifty-drachma course of Prodicus,' we should have understood Plato better, and many points which are now attributed to the extravagance of Socrates' humour would have been found, like the allusions of Aristophanes in the Clouds, to have gone home to the sophists and grammarians of the day. -
The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W. -
Art As a Form of Negative Dialectics: 'Theory' in Adorno's Aesthetic Theory Author(S): WILLIAM D
Art as a Form of Negative Dialectics: 'Theory' in Adorno's Aesthetic Theory Author(s): WILLIAM D. MELANEY Reviewed work(s): Source: The Journal of Speculative Philosophy, New Series, Vol. 11, No. 1 (1997), pp. 40-52 Published by: Penn State University Press Stable URL: http://www.jstor.org/stable/25670205 . Accessed: 10/12/2011 23:11 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Penn State University Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Speculative Philosophy. http://www.jstor.org WILLIAM D. MELANEY Art as a Form ofNegative Dialectics: Theory' inAdorno's Aesthetic Theory Adorno's dialectical approach to aesthetics is inseparable from his concep as a tion of art socially and historically consequential source of truth.None theless, his dialectical approach to aesthetics is perhaps understood better in terms of his monumental work, Aesthetic Theory (1984), which attempts to relate the speculative tradition in philosophical aesthetics to the situation of art in twentieth-century society, than in terms of purely theoretical claims. In an effort to clarify his aesthetic position, I hope to demonstrate both that Adorno embraces theKantian thesis concerning art's autonomy and that he criticizes transcendental philosophy. -
Thyrion Plato De Magistro
Plato De Magistro Stacie Lynne Thyrion Fond du Lac, Wisconsin Bachelor of Arts in Greek, University of Minnesota, 2007 Master of Arts in Philosophy, University of Virginia, 2012 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Philosophy University of Virginia May, 2018 CONTENTS Introduction: The Student Paradox 5 Chapter 1: Poet as Teacher 25 Chapter 2: Rhetorician and Text and Teacher 58 Chapter 3: Language as Teacher 89 Chapter 4: Sophist as Teacher 118 Bibliography 154 2 ACKNOWLEDGEMENTS I owe a deep debt of gratitude to both advisors who oversaw this project. Dan Devereux saw it through to the end with me, gave me his ceaseless, caring support, and offered a critical eye that never failed to make my work stronger and more careful. Dominic Scott was there at the inception of most of these chapters, thinking with me and encouraging me to pursue my ideas in a way that was exceptionally rewarding. I will always feel immense gratitude and affection for them both. I want to thank the many other members of my philosophy community that helped and encouraged this project. My dissertation committee, for their time, hard work, and care: Ian McCready-Flora, Brie Gertler, Antonia LoLordo, and Jenny Strauss Clay. The close friends who supported me and helped me grow through years of effort, not least of all Derek Lam and Nick Rimell. And the many others at the University of Virginia who have given me the happiest intellectual years of my life. -
Hegel: Three Studies I Theodor W
Hegel Three Studies · I Hegel Three Studies Theodor W. Adorno. translated by Shierry Weber Nicholsen with an introduction by Shierry Weber Nicholsen and Jeremy]. Shapiro \\Imi\�\\�\i\il\"t�m .� . 39001101483082 The MIT Press, Cambridge, Massachusetts, and London, England ·" '.�. This edition © 1993 Massachusetts Institute of Technology This work originally appeared in German under the title Drei Studien zu Hegel, © 1963, 1971 Suhrkamp Verlag, Frankfurt am Main, Germany. All rights reserved. No part of this book may be reproduced in any fo rm or by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Baskerville by The Maple-Vail Book Manufacturing Group and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Adorno, Theodor W., 1903-1969. [Drei Studien zu Hegel. English] Hegel: three studies I Theodor W. Adorno ; translated by Shierry Weber Nicholsen ; with an introduction by Shierry Weber Nicholsen and Jeremy J. Shapiro. p. cm.-(Studies in contemporary German social thought) Translation of: Drei Studien zu Hegel. Includes bibliographical references and index. ISBN 0-262-01131-X 1. Hegel, Georg Wilhelm Friedrich, 1770- 1831. 1. Title. 11. Series. B2948.A3213 1993 193----dc20 92-23161 CIP ..�. •. , ......... ..,..·...",...,..'''_''e ... • 11�. I },i . :-::" 7.�� <,f,' · '�: · : :-:- ;;· �:<" For Karl Heinz Haag 337389 Contents Introduction by Shierry Weber Nicholsen and IX Jeremy J. Shapiro Preface XXXv A Note on the Text xxxvii Editorial Remarks from the German Edition XXXIX Aspects of Hegel's Philosophy 1 The Experiential Content of Hegel's Philosophy 53 Skoteinos, or How to Read Hegel 89 Notes 149 Name Index 159 Introduction Shierry Weber Nicholsen Jeremy J. -
MARXISM and the ENGELS PARADOX Jeff Coulter Introduction
MARXISM AND THE ENGELS PARADOX Jeff Coulter Introduction FOR MARXIST philosophy, in so far as it still forms an independent reflection upon the concepts that inform a Marxist practice, dialectics involves the conscious interception of the object in its process of developmentY1where the object is man's production of history. The ultimate possibility of human self-liberation is grounded in the postu- late that man is a world-producing being. For Hegel, from whom Marx derived the dialectic, philosophy remained a speculative affair, a set of ideas remote from human praxis. Marx sought to actualize the philosophical interception as a practical interception, to abolish concretely the historical alienation of man from his species nature, an alienation viewed speculatively by the Helgelians. In the practical abolition of historical alienation, philosophy as the expression of abstract propositions pertaining to the human condition would also be abolished. In the formulation adduced by Friedrich Engels, however, dialectics are situated prior to the anthropological dimension. A set of static tenets drawn from Hegelian metaphysics, they are "located" in physi- cal nature. It is the purpose of this paper to investigate what Gustav Wetter has described as "the curse put upon the dialectic by its trans- ference to the realm of Nat~re."~ This problem has been discussed before by non-Marxist writers.' The main reason for the present approach is that it endeavours to assess the relationship of Marxism to science from within a Marxist perspective, and it further attempts to demonstrate some of the con- sequences for Marxist philosophy that arise out of a commitment to what I term the "Engels paradox". -
Plato's Epistemology
Plato’s Epistemology: a Coherent Account in Meno , Phaedo and Theaetetus Chuanjie Sheng Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Department of Classics August 2015 II The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Chuanjie Sheng The right of Chuanjie Sheng to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. III Acknowledgements I appreciate all the persons that helped me to complete this thesis. I would like to express my greatest gratitude to my supervisors, Dr. Elizabeth E. Pender and Professor Malcolm F. Heath. As an enlightened teacher, Dr. Pender has offered me valuable comments and suggestions for my dissertation. Working with her is a stimulating intellectual experience. She patiently suggested on the structure of my thesis and corrected all the chapters line by line. As a wonderful friend, she brings happiness, pleasure and fruitful experience into my life in Leeds. Professor Heath has read all the chapters of my thesis and has given me feedbacks on each of the chapters. During the supervisions, he has given me valuable academic advice and comments, which has saved me from a large number of mistakes and errors in this dissertation. -
The Ocean of Theosophy Is a Classic of Theosophical Literature
PHILOSOPHY/THEOSOPHY T Mr. Judge’s The Ocean of Theosophy is a classic of theosophical literature. Written in 1893 as a text to explain the broad themes treated in H.P. Blavatsky’s HE two-volume magnum opus, The Secret Doctrine, it has long been regarded by students of the Wisdom Religion as one of the most valuable “keys” to understanding the latter work. O Robert Crosbie described the import of this volume in the following CEAN OF THE OCEAN OF manner: “As the Author’s Preface shows, the book was written in such a manner as to be understood by the ordinary reader; the simplicity of the terms used, however, should not mislead the reader into thinking that the work is an elementary one, for behind and within every statement THEOSOPHY there is a depth of meaning that the careless and superficial fail to perceive. It is really a simplified text-book of the fundamental teachings of Theosophy, and is found by students of the “Secret Doctrine” to be a true abridgment of that great work and a wonderful aid in its T comprehension; it was written with that end in view by the only one HEOSOPHY competent to do so and is there fore earnestly recommended to every student of Theosophy.” Students of every variety will gain enormous benefit from the study of both works conjointly. Mr. Judge’s Ocean provides a high-level overview - the schematic, if you will - of the subject matter treated in great detail in the Secret Doctrine, and is so very useful in keeping in mind the scope of that work. -
Dogma Et Rituel De La Haute Magie
Eliphas Levi Dogma et Rituel de la Haute Magie Translated by A. E. Waite www.holybooks.com Dogme et Rituel de la Haute Magie Part II: The Ritual of Transcendental Magic By Eliphas Levi (Alphonse Louis Constant) Translated by A. E. Waite. Originally published by Rider & Company, England, 1896. Transcribed and converted to Adobe Acrobat format by Benjamin Rowe, January, 2002. Typeset in Bauer Bodoni, Goudy Text, and Waters Titling. www.holybooks.com Part II: The Ritual of Transcendental Magic www.holybooks.com The Sabbatic Goat www.holybooks.com INTRODUCTION KNOWEST thou that old queen of the world who is on the march always and wea- ries never? Every uncurbed passion, every selfish pleasure, every licentious energy of humanity, and all its tyrannous weakness, go before the sordid mistress of our tearful valley, and, scythe in hand, these indefatigable labourers reap their eternal harvest. That queen is old as time, but her skeleton is concealed in the wreckage of women's beauty, which she abstracts from their youth and love. Her skull is adorned with lifeless tresses that are not her own. Spoliator of crowned heads, she is embellished with the plunder of queens, from the star-begemmed hair of Berenice to that-white, but not with age-which the executioner sheared from the brow of Marie Antoinette. Her livid and frozen body is clothed in faded garments and tattered winding-sheets. Her bony hands, covered with rings, hold diadems and chains, scepters and crossbones, jewels and ashes. When she goes by, doors open of themselves; she passes through walls; she penetrates to the cabinets of kings; she surprises the extortioners of the poor in their most secret orgies; she sits down at their board, pours out their wine, grins at their songs with her gumless teeth, takes the place of the lecherous courtesan hidden behind their curtains. -
Plotinus on Self
PLOTINUS ON SELF Plotinus, the founder of the Neoplatonic school of philosophy, conceptualises two different notions of self (or ‘us’): the corporeal and the rational. Personality and imperfection mark the former, while goodness and a striving for understanding mark the latter. Dr Remes grounds the two selfhoods in deep-seated Platonic ontologi- cal commitments, following their manifestations, interrelations and sometimes uneasy coexistence in philosophical psychology, emotional therapy and ethics. Plotinus’ interest lies in what it means for a human being to be a temporal and a corporeal thing, yet capable of abstract and impartial reasoning, of self-government and perhaps even invulnera- bility. The book argues that this involves a philosophically problematic rupture within humanity which is, however, alleviated by the psycho- logical similarities and points of contact between the two aspects of the self. The purpose of life is the cultivation of the latter aspect, the true self. pauliina remes is a lecturer and postdoctoral researcher in the Department of Philosophy at Uppsala University and the University of Helsinki. PLOTINUS ON SELF The Philosophy of the ‘We’ PAULIINA REMES cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521867290 C Pauliina Remes 2007 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
Plato and True Names the Foundations of General Schemas Theory
Plato and True Names -- Kent Palmer dimensions but their dual. In effect it is the Plato and True Names Pascal simplicies that generate dimensionality by generating the minimal solid of each dimension. If we look at the second table The Foundations of concerning the chiasms or reversibilities then we see that at the first meta-level there is the General Schemas Theory schemas which are the dual of the dimensions generated from the minimal solids at each level Kent D. Palmer, Ph.D. of the pascal triangle. But when we go to the P.O. Box 1632 second meta-level we see that there is Orange CA 92856 USA causality, and we can see that in the unfolding 714-633-9508 of the Pascal Simplicies as well because each [email protected] line by addition produces the next line by a rule. And when we go to the third meta-level we see there the bits which are the physical Copyright 2004 K.D. Palmer. All Rights Reserved. Not for distribution. basis for the coding, and it turns out that the Started 04.08.12; Version 0.8; 04.08.16; gst05a08.doc Pascal Triangle produces the minimal systems of bit arrays associated with Boolean Logic and Algebra which are used as the basis for our Keywords: General Schemas Theory, Systems computers. Moving up to the fourth meta-level Engineering, Systems Theory, we find there anomalies and it turns out that when we generate the negative pascal triangle that is the dual of the positive Pascal triangle then after passing beyond the Pascal point, True Names there is the void of odd zero, and then the We have established in the last essay that Plato negative Pascal point of the negative triangle has opened up the difference between Logos which is composed of the hyper-complex and Physus through the exploration of the algebras. -
Climate Change and Cultural Transformation
Climate Change and Cultural Transformation Chapter 10 THE ONE TASTE UNIVERSE: ON NONDUALITY It is because everyone under Heaven recognises beauty as beauty that the idea of ugliness exists. Lao Tzu Behold but One in all things; it is the second that leads you astray. Kabir The problem is not so much that we are driven to dichotomy, but that we impose incorrect or misleading divisions by two upon the world’s complexity. Stephen Jay Gould Time’s Arrow, Time’s Cycle The French poet, Guillaume Apollinaire, wrote that Picasso, as a foremost artistic exemplar of modernity, “aggressively interrogated the universe”. Commenting on Apollinaire’s view the cultural historian, Peter Conrad, adds: “The universe has come to expect such testing inquisitions; it is regularly taken apart and pieced together in a revised form by its human inventors”. 1 “Interrogating the universe” might equally be the watchword of modern science. But, as it takes the universe apart - and, in doing so, collects huge quantities of information - it has struggled to put it together again in a way that makes any ultimate sense. What characterises the modern age - and now “the information age” more than ever – is this contrast between the endless accumulation of detail about the world - along with the profusion of knowledge it brings - and its inability to give it any existential meaning. Science, for all its hypothesising, is a quantifying project. It counts things. It measures the universe, and proceeds as if on the assumption that the world, and everything in it, is finite and therefore capable of measurement.