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Special Edition Band Songlist
(revised for January 2021) POP/DANCE 24-Karat Magic Bruno Mars Ain't It Fun Paramore Ain't Nobody Chaka Khan All About The Bass Meghan Trainor Attention Charlie Puth Bad Romance Lady Gaga Bang Bang Ariana Grande/Nicki Minaj Bidi Bidi Bom Bom Selena Gomez Big Time Peter Gabriel Billie Jean Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey California Gurls Katy Perry Can't Stop the Feelin' Justin Timberlake Celebration Kool & The Gang Cheap Thrills Sia Cheerleader Felix Jaehn Chunky Bruno Mars Conga Gloria Estefan and The Miami Sound Machine Crazy In Love Beyoncé Dancing Queen Abba Donna Summer Medley Donna Summer Don't Cha Pussycat Dolls Don't Stop The Music Rhianna Drag Me Down One Direction Ex's and Oh's Elle King Faith George Michael Family Affair Mary J Blige Fancy Iggy Azalea feat. Charli XCX Feel It Still Portugal, The Man Finesse Bruno Mars/Cardi B Footloose Kenny Loggins Funkytown Lipps, Inc. Girls Just Wanna Have Fun Cyndi Lauper Give Me Everything Pitbull Good Kisser Usher Groove is in The Heart Deee-Lite Happy Pharrell Williams Havana Camilla Cabello Hella Good No Doubt I Feel For You Chaka Khan I Gotta Feelin' Black Eyed Peas I Wanna Dance With Somebody Whitney Houston I Will Survive Gloria Gaynor Intentions Justin Bieber I'm Like A Bird Nelly Furtado Jealous Nick Jonas Just Dance Lady Gaga Kiss Prince Lady Marmalade LaBelle/Shakira Last Dance Donna Summer Leave Your Hat On Joe Cocker Let's Go Crazy Prince Let's Groove Tonight Earth, Wind and Fire Locked Out Of Heaven Bruno Mars Love on Top Beyoncé -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Blues in the 21St Century
Blues in the 21 st Century Myth, Self-Expression and Trans-Culturalism Edited by Douglas Mark Ponton University of Catania, Italy and Uwe Zagratzki University of Szczecin, Poland Series in Music Copyright © 2020 by the Authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Music Library of Congress Control Number: 2019951782 ISBN: 978-1-62273-634-8 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Jean-Charles Khalifa. Cover font (main title): Free font by Tup Wanders. Table of contents List of Figures vii List of Tables ix Preface xi Acknowledgements xix Part One: Blues impressions: responding to the music 1 1. -
Backgrounder.Pdf
Backgrounder March 31, 2016 Universal Music Canada donates archive of music label EMI Music Canada to University of Calgary Partnership with National Music Centre offers public access for education and celebration of music On March 31, 2016, the University of Calgary announced a gift from Universal Music Canada of the complete archive of EMI Music Canada. Universal Music Canada acquired the archive when Universal Music Group purchased EMI Music in 2012. The University of Calgary has partnered with the National Music Centre (NMC) to collaborate on opportunities for the public to celebrate music in Canada through educational programming and exhibitions that highlight the archive at NMC’s new facility, Studio Bell. This partnership began with NMC’s critical role in connecting the university with Universal Music Canada. The EMI Music Canada Archive will be accessible to students, researchers and music fans in Calgary and around the world. The University of Calgary has also partnered with the National Music Centre to collaborate on opportunities for the public to celebrate music in Canada through educational programming and exhibitions that highlight the archive. About the EMI Music Canada Archive The EMI Music Canada Archive documents 63 years of the music industry in Canada, from 1949 to 2012. The collection consists of 5,500 boxes containing more than 18,000 video recordings, 21,000 audio recordings and more than two million documents and photographs. More than 40 different recording formats are represented: quarter‐inch, half‐inch, one‐inch and two‐inch reel‐to‐reel tapes, U‐matic tapes, film, DATs, vinyl, Betacam, VHS, cassette tapes, compact discs and DVDs. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Steve Marriner Ready to Hit the Road to Support His New Stony Plain Release, Hope Dies Last
June 2021 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 37, No 6 PHOTO BY SCOTT DOUBT SCOTT BY PHOTO Steve Marriner ready to hit the road to support his new Stony Plain release, Hope Dies Last CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 Bill King Top Blues Steve Marriner and More Loose Blues News TORONTO BLUES Talkin' Blues: Diving Into Mako Funasaka Archives On TBS SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2021 BOARD OF DIRECTORS Derek Andrews (President), Janet Alilovic, Jon Arnold, Elaine Bomberry, Ron Clarkin (Treasurer), Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Lori Murray, Ed Parsons, Jordan Safer (Executive), Paul Sanderson, Mike Smith Musicians Advisory Council: Brian Blain, Alana Bridgewater, Ken Kawashima, Gary Kendall, Dan McKinnon, Lily Sazz, Dione 2nd Episode: Morgan Davis, Duane Blackburn, Terrance Simien | 27.06 • 4pm Taylor, Julian Taylor, Jenie Thai, Suzie Vinnick,Ken Whiteley Volunteer & Membership Committee: Lucie Dufault, Rose Ker, Mike Smith, Ed Parsons, Carol Flett MARK YOUR CALENDAR Grants Officer: Barbara Isherwood Office Manager: Hüma Üster Talkin’ Blues: Digging into Mako Funasaka’s Archives Marketing & Social Media Manager: Meg McNabb featuring Morgan Davis, Duane Blackburn, Terrance Simien. Sunday, June 27th -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Concert History of the Allen County War Memorial Coliseum
Historical Concert List updated December 9, 2020 Sorted by Artist Sorted by Chronological Order .38 Special 3/27/1981 Casting Crowns 9/29/2020 .38 Special 10/5/1986 Mitchell Tenpenny 9/25/2020 .38 Special 5/17/1984 Jordan Davis 9/25/2020 .38 Special 5/16/1982 Chris Janson 9/25/2020 3 Doors Down 7/9/2003 Newsboys United 3/8/2020 4 Him 10/6/2000 Mandisa 3/8/2020 4 Him 10/26/1999 Adam Agee 3/8/2020 4 Him 12/6/1996 Crowder 2/20/2020 5th Dimension 3/10/1972 Hillsong Young & Free 2/20/2020 98 Degrees 4/4/2001 Andy Mineo 2/20/2020 98 Degrees 10/24/1999 Building 429 2/20/2020 A Day To Remember 11/14/2019 RED 2/20/2020 Aaron Carter 3/7/2002 Austin French 2/20/2020 Aaron Jeoffrey 8/13/1999 Newsong 2/20/2020 Aaron Tippin 5/5/1991 Riley Clemmons 2/20/2020 AC/DC 11/21/1990 Ballenger 2/20/2020 AC/DC 5/13/1988 Zauntee 2/20/2020 AC/DC 9/7/1986 KISS 2/16/2020 AC/DC 9/21/1980 David Lee Roth 2/16/2020 AC/DC 7/31/1979 Korn 2/4/2020 AC/DC 10/3/1978 Breaking Benjamin 2/4/2020 AC/DC 12/15/1977 Bones UK 2/4/2020 Adam Agee 3/8/2020 Five Finger Death Punch 12/9/2019 Addison Agen 2/8/2018 Three Days Grace 12/9/2019 Aerosmith 12/2/2002 Bad Wolves 12/9/2019 Aerosmith 11/23/1998 Fire From The Gods 12/9/2019 Aerosmith 5/17/1998 Chris Young 11/21/2019 Aerosmith 6/22/1993 Eli Young Band 11/21/2019 Aerosmith 5/29/1986 Matt Stell 11/21/2019 Aerosmith 10/3/1978 A Day To Remember 11/14/2019 Aerosmith 10/7/1977 I Prevail 11/14/2019 Aerosmith 5/25/1976 Beartooth 11/14/2019 Aerosmith 3/26/1975 Can't Swim 11/14/2019 After Seven 5/19/1991 Luke Bryan 10/23/2019 After The Fire -
Bl 50 Years of Rock 'N Roll
BL PROGRAM NOTES 50 YEARS OF ROCK ‘N ROLL Jeans ‘N Classics Wednesday, December 4, 2013 @ 8PM Thursday, December 5, 2013 @ 8PM Centre In The Square, Kitchener Repertoire Head Over Heels Could It Be I’m Falling In Love Firework Sara Be My Baby Mon Histoire September Wichita Lineman You’ve Lost That Lovin’ Feeling INTERMISSION Synchronicity II Toxic Could It Be Magic Never Can Say Goodbye Without You These Dreams Sherry Dancing Queen Jeff Christmas – Conductor Jeff is a Canadian-based composer, arranger, conductor, drummer, percussionist and trumpeter. He studied at York University, University of Western Ontario, and Berklee College of Music in Boston where he majored in Film Scoring and Composition. Jeff's original compositions for a wide variety of ensembles are in demand internationally. His music for the Opening Ceremonies of the Canada Games premiered on national television in 2001. Jeff has worked on various feature films and television programs with credits including High Point Casinos (Global TV) and “Chatroom” (HBO, BET). His most recent commissions include Bluewater Portrait for solo oboe and orchestra and Canadian Voyage, a five- movement suite for French horn and orchestra. David Blamires - Lead Vocals David Blamires was born in Yorkshire, England but grew up in London, Ontario. He got his start in music as a very busy session vocalist in Toronto, singing on thousands of jingles, album recordings, and soundtracks. As a member of the Pat Metheny Group from 1986-1997, he appeared on three Grammy Award-winning albums and performed for multitudes of fans all over the world. During this time he also recorded and released his own self-titled contemporary jazz album, “The David Blamires Group”, throughout the U.S. -
Blueink Newsletter November 2016
B B L L U U E S I D N K November 2016 Duke Robillard-‘Blues Full Circle’ Duke Robillard surely must be one of the very most prolific blues artists found anywhere. Everywhere I turn he has a new release out whether a solo venture or one of his many collaborations with the likes of Eric Bibb. With the release of ‘Blues Full Circle’ he does not disappoint with a thoroughly enjoyable CD. The very first cut sets the tone with ‘Lay a Little Lovin’ On Me’ which really supports Duke’s voicing. Following that is a nice bit of lazy shuffling in ‘Rain Keeps Falling’. ‘Fool About My Money’ changes things up and gets in a little Louisiana Zydeco. Duke Robillard returns completely to his roots of blues with this all star line-up of Duke Robillard on guitars and vocals, Bruce Bears on Piano and Hammond, Brad Hallen on bass and Mark Teixeira on drums, and if that isn't enough Duke adds musical dynamite with guest shots by Jimmie Vaughan, Sugar Ray Norcia and Kelley Hunt. It's what you expect from Duke Robillard all 13 songs and 52 minutes of it. ’Blues Full Circle’ seems to have it all and is completely an enjoyable listen. Colin James-Blue Highways Blues singer/guitarist Colin is one of several excellent Canadian blues artists, this is his 18th. album release and he has been playing the blues since he was a teenager in the 1980s. And it quite frankly it shows, this album sees him saluting his blues heroes, from Freddie King to Howlin' Wolf, from Robert Johnson to British blues guitarist Peter Green, with Colin and the band effortlessly going through a number of styles and sounds paying tribute to these artists but putting their own spin on things rather than doing straight copies. -
Classic Rock- 60'S & 70'S
Classic Rock- 60's & 70's All Right Now - Free (listen to the band) American Girl - Tom Petty and the Heartbreakers Beatles Medley - The Beatles Birthday - The Beatles Blue Suede Shoes - Elvis Presley Brown Eyed Girl - Van Morrison But It's All Right - JJ Jackson Can't Get Enough - Bad Company Can't Hurry Love - Diana Ross & The Supremes Can't Help Falling in Love - Elvis Presley Come and Get Your Love - Redbone Cover of the Rolling Stone - Dr. Hook Crazy Love - Van Morrison Crazy Love - Poco (listen to the band) -featuring Mark Todd on lead vocals Dancing in the Streets - Martha Reeves Don't Be Cruel - Elvis Presley Down on the Corner - Credence Clearwater Revival Europa - Santana (listen to the band) Evil Ways - Santana Feelin Alright - Joe Cocker Fire - Jimi Hendrix Forever Young- Bob Dylan/Joan Baez Get Down Tonight - KC and the Sunshine Band (Listen to the Band - LIVE) Gimme Some Lovin - Spenser Davis Group (listen to the band) Good Lovin - Young Rascals Honky Tonk Woman - Rolling Stones I Got A Line On You - Spirit I Want You To Want Me - Cheap Trick I Will Survive - Gloria Gaynor (Listen to the band - LIVE) I've Just Seen a Face - The Beatles Jumping Jack Flash - Rolling Stones Jailhouse Rock - Elvis Presley Keep Your Hands To Yourself - Georgia Satellites Knocking on Heaven's Door - Bob Dylan Let's Groove Tonight- Earth, Wind and Fire Love The One You're With - Stephan Stills Moondance - Van Morrison Move Over - Janis Joplin Old Time Rock & Roll - Bob Seeger Pretty Woman - Roy Oberson Proud Mary - Credence Clearwater Revival Since -
Giving America Back the Blues
GIVING AMERICA BACK THE BLUES OVERVIEW ESSENTIAL QUESTION How did the early Rolling Stones help popularize the Blues? OVERVIEW The Rolling Stones ultimately made their mark as the nonconformist outlaws of Rock and Roll. But before they were bad boys, the Stones were missionaries of the Blues. The young Rolling Stones — Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman — were white kids who hailed from working- and middle-class Britain and set out to play American music, primarily that of African Americans with roots in the South. In so doing, they helped bring this music to a new, largely white audience, both in Britain and the United States. The young men who formed the Rolling Stones emerged from the club scene fostered by British Blues pioneers Cyril Davies and Alexis Korner. These two men and their band, Blues Incorporated, helped popularize the American Blues, whose raw intensity resonated with a generation of Britons who had grown up in the shadow of war, death, the Blitz, postwar rationing, and the hardening of the Cold War standoff. Much of the Stones’ early work consisted of faithful covers of American Blues artists that Davies, Korner, and the Stones venerated: Muddy Waters, Howlin’ Wolf, Slim Harpo, Jimmy Reed. The early Stones in particular helped make the Blues wildly popular among young Britons. As the Stones’ fame grew and they became part of the mid-1960s British “invasion” of America, they also reintroduced the Blues to American listeners, most notably young, white audiences with limited exposure to the music. But almost from day one, the Stones were more than a Blues cover band.