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Analysis of Selected Percussion Literature: Concerto
ANALYSIS OF SELECTED PERCUSSION LITERATURE: CONCERTO FOR VIBRAPHONE AND ORCHESTRA BY NEY ROSAURO, SURFACE TENSION BY DAVE HOLLINDEN, URBAN SKETCHES FOR PERCUSSION TRIO BY LON W. CHAFFIN, TAKE FIVE BY PAUL DESMOND, AND DT SUPREME BY AUSTIN BARNES by AUSTIN LEE BARNES B.M.E., Fort Hays State University, 2010 A REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2012 Approved by: Major Professor Dr. Kurt Gartner Copyright AUSTIN LEE BANRES 2012 Abstract This is a report for anyone playing or teaching anyone of the following pieces: Concerto for Vibraphone and Orchestra by Ney Rosauro, Surface Tension by Dave Hollinden, Urban Sketches for Percussion Trio by Lon W. Chaffin, Take Five by Paul Desmond, or DT Supreme by Austin Barnes. The repertoire is analyzed by the method given in Jan Larue’s book Guidelines for Style and Analysis. The report includes interpretive decisions, technical considerations, harmonic analysis, and form. Table of Contents List of Figures ................................................................................................................................ vi List of Tables ................................................................................................................................ vii Dedication .................................................................................................................................... viii CHAPTER 1 - Concerto for Vibraphone -
Steve Marriner Ready to Hit the Road to Support His New Stony Plain Release, Hope Dies Last
June 2021 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 37, No 6 PHOTO BY SCOTT DOUBT SCOTT BY PHOTO Steve Marriner ready to hit the road to support his new Stony Plain release, Hope Dies Last CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 Bill King Top Blues Steve Marriner and More Loose Blues News TORONTO BLUES Talkin' Blues: Diving Into Mako Funasaka Archives On TBS SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2021 BOARD OF DIRECTORS Derek Andrews (President), Janet Alilovic, Jon Arnold, Elaine Bomberry, Ron Clarkin (Treasurer), Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Lori Murray, Ed Parsons, Jordan Safer (Executive), Paul Sanderson, Mike Smith Musicians Advisory Council: Brian Blain, Alana Bridgewater, Ken Kawashima, Gary Kendall, Dan McKinnon, Lily Sazz, Dione 2nd Episode: Morgan Davis, Duane Blackburn, Terrance Simien | 27.06 • 4pm Taylor, Julian Taylor, Jenie Thai, Suzie Vinnick,Ken Whiteley Volunteer & Membership Committee: Lucie Dufault, Rose Ker, Mike Smith, Ed Parsons, Carol Flett MARK YOUR CALENDAR Grants Officer: Barbara Isherwood Office Manager: Hüma Üster Talkin’ Blues: Digging into Mako Funasaka’s Archives Marketing & Social Media Manager: Meg McNabb featuring Morgan Davis, Duane Blackburn, Terrance Simien. Sunday, June 27th -
Blueink Newsletter November 2016
B B L L U U E S I D N K November 2016 Duke Robillard-‘Blues Full Circle’ Duke Robillard surely must be one of the very most prolific blues artists found anywhere. Everywhere I turn he has a new release out whether a solo venture or one of his many collaborations with the likes of Eric Bibb. With the release of ‘Blues Full Circle’ he does not disappoint with a thoroughly enjoyable CD. The very first cut sets the tone with ‘Lay a Little Lovin’ On Me’ which really supports Duke’s voicing. Following that is a nice bit of lazy shuffling in ‘Rain Keeps Falling’. ‘Fool About My Money’ changes things up and gets in a little Louisiana Zydeco. Duke Robillard returns completely to his roots of blues with this all star line-up of Duke Robillard on guitars and vocals, Bruce Bears on Piano and Hammond, Brad Hallen on bass and Mark Teixeira on drums, and if that isn't enough Duke adds musical dynamite with guest shots by Jimmie Vaughan, Sugar Ray Norcia and Kelley Hunt. It's what you expect from Duke Robillard all 13 songs and 52 minutes of it. ’Blues Full Circle’ seems to have it all and is completely an enjoyable listen. Colin James-Blue Highways Blues singer/guitarist Colin is one of several excellent Canadian blues artists, this is his 18th. album release and he has been playing the blues since he was a teenager in the 1980s. And it quite frankly it shows, this album sees him saluting his blues heroes, from Freddie King to Howlin' Wolf, from Robert Johnson to British blues guitarist Peter Green, with Colin and the band effortlessly going through a number of styles and sounds paying tribute to these artists but putting their own spin on things rather than doing straight copies. -
Giving America Back the Blues
GIVING AMERICA BACK THE BLUES OVERVIEW ESSENTIAL QUESTION How did the early Rolling Stones help popularize the Blues? OVERVIEW The Rolling Stones ultimately made their mark as the nonconformist outlaws of Rock and Roll. But before they were bad boys, the Stones were missionaries of the Blues. The young Rolling Stones — Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman — were white kids who hailed from working- and middle-class Britain and set out to play American music, primarily that of African Americans with roots in the South. In so doing, they helped bring this music to a new, largely white audience, both in Britain and the United States. The young men who formed the Rolling Stones emerged from the club scene fostered by British Blues pioneers Cyril Davies and Alexis Korner. These two men and their band, Blues Incorporated, helped popularize the American Blues, whose raw intensity resonated with a generation of Britons who had grown up in the shadow of war, death, the Blitz, postwar rationing, and the hardening of the Cold War standoff. Much of the Stones’ early work consisted of faithful covers of American Blues artists that Davies, Korner, and the Stones venerated: Muddy Waters, Howlin’ Wolf, Slim Harpo, Jimmy Reed. The early Stones in particular helped make the Blues wildly popular among young Britons. As the Stones’ fame grew and they became part of the mid-1960s British “invasion” of America, they also reintroduced the Blues to American listeners, most notably young, white audiences with limited exposure to the music. But almost from day one, the Stones were more than a Blues cover band. -
B.C. Jazz Legend Performing with Ensemble Vivant Group by Mary Cocivera
B.C. jazz legend performing with Ensemble Vivant group by Mary Cocivera Ensemble Vivant, a group of five musicians, will take the stage at the Kelowna Community Theatre Thursday to weave some musical magic, ranging from Bach to Piazzolla. Known for its wide-ranging genre diversity, the Toronto-based ensemble will feature music with a distinctly Latin flavour. Jazz musician Don Thompson returns to his native British Columbia for this Kelowna gig. Born and raised in Powell River, he started his 50 year musical career with piano lessons, but started jamming with jazz musicians in his teens and moved to Vancouver in the early 1960s to play bass in Lloyd Arntzen's Dixieland quartet. When the neck broke off his borrowed bass, he bought his own bass and became one of the go-to bassists for countless studio sessions in Vancouver. He taught himself to play vibraphone and was the only vibes player in all of Vancouver at the time. Thompson moved to California in the late 1960s, to play and tour with saxophonist John Handy. As a pianist, bassist, percussionist, composer, arranger and producer, he is described as a musician who can move flawlessly from vibes to bass to piano and sound virtuosic on each instrument. Thompson played in Jim Hall's trio, George Shearing's band and has collaborated with Moe Koffman, Ed Bickert, Rob McConnell, Lenny Breau, Sarah Vaughan, Kenny Wheeler, Art Farmer, Phil Dwyer and many others. He has performed in Europe, Japan, Great Britain, South America and at every major jazz festival in North America. -
'69 Bryan Adams 2 New Orleans Is Sinking the Tragically Hip 3 Life Is
1 Summer of '69 Bryan Adams 2 New Orleans Is Sinking The Tragically Hip 3 Life Is A Highway Tom Cochrane 4 Takin' Care of Business Bachman Turner Overdrive 5 Tom Sawyer Rush 6 Working For The Weekend Loverboy 7 American Woman The Guess Who 8 Bobcaygeon The Tragically Hip 9 Roll On Down the Highway Bachman Turner Overdrive 10 Heart Of Gold Neil Young 11 Rock and Roll Duty Kim Mitchell 12 38 Years Old The Tragically Hip 13 New World Man Rush 14 Wheat Kings The Tragically Hip 15 The Weight The Band 16 These Eyes The Guess Who 17 Everything I Do (I Do IT For You) Bryan Adams 18 Born To Be Wild Steppenwolf 19 Run To You Bryan Adams 20 Tonight is a Wonderful Time to Fall in Love April Wine 21 Turn Me Loose Loverboy 22 Rock You Helix 23 We're Here For A Good Time Trooper 24 Ahead By A Century The Tragically Hip 25 Go For Soda Kim Mitchell 26 Whatcha gonna Do (When I'm Gone) Chilliwack 27 Closer To The Heart Rush 28 Sweet City Woman The Stampeders 29 Chicks ‘N Cars (And the Third World War) Colin James 30 Rockin' In The Free World Neil Young 31 Black Velvet Alannah Myles 32 Heaven Bryan Adams 33 Feel it Again Honeymoon Suite 34 You Could Have Been A Lady April Wine 35 Gimme Good Lovin' Helix 36 The Spirit Of Radio Rush 37 Sundown Gordon Lightfoot 38 This Beat Goes on/ Switchin' To Glide The Kings 39 Sunny Days Lighthouse 40 Courage The Tragically Hip 41 At the Hundreth Meridian The Tragically Hip 42 The Kid Is Hot Tonite Loverboy 43 Life is a Carnival The Band 44 Don't It Make You Feel The Headpins 45 Eyes Of A Stranger Payolas 46 Big League -
Digital Bootcamp Songwriting Workshop
March 2019 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 35, No 3 PHOTO BY LISA MACINTOSH LISA BY PHOTO Kingston’s Miss Emily is at Hugh’s Room Live March 8, Drom Taberna March 9 [Songwriting Workshop] and just confirmed for the Women’s Blues Revue November 29 CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 Digital Bootcamp John’s Blues Picks Songwriting Workshop Loose Blues News Remembering Jackie Shane Event Listings TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2019 BOARD OF DIRECTORS Derek Andrews (President), Janet Alilovic, Jon Arnold, Matt Douris, Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Lori Murray, Ed Parsons, Paul Sanderson, Mike Smith, Earl Tucker, John Valenteyn (Executive) Musicians Advisory Council: Brian Blain, Gary Kendall, Samantha Martin, Lily Sazz, Mark Stafford, Jenie Thai, Suzie Vinnick,Ken Whiteley Fundraising Committee: Derek Andrews, Jon Arnold, Mike Smith Volunteer & Membership Committee: Lucie Dufault, Sarah French, Rose Ker, Mike Smith, Ed Parsons, Carol Flett Grants Officer: Barbara Isherwood Office Staff: Hüma Üster (Office Manager) Amanda Rheaume (Project Manager) Publisher/Editor-in-Chief: Derek Andrews Managing Editor: Brian Blain [email protected] Contributing Editors: John Valenteyn, Janet Alilovic, Hüma Üster, Carol Flett Listings Coordinator: Janet Alilovic Mailing and Distribution: Ed Parsons Become a member of the Toronto Blues Society, and get connected with Canada's premier blues Advertising: Dougal Bichan events, releases, and our great blues community. -
Brian Auger´S Oblivion Express Feat. Alex Ligertwood
Brian Auger´s Oblivion Express feat. Alex Ligertwood Alex Ligertwood (li.) und Brian Auger (re.) „Brian Auger (* 18. Juli 1939 in London) ist einer der profiliertesten Jazz- und Rock-Keyboarder der Gegenwart. Für seine Millionen Fans ist der einzigartige Sound, der seine Wurzeln im Jazz, Rock, Soul und Funk hat, ein unverkennbares Markenzeichen des berühmten Hammond - und Keyboard -Spielers. Schon früh erhielt Auger Klavierunterricht. 1962 formierte er sein Brian Auger Trio mit Rick Laird und Schlagzeuger Phil Kinorra als zunächst reine Jazzcombo. 1965 gründete er zusammen mit Rod Stewart, Julie Driscoll und John Baldry die Gruppe The Steampacket. Nachdem Rod Stewart und John Baldry die Gruppe verlassen hatten, gründete Auger mit Julie Driscoll die Gruppe Trinity. In dieser Besetzung hatte die Band mehrere Single-Hits (Road ToCairo, This Wheel's on Fire, Season Of The Witch) und brachte das viel beachtete Doppelalbum „Streetnoise“ (1969) heraus. Nachdem Driscoll 1969 Trinity verließ, besetzte Auger die Gruppe um (mit Gary Boyle), doch konnte er nicht mehr an die Erfolge der späten 1960er Jahre anknüpfen und löste Trinity 1970 auf. Auch mit seiner anschließend gegründeten Band Oblivion Express hatte Auger zunächst keinen übermäßigen Erfolg. Seit dem Album „CloserToIt“ (1973), das es in die Charts schaffte, festigte sich der Gruppenstil zu einer groove-betonten Mischung aus rhythmischen Elementen des R&B und Funk und harmonischen und melodischen Elementen des Jazz. Brian Auger trat auch mit Klaus Doldinger, Alexis Korner, Pete York, Eric Burdon und anderen Größen der populären Musik auf. 1974 zog Auger in die USA, wo er weiter Alben aufnahm. In den USA bekam er wieder Kontakt zu Julie Tippetts-Driscoll. -
BC's Top Ticketed Event Reduces Admission & Parking Prices and Ups Entertainment Factor for 2013
BC’S TOP TICKETED EVENT REDUCES ADMISSION & PARKING PRICES AND UPS ENTERTAINMENT FACTOR FOR 2013 For Immediate Release June 11, 2013 Vancouver, BC – Since 1910 fairgoers from across BC and around the world have made The Fair at the PNE their beloved annual end-of-summer tradition and the largest ticketed event in the province. This year The Fair at the PNE is proud to unveil a multi-million dollar entertainment lineup, including exciting new features, returning fan favourites and one of the best Summer Night Concert lineups to date. To top it all off guests of the 2013 Fair will see a 20% reduction in pricing of general admission and parking at the Fair – running August 17th to September 2nd (except Mondays August 19th and August 26th) Summer Night Concerts This year’s Summer Night Concerts lineup has something for everyone, featuring legendary classics, electronic pop, country, rock, and indie-folk music. With their smooth harmonies and catchy lyrics, The Beach Boys found early success as “America’s Band.” After numerous hits over the years, including “Good Vibrations,” “Wouldn’t It Be Nice” and “Surfin’ U.S.A.,” the band was inducted into the Rock and Roll Hall of Fame. Fellow inductees, The Jacksons, shot to fame with Motown favourites, “I Want You Back” and “Who’s Loving You,” and for the first time will be bringing their funky sound to the Fair. Canadian group Sam Roberts Band will have fans singing along to their Juno Award winning hit, “Bridge to Nowhere.” Melissa Etheridge’s powerful vocals will sound through the fairgrounds as the singer- songwriter takes the stage. -
September/October 2008 Publication Mail # 40047729
® Our 36th Year - Issue 4 – September/October 2008 • The Hadley Caliman Quintet featuring Thomas Marriott • Don Berner and the Brass Knuckles • Dino Dominelli Group • Audrey Ochoa Presents: The J-Team • Rachelle van Zanten • John Stetch Trio • Lina Allemano Four • Billy Bang Quartet • Don Thompson Quartet • Sheila Jordan 80th Birthday Celebration • goo! • Morgan Childs Quintet • Gravitas Quartet Publication Mail # 40047729 EDMONTON JAZZ SOCIETY 11 TOMMY BANKS WAY (Corner of 102 St & 86 Ave) EDMONTON AB T6E 2M2 Edmonton Jazz Society’s Board of Directors YARDBIRD 2007•2008 Jasiek Poznanski • President SUITE Adrian Albert • Vice-President 11 Tommy Banks Way (corner of 102 St & 86 Ave) Shelley Chebry • Secretary Edmonton, Alberta T6E 2M2 Paul Wilde • Treasurer Phone: (780) 432-0428 Board Members Dave Babcock • Chris Brown Pam Josey • Craig Magill THEYARDBIRDCREW Yardbird Suite Our Volunteer House Managers PROGRAMMING • Adrian Albert, Julie • Bill Hume • Judy Hume • Pam Josey King, Craig Magill, Jasiek Poznanski • Tracy Kolenchuk • Rhonda Netterfield PRODUCTION • Lisi Sommer • Mary Richards • Marilyn Rude JAM SESSIONS • Dave Babcock • Rosalynn Ruptash • Suzanne Slade Raymond Baril • Collette Slevinsky • Karen Voller LITTLEBIRDS DIRECTOR • Joel Gray • Gail Wozny FINANCE • Suzanne Morter PRESS RELEASES • Paul Wilde TRANSPORTATION • Alan Spence Yardbird Suite HOUSE MANAGER & VOLUNTEER COORDINATOR • Pam Josey Newsletter The Yardbird Newsletter is published five times per year by the Edmonton Jazz Society. Yardbird Suite Jazz is a registered EDITORS • Adrian Albert, Jasiek Poznanski trademark of the Edmonton Jazz Society (1973). ADVERTISING • Shelley Chebry NEWSLETTER DESIGN • Vikki Wiercinski GRAPHIC LAYOUT • Kim Deley, Critical Path Return undeliverable Canadian Marketing Communications addresses to: DISTRIBUTION • Monique Bielech, EDMONTON JAZZ SOCIETY Shelley Chebry, Bill Harper 11 TOMMY BANKS WAY EDMONTON AB T6E 2M2 PRINTING • Nisku Printers (1980) Ltd. -
Jim Hillman CV
JIM HILLMAN CURRICULUM VITAE CONTACT INFO 3375 Ridgewood, #118 Drummer | Lyricist Montreal, QC H3V 1B5 [email protected] 514-272-0088, 438-275-4232 PROFESSIONAL HIGHLIGHTS Jim Hillman’s group The Merlin Factor won the ’94 JUNO Award for “Best Contemporary Jazz Album”, and was nominated in the same category in ’95. Jazz Report magazine also awarded them the best “Electric Jazz Group of the Year” status for three consecutive years. Jim Hillman’s career as a mature artist still flourishes and along with directing his own group, The Teresina Quartet, he has recently joined the academic staff of Concordia University’s music department. DISCOGRAPHY JAZZ CD TITLE ARTIST LABEL NOTES The Merlin Factor Jim Hillman Amplitude JUNO WINNER Frontier Tunes The Merlin Factor Radioland JUNO Nominee Relationships The Merlin Factor Radioland The Musicals Ranee Lee Justin Tyme Lights of Burgundy Oliver Jones Justin Tyme JUNO WINNER Speak Low, Swing Hard Oliver Jones Justin Tyme Standard Idioms Sonny Greenwich Kleo Hymn to the Earth Sonny Greenwich Kleo JUNO Nominee Spirit in the Air Sonny Greenwich Kleo Welcome: Mother Earth Meantime Justin Tyme Neverland James Gelfand Jazz Image Children Standards James Gelfand Amplitude Shark Bait Denny Christianson Justin Tyme Opus 1.7 François Marcaurelle Amplitude Opus 3.8 Marcaurelle Sextet Lost Chart Enter Melosphere Jazz Image Daniel Janke Daniel Janke Scratch Montreal Jazz Compilation GMD Orpheus Paul Tobey Trio TBY From the Heart – A Tribute Various Canadian Jazz Radioland to Oscar Peterson Pianists Part 1: Moksha -
Jazzletter 93024--024-0 April 1993 V01
» » G606 L665 P.O. Box 240 Ojai, Calif. Jazzletter 93024--024-0 April 1993 V01. 12 Na 4 Carl Barriteau, born in Trinidad February 7, 1914, grew up Come Back Last Summer in Maracaibo, Venezuela. He moved to London in the late Part Two 1930s and played with Ken (Snake Hips) Johnson’s West Indian Swing Band. He formed his own recording group in the middle ‘By this time it was Christmas, the end of ’52,‘ Kermy said. ‘I of World War II and entertained British and American troops left Canada atthe end of September or early October. after the war, in Europe, North Africa, and Southeast Asia. ‘I read that they needed helpers in the post office for the ‘I’m not sure when I went with that band,‘ Kenny said. Christmas mail. So I got a job doing that. But meanwhile I’d ‘Wait a minute, I can pin it, because it was the year I came met Doreen on the telephone. The young Scotsman used to go over to visit,‘ I said. ‘You were with that band in 1954.‘ with Doreen’s girlfriend, tmbeknown to the guy he was living ‘Carl was great,‘ Kenny said. ‘I loved working for him. I 'rith. Doreen rang up one day to say that her girlfriend couldn’t really shouldn’t have taken the job, because I didn’t have the make this date with the Scotsman. So being young and stupid, chops for it. It was a really hard book. There was a front line I suppose, I started to kid around with her on the phone, and of about five people.