Cafd Fashion Student Handbook
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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
SOBHD Dress Code THIS COMPILATION IS COPYRIGHT of the SCOTTISH OFFICIAL BOARD of HIGHLAND DANCING
SOBHD Dress Code THIS COMPILATION IS COPYRIGHT OF THE SCOTTISH OFFICIAL BOARD OF HIGHLAND DANCING. PHOTOGRAPHS ARE COPYRIGHT OF RONNIE CAIRNS PHOTOGRAPHY. UNAUTHORISED COPYING IS PROHIBITED. SOBHD Dress Code This compilation of photographs should be viewed in conjunction with the SOBHD Dress Code document on www.sobhd.net/useful-information Highland Dances Highland outfit with waistcoat Arms by side Arms in 1st position Highland outfit with waistcoat Left side view Right side view Highland outfit with waistcoat Back view Pre-Premier dancers only • White blouse • worn with waistcoat; Full sleeves to the elbow with a lace ornamented front. • An upright stiff half inch lace trim may be attached to the back of the neck • Or plain white shirt worn with or without a tie. • Hose • White or plain coloured knee socks to match the kilt. • Hose can be full clan or diced red/white, blue/white or green/white. Highland Jacket Front view Back view with kilt and socks Highland outfit with jacket Side view Highland Jackets • A sleeveless blouse with lace front or a lace insert should be worn. The lace frills should be visible. • Not more than five ornamental Scottish embossed buttons on each side of the facings. • Full length sleeves may have a single row of not more than five silver or gold buttons at the vent. • If desired, ruffles (not more than 1 inch in depth) may be worn at the wrist, but they must be fastened to the sleeve. Male Highland Outfit Front view Jacket only Male Highland Outfit • Jacket – may be of velvet or cloth, in any colour and any recognised style of doublet. -
Mythological Intertextuality in Nineteenth Century Ballet Repertory
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-20-2006 Mythological Intertextuality in Nineteenth Century Ballet Repertory Liane Fisher Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Dance Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Fisher, Liane, "Mythological Intertextuality in Nineteenth Century Ballet Repertory" (2006). MALS Final Projects, 1995-2019. 41. https://creativematter.skidmore.edu/mals_stu_schol/41 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Mythological Intertextuality in Nineteenth Century Ballet Repertory Master of Arts in Liberal Studies Thesis Skidmore College Liane Fisher March 2006 Advisor: Isabel Brown Reader: Marc Andre Wiesmann Table of Contents Abstract .............................. ... .... .......................................... .......... ............................ ...................... 1 Chapter 1 : Introduction .. .................................................... ........... ..... ............ ..... ......... ............. 2 My thologyand Ballet ... ....... ... ........... ................... ....... ................... ....... ...... .................. 7 The Labyrinth My thologies .. ......................... .... ................. .......................................... -
Uniform Procurement Guide
UNITED STATES COAST GUARD AUXILIARY UNIFORM PROCUREMENT GUIDE How do we look? ILLUSTRATIONS AND INSTRUCTIONS – 10/1/2009 ANSC # 7053 RECORD OF CHANGES # DATE CHANGE PAGE 1. Insert “USCG AUXILIARY TUNIC OVERBLOUSE” information page with size chart. 19 2. Insert the Tunic order form page. 20 3. Replace phone and fax numbers with “TOLL FREE: (800) 296-9690 FAX: (877) 296-9690 and 26 1 7/2006 PHONE: (636) 685-1000”. Insert the text “ALL WEATHER PARKA I” above the image of the AWP. 4. Insert the NEW ALL WEATHER II OUTERWEAR SYSTEM information page. 27 5. Insert the RECEIPT FOR CLOTHING AND SMALL STORES form page. 28 1. Insert additional All Weather Parka I information. 26 2 11/2006 2. Insert All Weather Parka II picture. 27 1. Replace pages 14-17 with updated information. 14-17 3 3/2007 2. Insert UDC Standard Order Form 18 1. Change ODU Unisex shoes to “Safety boots, low top shoes, or boat shoes***” 4 4/2007 6, 8 2. Add a footnote for safety boots, low top shoes, or boat shoes 5 2/2008 1. Remove ODU from Lighthouse Uniform Company Inventory 25 1. Reefer and overcoat eliminated as outerwear but can be worn until unserviceable 6-10 6 3/2008 2. Remove PFD from the list of uniform items that may be worn informally 19 3. Update description of USCG Auxiliary Tunic Over Blouse Option for Women 21 1. Remove “Long”, “Alpha” and “Bravo” terminology from Tropical Blue and Service Dress Blue 7 6/4/2009 All uniforms 1. Sew on vendors for purchase of new Black “A” and Aux Op authorized 32 8 10/2009 2. -
PDF File Generated From
OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] RESTltlCTED IP.III>/Sm.A/1061 26 SeptaltJer 1988 f 10b~-E aaGniU.: :oG.ISH URGENT ASSISTANCE 'l'O THE ARGENTIRE \IOOL INDUSTRY SI/ARG/86/836/11-03 THE ARGENTINE REPUBLIC -· Technical report: Finishing of wool and wool blends* Prepared for the Governaent of the Argentine Republic by the United N•tions Industrial Development Organization. -
I Was Tempted by a Pretty Coloured Muslin
“I was tempted by a pretty y y coloured muslin”: Jane Austen and the Art of Being Fashionable MARY HAFNER-LANEY Mary Hafner-Laney is an historic costumer. Using her thirty-plus years of trial-and-error experience, she has given presentations and workshops on how women of the past dressed to historical societies, literary groups, and costuming and re-enactment organizations. She is retired from the State of Washington . E E plucked that first leaf o ff the fig tree in the Garden of Eden and decided green was her color, women of all times and all places have been interested in fashion and in being fashionable. Jane Austen herself wrote , “I beleive Finery must have it” (23 September 1813) , and in Northanger Abbey we read that Mrs. Allen cannot begin to enjoy the delights of Bath until she “was provided with a dress of the newest fashion” (20). Whether a woman was like Jane and “so tired & ashamed of half my present stock that I even blush at the sight of the wardrobe which contains them ” (25 December 1798) or like the two Miss Beauforts in Sanditon , who required “six new Dresses each for a three days visit” (Minor Works 421), dress was a problem to be solved. There were no big-name designers with models to show o ff their creations. There was no Project Runway . There were no department stores or clothing empori - ums where one could browse for and purchase garments of the latest fashion. How did a woman achieve a stylish appearance? Just as we have Vogue , Elle and In Style magazines to keep us up to date on the most current styles, women of the Regency era had The Ladies Magazine , La Belle Assemblée , Le Beau Monde , The Gallery of Fashion , and a host of other publications (Decker) . -
Uniform Requirements for Highlands Latin School 11
Uniform Requirements for Highlands Latin School 11. Hair should not be dyed in unnatural colors. 12. Conservative makeup may be worn by girls in grade 7-12. Nail polish All uniforms, including shoes, are available at: should be a traditional, conservative color, or clear. Parker School Uniforms 13. Girls’ skirts can be no shorter than 1” above the knee. Parker will not Woodlawn Center, Hubbards Lane sell or alter skirts shorter than 1” above the knee. (502)899-9902 www.parkersu.com 14. If in doubt about any item, bring it by the school office for approval. HLS General Uniform Requirements Specific items are required for dress uniforms (worn for ceremonies, Items marked with ** are new this year and are required for performances, and pictures). Dress uniform requirements are found at the performances, ceremonies and pictures. Parker will no longer sell beginning of each section. While required items may also be worn every day, the items they replace. If you have the items they replace, and they optional items are listed separately and are meant to add some flexibility to the are well fitting and “like new,” they can be worn in this year only. daily uniform. All dress uniform items must be purchased from Parker. All items are available at Parker. While some items may be purchased BOYS’ SHOES elsewhere, they must be indistinguishable from the ones sold at Parker. All Boys’ Classes Material: leather or suede (no cloth) G ENERAL o 1. Everything that is worn, and the manner in which it is worn, should o Color: solid black, dark brown (no tan) compliment the overall appearance of the uniform, not compete with or o Style: loafer, oxford, mocs - no athletic style shoes. -
2021 Clothing & Foods Project Guidelines
OHIO STATE UNIVERSITY EXTENSION 2021 4-H Family & Consumer Science Projects Handbook For Ashtabula County 4-H Members, Advisors, and Parents OSU Extension - Ashtabula County 39 Wall St. Jefferson, OH 44047 440-576-9008 01.04.2021 ashtabula.osu.edu CFAES provides research and related educational programs to clientele on a nondiscriminatory basis. For more information: go.osu.edu/cfaesdiversity. Page 1 of 17 Clothing and Textile Science The Ohio 4-H clothing program helps develop knowledge, skills, and understanding about clothing appearance, purchasing, and construction. Projects are available for males and females with all levels of experience. Please refer to the individual project member guides for detailed information and consult your county Extension office for specific requirements related to local and state evaluation opportunities. Multiple Projects: 4-H members who take more than one clothing project must complete separate learning experiences related to each, including creating a separate, complete, Total Look outfit for each clothing project. Using items from two or more projects will not be considered as a completion of either project during evaluation. Repeating Projects: Members may repeat any project except Designed by Me and Sundresses and Jumpers. Members who repeat clothing projects should attempt new challenges each year such as doing more advanced experiments and surveys and sewing. Additional Opportunities: The County Fashion Board works to promote the sewing and clothing program through various events and activities. Youth work closely with adult volunteers to assist in the planning of clinics, workshops, project judging and the County Style Revue. Youth must have taken a clothing project for at least 2 years and be in at least 8th Grade to apply. -
Handcrafted in Australia. Since 1969
2019-2020 Handcrafted in Australia. Since 1969. From golden coastlines and endless JACARU HATS sun-baked horizons, dense tropical rainforests and rugged bushland, 4 Kangaroo red deserts and vast sweeping New Premium Range plains, Australia is a country of 8 Western unparalleled uniqueness Our two most iconic hats are now also available in a new premium version - a country like no other. 10 Exotic in addition to our standard models. Available in brown and black. Since its beginning in 1969, the Jacaru brand has reflected this 14 Breeze Australian landscape, its unique lifestyle and the spirit that is 16 Traditional Australia - wild, untameable, strong and courageous. 18 Australian Wool 50 years on, Jacaru has established Ladies itself as one of Australia’s finest 20 accessories brands, selling in over contents 50 countries worldwide. Today, 24 Kid’s we are prouder than ever to be Australian. 26 Summer Lovin’ We believe in Australian made 34 Safety and Workwear products, handcrafted from the finest Australian materials. 37 Wallets & Purses We are proud that our products are 38 Leather Belts designed and made with dedication in the hands of our craftspeople located in Burleigh on the iconic 40 Fur Accessories Gold Coast of Queensland, Australia. 41 Keyrings We are proud of our heritage and 42 Oilskin Waxed Products will continue to work passionately to bring you quality products that 44 Hat Accessories are quintessentially Australian. 45 Scarves Established in 1969, the Jacaru brand reflects the spirit that is 46 Product Care Australia - wild, untameable, strong and courageous. 47 Size Chart Jacaru - Handcrafted in Australia. -
A Comparison of the Patterns Formed by Primary Textile Structures and Their Photographic Abstraction
Rochester Institute of Technology RIT Scholar Works Theses 9-22-1976 A comparison of the patterns formed by primary textile structures and their photographic abstraction Pamela Perlman Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Perlman, Pamela, "A comparison of the patterns formed by primary textile structures and their photographic abstraction" (1976). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Thesis Proposal for the Master of Fine Arts De gree Collee;e of Fine and Applj_ed .Arts Rochester Institute of Technology Title: A Comparison of the Fatterns Formed by Primary Textile structures and their Phot ographic Abstraction Submitted by: Pamela Anne Perlman Date: September 22, 1976 Thesis Co mm it te~: Nr . Donald Du jnowski I-Ir. I,l az Lenderman hr. Ed 1iiller Depart~ental Approval : Date :-:--g---li6~-r-71-b-r-/ ----- ---------~~~~~'~~~r------------------------- Chairman of the School for American Craftsme:l: ___-r-----,,~---- ____ Da t e : ---.:...,'?7~JtJ--J7~i,-=-~ ___ _ Chairr.ian of the Gr3.duate Prog:rarn: ------------------------~/~~/~. --- Date: ___________________~ /~~,~~;j~~, (~/_' ~i~/~: 7 / Final Committee Decision: Date: ----------------------- Thesis Proposal for the Master of Fine Arts Degree College of Fine and Applied Arts Rochester Institute of Technology Title: A Comparison of the Patterns Frmed by Primary Textile Structures and their Photographic Abstraction My concern in textiles is with structure and materials. I v/ould like to do v/all hangings based on primary textile structures such as knotting, looping, pile, balanced weaves, and tapestry. -
Drafting Collars
DRAFTING COLLARS Excerpted from GERTIE’S NEW BOOK FOR BETTER SEWING GERTIE’S NEW BOOK FOR BETTER SEWING A MODERN GUIDE TO COUTURE-STYLE SEWING USING BasIC VINTagE TECHNIQUES GRETCHEN HIRSCH Photographs by Jody Rogac Illustrations by Sun Young Park Available wherever books are sold. find out more at melaniefalickbooks.com Copyright © Gertie's New Book for Better Sewing by Gretchen Hirsch, published by STC Craft | Melanie Falick Books, an imprint of ABRAMS, 2012. DRAFTING COLLARS ADJUSTMENT FOR PETER PAN COLLAR Collars can also be drafted from scratch and added to your blouse and dress patterns. My favorite vintage-style collar is the Peter Pan collar, which I incorporated into the blouse variation on page 160. It can be added to any blouse, jacket, or dress with a round neckline, and it will make the most basic garment ooze charm! Depending on how you style a Peter Pan collar, it can look ladylike or playful, 1930s glam or 1960s mod. Once you understand the basics of making a Peter Pan collar, you can apply this knowledge to any shape or size collar you like. For the purpose A. Overlap shoulder seams. of this little design project, let’s use a 1940s button-back blouse as our base. The basic premise of drafting a collar like this is that you use the neckline of your garment as your guide—the basic shape of your collar is right there! So start by laying out your blouse front and back pattern pieces on a table. Use a colored pencil to draw in the neckline and shoulder seam lines on your pattern pieces. -
Commercial the Future of Textile Flooring Bolon Artisan Ivory, Botanic Osier and Botanic Picea Contents
Commercial The Future Of Textile Flooring Bolon Artisan Ivory, Botanic Osier and Botanic Picea Contents 03 Company Overview 06 Product Overview 08 Performance Benefits 11 Commercial Portfolio 13 Work Spaces 17 Meeting Rooms 21 Corridors 25 Reception and Waiting Areas 29 Break-out Spaces 33 Dining Spaces 37 Stairs 39 Bolon Green 41 Care and Maintenance 03 The Story of Bolon The Company The History Bolon (est. 1949) - A third-generation family- Over 60 years ago in Sweden, an idea was owned Swedish design company and the creator born to turn textile waste into rag rugs and the of woven vinyl flooring. Bolon products are Bolon story began. Bolon’s initial product was trend-setting with distinct focus on innovation, revolutionary at the time, and it characterised a quality and sustainability. The designs deliver desire to lead rather than to follow. The man who the beauty of a woven textile with the benefits lit the spark was Nils-Erik Eklund, the founder of resilient flooring – long life cycles and ease of Bolon. Today, his granddaughters, Annica of installation and maintenance. The Bolon and Marie, continue to carry the torch. Since portfolio encompasses an infinite range of they took over the company from their parents design possibilities, suitable for all commercial in 2003, they have been on a mission to make applications, including indoor and controlled Bolon a design-led innovator and fuse the once outdoor flooring, wall-coverings and area rugs. conservative flooring company with the limitless Head-quartered and manufactured in creativity found in fashion, art, architecture and Ulricehamn, a town in the heart of Sweden’s interior design.