A Sexual Deviation Analysis of Ennis Del Mar's Characterizations On
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United States District Court for the District of Columbia
Case 1:07-cv-00098-RMU Document 52 Filed 11/15/07 Page 1 of 10 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA JANICE SCOTT-BLANTON, : : Plaintiff, : Civil Action No.: 07-0098 (RMU) : v. : Document Nos.: 30, 32 : UNIVERSAL CITY STUDIOS : PRODUCTIONS LLLP et al., : : Defendants. : MEMORANDUM OPINION DENYING THE PLAINTIFF’S MOTION TO PERMIT DISCOVERY PURSUANT TO RULE 56(F) I. INTRODUCTION The plaintiff, Janice Scott-Blanton, proceeding pro se, alleges that her novel, My Husband Is On The Down Low and I Know About It (“Down Low”), is the creative source for the award-winning film Brokeback Mountain. She requests that the court permit discovery pursuant to Federal Rule of Civil Procedure 56(f), because it would be premature for the court to decide the defendants’ outstanding motion for summary judgment without a period of discovery. While the plaintiff identifies specific facts she seeks to recover in discovery that would defeat the defendants’ summary judgment motion, she fails to show a reasonable basis to suggest that discovery would create a triable issue of fact. As a result, the court denies the plaintiff’s motion to permit discovery. Case 1:07-cv-00098-RMU Document 52 Filed 11/15/07 Page 2 of 10 II. BACKGROUND A. Factual History Annie Proulx (“Proulx”) wrote the short story Brokeback Mountain in 1997, which The New Yorker published and registered for copyright protection in October of that year. Am. Compl. ¶ 38; Decl. of Marc E. Mayer (“Mayer”) (D.D.C. Mar. 7, 2007) (“Mayer Decl.”), Ex. A. Shortly thereafter, Proulx agreed to allow two screenwriters, Diana Ossana and Larry McMurtry, to adapt the story into a screenplay. -
LATEX for Beginners
LATEX for Beginners Workbook Edition 5, March 2014 Document Reference: 3722-2014 Preface This is an absolute beginners guide to writing documents in LATEX using TeXworks. It assumes no prior knowledge of LATEX, or any other computing language. This workbook is designed to be used at the `LATEX for Beginners' student iSkills seminar, and also for self-paced study. Its aim is to introduce an absolute beginner to LATEX and teach the basic commands, so that they can create a simple document and find out whether LATEX will be useful to them. If you require this document in an alternative format, such as large print, please email [email protected]. Copyright c IS 2014 Permission is granted to any individual or institution to use, copy or redis- tribute this document whole or in part, so long as it is not sold for profit and provided that the above copyright notice and this permission notice appear in all copies. Where any part of this document is included in another document, due ac- knowledgement is required. i ii Contents 1 Introduction 1 1.1 What is LATEX?..........................1 1.2 Before You Start . .2 2 Document Structure 3 2.1 Essentials . .3 2.2 Troubleshooting . .5 2.3 Creating a Title . .5 2.4 Sections . .6 2.5 Labelling . .7 2.6 Table of Contents . .8 3 Typesetting Text 11 3.1 Font Effects . 11 3.2 Coloured Text . 11 3.3 Font Sizes . 12 3.4 Lists . 13 3.5 Comments & Spacing . 14 3.6 Special Characters . 15 4 Tables 17 4.1 Practical . -
LIST of MOVIES from PAST SFFR MOVIE NIGHTS (Ordered from Recent to Old) *See Editing Instructions at Bottom of Document
LIST OF MOVIES FROM PAST SFFR MOVIE NIGHTS (Ordered from recent to old) *See editing Instructions at bottom of document 2020: Jan – Judy Feb – Papi Chulo Mar - Girl Apr - GAME OVER, MAN May - Circus of Books 2019: Jan – Mario Feb – Boy Erased Mar – Cakemaker Apr - The Sum of Us May – The Pass June – Fun in Boys Shorts July – The Way He Looks Aug – Teen Spirit Sept – Walk on the Wild Side Oct – Rocketman Nov – Toy Story 4 2018: Jan – Stronger Feb – God’s Own Country Mar -Beach Rats Apr -The Shape of Water May -Cuatras Lunas( 4 Moons) June -The Infamous T and Gay USA July – Padmaavat Aug – (no movie night) Sep – The Unknown Cyclist Oct - Love, Simon Nov – Man in an Orange Shirt Dec – Mama Mia 2 2017: Dec – Eat with Me Nov – Wonder Woman (2017 version) Oct – Invaders from Mars Sep – Handsome Devil Aug – Girls Trip (at Westfield San Francisco Centre) Jul – Beauty and the Beast (2017 live-action remake) Jun – San Francisco International LGBT Film Festival selections May – Lion Apr – La La Land Mar – The Heat Feb – Sausage Party Jan – Friday the 13th 2016: Dec - Grandma Nov – Alamo Draft House Movie Oct - Saved Sep – Looking the Movie Aug – Fourth Man Out, Saving Face July – Hail, Caesar June – International Film festival selections May – Selected shorts from LGBT Film Festival Apr - Bhaag Milkha Bhaag (Run, Milkha, Run) Mar – Trainwreck Feb – Inside Out Jan – Best In Show 2015: Dec - Do I Sound Gay? Nov - The best of the Golden Girls / Boys Oct - Love Songs Sep - A Single Man Aug – Bad Education Jul – Five Dances Jun - Broad City series May – Reaching for the Moon Apr - Boyhood Mar - And Then Came Lola Feb – Looking (Season 2, Episodes 1-4) Jan – The Grand Budapest Hotel 2014: Dec – Bad Santa Nov – Mrs. -
Books for the College Bound Fiction
BOOKS FOR THE COLLEGE BOUND FICTION Anderson, Sherwood. Winesburg, Ohio, 1919. A collection of short stories lays bare the life of a small town in the Midwest. 247 p. A5492WI Austen, Jane. Pride and Prejudice, 1813. “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” This witty comedy of manners explores the intricacies of courtship in 18th-century England. 281 p. A933PR Bellamy, Edward. Looking Backward: 2000-1887, 1887. Written in 1887 about a young man who travels in time to a utopian year 2000, where economic security and a healthy moral environment have reduced crime. 470 p. B4357L Bradbury, Ray. Fahrenheit 451, 1951. Enter a futuristic world where reading is prohibited because it stimulates thought, and firemen “protect” society by burning books. 179 p. B7982F Brontë, Charlotte. Jane Eyre, 1847. Jane Eyre, a penniless orphan, is engaged as governess for the mysterious Mr. Rochester. 248 p. B8695J Brontë, Emily. Wuthering Heights, 1847. One of the first gothic novels. Passion, hate, and revenge abound in the turbulent story of Heathcliff and Catherine’s obsessive love. 390 p. B8697W Carroll, Lewis. Alice’s Adventures in Wonderland, 1865. Alice falls down a rabbit-hole and enters the whimsical, nonsensical world of the Queen of Hearts, Cheshire cat, and Mad Hatter. 143 p. C3196AL Cather, Willa. My Ántonia, 1918. Soulful portrait of Ántonia Shimerda, a Czech immigrant who faces heartbreak, disillusionment, and social ostracism in frontier Nebraska. 238 p. C363MY Chopin, Kate. The Awakening, 1899. The story of a New Orleans woman who abandons her husband and children to search for love and self-understanding. -
Discipleship in the Works of Christopher Isherwood
Prague Journal of English Studies Volume 8, No. 1, 2019 ISSN: 1804-8722 (print) '2,10.2478/pjes-2019-0005 ISSN: 2336-2685 (online) A Bond Stronger Than Marriage: Discipleship in the Works of Christopher Isherwood Kinga Latała Jagiellonian University in Kraków, Poland is paper is concerned with Christopher Isherwood’s portrayal of his guru-disciple relationship with Swami Prabhavananda, situating it in the tradition of discipleship, which dates back to antiquity. It discusses Isherwood’s (auto)biographical works as records of his spiritual journey, infl uenced by his guru. e main focus of the study is My Guru and His Disciple, a memoir of the author and his spiritual master, which is one of Isherwood’s lesser-known books. e paper attempts to examine the way in which a commemorative portrait of the guru, suggested by the title, is incorporated into an account of Isherwood’s own spiritual development. It discusses the sources of Isherwood’s initial prejudice against religion, as well as his journey towards embracing it. It also analyses the facets of Isherwood and Prabhavananda’s guru-disciple relationship, which went beyond a purely religious arrangement. Moreover, the paper examines the relationship between homosexuality and religion and intellectualism and religion, the role of E. M. Forster as Isherwood’s secular guru, the question of colonial prejudice, as well as the reception of Isherwood’s conversion to Vedanta and his religious works. Keywords Christopher Isherwood; Swami Prabhavananda; My Guru and His Disciple; discipleship; guru; memoir e present paper sets out to explore Christopher Isherwood’s depiction of discipleship in My Guru and His Disciple (1980), as well as relevant diary entries and letters. -
The Color Purple: Shug Avery and Bisexuality
Reading Bisexually Acknowledging a Bisexual Perspective in Giovanni’s Room, The Color Purple, and Brokeback Mountain Maiken Solli A Thesis Presented to The Department of Literature, Area Studies and European Languages in partial Fulfillment of the Requirements for the Master’s Degree UNIVERSITY OF OSLO Spring Term 2012 II Reading Bisexually: Acknowledging a Bisexual Perspective in Giovanni’s Room, The Color Purple, and Brokeback Mountain By Maiken Solli A Thesis Presented to The Department of Literature, Area Studies and European Languages in partial Fulfillment of the Requirements for the Master’s Degree Supervisor: Rebecca Scherr UNIVERSITY OF OSLO Spring Term 2012 III IV © Maiken Solli 2012 Reading Bisexually: The Importance and Significance of Acknowledging a Bisexual Perspective in Fictional Literature Maiken Solli Supervisor: Rebecca Scherr http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo V Abstract In literary theory, literary criticism and in the Western literary canon there is evidence of an exclusion or erasure of a bisexual perspective, and this has also been the case within much of the written history of sexuality and theory, relating to gender, sexuality and identity. This thesis examines and analyses three literary classics; ‘Giovanni’s Room’ by James Baldwin, Alice Walker’s ‘The Color Purple,’ and ‘Brokeback Mountain’ by Annie Proulx, from a bisexual perspective. I have sought out to reveal, emphasize, and analyze bisexual elements present in the respective texts from a bisexual literary standpoint. This aspect of the texts has been ignored by most critics, and I believe it is paramount to begin to acknowledge the importance and significance of reading bisexually. -
44-Christopher Isherwood's a Single
548 / RumeliDE Journal of Language and Literature Studies 2020.S8 (November) Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life / G. Güçlü (pp. 548-562) 44-Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life Gökben GÜÇLÜ1 APA: Güçlü, G. (2020). Christopher Isherwood’s A Single Man: A work of art produced in the afternoon of an author’s life. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, (Ö8), 548-562. DOI: 10.29000/rumelide.816962. Abstract Beginning his early literary career as an author who nurtured his fiction with personal facts and experiences, many of Christopher Isherwood’s novels focus on constructing an identity and discovering himself not only as an adult but also as an author. He is one of those unique authors whose gradual transformation from late adolescence to young and middle adulthood can be clearly observed since he portrays different stages of his life in fiction. His critically acclaimed novel A Single Man, which reflects “the afternoon of his life;” is a poetic portrayal of Isherwood’s confrontation with ageing and death anxiety. Written during the early 1960s, stormy relationship with his partner Don Bachardy, the fight against cancer of two of his close friends’ (Charles Laughton and Aldous Huxley) and his own health problems surely contributed the formation of A Single Man. The purpose of this study is to unveil how Isherwood’s midlife crisis nurtured his creativity in producing this work of fiction. From a theoretical point of view, this paper, draws from literary gerontology and ‘the Lifecourse Perspective’ which is a theoretical framework in social gerontology. -
Mohler's New Book on the Lord's Prayer Billy Graham Remembered
07 VOLUME 16 MARCH 2018 A NEWS PUBLICATION OF THE SOUTHERN BAPTIST THEOLOGICAL SEMINARY The Gift of Singleness Mohler’s new book Billy Graham Stinson on Marriage on The Lord’s Prayer Remembered and Singleness Looking for a fun summer job? DON’T WASTE YOUR What to Expect KID’S SUMMER Pay $300 a week A Gospel-Focused Camp Experience Gospel Training in the Heart of St. Matthews Bible Teaching Opportunities Background Checks Required CHEAPER THAN SCHEDULE Fun Work Environment A BABYSITTER 1 2 3 Weekends Off For Rising 1st Graders to Rising 6th Graders Bright and early Next, it’s out Of course, lunch. we have morning the door for Bring your own! celebration, a some high You know what $200 a week/$50 a day gospel-infused energy games you like (and time of worship and activities. can’t eat) better and fun to wake Think, gaga ball, than we do. Safe Location at your kids up and basketball, and center the day water games. Sojourn East on Jesus. Mon-Fri 8-4 4 5 6 Trained Christian Staff Midday, we focus After that, MORE Then, we end the on the heart with games and day how it began, Bible lessons fun. You know, with a celebration Tons of Fun and small group the outdoor, focused on discussion times. teambuilding, worshipping Jesus We want to plant joy-filled kind. and having fun. For More Information seeds to help grow Think, bouncy and to register visit your kids into houses and slip- gocrossings.org/daycamps followers of Jesus. n-slides. -
Michael Mirasol, “A Great Love Story: 'Brokeback Mountain,'” Chicago Sun-Times, July 1, 2011
Michael Mirasol, “A Great Love Story: ‘Brokeback Mountain,’” Chicago Sun-Times, July 1, 2011 http://blogs.suntimes.com/foreignc/2011/07/brokeback-mountain.html What's the last great love story you've seen on film? I don't mean your typical "rom-coms" with contrived meet-cutes that rely heavily on celebrity star power. I'm talking about a genuine romance between two richly defined characters. If your mind draws a blank, you're not alone. Hollywood, along with much of the filmmaking world, seems to have either forgotten how to portray love affairs in ways that once made us swoon. Whatever the reason, be it due to our changing times or priorities, we might not see any significant ones for some time. If there is any love story of this kind worth revisiting, it is Ang Lee's BROKEBACK MOUNTAIN, which just might be the most moving tale of star-crossed lovers for the past decade. Not many people will remember the film this way, as its two lovers were hardly the kind seen before in major movie romances. Indeed, a story of two cowboys discovering a deep love for each other was bound to cause controversy. Who would dare take on such a subject? Were its motives exploitative? Political? A gimmick? Add in Ang Lee, the celebrated Taiwanese-born director known for ushering the new age of Sino-Cinema to Hollywood, and expectations could not possibly grow further. But grow they did. Once the film won the Golden Lion at the Venice Film Festival, a prestige not taken lightly in film circles, interest surged. -
Brokeback Mountain,” Salon, Dec
Stephanie Zacharek, “Brokeback Mountain,” Salon, Dec. 9, 2005 http://entertainment.salon.com/2005/12/09/brokeback_2/ The premise of Ang Lee’s “Brokeback Mountain,” based on an Annie Proulx short story, is something we’ve never seen before in a mainstream picture: In 1963 two young cowboys meet on the job and, amid a great deal of confusion and denial, as well as many fervent declarations of their immutable heterosexuality, fall in love. Their names — straight out of a boy’s adventure book of the 1930s, or maybe just the result of a long think on the front porch at some writers’ colony — are Jack Twist (Jake Gyllenhaal) and Ennis Del Mar (Heath Ledger). The attraction between Jack and Ennis is at first timid and muted, the sort of thing that might have amounted to nothing more than a vague, sleep-swollen fantasy. But when they finally give in to that attraction, in a cramped tent out in rural Wyoming — the sheep they’re supposed to be guarding are far off on a hillside, most likely being circled by lip-smacking coyotes — the very sound of their urgent unbuckling and unzipping is like a ghost whistling across the plains, foretelling doom and pleasure and everything in between. This early section of “Brokeback Mountain,” in which the men’s minimal verbal communication transmutes into a very intimate sort of carnal chemistry, is the most affecting and believable part of the movie, partly because young love is almost always touching, and partly because for these cowboys — living in a very conventional corner of the world, in a very conventional time — the stakes are particularly high. -
Sara Martín Alegre Universitat Autònoma De Barcelona
Sara Martín Alegre Universitat Autònoma de Barcelona NOTE: Paper presented at the 39th AEDEAN Conference, Universidad de Deusto, Bilbao, Spain, 11-14 November 2015 IMDB Rating (March 2015) Ang Lee’s Brokeback Mountain (2005) 7.7 ◦ 233,193 voters Bill Condon’s Gods and Monsters (1998), 7.5 ◦ 23,613 voters The rating in the Internet Movie Database (www.imdb.com) for Ang Lee’s Brokeback Mountain is 7.7 (March 2015). The film that concerns me here, Bill Condon’s Gods and Monsters, does not really lag far behind, with a 7.5 rating. Considering the number of voters–233,193 for Lee’s film, but only 10% of that number (23,613 users) for Condon’s film–the [admittedly silly] question to be asked and answered is why so few spectators have been attracted by Gods and Monsters when the ratings suggest it is as good a film as Brokeback Mountain. As an admirer who has rated both films a superb 9, I wish to consider here which factors have pushed Gods and Monsters to the backward position it occupies, in terms of public and academic attention received, in comparison to the highly acclaimed Brokeback Mountain. 2 Sara Martín Alegre, “Failing to Mainstream the Gay Man: Gods and Monsters” Which factors limit the interest of audiences, reviewers and academics as regards mainstream films about gay men? AGEISM: term coined by physician and psychiatrist Robert Neil Butler “Age-ism reflects a deep seated uneasiness on the part of the young and middle- aged–a personal revulsion and distaste for growing old, disease, disability; and fear of powerlessness, ‘uselessness,’ and death” (1969: 243). -
New Queer Cinema in the USA: Rejecting
FACULTAD DE FILOLOGÍA UNIVERSIDAD DE SALAMANCA FACULTAD DE FILOLOGÍA GRADO EN ESTUDIOS INGLESES Trabajo de Fin de Grado New Queer Cinema in the USA: Rejecting Heteronormative Categorisations in Desert Hearts (1985) and Brokeback Mountain (2005) Autora: María Teresa Hernández Alcántara Tutora: Olga Barrios Herrero Salamanca, 2015 FACULTAD DE FILOLOGÍA UNIVERSIDAD DE SALAMANCA FACULTAD DE FILOLOGÍA GRADO EN ESTUDIOS INGLESES Trabajo de Fin de Grado New Queer Cinema in the USA: Rejecting Heteronormative Categorisations in Desert Hearts (1985) and Brokeback Mountain (2005) This thesis is submitted for the degree of English Studies June 2015 Tutor: Olga Barrios Herrero Vº Bº Signature ACKNOWLEDGEMENTS First, I would like to show my sincere and immense gratitude to my tutor, Olga Barrios, for her support, helpful advice and guidance. Her commitment, thoroughness and steady dedication helped me to increase my inspiration and write this paper with enthusiasm. In addition, I would like to thank all the teachers that have provided me with the necessary knowledge to be able to finish this degree and write this final paper. They have been a fundamental part of this process of learning and I am really thankful for their teaching and support. I would also like to thank my family for helping, encouraging and believing in me during all my academic life. Moreover, I would like to make a special mention to Cristina for her being by my side during the whole process of writing and for her unconditional support. Finally, I would like to mention my friends, whose encouragement helped me to carry out this project with motivation and illusion.