(As If Written in 1976) with Thanks to the Creators of Superman And
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The Doll's Ghost
The Doll's Ghost F. Marion Crawford It was a terrible accident, and for one moment the splendid machinery of Cranston House got out of gear and stood still. The butler emerged from the retirement in which he spent his elegant leisure, two grooms of the chambers appeared simultaneously from opposite directions, there were actually housemaids on the grand staircase, and those who remember the facts most exactly assert that Mrs. Pringle herself positively stood upon the landing. Mrs. Pringle was the housekeeper. As for the head nurse, the under nurse, and the nursery maid, their feelings cannot be described. The head nurse laid one hand upon the polished marble balustrade and stared stupidly before her, the under nurse stood rigid and pale, leaning against the polished marble wall, and the nursery-maid collapsed and sat down upon the polished marble step, just beyond the limits of the velvet carpet, and frankly burst into tears. The Lady Gwendolen Lancaster-Douglas-Scroop, youngest daughter of the ninth Duke of Cranston, and aged six years and three months, picked herself up quite alone, and sat down on the third step from the foot of the grand staircase in Cranston House. "Oh!" ejaculated the butler, and he disappeared again. "Ah!" responded the grooms of the chambers, as they also went away. "It's only that doll," Mrs. Pringle was distinctly heard to say, in a tone of contempt. The under nurse heard her say it. Then the three nurses gathered round Lady Gwendolen and patted her, and gave her unhealthy things out of their pockets, and hurried her out of Cranston House as fast as they could, lest it should be found out upstairs that they had allowed the Lady Gwendolen Lancaster-Douglas-Scroop to tumble down the grand staircase with her doll in her arms. -
312826-Sample.Pdf
Fox Features was one of the earliest comic-book publishers during the golden age of comics. Started by Victor Fox and Bob Farell in 1939, reportedly after Fox was working as an accountant for National Periodicals (DC Comics) and saw the sales figures for Action Comics #1. Fox initially hired the the Eisner-Iger studios to produce the creative content for their anthology books including: Mystery Men, Fantastic Comics and Wonderworld Comics. The latter of these titles was re-titled from Wonder Comics after National sued Fox for allegedly copying the Cover feature, Wonderman from Superman. Legendary comics creator Will Eisner, the creator of the character and his one and only (golden age) appearence, was called to testify. Eisner testified that Wonderman was an original creation but that Victor Fox had directly asked him to “Make him his own Superman” Fox lost the case and ceased publication of Wonderman. He also cut ties with the Iger-Eisner studio and hired another comics legend to edit and produce the companies creative work, Joe Simon. Sample file The Dart The Eagle The Moth Dynamo Dynamite thor Created by: Louis Cazeneuve (both the Dart and the Eagle), Jim Mooney, SampleRobert Webb, file Grieg Chapian and Wright Lincoln. The Linx National (DC) sued Victor Fox in late 1939, claiming that the character Wonderman was a direct copy of Superman. Wonderman’s creator, comics legend Will Eisner, testified that though the character was an original creation, Victor Fox had asked him to “make me my own Superman.” Hiring Joe Simon’s fledgling studio to provide content, Fox Features continued to build on the characters they had started the year before as the 1940s began. -
Alan Moore's Miracleman: Harbinger of the Modern Age of Comics
Alan Moore’s Miracleman: Harbinger of the Modern Age of Comics Jeremy Larance Introduction On May 26, 2014, Marvel Comics ran a full-page advertisement in the New York Times for Alan Moore’s Miracleman, Book One: A Dream of Flying, calling the work “the series that redefined comics… in print for the first time in over 20 years.” Such an ad, particularly one of this size, is a rare move for the comic book industry in general but one especially rare for a graphic novel consisting primarily of just four comic books originally published over thirty years before- hand. Of course, it helps that the series’ author is a profitable lumi- nary such as Moore, but the advertisement inexplicably makes no reference to Moore at all. Instead, Marvel uses a blurb from Time to establish the reputation of its “new” re-release: “A must-read for scholars of the genre, and of the comic book medium as a whole.” That line came from an article written by Graeme McMillan, but it is worth noting that McMillan’s full quote from the original article begins with a specific reference to Moore: “[Miracleman] represents, thanks to an erratic publishing schedule that both predated and fol- lowed Moore’s own Watchmen, Moore’s simultaneous first and last words on ‘realism’ in superhero comics—something that makes it a must-read for scholars of the genre, and of the comic book medium as a whole.” Marvel’s excerpt, in other words, leaves out the very thing that McMillan claims is the most important aspect of Miracle- man’s critical reputation as a “missing link” in the study of Moore’s influence on the superhero genre and on the “medium as a whole.” To be fair to Marvel, for reasons that will be explained below, Moore refused to have his name associated with the Miracleman reprints, so the company was legally obligated to leave his name off of all advertisements. -
Air Force Junior Reserve Officer Training Corps AFJROTC
Air Force Junior Reserve Officer Training Corps AFJROTC Arlington Independent School District Developing citizens of character dedicated to serving their community and nation. 1 THIS PAGE INTENTIONALLY LEFT BLANK 2 TX-031 AFJROTC WING Texas 31st Air Force Junior ROTC Wing was established in Arlington Independent School District in 1968 by an agreement between the Arlington Independent School District and the United States Air Force. The Senior Aerospace Science Instructor (SASI) is a retired Air Force officer. Aerospace Science Instructors (ASIs) are retired senior non-commissioned officers. These instructors have an extensive background in leadership, management, instruction and mentorship. The students who enroll in Air Force Junior ROTC are referred to as “Cadets”. The entire group of cadets is referred to as a Wing. The Cadet Wing is “owned”, managed and operated by students referred to as Cadet Officers and Cadet Non-commissioned Officers. Using this cadet organization structure, allows cadets to learn leadership skills through direct activities. The attached cadet handbook contains policy guidance, requirements and rules of conduct for AFJROTC cadets. Each cadet will study this handbook and be held responsible for knowing its contents. The handbook also describes cadet operations, cadet rank and chain of command, job descriptions, procedures for promotions, awards, grooming standards, and uniform wear. It supplements AFJROTC and Air Force directives. This guide establishes the standards that ensure the entire Cadet Wing works together towards a common goal of proficiency that will lead to pride in achievement for our unit. Your knowledge of Aerospace Science, development as a leader, and contributions to your High School and community depends upon the spirit in which you abide by the provisions of this handbook. -
2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
Web Layout and Content Guide Table of Contents
Web Layout and Content Guide Table of Contents Working with Pages ...................................................................................... 3 Adding Media ................................................................................................ 5 Creating Page Intros...................................................................................... 7 Using Text Modules ...................................................................................... 9 Using Additional Modules ............................................................................19 Designing a Page Layout .............................................................................24 Web Layout and Content Guide 2 Working with Pages All University Communications-created sites use Wordpress as their content management system. Content is entered and pages are created through a web browser. A web address will be provided to you, allowing you to access the Wordpress Dashboard for your site with your Unity ID via the “Wrap Account” option. Web Layout and Content Guide 3 Existing and New Pages Site Navigation/Links In the Wordpress Dashboard the “Pages” section — accessible in the left-hand menu — allows you to view all the pages Once a new page has been published it can be added to the appropriate place in the site’s navigation structure under that have been created for your site, and select the one you want to edit. You can also add a new page via the left-hand “Appearance” > “Menus” in the left-hand menu. The new page should appear in the “Most Recent” list on the left. It menu, or the large button in the “All Pages” view or “Tree View.” Once you have created a new page and you are in the can then be selected and put into the navigation by clicking the “Add to Menu” button. The page will be added to the “Edit Page” view, be sure to give the page a proper Title. bottom of the “Menu Structure” by default. -
|||GET||| Superheroes and American Self Image 1St Edition
SUPERHEROES AND AMERICAN SELF IMAGE 1ST EDITION DOWNLOAD FREE Michael Goodrum | 9781317048404 | | | | | Art Spiegelman: golden age superheroes were shaped by the rise of fascism International fascism again looms large how quickly we humans forget — study these golden age Superheroes and American Self Image 1st edition hard, boys and girls! Retrieved June 20, Justice Society of America vol. Wonder Comics 1. One of the ways they showed their disdain was through mass comic burnings, which Hajdu discusses Alysia Yeoha supporting character created by writer Gail Simone for the Batgirl ongoing series published by DC Comics, received substantial media attention in for being the first major transgender character written in a contemporary context in a mainstream American comic book. These sound effects, on page and screen alike, are unmistakable: splash art of brightly-colored, enormous block letters that practically shout to the audience for attention. World's Fair Comics 1. For example, Black Panther, first introduced inspent years as a recurring hero in Fantastic Four Goodrum ; Howe Achilles Warkiller. The dark Skull Man manga would later get a television adaptation and underwent drastic changes. The Senate committee had comic writers panicking. Howe, Marvel Comics Kurt BusiekMark Bagley. During this era DC introduced the Superheroes and American Self Image 1st edition of Batwoman inSupergirlMiss Arrowetteand Bat-Girl ; all female derivatives of established male superheroes. By format Comic books Comic strips Manga magazines Webcomics. The Greatest American Hero. Seme and uke. Len StrazewskiMike Parobeck. This era saw the debut of one of the earliest female superheroes, writer-artist Fletcher Hanks 's character Fantomahan ageless ancient Egyptian woman in the modern day who could transform into a skull-faced creature with superpowers to fight evil; she debuted in Fiction House 's Jungle Comic 2 Feb. -
Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
The National Fantasy Fan (Originally Bonfire), Vol
The National 80 Fantasy Fan Years Cras ad Stellas— Tomorrow to the Stars Volume 80 Number 1 January 2021 Life Member 2020 N3F Short Story Contest — David Speakman the Winners N3F Short Story Contest Judge Jefferson Swycaffer announces the winners of the 2020 N3F Short Story Contest. He reports: First Prize: The Azazel Tree, by Chris Owens, a tale of morali- ty, of absolute good and absolute evil, and one hero who strives to uphold the good, despite the awful cost. Second Prize: The Eternal Secret, by John Yarrow, Heroic Fan- tasy in the classical mold, a tale that might have been told of Odysseus or Jason, fighting monsters and solving riddles. Third Prize: If Music Be The Fruit of Love, by Jack Mulcahy, a tale of music and love, and how a crisis calls upon us to rise to the level of heroism. Honorable Mention: The Haunting of the Jabberwocky, by Charles Douglas, a truly Carrollian story of wordplay and mad- Without objection the N3F Directorate has awarded David ness, and how a hero, unarmed, has the greatest weapon of all. Speakman a Life Membership in the N3F. He is our third life [Short Story Contest Winners] This year's cadre of entrants are member. mostly from the United States, although four came in from Great Britain, and we are always happy to have an international David writes of himself: It's January 1, 2021. Happy New flavor to our contest. Year! This year marks the first time in about 2 decades that I have no "official" role other than member of this storied organ- There were twenty-one entries, science fiction and fantasy, ization.