Antique, Baroque, and Romantic – Italian Impressions Between Sicily, Apulia and Venice: Malta – Venice

Total Page:16

File Type:pdf, Size:1020Kb

Antique, Baroque, and Romantic – Italian Impressions Between Sicily, Apulia and Venice: Malta – Venice Trieste Venice CROATIA Rovinj S E Zadar IS Korcula ITALY Adriatic Sea Dubrovnik Corsica Lecce Sardinia Otranto Mediterranean Sea Sicily Syracuse Sea Cloud II – Cru TUNISIA Malta Antique, baroque, and romantic – Italian impressions between Sicily, Apulia and Venice: Malta – Venice Syracuse: UNESCO World Heritage Site SEA CLOUD II 10 nights Cicero once described Syracuse as “the greatest and 25 Sep. to 05 Oct. 2020 SCII-2030 most beautiful of the Greek cities”. Up to a million peo- 25 Sep. La Valletta/Malta 18.00 Guests arrive individually in Malta. ple are claimed to have lived there in antiquity. This city Embarkation on the SEA CLOUD II. on the small island of Ortygia was later conquered first 26 Sep. Syracuse/Sicily 08.00 14.00 by the Romans, then by Arabs, Byzantines and Normans. The classical Syracuse.* 27 Sep. At sea They have left behind a unique architectural heritage: 28 Sep. Otranto/Italy 16.00 UNESCO declared Syracuse a World Heritage Site in 29 Sep. Otranto/Italy 14.00 2005 due to its archaeological importance. Excursion to Lecce.* 30 Sep. Dubrovnik/Croatia 16.00 23.00 The Florence of the South: Lecce Walking tour through the old town.* Lecce, situated on the heel of the Italian boot in the 01 Oct. Korcula/Croatia 08.00 15.00 City walk in the footsteps of Marco Polo.* ruggedly romantic Apulia region, is considered one of the 02 Oct. Zadar/Croatia 13.30 22.00 most beautiful towns in southern Italy. Thanks to a spe- City walking tour and visit to St Donatus.* cial form of tuff stone, the town evolved into a splendid 03 Oct. Rovinj/Croatia 13.30 20.00 baroque city with its richly decorated facades gleaming in Excursion to the Istrian countryside and tasting of regional specialities.* white and gold. In Otranto there is no better way to see 04 Oct. Trieste/Italy 08.00 16.00 out the day than with a stroll through the lively old town. City tour including visit to Miramare Castle.* 05 Oct. Venice/Italy 08.00 Zadar: more than 2,000 years of history Disembarkation. Guests return home individually. With its modern promenade, which replaced the monoto- Itinerary subject to change! at anchor nous concrete harbour wall, Zadar has been given a new * These excursions are not included in the cruise-only rate. lease of life. The city’s pride and joy is the unique sea organ from which the waves coax deep soft sounds. On its steps, you can relax in the evening after strolling through the fortified old town with the monumental Church of St Donatus, the square of five wells, and four medival gates. Cruise-only rates per person SCII-2030 An ancient multicultural city: Trieste Category if booked by 30 Nov. 2019 from 01 Dec. 2019 Trieste’s colourful history is reflected in its cuisine: From GTY double cabin** € 4.995 € 5.285 palatschinke to souvlaki, prosciutto to baccalà mante- F Upper-/lower-bed € 5.395 € 5.685 cato, the town has been shaped by the culinary influ- E € 6.275 € 6.565 D € 6.995 € 7.285 ences of Austria, Istria and Greece. Trieste has long been C € 7.395 € 7.685 considered a cultural melting pot; once a key port on the B € 8.795 € 9.085 A € 9.795 € 10.085 Slovenian border, it used to attract merchants from all GTY single cabin** € 6.795 € 7.085 over the world. Single surcharge: Category C-F: 50%, Category A+B: 100% ** Limited number of guaranteed cabins; allocation starts with Cat. F See page 138 for included services 125.
Recommended publications
  • Merchants and the Origins of Capitalism
    Merchants and the Origins of Capitalism Sophus A. Reinert Robert Fredona Working Paper 18-021 Merchants and the Origins of Capitalism Sophus A. Reinert Harvard Business School Robert Fredona Harvard Business School Working Paper 18-021 Copyright © 2017 by Sophus A. Reinert and Robert Fredona Working papers are in draft form. This working paper is distributed for purposes of comment and discussion only. It may not be reproduced without permission of the copyright holder. Copies of working papers are available from the author. Merchants and the Origins of Capitalism Sophus A. Reinert and Robert Fredona ABSTRACT: N.S.B. Gras, the father of Business History in the United States, argued that the era of mercantile capitalism was defined by the figure of the “sedentary merchant,” who managed his business from home, using correspondence and intermediaries, in contrast to the earlier “traveling merchant,” who accompanied his own goods to trade fairs. Taking this concept as its point of departure, this essay focuses on the predominantly Italian merchants who controlled the long‐distance East‐West trade of the Mediterranean during the Middle Ages and Renaissance. Until the opening of the Atlantic trade, the Mediterranean was Europe’s most important commercial zone and its trade enriched European civilization and its merchants developed the most important premodern mercantile innovations, from maritime insurance contracts and partnership agreements to the bill of exchange and double‐entry bookkeeping. Emerging from literate and numerate cultures, these merchants left behind an abundance of records that allows us to understand how their companies, especially the largest of them, were organized and managed.
    [Show full text]
  • BAU Otranto 2014 2014 Marked the 11Th Year of the BAU Otranto June Residency
    the bau institute www.bauinstitute.org BAU Otranto 2014 2014 marked the 11th year of the BAU Otranto June residency. 14 Residents in visual arts, writing and performance enjoyed uninterrupted time for the creation of new work in the historic city of Otranto in Puglia, Italy. Artist Residents were free to make their own schedule of studio practice balanced with group dinners and outings that they enjoyed together. They lived in independent apartments in the heart of the walled town on the Adriatic Sea. This unique setting enabled undisturbed creativity, while still offering interaction with the local community of Otranto and the neighboring towns. Writers generally worked at home in apartments with sea views. Visual artists used the Aragonese Castle of Otranto as their studio. “Otranto gives me a feeling of simplicity and of calm blue space. Time does not so much slow down there as expand. Somehow, without feeling pressure or stress, I am able to get stunning amounts of creative work done while fully immersing myself in the landscape, the amazing food, and the energy of my fellow writers, artists and friends. It’s a bit of a miracle. “ During my first residency, in 2009, I essentially wrote my first published novel. And during my most recent residency, in 2014, I was able to conceive and lay the groundwork for my next book. It was a project that seemed very complicated before I arrived in Otranto. But once I came and fell into the rhythm of the magical place, my work revealed itself to be simple and direct.” “ I could not be more grateful
    [Show full text]
  • Friuli Venezia Giulia: a Region for Everyone
    EN FRIULI VENEZIA GIULIA: A REGION FOR EVERYONE ACCESSIBLE TOURISM AN ACCESSIBLE REGION In 2012 PromoTurismoFVG started to look into the tourist potential of the Friuli Venezia Giulia Region to become “a region for everyone”. Hence the natural collaboration with the Regional Committee for Disabled People and their Families of Friuli Venezia Giulia, an organization recognized by Regional law as representing the interests of people with disabilities on the territory, the technical service of the Council CRIBA FVG (Regional Information Centre on Architectural Barriers) and the Tetra- Paraplegic Association of FVG, in order to offer experiences truly accessible to everyone as they have been checked out and experienced by people with different disabilities. The main goal of the project is to identify and overcome not only architectural or sensory barriers but also informative and cultural ones from the sea to the mountains, from the cities to the splendid natural areas, from culture to food and wine, with the aim of making the guests true guests, whatever their needs. In this brochure, there are some suggestions for tourist experiences and accessible NATURE, ART, SEA, receptive structures in FVG. Further information and technical details on MOUNTAIN, FOOD our website www.turismofvg.it in the section AND WINE “An Accessible Region” ART AND CULTURE 94. Accessible routes in the art city 106. Top museums 117. Accessible routes in the most beautiful villages in Italy 124. Historical residences SEA 8. Lignano Sabbiadoro 16. Grado 24. Trieste MOUNTAIN 38. Winter mountains 40. Summer mountains NATURE 70. Nature areas 80. Gardens and theme parks 86. On horseback or donkey 90.
    [Show full text]
  • Italy's Northern Highlights
    Escorted Programs ITALY’S NORTHERN HIGHLIGHTS 9 Days FROM $2,115 Venice ESCORTED TOUR PROGRAM (2) Venice • (3) Florence • (3) Rome PROGRAM HIGHLIGHTS •Marvel at the magic of Venice from the Bridge of Sighs and Doge’s Palace to St. Mark’s Square 2 Venice Padua ITALY •Sample local favorites of Lambrusco wines and Modena balsamic vinegar with lunch in Modena 3 Florence San Gimignano •Explore the Renaissance city of Florence and the Siena Magione LAKE medieval towns of Siena and San Gimignano TRASIMENO Assisi •Enjoy a private wine tasting experience at Magione 3 Rome Castle •Tour amazing Assisi and visit the Basilica of Saint Francis •Delve into Rome from the Roman Forum and the iconic Colosseum to the Eternal City’s piazzas and trattorias # - No. of overnight stays SICILY - By motorcoach Arrangements by DAY 1 I MON I VENICE Morning arrival into Venice’s Marco Polo Airport. Here you’ll be met and transferred to your hotel in Venice. The balance of the day is at leisure. This evening enjoy a welcome dinner at a popular restaurant. (D) DAY 2 I TUE I VENICE Your morning tour of Venice is on foot and will highlight the Basilica of St. Mark and the Doge’s Palace, the Bridge of Sighs and Piombi Prison. Afternoon is at leisure with enough time for more sightseeing, shopping or relaxation. (B) DAY 3 I WED I VENICE I PADUA I MODENA I FLORENCE This morning depart Venice and stop in Padua to visit the Basilica of St. Anthony and its art, including the large bronze works of Donatello.
    [Show full text]
  • ART HISTORY of VENICE HA-590I (Sec
    Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001).
    [Show full text]
  • Adriatic Odyssey
    confluence of historic cultures. Under the billowing sails of this luxurious classical archaeologist who is a curator of Greek and Roman art at The Metropolitan Museum of Art. Starting in the lustrous canals of Venice, journey to Ravenna, former capital of the Western Roman Empire, to admire the 5th- and 6th-century mosaics of its early Christian churches and the elegant Mausoleum of Galla Placidia. Across the Adriatic in the former Roman province of Dalmatia, call at Split, Croatia, to explore the ruined 4th-century palace of the emperor Diocletian. Sail to the stunning walled city of Dubrovnik, where a highlight will be an exclusive concert in a 16th-century palace. Spartan town of Taranto, home to the exceptional National Archaeological Museum. Nearby, in the UNESCO World Heritage Site of Alberobello, discover hundreds of dome-shaped limestone dwellings called Spend a delightful day at sea and call in Reggio Calabria, where you will behold the 5th-century-B.C. , heroic nude statues of Greek warriors found in the sea nearly 50 years ago. After cruising the Strait of Messina, conclude in Palermo, Sicily, where you can stroll amid its UNESCO-listed Arab-Norman architecture on an optional postlude. On previous Adriatic tours aboard , cabins filled beautiful, richly historic coastlines. At the time of publication, the world Scott Gerloff for real-time information on how we’re working to keep you safe and healthy. You’re invited to savor the pleasures of Sicily by extending your exciting Adriatic Odyssey you can also join the following voyage, “ ” from September 24 to October 2, 2021, and receive $2,500 Venice to Palermo Aboard Sea Cloud II per person off the combined fare for the two trips.
    [Show full text]
  • Undiscovered Southern Italy: Puglia, Calabria, Lecce & Reggio
    12 Days – 10 Nights $4,995 From BOS In DBL occupancy Springfield Museums presents: Undiscovered Southern Italy: Puglia, Calabria, Lecce & Reggio Travel Dates: April 24 to May 5, 2019 12 Days, 10 Nights accommodation, sightseeing, meals and airfare from Boston (BOS) Escape to Southern Italy for a treasure trove of art, ancient and prehistoric sites, cuisine and nature. Enchanting landscapes surround historic towns where Romanesque and Baroque cathedrals and monuments frame beautiful town squares in the shadows of majestic castles and noble palaces. This tour is enhanced by the rich, natural beauty of the rugged mountains and stunning coastline. Museum School at the Springfield Museums 21 Edward Street, Springfield, Ma. 01103 Contact: Jeanne Fontaine [email protected] PH: 413 314 6482 Day 1 - April 24, 2019: Depart US for Italy Depart the US on evening flight to Italy. (Dinner-in flight) (Breakfast-in flight) Day 2 - April 25, 2019: Arrive Reggio Calabria. Welcome to the southern part of the beautiful Italian peninsula. After collecting our bags and clearing customs, we’ll meet our Italian guide who will escort us throughout our trip. We will check-in to our centrally located Hotel in Reggio Calabria. The city owns what it fondly describes as "the most beautiful mile in Italy," a panoramic promenade along the shoreline that affords a marvelous view of the sea and the shoreline of Sicily some four miles across the straits. This coastal region flanked by highlands and rugged mountains, boasts a bounty of local food products thanks to its unique geography. After check in, enjoy free time to relax before our orientation tour of the city.
    [Show full text]
  • Venice, Florence and Rome
    Venice, Florence and Rome May 13 - May 22, 2019 Group Leader: Alyson Hanson Group ID: 243692 Depart From: Phoenix what’s included our promise Daily Breakfast and Dinner Round-Trip Flights In educational travel, every moment matters. Pushing the (unless otherwise noted) experience from “good enough” to exceptional is what we do Centrally Located Hotels 24-Hour Tour Manager every day. Our mission is to empower educators to introduce their students to the world beyond the classroom and inspire the Venice 48-Hour Vaporetto Pass Colosseum with Guide and Reservation next generation of global citizens. Travel changes lives . Glassblowing Demonstration Rome Tour with Guide and Personal Italian Food Challenge Headsets cultural connections Florence Tour with Guide and Vatican Museums with Reservation Personal Headsets St. Peter’s Basilica HIGHLIGHTS waiting to happen Basilica di Santa Maria del Fiore (Il Pompeii with Guide and Personal Italian Food Challenge Duomo) Headseat The local gastronomy stimulates your senses—delve into favorite Accademia with Reservation Mozzarella Farm Demo and Tasting Italian foods through sight, smell, touch and taste. Uffi zi with Reservation Isle of Capri Florence Dinner Voucher Mastering Mozzarella Explore a working mozzarella farm and learn fi rst-hand about the creamy cheese, from ingredients to production to taste. “Our tour guide was phenomenal; he went above and beyond my expectations. His knowledge of the area and the history behind it was most impressive.” Matthew L. Participant www.acis.com | [email protected] | 1-877-795-0813 trip itinerary - 10 days May 13, 2019: Overnight Flight Depart from the USA. May 14, 2019: Venice Benvenuti in Italia! Arrive in Venice, meet your ACIS Tour Manager and transfer to your hotel in Mestre.
    [Show full text]
  • The Otranto-Valona Cable and the Origins of Submarine Telegraphy in Italy
    Advances in Historical Studies, 2017, 6, 18-39 http://www.scirp.org/journal/ahs ISSN Online: 2327-0446 ISSN Print: 2327-0438 The Otranto-Valona Cable and the Origins of Submarine Telegraphy in Italy Roberto Mantovani Department of Pure and Applied Sciences (DiSPeA), Physics Laboratory: Urbino Museum of Science and Technology, University of Urbino Carlo Bo, Urbino, Italy How to cite this paper: Mantovani, R. Abstract (2017). The Otranto-Valona Cable and the Origins of Submarine Telegraphy in Italy. This work is born out of the accidental finding, in a repository of the ancient Advances in Historical Studies, 6, 18-39. “Oliveriana Library” in the city of Pesaro (Italy), of a small mahogany box https://doi.org/10.4236/ahs.2017.61002 containing three specimens of a submarine telegraph cable built for the Italian Received: December 22, 2016 government by the Henley Company of London. This cable was used to con- Accepted: March 18, 2017 nect, by means of the telegraph, in 1864, the Ports of Otranto and Avlona (to- Published: March 21, 2017 day Valona, Albania). As a scientific relic, the Oliveriana memento perfectly fits in the scene of that rich chapter of the history of long distance electrical Copyright © 2017 by author and Scientific Research Publishing Inc. communications known as submarine telegraphy. It is known that, thanks to This work is licensed under the Creative the English, the issue of submarine electric communication had an impressive Commons Attribution International development in Europe from the second half of the nineteenth century on. License (CC BY 4.0). Less known is the fact that, in this emerging technology field, Italy before uni- http://creativecommons.org/licenses/by/4.0/ fication was able to carve out a non-negligible role for itself, although primar- Open Access ily political.
    [Show full text]
  • Venice and Its Location
    Trinity College Trinity College Digital Repository Trinity Publications (Newspapers, Yearbooks, The First-Year Papers (2010 - present) Catalogs, etc.) Summer 2011 Venice and Its Location Hyungsun Chloe Cho Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/fypapers Part of the Urban Studies and Planning Commons Recommended Citation Cho, Hyungsun Chloe, "Venice and Its Location". The First-Year Papers (2010 - present) (2011). Trinity College Digital Repository, Hartford, CT. https://digitalrepository.trincoll.edu/fypapers/25 Venice and Its Location 1 Venice and Its Location Chloe Cho Urbanization, the process of an urban area’s physical growth, is usually triggered by a city’s cultural, religious, political, or economic significance. Often, such significance is determined by the city’s geographical location which relates to important aspects like access to water routes and other cities. Venice serves as a great example of a citiy that was heavily influenced by its location. The challenges it faced as a city on the water, along with the advantages it had as a bridge between the west and east, led to a peculiar urban and architectural development. Its rapid growth and the monuments built during the Byzantine Empire remarkably illustrate such impacts of its location. Venice, located in northeast Italy, is composed of 118 islands which are separated by canals and linked by bridges. The city was originally founded in the seventh century, by the mainland Romans who were fleeing barbarian
    [Show full text]
  • John Carter's Visualisation of the Castle of Otranto Peter N. Lindfield 10 Old Harbour
    Heraldic and Architectural Imagination: John Carter’s Visualisation of The Castle of Otranto Peter N. Lindfield 10 Old Harbour Square Stirling FK8 1RB [email protected] Abstract Horace Walpole (1717–97) is well known for two important Gothic projects realised in mid eighteenth-century Britain: his villa, Strawberry Hill, Twickenham (1750–80); and The Castle of Otranto (1764), a Gothic novel. These two manifestations of Walpole’s ‘Gothic imagination’ are frequently linked in critical literature on the Gothic Revival and medievalism more broadly; the relationship between Strawberry Hill, Otranto and manuscript illustrations visualising Otranto’s narrative has, on the other hand, received far less attention. This article brings together a number of important and hitherto overlooked sources that help address this imbalance. In particular, it examines two large-scale watercolours by John Carter (1748–1817) that narrate some of Otranto’s pivotal scenes, allowing critically overlooked subtleties in their iconographies to emerge. The work establishes how Carter’s pre-existing interests — in particular, in Gothic architectural forms and heraldry — are harnessed to govern his representations of Otranto. These paintings, together with Carter’s other illustrations, demonstrate Walpole’s authorship of Otranto, expressed through codes hidden in plain sight. Unlike the frequently touted link between Strawberry Hill and Otranto in secondary criticism, Carter’s illustrations, the argument reveals, does not explicitly make this connection. John Carter and the Visualisation of The Castle of Otranto Horace Walpole’s novel, The Castle of Otranto: A Story, published on Christmas Eve 1764, is typically presented as the first ‘Gothic novel’.1 It was not until the second edition of Otranto (1765), however, that the work acquired the subtitle A Gothic Story: only then was it explicitly framed as a piece of ‘Gothic’ fiction.
    [Show full text]
  • HTL-Civilization & Writing TG
    Civilization and Writing CL949-1CV CLEARVUE/eav THE MOST COMPLETE SOURCE FOR CURRICULUM-ORIENTED A-V MATERIALS History through Literature Civilization and Writing Program #CL949-1CV Running Time—???? Table of Contents Summary . .3 Intended Audience . 4 Presenting the Program . 4 Learning Objectives . 4 History in the Program . 5 Literature in the Program . 5 Key Words and Concepts . 6 Pre-Viewing Suggestions . 7 Discussion: Linking Parts of the Series . 7 Discussion: Introducing the Program and Its Key Words and Concepts . 7 Post-Viewing Suggestions . 8 Content Questions: History . 8 H.O.T. Topics: History . 8 Content Questions: Literature . 9 H.O.T. Topics: Literature . 9 Discussion: Linking Parts of the Series . 11 In-Depth Research . 12 Extra History Study . 12 Extra Literature Study . 12 Chronologies: Class Discussion and Extra Study . 13 Chronology of History Chart: Ancient Civilizations . 14 Chronology of Literature Chart: Ancient Civilizations . 15 Cross-Curricular Explorations . 16 Transcript . 16 Consultants for the Series . 23 Credits . .23 Intended for students in junior high school and above. This program is closed captioned. © CLEARVUE/eav (1-800-253-2788) TEACHER’S GUIDE Summary Civilization and Writing is part of a 12-video History ken traditions, including sacred epics such as the through Literature series that examines the Vedas and philosophical traditions such as the Book connections between historical events and the literary of Changes. The program also briefly describes the figures and works of each era. Other titles in the series Olmecs and other early civilizations of the Americas. are listed on the back of this Teacher’s Guide. Then the program examines several “crossroads civi- The opening scene of Civilization and Writing is a lizations” that arose because of long-distance trade tale from oral tradition that was first written down between other highly organized societies.
    [Show full text]