DOCSLIB.ORG

Morpheus V4.0 Playout Automation Introduction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Innovation in the Multi-Screen World Morpheus V4.0 Playout Automation Introduction In today’s media and broadcast industry The company’s fl agship broadcast From its core database engine through one of the big challenges centers on automation solution, Morpheus, is a fi t to every device, Morpheus is designed for content delivery in a landscape where for purpose, scalable, multi-channel and resilience and, where required, redundancy, consumer behaviour and service demands multi-screen playout automation solution ensuring the right content and its metadata are changing rapidly. that is appropriate for the widest range of will be in the right place at the right time. applications including: With over four decades of leading edge Snell has the knowledge and experience development experience Snell delivers the National Broadcasters to develop an automation solution that is most fl exible and powerful broadcast Network Origination fi t for your purpose, irrespective of the size automation solutions on the market today. Centralcasting and scale of your enterprise, the range of From simple server playout to highly Business Continuity content distribution platforms integrated complex channels, the company’s key within your business model and your plans enabling technologies provide an extensive Based on format and device independent for future growth and expansion. suite of enterprise-wide media workfl ow platforms, Snell offers a range of robust and solutions for the effortless management resilient content distribution mechanisms, Taking an agnostic approach to formats of content. which keep pace with new devices as they and platforms means that Snell empowers evolve to meet the demands of future its customers to extract every drop of value The essence of Snell’s playout automation services, delivery platforms and consumer from their investments, while their builds on the principles of utmost appetite. customers consume content on their terms. versatility and fl exibility combined with the ability to support a myriad of different With Snell as your content distribution Utiizing Snell’s Momentum Media Asset workfl ows, production environments and partner you can rest assured that you will Management and Workfl ow Automation content distribution platforms. benefi t from fl exible device management, product, content is tracked, re-purposed and ensuring that resources can be dynamically distributed to both linear and non-liner deployed where and when most needed. platforms in a fully automated manner, freeing up time to concentrate on more pressing business imperatives. What’s inside Morpheus Applications Centralcasting 01 Centralized Multi-Region Broadcasts 02 Business Continuity 03 Sports 04 Morpheus - The Intelligent 05 Distribution Solution Content Management Made Easy 07 Partnering with Snell 09 Snell’s centralcasting technology is proven and on-air in major facilities around the world. Morpheus Applications Centralcasting In today’s cost conscious environment The example below illustrates the effi cient At the regional stations, Morpheus ICE centralcasting provides broadcast workfl ows capable between the Hub and (Integrated Content Engine) stores all stations with signifi cant operational multiple regional stations (Spokes). The received Hub content as well as providing all effi ciencies. It offers a solid basis for cost Hub provides the bulk of the ingest and live, branding and mixing requirements for reduction, increased system resilience storage for the sites as well as on-air playlist that market. The entire process at the (with fewer points for potential equipment management and remote monitoring of station level is fully-automated, alleviating failure) and a stable platform to launch the broadcasted signals. When new events the need for local level intervention by staff. new digital services. (or schedules) are added to the playlist, ingested content is transferred to the Morpheus easily accommodates for local Morpheus has the ability to support multiple regional stations. personnel intervention when required. Each centralcasting models, thereby decreasing region has the ability to “come alive” with operational costs and duplication of local ingest and on-air playlist management equipment. It offers a high degree of for news or other live events. Also for system- resilience and effi ciency for playout models wide resilience should communication with across multiple sites and geographical links with the Hub be compromised. Local playlist regions. control is available for specialized local programming events Regional Station Regional Station Local Local Morpheus Morpheus Full real-time Control Control control of the region is ICE ICE available centrally Local Live Local Live Mixer Mixer Central Control (Hub) Local Ingest Local Local Ingest Local Content Content Local Branding Local Branding Local Central Morpheus Control WAN VPN WAN provides control and content connectivity. Content can be transferred Central to and from regions Ingest Central Regional Station Regional Station Storage Local Local Morpheus Morpheus Control Control ICE ICE Local Live Local Live Local Ingest Local Mixer Local Ingest Local Mixer Content Content Local Branding Local Branding Local Local storage enables store and forward content model, ensuring regions are Centralcasting resilient to WAN interruptions/failures 01 Centralized multi-region broadcasting enables highly effi cient production and distribution resource utilization. Centralized Multi-Region Broadcasts Centralized multi-region broadcasting is Additionally, related regional channels need another solution that enables effi cient not be restricted to commercial and utilization of a facility’s transmission graphical insertion – they can be used to resources for regional distribution, playout alternate programming on different enabling the playout of common broadcast platforms where rights issues programming with variations in prevent transmission of certain material commercial, promotional, and graphical (such as sporting events “black-outs”). insertions from one main location. The preservation of the regional character The example below illustrates a primary not only appeals to the viewers, but also channel originating for four regions. Each increases advertising revenues with region has local branding available for its specifi c regional commercial programming output. During the commercial breaks, there for a market. is region by region fl exibility to insert local advertising or remain on the primary signal. Primary content across all regions Regional variations ICE Regional Mixer Content Regional Branding ICE Playlist combining ICE Mixer common primary Regional Live Content programming and Regional Branding individual regional programming Primary Mixer ICE Content Central ingest Cantral Storage Regional Mixer SAN Content Regional Branding ICE Regional Mixer Content Centralized Multi-Region Broadcasting Regional Branding 02 Business Continuity The biggest commercial risks facing Morpheus provides full functionality The illustrated example refl ects a business broadcasters are any operational, between both the primary and the remote continuity architecture where the primary technical or environmental issues site. Content is not “ever-green” material site is managing multiple channels with affecting on-air operations. A mission but instead a mirrored output of the main direct control available for the disaster critical requirement for any media broadcast signal. If a system failure occurs, recovery (DR) site. If a system failure occurs enterprise is that of cost-effective back-up a seamless transition can be made to ensure at the primary site, the DR site takes over operations to ensure business continuity continued operation and complete the primary role providing local storage in the event of a major disaster. transparency to the home viewer. and playout using Morpheus ICE (Integrated Content Engine). Content can continue to be ingested, branded and transmitted until the main site status is restored. Full real-time control of the DR site is available from Local ingest Primary Site primary site provides long-term Disaster Recovery Site operation beyond replicated content Local Morpheus Control ICE Multi-Channel Morpheus Direct Control of DR Site Local Ingest WAN VPN Mixer Duplicated Branding Content Data Insertion Third WAN provides ICE Party Mixer control and content Server Branding connectivity. Content Data Insertion is automatically replicated to DR site Mixer Duplicated Branding Content Data Insertion Multi-Channel Transmission Infrastructure High Channel ICE’s multi-format Primary functionality Density support eliminates of original transmission need for transcoding chain replicated in integrated playout platform Business Continuity 03 Join-in-Progress When live sporting events run late, Morpheus provides the tools to join a schedule in progress. This system can dynamically cue any event to any new in-point based on the event’s original airtime. To make this normally complicated workfl ow easy, Morpheus can automatically air a JIP clip (or “bumper”) prior to taking the program to air. Sports Change individual commercials or entire breaks across multiple regions Track number of times a commercial has aired against slots sold in original schedule Rapid editing with hot keys and drag/drop functionality Sports Television is an area where the Closed loop Commercial ‘Hot Lists’ best broadcasters can differentiate their Morpheus reacts to operator intervention, Once again, with one button press a channels
Recommended publications
  • PUBLIC SUBMISSION Posted: November 24, 2015 Tracking No

    PUBLIC SUBMISSION Posted: November 24, 2015 Tracking No

    As of: November 30, 2015 Received: November 24, 2015 Status: Posted PUBLIC SUBMISSION Posted: November 24, 2015 Tracking No. 1jz-8mfr-dxdj Comments Due: January 25, 2016 Submission Type: Web Docket: USCIS-2006-0068 Agency Information Collection Activities:Form I–9, Employment Eligibility Verification Comment On: USCIS-2006-0068-0246 Agency Information Collection Activities: Employment Eligibility Verification, Form I-9; Revision of a Currently Approved Collection Document: USCIS-2006-0068-0251 Comment Submitted by Jim O'Neil Submitter Information Name: Jim O'Neil Address: 110 Cedar Works Row Richmond, VA, 23231 Email: [email protected] Phone: 4042772592 General Comment No doubt it is just me...but i cant find anything that actually speaks to the revision. A little clarity would be nice. file:///O|/Policy/2016%20I-9%20PRA/Reconciliation%20Reports%20-%20RCD/USCIS-2006-0068-0251.html[3/9/2016 2:21:01 PM] As of: November 30, 2015 Received: November 24, 2015 Status: Posted PUBLIC SUBMISSION Posted: November 24, 2015 Tracking No. 1jz-8mfw-z2py Comments Due: January 25, 2016 Submission Type: Web Docket: USCIS-2006-0068 Agency Information Collection Activities:Form I–9, Employment Eligibility Verification Comment On: USCIS-2006-0068-0246 Agency Information Collection Activities: Employment Eligibility Verification, Form I-9; Revision of a Currently Approved Collection Document: USCIS-2006-0068-0252 Comment Submitted by Anonymous Submitter Information Name: Anonymous Anonymous Address: United States, Email: [email protected] General Comment I really like the new revised form because it clarified a lot of ambiguities that were still present in the last revision. One concern that I have been trying to get addressed almost since the 2013 version was released was the vagueness with the directions for the "Other Names Used" field, and the change to "Other Last Names Used" solved that.
  • Out of Local News: Implications for an Informed Public

    Out of Local News: Implications for an Informed Public

    Loyola University Chicago Loyola eCommons School of Communication: Faculty Publications and Other Works Faculty Publications 9-2013 Taking the ‘Local’ out of Local News: Implications for an Informed Public Lee Hood Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/communication_facpubs Part of the Communication Commons Recommended Citation Hood, L. "Taking the ‘Local’ out of Local News: Implications for an Informed Public." Journalism and Mass Communication 3(9), 2013. This Article is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in School of Communication: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © David Publishing, 2013. Journalism and Mass Communication, ISSN 2160-6579 September 2013, Vol. 3, No. 9, 549-562 D DAVID PUBLISHING Taking the “Local” out of Local News: Implications for an Informed Public Lee Hood Loyola University Chicago, Chicago, USA The meaning of “local” in TV news is not as straightforward as one might imagine. “Local” newscasts in several U.S. markets are outsourced to an independent company located hundreds of miles from the communities served. What are the implications of such a delivery system for coverage of local issues and the Jeffersonian ideal of an informed citizenry? This study employs a content analysis of outsourced and local newscasts, using a data set of more than 1,000 stories from more than 30 hours of newscasts to determine if differences exist on story topics and source types.
  • Mid-Level Sports Production and Streaming

    Mid-Level Sports Production and Streaming

    Mid-Level Sports Production and Streaming ........................................................................................................................................................... Mid-Level Sports Production and Streaming Mid-Level Sports Production and Streaming ........................................................................................................................................................... Table of Contents Getting Started......................................................................................................................... 1 Video Sources.......................................................................................................................... 2 Cameras....................................................................................................................... 2 Clip Store...................................................................................................................... 4 Signal Chain.............................................................................................................................. 5 Transmission................................................................................................................ 5 Cable Layout................................................................................................................ 5 Video Switching and Production.............................................................................................. 7 Animated transitions....................................................................................................
  • Voice of the Broadcasting Industry Volume 22, Issue 12

    Voice of the Broadcasting Industry Volume 22, Issue 12

    December 2005 Voice of the Broadcasting Industry Volume 22, Issue 12 $8.00 USA $12.50 Canada-Foreign RADIORADIO NEWS ® NEWS Froogle shopping site, found a grand total of three possibilities—two Hurry 2006, we can’t wait! actually, since two were for the same Panasonic in-dash car receiver. It From listening to the Q3 Wall Street conference calls, it seems to did not have multicasting and was offered by a total of 56 merchants us that many broadcasters would be happy to have 2006 begin for prices ranging from $308 to $500. The other listing was for the right away and not have to deal with Q4 of 2005. Pretty much Boston Acoustics Receptor Radio, a table model which does have HD everyone complained that the national spot market is soft, so multicasting—at least, it will once the manufacturer actually begins they all touted how great their stations are doing on pushing shipping them. J&R Music is taking reservations at $499. Although it local sales. Even the normally red-hot Spanish broadcasting sec- didn’t come up on Froogle, Crutchfield is also taking reservations for tor is singing the blues, projecting single digit revenue gains rather the same model, although it is charging 99 cents more. We actually than double digits. But then, many of their general market breth- had better luck on eBay, where quite a few people were offering ren would be happy to see any positive number. various Kenwood and Panasonic in-dash models. Of course, the lack of political dollars hit TV stations hard in the By the way, a Froogle search for XM radios produced over second half of 2005, so everyone is salivating over their expected 14,000 hits and a search for Sirius radios brought over 11,000.
  • Representation of Jews in the Media: an Analysis of Old Hollywood Stereotypes Perpetuated in Modern Television Minnah Marguerite Stein

    Representation of Jews in the Media: an Analysis of Old Hollywood Stereotypes Perpetuated in Modern Television Minnah Marguerite Stein

    )ORULGD6WDWH8QLYHUVLW\/LEUDULHV 2021 Representation of Jews in the Media: An Analysis of Old Hollywood Stereotypes Perpetuated in Modern Television Minnah Marguerite Stein Follow this and additional works at DigiNole: FSU's Digital Repository. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATIONS REPRESENTATION OF JEWS IN THE MEDIA: AN ANALYSIS OF OLD HOLLYWOOD STEREOTYPES PERPETUATED IN MODERN TELEVISION By MINNAH STEIN A Thesis submitted to the Department of Communications and Media Studies in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Summer, 2021 The members of the Defense Committee approve the thesis of Minnah Stein defended on April 2, 2021. Dr. Andrew Opel Thesis Director Dr. Martin Kavka Outside Committee Member Dr. Arienne Ferchaud Committee Member 2 Abstract Anti-Semitism in the United States is just as prevalent today as it has ever been. How does this cultural anti-Semitism translate into the media? Through portraying Jews as greedy, neurotic, pushy, money obsessed, cheap, and a myriad other negative stereotypes, the media often perpetuates long standing anti-Semitic tropes. This thesis analyzes the prevalence of Jewish stereotypes in modern television through the analysis and discussion of three of the most popular current television shows, getting into the nuance and complexity of Jewish representation. Through the deliberate viewing of Big Mouth, The Goldbergs, and Schitt’s Creek, the conclusion is that although an effort is being made to debunk some stereotypes about Jews, there are other Jewish stereotypes that have remained popular in television media. These stereotypes are harmful to Jews because they both feed and fuel the anti-Semitic attitudes of viewers.
  • May 19, 2016 Individual Income and Corporation Income Taxes Act 425

    May 19, 2016 Individual Income and Corporation Income Taxes Act 425

    Revenue Information Bulletin No. 16-006 (amended) May 19, 2016 Individual Income and Corporation Income Taxes Act 425 Withholding Requirements Regarding Expenses Claimed for Motion Picture Investor Tax Credit Act 425 of the 2015 Regular Session of the Louisiana Legislature requires withholding on certain payments that are expended in the state and will be claimed as an eligible expense for purposes of the motion picture investor tax credit, which is created by R.S. 47:6007. Specifically, the requirements of the amended statute, R.S. 47:164(D)(2), are applicable to “any individual receiving any payments for the performance of services used directly in a production activity, which payments shall be claimed as a production expenditure for purposes of certification of tax credits…” Further, the withholding is required by “any motion picture production company, motion picture payroll services company, or other entity making or causing to be made payments…to an individual, or to an agent or agency, loan-out company, personal service company, employee leasing company, or other entity.” In such an instance, taxes are required to be withheld at “the highest individual rate of six percent, or the highest individual rate in effect at the time.” The purpose of this Revenue Information Bulletin is to provide guidance on the new requirements and to answer questions which are frequently asked by taxpayers regarding Act 425. 1.) Which expenditures are subject to the 6% withholding requirement? All payments made to individuals for the performance of services are subject to the 6% withholding requirements. The withholding requirement applies whether the payment is made directly or indirectly to an individual.
  • Introduction to Television Production

    Introduction to Television Production

    COURSE OUTLINE Revised Spring 2014 Course Number Course Title Credits CMN 141 Introduction to TV Production 3 Hours: 2 Lecture/2 Co- or Pre-requisite: None Lab Catalog description (2013 Catalog): Basic theory and operation of TV production equipment including camera, switcher, character generator, prompter, audio console, and lighting. Following study of studio procedure, students plan, produce, write, and direct several short video productions. Is course New, Revised, or Modified? Revised Required texts/other materials: Zettl, Herbert Video Basics 7, Cengage. ISBN 978-1-285-12428-5 Revision date: Spring Course coordinator: Barry Levy, X 465, [email protected] 2014 CMN141 Introduction TV Production –Revised Spring 2014 CMN141 – Introduction to TV Production Course goals: The student will be able to: Define and describe basic theory, techniques and procedures of television production. Demonstrate practical working knowledge of the studio and control room equipment. List current practices and problems within the television industry. Summarize the importance of team work in the television industry. Identify employment opportunities in the television industry. Units of study in detail Unit I Introduction to Television The student will be able to: 1. Summarize the history of television. 2. Define and explain in their own words common terms associated with the television industry. 3. Explain the relationship between target audience and advertising revenue. 4. Describe job opportunities in the television/video production industry. 5. List the differences between a studio production and field production. 6. Describe the roles and responsibilities of individuals during a studio production. 7. List the evolution of technology utilized in studio productions. 8. Describe the production process 9.
  • FCC Seeks Comment on STELA DTV Signal Strength Prediction and Measurement Procedures

    FCC Seeks Comment on STELA DTV Signal Strength Prediction and Measurement Procedures

    August 9, 2010 FCC Seeks Comment on STELA DTV Signal Strength Prediction and Measurement Procedures On July 28, 2010 the FCC released a Notice of Proposed Rulemaking and Further Notice of Proposed Rulemaking which seeks comment on a prediction model and on-site measurement procedure for determining the strength of a DTV signal at any specific location. These would be used to determine whether a household could be considered “unserved” by a local network affiliated DTV station and thus would be eligible to receive a distant DTV network affiliated signal retransmitted by DTH satellite carriers (e.g DirecTV or Dish Network). The Commission is taking this action as a consequence of the Satellite Television Extension and Localism Act of 2010 (STELA) which was enacted by Congress in February, 2010. The STELA requires the FCC, within 270 days enactment, to: 1) “…develop and prescribe by rule a point-to-point predictive model for reliably and presumptively determining the ability of individual locations, through the use of an antenna, to receive signals in accordance with the signal intensity standard in Section 73.622(e)(1) of the rules…” and 2) Issue an order completing its rulemaking to establish a procedure for on-site measurement of digital television signals in ET Docket No. 06-94 (See TV TechCheck from May 17, 2006) In the Notice of Proposed Rulemaking (NPRM) portion of this action the FCC proposes to prescribe a point-to-point predictive model (referred to as ILLR - Individual Location Longley-Rice) for determining the ability of individual locations to receive an over-the-air digital television broadcast signal at the intensity level needed for service through the use of an antenna, as required by the STELA.
  • Winter 2020 About Digital Video Group Company Information Key Employees

    Winter 2020 About Digital Video Group Company Information Key Employees

    Digital Video Group, Inc. 105 Sylvia Road Ashland VA 23005 Office: 804-559-8850 Fax: 804.559.0017 www.digitalvideogroup.com CAPABILITIES SHEET – Winter 2020 About Digital Video Group Company Information Key Employees We are a leading supplier of audio- DUNS Number: 132-395-232 CEO – Alex Martin video broadcast and production CAGE CODE: 3Q6H4 President – William Martin equipment in the Mid-Atlantic States. Federal ID: 81-0606512 Our customers range from the Federal Small Business Client List - Partial Government, Government Contractors, GSA Contract GS03F-0141W TV Stations, Production Facilities to CCR Registered Agency for Global Media state and local Government Agencies. Accepts all major credit cards Arc Aspicio Our services range from system design and purchase orders Department of State and consulting to installation, support DHHS and training. We can provide a complete GSA Contact Information DHS – FEMA system solution or individual components DHS – TSA for system upgrades as needed. Dave Palguta DHHS GSA Contract Administrator DMA Company Principal Phone: 804-569-6216 General Dynamics Fax: 804-559-0017 Intrepid Solutions Email: dpalguta@digitalvideo Library of Congress Alex Martin – Founded DVG in 2003, and group.com LLNL Is responsible for the day to day manage- US Air Force – ment and operations of the company. In Government Sales POC US Army addition Mr Martin works closely with the US Navy leading manufacturers to facilitate the Dave Palguta Washington Nationals implementation of custom solutions in Director of Government Sales support of our customer needs. 804-569-6216 - Direct Past Performance 804-559-0017 – Fax Arc Aspicio (FEMA) – 138K DVG GSA Schedule Includes: 443-786-0257 – Cell Phone DIA – 53K Broadcast Pix Email: dpalguta@digitalvideo DHS/TSA – 46K Cobalt group.com DMA-Fort Meade – 48^K CueScript Federal Judicial – 623K Fujinon NAICS CODES General Dynamics – 126K Grass Valley 334310 J.F.
  • Broadcast Announcing Worktext, Third Edition

    Broadcast Announcing Worktext, Third Edition

    BROADCAST ANNOUNCING WORKTEXT i This page intentionally left blank BROADCAST ANNOUNCING WORKTEXT A Media Performance Guide Third Edition Alan R. Stephenson David E. Reese Mary E. Beadle AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2009, Elsevier Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: ( ϩ 44) 1865 843830, fax: ( ϩ 44) 1865 853333, E-mail: mailto:[email protected] . You may also complete your request on-line via the Elsevier homepage ( http://elsevier.com ), by selecting “ Support & Contact ” then “ Copyright and Permission ” and then “ Obtaining Permissions. ” Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 978-0-240-81058-4 ISBN: 978-0-240-81059-1 (CD-ROM) For information on all Focal Press publications visit our website at www.elsevierdirect.com 09 10 11 12 5 4 3 2 1 Printed in the United States of America D edication To my parents, Roger and Ethel, who, despite a Depression, unemployment and a war, found the money to send me to college.
  • Spectrum Servers & Crispin Automation

    Spectrum Servers & Crispin Automation

    Purchasing Division State of West Virginia 2019 Washington Street East Solicitation Response Post Office Box 50130 Charleston, WV 25305-0130 Proc Folder : 433008 Solicitation Description : AUTOMATION SWITCHER FOR MASTER CONTROL Proc Type : Central Purchase Order Date issued Solicitation Closes Solicitation Response Version 2018-04-11 SR 0439 ESR04021800000004489 1 13:30:00 VENDOR VS0000014891 Crispin Crispin Solicitation Number: CRFQ 0439 EBA1800000009 Total Bid : $224,971.75 Response Date: 2018-04-06 Response Time: 11:39:44 Comments: Thank you for reviewing the Crispin and Harmonic proposal for West Virginia PBS. Crispin is providing a proposal for Crispin automation with Harmonic video servers. Crispin will be the reseller for the Harmonic servers. We have included a proposal, drawing, compliance matrix and 5 supplemental documents with this proposal. Please see the compliance matrix for a line-by-line response of all mandatory items. When reviewing all proposals, please see total cost of ownership over 4 years. Crispin provides 4 years of support AND 4 years of hardware warranty on the Crispin system. We hope to do business with WVPBS soon. Thank you, Jill Hopkins Account Manager Crispin Corporation FOR INFORMATION CONTACT THE BUYER Michelle L Childers (304) 558-2063 [email protected] Signature on File FEIN # DATE All offers subject to all terms and conditions contained in this solicitation Page : 1 FORM ID : WV-PRC-SR-001 Line Comm Ln Desc Qty Unit Issue Unit Price Ln Total Or Contract Amount 1 MASTER CONTROL AUTOMATION 1.00000 EA $224,971.750000 $224,971.75 & PLAYOUT SERVER Comm Code Manufacturer Specification Model # 32150000 Extended Description : All inclusive price for Master Control Automation & Playout Server including training and commissioning.
  • Communications (COMM) 1

    Communications (COMM) 1

    Communications (COMM) 1 COMMUNICATIONS (COMM) COMM 99: Foreign Studies 1-6 Credits/Maximum of 6 COMM 1: Newspaper Practicum Courses offered in foreign countries by individual or group instruction. 1-3 Credits/Maximum of 8 This course may not be used to satisfy the basic minimum requirements for graduation in any baccalaureate degree program. A newspaper/print media practicum. Credits do not fulfill Communication major credits in all programs. COMM 100N: The Mass Media and Society COMM 2: Newspaper Editorial Staff 3 Credits 1-3 Credits/Maximum of 8 Mass communications in the United States: organization, role, content, A newspaper/print media practicum. Credits do not fulfill Communication and effects of newspapers, magazines, television, radio, books, and major credits in all programs. films. The Mass Media and Society is an overview of the interaction between mass media and society. By drawing from selected topics, the Enforced Prerequisite at Enrollment: COMM 1 course pays particular attention to the social influences (e.g., economics, politics, technology, law and culture) that shape media messages. Among COMM 3: Radio Practicum others, the course examines the nature of media controllers as well as 1-3 Credits/Maximum of 8 the character of users and consumers of media products. By so doing, students are informed about the overall structure and scope of the mass A broadcast media practicum. Credits do not fulfill Communication major media and led to understand the power and influences associated with credits in all programs. media messages and practices. By the end of the semester, each student should have a better understanding of the dynamic nature of the mass COMM 4: Television Practicum media in an information society.