DOCSLIB.ORG

Porcupine Tree Lightbulb Sun Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Porcupine Tree Lightbulb Sun Mp3, Flac, Wma Porcupine Tree Lightbulb Sun mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Lightbulb Sun Country: Russia Released: 2001 Style: Prog Rock MP3 version RAR size: 1844 mb FLAC version RAR size: 1836 mb WMA version RAR size: 1142 mb Rating: 4.7 Votes: 409 Other Formats: XM WMA AAC MOD MIDI AHX DTS Tracklist Hide Credits CD 1 Lightbulb Sun 1 Bass [Fretless] – Colin EdwinDrums – Chris MaitlandSynthesizer, Organ [Hammond] 5:31 – Richard BarbieriVocals, Guitar, Mellotron, Piano, Written-By – Steven Wilson How Is Your Life Today? Backing Vocals – Chris MaitlandPerformer [Fairground], Percussion [Synthesized] – 2 2:46 Richard BarbieriVocals, Guitar, Piano, Dulcimer [Hammered], Written-By – Steven Wilson Four Chords That Made A Million Bass [Fretless] – Colin EdwinDrums – Chris MaitlandSynthesizer, Electric Piano 3 3:36 [Fender Rhodes] – Richard BarbieriVocals, Guitar, Sampler, Written-By – Steven Wilson Shesmovedon Bass [Fretless] – Colin EdwinDrums, Backing Vocals – Chris MaitlandSynthesizer, 4 5:13 Organ [Hammond], Clavinet – Richard BarbieriVocals, Guitar, Mellotron, Written-By – Steven Wilson Last Chance To Evacuate Planet Earth Before It Is Recycled Bass [Fretless] – Colin EdwinDrums – Chris MaitlandSynthesizer, Electric Piano 5 4:48 [Fender Rhodes], Mellotron – Richard BarbieriVocals, Guitar, Banjo, Harp, Sampler, Written-By – Steven Wilson The Rest Will Flow Bass – Colin EdwinCello – Emmeline Brewer, Nick ParryDrums, Backing Vocals – 6 Chris MaitlandOrgan [Hammond] – Richard BarbieriViola – Sarah HeinsViolin – Katy 3:14 Latham, Lisa BetteridgeViolin, Viola – Stuart GordonVocals, Guitar, Written-By – Steven Wilson Hatesong Bass [Fretless], Baglama [Saz], Electronic Drums [Drum Machine], Written-By – 7 Colin EdwinDrums – Chris MaitlandSynthesizer, Percussion [Synthesized] – Richard 8:26 BarbieriVocals, Guitar, Mellotron, Written-By – Steven WilsonWritten-By [Additional] – Edwin* Where We Would Be 8 Bass [Fretless] – Colin EdwinTom Tom [Floor Tom], Vocals [Harmony Vocals] – Chris 4:12 MaitlandVocals, Guitar, Percussion, Written-By – Steven Wilson Russia On Ice Bass, Guimbri, Written-By – Colin EdwinCello – Emmeline Brewer, Nick ParryDrums, Backing Vocals, Written-By – Chris MaitlandSynthesizer, Organ [Hammond], Electric 9 Piano [Fender Rhodes], Effects [Insects], Written-By – Richard BarbieriViola – Sarah 13:03 HeinsViolin – Katy Latham, Lisa BetteridgeViolin, Viola – Stuart GordonVocals, Guitar, Sampler, Written-By – Steven WilsonWritten-By [Additional] – Maitland*, Edwin*, Barbieri* Feel So Low Cello – Emmeline BrewerSynthesizer, Organ [Hammond] – Richard BarbieriViola – 10 5:18 Sarah HeinsViolin – Katy Latham, Lisa BetteridgeVocals, Guitar, Written-By – Steven Wilson CD 2 1 Buying New Soul - Edit (From The Forthcoming Album "Recordings" - SMACD840) 6:07 2 Pure Narcotic (From The 1999 Album "Stupid Dream 1" - SMACD813) 5:14 3 Tinto Brass (Live At Southampton University) 6:43 Video Track: Piano Lessons 4 3:30 Directed By – Mike Bennion Companies, etc. Record Company – Snapper Music Mastered At – Abbey Road Studios Phonographic Copyright (p) – Snapper Music Copyright (c) – Snapper Music Recorded At – No Man's Land Recorded At – Foel Studio Mixed At – No Man's Land Manufactured By – Unknown (GP) – GP-00GT 000005/1 Manufactured By – Unknown (GP) – GP-00GT 000005/2 Credits Arranged By – Porcupine Tree Arranged By [Strings], Producer [Strings] – Dave Gregory Mastered By – Chris Blair Photography By – John Foxx, Luigi Colasanti Antonelli Producer, Recorded By – Steven Wilson Recorded By [Strings] – John Waterhouse Strings – The Minerva Quartet (tracks: 6, 9, 10) Written-By – Wilson* Notes Recorded at Foel Studio, Llanfair Caerinon, Wales and at No Man's Land, Hemel Hampstead Nov. 1999-Jan. 2000. Mixed at No Man's Land Feb. 2000. The Minerva Quartet are: Katy Latham, Lisa Betteridge, Sarah Heins & Emmeline Brewer. Barcode and Other Identifiers Barcode: 6 36551 28412 7 Matrix / Runout (Disc 1): GP-00GT 000005/1 Matrix / Runout (Disc 2): GP-00GT 000005/2 Other versions Category Artist Title (Format) Label Category Country Year Lightbulb Sun (CD, Album, SMACD827 Porcupine Tree Kscope SMACD827 UK 2000 Pla) Lightbulb Sun (CD, Album, KSCOPE102 Porcupine Tree Kscope KSCOPE102 UK 2000 DIg) SMACD827 Porcupine Tree Lightbulb Sun (CD, Album) Kscope SMACD827 UK 2000 Lightbulb Sun (CD, Album, UK & KSCOPE102 Porcupine Tree RM + DVD-A, Multichannel + Kscope KSCOPE102 2008 Europe RE, Dig) Lightbulb Sun (2xLP, Album, KSCOPE965 Porcupine Tree Kscope KSCOPE965 Europe 2017 RE, RM, 180) Related Music albums to Lightbulb Sun by Porcupine Tree Porcupine Tree - Vigevano Open Air Mazlyn Jones - Breaking Cover Dive - Stills Kajagoogoo - Islands Porcupine Tree / Samson - The Sky Moves Sideways / Live At Reading '81 Porcupine Tree - Stupid Dream Steven Wilson - Teatro Caupolicán Steven Wilson - 4½ Porcupine Tree - The Sky Moves Sideways XTC - English Settlement No-Man - Heaven Taste Dan Wilson - Free Life.
Load more

Recommended publications
  • Live Among the White Trash: a History of Nono----Manman on Stage
    Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain.
    [Show full text]
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Surround Sound Auteurs and the Fragmenting of Genre
    Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Williams, A. (2019). Surround Sound Auteurs and the Fragmenting of Genre. In J.-O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 319-328). Stockholm: Royal College of Music (KMH) & Art of Record Production. Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Abstract Multi-channel sonic experience is derived from a myriad of technological processes, shaped by market forces, configured by creative decision makers and translated through audience taste preferences. From the failed launch of quadrophonic sound in the 1970s, through the currently limited, yet sustained niche market for 5.1 music releases, a select number of mix engineers and producers established paradigms for defining expanded sound stages. Whe- reas stereophonic mix practices in popular music became ever more codified during the 1970s, the relative paucity of multi-channel releases has preserved the individual sonic fingerprint of mixers working in surround sound. More- over, market forces have constricted their work to musical genres that appeal to the audiophile community that supports the format. This study examines the work of Elliot Scheiner, Bob Clearmountain, Giles Martin, and Steven Wilson to not only analyze the sonic signatures of their mixes, but to address how their conceptions of the soundstage become associated with specific genres, and serve to establish micro-genres of their own. I conclude by ar- guing that auteurs such as Steven Wilson have amassed an audience for their mixes, with a catalog that crosses genre boundaries, establishing a mode of listening that in itself represents an emergent genre – surround rock.
    [Show full text]
  • Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
    Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack.
    [Show full text]
  • Visions Presents Steven Wilson Mp3, Flac, Wma
    Steven Wilson Visions Presents Steven Wilson mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Visions Presents Steven Wilson Country: Germany Released: 2013 Style: Prog Rock, Art Rock MP3 version RAR size: 1715 mb FLAC version RAR size: 1315 mb WMA version RAR size: 1759 mb Rating: 4.9 Votes: 230 Other Formats: AU AA VOX VQF TTA AUD MPC Tracklist 1 –Steven Wilson Luminol 12:12 2 –Blackfield Blackfield 4:08 3 –Porcupine Tree I Drive The Hearse (Live) 6:50 4 –No-Man True North (Radio Edit) 4:25 5 –Steven Wilson Harmony Korine 5:09 6 –Blackfield Pills 3:36 7 –Porcupine Tree Even Less 7:13 8 –No-Man Back When We Were Beautiful 5:07 Companies, etc. Phonographic Copyright (p) – Steven Wilson Copyright (c) – Steven Wilson Notes Given away in a cardboard sleeve with German magazine "Visions" issue 240 March 2013. Information on backcover: For promotional use only. Not for resale 1 - (taken from the album "The Raven That Refused To Sing And Other Stories") 2 - (taken from the album "Blackfield") 3 - (taken from the album "Octane Twisted") 4 - (taken from the album "Schoolyard Ghosts") 5 - (taken from the album "Insurgentes") 6 - (taken from the forthcoming album "IV") 7 - (taken from the album "Stupid Dream") 8 - (taken from the album "Together We're Stranger") The copyright in this compilation is owned by Steven Wilson/Blackfield/Porcupine Tree/No-Man under exclusive license to Kscope This compilation ℗ 2013 Steven Wilson This compilation © 2013 Steven Wilson Made in Germany Track timings are not appearing on this release.
    [Show full text]
  • Download This List As PDF Here
    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
    [Show full text]
  • Open Mind: the Best of Blackfield
    Blackfield – Open Mind: The Best Of Blackfield (58:20, CD, Vinyl, Digital, KScope/Edel, 2018) An dieser Stelle soll nicht das Für und Wider von „Best Of“‘- Compilations diskutiert werden. Fakt ist, dass solche Releases eben nicht für den Fan gemacht sind, denn dieser hat sowieso schon alles von seinen angebeteten Stars, sondern für solche Klientel, denen die Hitvariante des jeweiligen Akteurs vollkommen ausreicht. Diese allerdings wirklich zum Kauf zu bewegen, ist in Zeiten von Spotify & Co. ein immer schwieriger werdendes Unterfangen. Nach fünf regulären Alben geht es aber schon okay, sich mit einer Werkschau zu präsentieren. Von Porcupine Tree-Fans wurde das Sideproject von Steven Wilson, das dieser seit 2001 mit dem israelischen Musiker Aviv Geffen betrieb, immer reichlich stiefmütterlich behandelt. Und dies, weil die Songs und die Musik an sich schon tendenziell unter Pop rangieren – Pop, mit dem für Wilson und Geffen so typisch-perfekten Songwriting wohlgemerkt. „Open Mind“ enthält dann auch eine respektable Auswahl aus den von 2004 bis 2017 veröffentlichten Originalalben, wobei gewichtungstechnisch vor allen das Debüt sowie das 2017er Werk „V“ mit jeweils vier Songs gesteigerte Berücksichtigung findet. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren. Video laden Es ist aber auch hier wie bei anderen Bands mit einem Rock’n Pop Aspekt – wo viel Licht ist eben auch viel Schatten.
    [Show full text]
  • ňºè​Ÿä¸Šæ¨¹Æ
    刺èŸ​ 上樹樂團 音樂專輯 串行 (专辑 & æ—¶é— ´è¡¨) Fear of a Blank Planet https://zh.listvote.com/lists/music/albums/fear-of-a-blank-planet-938644/songs Signify https://zh.listvote.com/lists/music/albums/signify-510362/songs Nil Recurring https://zh.listvote.com/lists/music/albums/nil-recurring-58232/songs The Incident https://zh.listvote.com/lists/music/albums/the-incident-1974157/songs Deadwing https://zh.listvote.com/lists/music/albums/deadwing-902960/songs The Sky Moves Sideways https://zh.listvote.com/lists/music/albums/the-sky-moves-sideways-2739056/songs On the Sunday of Life https://zh.listvote.com/lists/music/albums/on-the-sunday-of-life-600421/songs Up the Downstair https://zh.listvote.com/lists/music/albums/up-the-downstair-2250395/songs Tarquin's Seaweed Farm https://zh.listvote.com/lists/music/albums/tarquin%27s-seaweed-farm-1160832/songs Love, Death & Mussolini https://zh.listvote.com/lists/music/albums/love%2C-death-%26-mussolini-6690053/songs The Nostalgia Factory https://zh.listvote.com/lists/music/albums/the-nostalgia-factory-7754408/songs Transmission IV https://zh.listvote.com/lists/music/albums/transmission-iv-683728/songs Atlanta (album) https://zh.listvote.com/lists/music/albums/atlanta-%28album%29-349915/songs Stupid Dream https://zh.listvote.com/lists/music/albums/stupid-dream-572050/songs Arriving Somewhere... https://zh.listvote.com/lists/music/albums/arriving-somewhere...-580536/songs We Lost the Skyline https://zh.listvote.com/lists/music/albums/we-lost-the-skyline-349943/songs Warszawa https://zh.listvote.com/lists/music/albums/warszawa-1147772/songs
    [Show full text]
  • Porcupine Tree — the Sound of Muzak 13 — 14
    Porcupine Tree The Sound Of Muzak Track Porcupine Tree — The Sound Of Muzak 13 — 14 Als 2002 zum Album „In Absentia“ Gavin Harrison als neuer Drummer zu Porcupine Tree kam, holte man damit einen echten Spezialisten für vertrackte Rhythmen an Bord. Polyrhythmik, Akzentverschiebungen und ungeraden Rhythmen machen sein Spiel unverwechselbar. Genau diese Stilelemente findet man auch in „Sound Of DH: Was macht den Drumpart von „The Sound Of Muzak“ Muzak“. Dazu kurz vorweg: Dieser Song ist rhythmisch und denn so charakteristisch? spieltechnisch ein echter Brecher, also nicht unbedingt was für Einsteiger. Aber dafür dürfen wir mit Stolz verkünden, Gavin: Es is ist das spezielle Feel in der Strophe. Den dass Gavin höchstselbst unsere Transkription gecheckt hat Hauptrhythmus denke ich als 7/8-Takt, aber darüber spiele und als „... the most accurate version I've seen of this Song!“ 7/4. Das gibt dem Hörer eine bessere Orientierung. Wenn bezeichnet hat. ich diese Viertel-Akzentuierung wegließe, wäre es ein sehr Zudem stand Harrison uns noch für das folgende Mini- ruckeliger Rhythmus. Interview Rede und Antwort: DH: Wie lange benötigtest du, um deinen Drumpart für „The DH: Gavin, die meisten Songs von Porcupine Tree schreibt Sound Of Muzak“ aufzunehmen? Steve Wilson. Gibt er dir auch genau vor, wie du deinen Part zu spielen hast? Gavin: Ich glaube, der Song war mit dem ersten Take im Kasten. Gavin: Also, dieser Song war fertig, bevor ich zur Band stieß. Ich flog nach New York als Session Drummer und spielte das Album in sechs Tagen ein. Steve hatte das 7/8-Pattern auf einem Drumcomputer programmiert.
    [Show full text]
  • Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Toto's Shannon Forrest
    WORTH WIN A TAMA/MEINL PACKAGE MORE THAN $6,000 THE WORLD’S #1 DRUM MAGAZINE 25 GR E AT ’80s DRUM TRACKS Toto’s Shannon ForrestThe Quest For Excellence NEW GEAR REVIEWED! BOSPHORUS • ROLAND • TURKISH OCTOBER 2016 + PLUS + STEVEN WOLF • CHARLES HAYNES • NAVENE KOPERWEIS WILL KENNEDY • BUN E. CARLOS • TERENCE HIGGINS PURE PURPLEHEARTTM 12 Modern Drummer June 2014 CALIFORNIA CUSTOM SHOP Purpleheart Snare Ad - 6-2016 (MD).indd 1 7/22/16 2:33 PM ILL SURPRISE YOU & ILITY W THE F SAT UN VER WIL HE L IN T SP IR E Y OU 18" AA SICK HATS New Big & Ugly Big & Ugly is all about sonic Thin and very dry overall, 18" AA Sick Hats are 18" AA Sick Hats versatility, tonal complexity − surprisingly controllable. 28 holes allow them 14" XSR Monarch Hats and huge fun. Learn more. to breathe in ways other Hats simply cannot. 18" XSR Monarch With virtually no airlock, you’ll hear everything. 20" XSR Monarch 14" AA Apollo Hats Want more body, less air in your face, and 16" AA Apollo Hats the ability to play patterns without the holes 18" AA Apollo getting in your way? Just flip ‘em over! 20" AA Apollo SABIAN.COM/BIGUGLY Advertisement: New Big & Ugly Ad · Publication: Modern Drummer · Trim Size: 7.875" x 10.75" · Date: 2015 Contact: Luis Cardoso · Tel: (506) 272.1238 · Fax: (506) 272.1265 · Email: [email protected] SABIAN Ltd., 219 Main St., Meductic, NB, CANADA, E6H 2L5 YOUR BEST PERFORMANCE STARTS AT THE CORE At the core of every great performance is Carl Palmer's confidence—Confidence in your ability, your SIGNATURE 20" DUO RIDE preparation & your equipment.
    [Show full text]
  • Steven Wilson at the Colston Hall by the Bristol Post | Posted: January 27, 2016 by by Michael Scanlan
    REVIEW: Steven Wilson at the Colston Hall By The Bristol Post | Posted: January 27, 2016 By By Michael Scanlan Steven Wilson at the Colston Hall YOU may have thought Prog Rock was dead. It ruled the world in the early 70s when bands like Yes, ELP and King Crimson strode the earth like mighty dinosaurs. Prog seemed to get swept away in the musical upheaval of Punk Rock, but really it just moved sideways into its own little niche. Currently the top dog in that little niche is probably Steven Wilson, who was at the Colston Hall on Tuesday night to show prog still rules for a lot of people. Far from a household name, Wilson is a very big fish in the progressive rock pond, but swims under the radar of mainstream recognition (to mix a metaphor or two). He's sold a shedload of albums, been four times nominated for the Grammy Awards and was crowned "King Of Prog Rock" in the 2015 Progressive Music Awards. He's also in great demand as remix producer of choice for all those top prog band of the 70s as they re-release now classic albums, revitalising recordings by Yes, King Crimson, Jethro Tull and XTC, among others. The influences of Yes, Genesis, Crimson et al were present in Tuesday night's performance but there were plenty of more modern influences and creativity as the music swung from the melodic to hard-hitting – extremely hard-hitting – industrial metal. The first section of the close-to-three-hour concert was devoted to Wilson's latest album Hand.
    [Show full text]