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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
Attire Tailoring Fine Formal Hire
Attire Tailoring fine formal hire www.attiretailoring.co.uk Here at Attire Tailoring we know more than anybody that it is so imperative to look and feel your outright best on this huge day. Getting everybody in co-ordinating outfits is simple with our broad hirewear assortment, accessible in pretty much every size. With top of the line formal outfits and coordinating accessories, you’ll discover all that you need to put your best self forward, with costs from just £35 per outfit. View our wide scope of styles and shading palettes on the web and build your look using our intelligent Outfit Builder. With our totally online service you can arrange everthing without the need to visit a store . With our online service, we’ll send you the style of your choice for a two day trial in your own home, months before the wedding. Plan your wedding rapidly and where needed with our online assistance. With over 20 years of hirewear experience everything you need is taken care of. The choice is yours... Hire is the flexible choice. It doesn’t matter if it’s 1 or 100 guests, we have the sizes to fit the whole party - even the little ones! Hire is the convenient choice. Your wedding party can be located any- where in the UK and we’ll make sure all outfits are delivered up to a full week before the function date. Travelling to the UK from abroad? We deliver to hotels too! Hire is the sustainable/ethical choice. Renting is recylcing. Go on! book your fitting atwww.attire-tailoring.co.uk *The Try On service is only available on selected months. -
Crazy for You'
o",."c ""C-""""""""'~T"'~-- . .. ,. ~ . \."-' COSTUMEPLOT: "CRAZY FOR YOU' Act I scene1 Backstageat the Zangler Theatre BOBBY: Black tuxedo,black vest. white tux shirt, black bowtie TESS: dressand sweater PATSY: showgirl costume ASSORTEDSHOWGIRLS: 4 in matchingpanniers, leotards and headpiecesfor the "performance" 3 others(magician, circus act, baton twirler) ACROBATS: 3 Men in unitards with capesand trunks STAGE MANAGER: pants,open vest. shirt sleevesrolled up, loosetie STAGE HAND(S): similar to stagemanager OR in coveralls ZANGLER: black tails, white vest. white tie, white gloves,fur coat worn over shoulders Also needswig and goatee NOTE: BOBBY will needa DUPLICATE of Zangler's wig and goateefor his impersonation of Zangler MITZI: showgirl costume Act I scene2 OutsideZangler Theatre; later that evening BOBBY: repeatabove TESS:Repeat above; add coat and hat (lightweight for autumn) ",~,. PATSY: similar to Tess if\; SHOWGIRLS (optional): 4 in coatsand hats IRENE: Evening gown and matching coat, hat or headpiece LACKEY#l: Businesssuit attire LACKEY #2: Businesssuit attire CHAUFFEUR:Chauffeur uniform and hat, glovesoptional BOBBY'S MOTHER: Evening dressand coat with furs, elaborateheadpiece or hat, gloves,excessive jewelry and matching shoes PERKINS: Dark businesssuit attire PINK FOLLIES GIRLS (Bobby'sFantasy Number "Can't be BotheredNow"): Pink wigs, pink sequin showgirl costumeswith matching gauntlets;silver tap shoesrecommended NOTE: Our versionof theseare basedupon the original Broadwaydesign and havea thong. It is adviseablefor your -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Company Brand Overview 2019 Table of Contents
COMPANY BRAND OVERVIEW 2019 TABLE OF CONTENTS I. BRAND OVERVIEW ……..……….. 3 II. PRODUCT OVERVIEW …..………. 7 III. BRAND PERSONALITY ….………12 IV. KEY DEMOGRAPHICS ………… 13 V. COMPANY OPERATIONS ……… 14 VI. MARKET LANDSCAPE ..……..… 15 VII. FILLING A GAP …………….…… 16 VIII. EXECUTIVES ..……………..…… 17 IX. PARTNERSHIPS …………..…… 18 X. MARKETING …..………………. 19 Company Brand Overview “Savvy travelers know to pack smartly, opting for clothing that is wrinkle resistant, easy to maintain and does not take up too much luggage space. European fabrics and quality craftsmanship ensure luxurious and beautiful pieces. Anatomie checks all of those boxes.” - Filip Boyen, CEO - Forbes Travel Guide Company Brand Overview 3 of 20 Founded in 2006, Anatomie is a European-made luxury travel leisurewear brand combining high functionality with the finest materials, centered on contemporary style, innovative features and unique designs for the active and adventurous. With extensive fashion and sportswear experience, Kate and Shawn Boyer originally created Anatomie for the athleisure market, but evolved over the years to meet the unique and demanding needs of the luxury traveler to create functional fashion. 4 of 20 BRAND VISION WE ARE THE MOST LOVED LUXURY APPAREL BRAND IN THE WORLD FOR THE ACTIVE AND ADVENTUROUS WOMAN Company Brand Overview 5 of 20 OUR BRAND Anatomie merges European fashion with high quality, wrinkle-free fabrics designed for the global traveler and everyday adventurer. Styles are elegant and comfortable, taking her from morning to evening. Fabrics are selected to provide easy care at home and away. Anatomie is sold in more than 300 locations across the United States and Canada and sold online worldwide at anatomie.com. -
Summer Lovin'
‘SATURDAY FIRST-ROUND TURNING 20 SHANGHAI TANG MAKES PLANS NIGHT’ FASHION TO MARK ANNIVERSARY. PAGE 8 BEHIND THE SCENES AT SAKS WITH ANDREW WIGGINS, RETAILER TEAMS WITH “SNL” THE NBA'S NUMBER-ONE FOR KEY TO THE CURE. PAGE 2 PICK. PAGE 10 POISON PILL ADOPTED Charney Set to Fight For American Apparel By EVAN CLARK THE BATTLE FOR American Apparel Inc. is heat- WWD ing up with both ousted founder Dov Charney and the board that deposed him angling for position. But they are just the main combatants. On the sidelines are a host of interested parties MONDAY, JUNE 30, 2014 $3.00 WOMEN’S WEAR DAILY Q Q — from lenders such as Lion Capital, which is owed $10 million, to would-be investors licking their chops at a brand that they believe should be much bigger and profitable. One financial player who took a look at American Apparel said there’s plenty of opportunity to improve the business. Inventories, for instance, could turn much quicker. “Everyone sees the quality of the brand,” said the source, who described Charney was “a very, very tal- ented merchant,” but said he had become a one-man band, personally overseeing the company’s 249 stores. “American Apparel, as a brand, should be big abroad,” the source said, noting it could do that and maintain it’s U.S.-based production philosophy. But how the brand develops from here depends on who’s in the driver’s seat. Summer The company scrambled over the weekend to set up a stockholder rights plan, or poison pill, to prevent ousted Charney from regaining control of the firm by accumulating more stock. -
Spring / Summer 2020
SPRING / SUMMER 2020 Prince Of Wales Check Single Breasted Jacket (Black / White) £695 Prince Of Wales Check Waistcoat (Black / White) £295, Prince Of Wales Check Trousers (Black / White) £350 Southill Cashmere Rollneck (Mid Grey) £295, Peacock Pocket Square (Purple) £65 2 3 Peacock Dressing Gown (Red / Blue) £1250 Denim Casual Tailored Cotton Shirt (Blue) £155 4 5 Above & Left: Safari Jacket (Tan) £695 Safari Casual Tailored Linen Shirt (Brown) £175 Check Trousers (Olive) £350 6 7 Boating Stripe Jacket (Navy) £695, Denim Casual Tailored Cotton Shirt (Blue) £155 V-Neck Cotton Sweater (Cream) £125, Cotton Chinos (Turquoise) £175 8 9 Prince Of Wales Check Single Breasted Suit (Black / White) £995 Poplin St James’s Collar Tailored Shirt (White) £125 Large Stripe Woven Tie (Coral) £125 Intricate Pocket Square (Magenta) £65 Vertical Stripe Mid Calf Socks (Pink) £35 Brogue Double Monk Shoes (Black) £495 10 11 Check Double Breasted Jacket (Red / Navy) £795 Check Trousers (Red / Navy) £350 Crew Neck Silk Sweater (Navy) £225 Denim Casual Tailored Cotton Shirt (Dark Blue) £155 12 13 Knitted Linen Jacket (Sand) £495, Casual Tailored Linen Shirt (White) £145 Bird Garden Pocket Square (Green) £65 (Tied around neck) 14 15 Above & Left: Prince Of Wales Lined Dressing Gown (Navy) £2500 Marcella Classic Evening Shirt (White) £175 Silk Barathea Classic Self-Tie Bow Tie (Black) £55 Dinner Trousers (Black) £350 6 Tie Patent Leather Dress Shoes (Black) £295 16 17 Linen Single Breasted Jacket (Cream) £595 Linen Double Breasted Waistcoat (Cream) £295 Check Casual -
Bruno Piattelli.Pdf
The Italian designer, one of the founders of Made in Italy BIOGRAPHY The Italian designer, one of the founders of Made in Italy BIOGRAPHY Born and raised in Rome, Piattelli attended the well-known Visconti “liceo” there before continuing his stu- dies, in law, at the Roman La Sapienza Univerity. He began his career helping in his father’s atelier in Piazza S. Sylvestro in Rome, which, when he started, already had a select and international clientele. Within only a few years time, Piattelli’s work was noticed by clothing and fabric manufacturers which lead to collaboration with important domestic and international fashion houses. Contracts were signed with: D’Avenza, Ellesse, Petronius, Lanerossi and Sanremo. He designed collections for Burberry’s of London and D’Urban of Tokyo. He collaborated with the NASA Space Mission designing knitwear for the astronauts. He created the uniforms for Zambia Airlines male and female flight attendants and for the hostesses of Dunhill of London. He made the uniforms for Alitalia’s male ground personnel and he dressed the Italian National Olympic Teams in Mexico City in 1968 and Atlanta in 1996. Piattelli Corners were opened in some of the most prestigious luxury department stores and shops such as Liberty’s in London, Barney’s in New York, Louis in Boston, The Executive in Johannesburg in South Africa. In Asia, Piattelli Corners were opened Hong Kong, Bangkok and Tokyo in Takashimaya, Mitsukoshi and Sei- bu luxury department stores. An invitation from the government of the Chinese People’s Republic to do a study of the clothing manufac- turing industry lead to a new adventure – a joint venture with the clothing manufacturing industry in China. -
Albuquerque Morning Journal, 03-19-1922 Journal Publishing Company
University of New Mexico UNM Digital Repository Albuquerque Morning Journal 1908-1921 New Mexico Historical Newspapers 3-19-1922 Albuquerque Morning Journal, 03-19-1922 Journal Publishing Company Follow this and additional works at: https://digitalrepository.unm.edu/abq_mj_news Recommended Citation Journal Publishing Company. "Albuquerque Morning Journal, 03-19-1922." (1922). https://digitalrepository.unm.edu/ abq_mj_news/510 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Morning Journal 1908-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. X X CITY CITY EDITION JBNAL EDITION FORTY-S- PAGES TODAY IN ONI) YEAR PACKS TODAY I 78. 20 TWO New March 1922. OH Daily Carrier or MjiA M5c a VOIi. CLXXII. No. SECTIONS Albuquerque, Mexico, Sunday, 19, TWO hj Hiiqtb UJ TIO.NS Single ( op!,. t BLIZZARD BRAVED BY mm mdddle E Plans For Evacuation A DUADRUPL PACT NURSE TO ASSIST "Pink Lady's" Romance telndes COVERS DESTITUTE FAMILY TO BE PASSED RATON; 1 WEATHER COLD of Mines Are Klamath Falls, Ore., March Seeing cr Wedding S UPPORTFR S April 18. Miss Lydia Fx'ieke, Klam- ilDEfl ath county health nurse, is re- IIPIClAL DISPATCH TO MONNINA JOURNALj covering today from a hazard- itaton, N. M., .March IS. Unionist ous trip of 20 miles on skis Baton is again in one of the SENATE Begun, Says through a blinding snow storm F0I SGLBTKMl worst storms of the wintei, FOES II $. which she undertook for the which came .suddenly Friday relief of a destitute family in night with a high wind. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
Dress Like a Pilgrim a Procurement Guide by Mayflower Guard
DRESS LIKE A PILGRIM A Procurement Guide SEPTEMBER 29, 2018 THE MAYFLOWER GUARD General Society of Mayflower Descendants Dress Like a Pilgrim A Procurement Guide By Mayflower Guard As James Baker, noted Pilgrim historian, points out in his recent article in the Mayflower Journal 1 there is a major image problem associated with what clothing and apparel Pilgrims wore. The image of black clothing, buckles and blunderbusses persist in the public mind. To overcome this misperception and to assist in this effort to change public perceptions, the donning of appropriate garments representing what the Pilgrims actually wore should be a major objective for the commemoration of the 1 Baker, James W., Pilgrim Images III, Mayflower Journal Vol. 2, No. 1 [2017], pp 7-19 1 400th anniversary of the arrival of the Mayflower. We the Mayflower descendants need to Dress Like a Pilgrim and wear Pilgrim Appropriate Apparel (PAA). So, what did Pilgrim men and women wear? Fabrics In 17th Century England and in the Netherlands, there were two basic fabrics that were used for clothing, wool and linen. There was combination of wool and linen know has fustian corduroy that was also used, however finding this fabric today is almost impossible. Cotton while available was very rare and very expensive in the early 17th century. Colors We know that the Pilgrims wore a variety of colors in their clothing from probate records where the color of various clothing items were mentioned including the colors violet, blue, green.1,2 The color red was also listed. However, the reds that were used in the early 17th century were more of a brick red and a matter red which is a little more orange in nature than modern reds.