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Tracing the Origin of Blue and White Chinese Porcelain Ordered for the Portuguese Market During the Ming Dynasty Using INAA
Journal of Archaeological Science 40 (2013) 3046e3057 Contents lists available at SciVerse ScienceDirect Journal of Archaeological Science journal homepage: http://www.elsevier.com/locate/jas Tracing the origin of blue and white Chinese Porcelain ordered for the Portuguese market during the Ming dynasty using INAA M. Isabel Dias a,*, M. Isabel Prudêncio a, M.A. Pinto De Matos b, A. Luisa Rodrigues a a Campus Tecnológico e Nuclear/Instituto Superior Técnico, Universidade Técnica de Lisboa, EN 10 (Km 139,7), 2686-953 Sacavém, Portugal b Museu Nacional do Azulejo, Rua da Madre de Deus no 4, 1900-312 Lisboa, Portugal article info abstract Article history: The existing documentary history of Chinese porcelain ordered for the Portuguese market (mainly Ming Received 21 March 2012 dynasty.) is reasonably advanced; nevertheless detailed laboratory analyses able to reveal new aspects Received in revised form like the number and/or diversity of producing centers involved in the trade with Portugal are lacking. 26 February 2013 In this work, the chemical characterization of porcelain fragments collected during recent archaeo- Accepted 3 March 2013 logical excavations from Portugal (Lisbon and Coimbra) was done for provenance issues: identification/ differentiation of Chinese porcelain kilns used. Chemical analysis was performed by instrumental Keywords: neutron activation analysis (INAA) using the Portuguese Research Reactor. Core samples were taken from Ancient Chinese porcelain for Portuguese market the ceramic body avoiding contamination form the surface layers constituents. The results obtained so INAA far point to: (1) the existence of three main chemical-based clusters; and (2) a general attribution of the Chemical composition porcelains studied to southern China kilns; (3) a few samples are specifically attributed to Jingdezhen Ming dynasty and Zhangzhou kiln sites. -
Over 300 Objects on Display in Asian Civilisations Museum's
1 Empress Place Singapore 179555 www.acm.org.sg MEDIA INVITATION OVER 300 OBJECTS ON DISPLAY IN ASIAN CIVILISATIONS MUSEUM’S NEW GALLERY OF CHINESE CERAMICS Dear Editor, Asian Civilisations Museum (ACM) specially invites you to go on a Director’s Tour of its new gallery of Chinese Ceramics. 2. The gallery presents a wide range of Chinese ceramics, from earthenware made for ritual burial in tombs to the finest porcelains from the Imperial kilns. The display spans 333 sq m, an area that includes Level 3 of the museum’s new Kwek Hong Png Wing. Interpretive materials explore how ceramics were made, used, and valued throughout Chinese history. 3. Key highlights include (i) The display of the lustrous white porcelain, including lively and delightfully modelled figures, produced at the Dehua kilns in Fujian province. The ACM’s large collection of Dehua porcelain is one of the finest and most comprehensive in the world. (ii) A selection of exquisite Song dynasty ceramics from the Edmond Chin collection, including extremely rare examples of Guan (official) kiln ware. The five classic wares of the Song dynasty – Ding, Jun, Ru, Guan, and Ge – have been prized by emperors, scholars, and collectors since their inception. (iii) Vase with a chrysanthemum base – This vase is an artistic tour-de- force, with the solid body of the vessel contrasting with the apparently fragile flower underneath. It reflects a blend of native Han and Central Asian taste – another example is from 12th-century Hebei under the Liao dynasty. (iv) Flute – Porcelain flutes were rare and luxurious versions of musical instruments normally carved from bamboo. -
East Indian Bronze Figures of Ganesh, 19Th/20Th
Lot Description Price (lot of 6) East Indian bronze figures of Ganesh, 19th/20th century, featuring four in dancing poses, one 1 multi-armed and one silvered seated, 9''h; Provenance: The Hemphill Collection of San Francisco $ 150 (lot of 7) East Indian bronze oil lamps, 19th/20th century, consisting of two standing beauties, hand lamp with figure of elephant, Ganesh base lamp, spoon shaped lamp, peacock lamp, Himalayan lamp, 8.5''h; 2 Provenance: The Hemphill Collection of San Francisco $ 175 Asian bronze seated Hotei on dragon throne, 20th century, holding a strand of praying beads and a bag 5 with traces of gilt, 8.5''h; Provenance: The Hemphill Collection of San Francisco $ 200 (lot of 2) Thai gilt bronze Buddhist figures, 19th century, figures each seated on tiered pedestals, some 7 damages, 17''h; Provenance: The Hemphill Collection of San Francisco $ 125 (lot of 6) group of Himalayan silver gilt metal votive pieces, 20th century, consisting of a table top prayer 8 wheel, a bowl, three rings, and a finial, 7.5''h; Provenance: The Hemphill Collection of San Francisco $ 175 (lot of 5) Assortment of Himalayan/Tibetan religious objects, consisting of a bronze bell with a vajra finial, a small bronze floral form stem cup, a copper phurba and a copper gao, 6.75''h; Provenance: The Hemphill 9 Collection of San Francisco $ 150 (lot of 6) Nepalese seated copper alloy Buddhas, 20th century, five are holding medicine jars, one with 11 hands in mudra, 5.5''h; Provenance: The Hemphill Collection of San Francisco $ 125 (Lot of 3) Chinese green -
2060 ± 120 N-148. Ashiaraidani 1 2460 ± 120 N-149. Ashiaraidani 2
RIKEN Natural Radiocarbon Measurements II Item Type Article; text Authors Yamasaki, Fumio; Hamada, Tatsuji; Fujiyama, Chikako Citation Yamasaki, F., Hamada, T., & Fujiyama, C. (1966). RIKEN natural radiocarbon measurements II. Radiocarbon, 8, 324-339. DOI 10.1017/S0033822200000199 Publisher American Journal of Science Journal Radiocarbon Rights Copyright © The American Journal of Science Download date 27/09/2021 23:54:02 Item License http://rightsstatements.org/vocab/InC/1.0/ Version Final published version Link to Item http://hdl.handle.net/10150/653998 [RADIOCARBON, VOL. 8, 1966, P. 324-339] RIKEN NATURAL RADIOCARBON MEASUREMENTS II FUMIO YAMASAKI, TATSU JI HAMADA and CHIKAKO FU JIYAMA Institute of Physical and Chemical Research (RIKEN) Komagome, Bunkyo-ku, Tokyo, Japan The C14 dates given below are a continuation of the work presented in our first list (RIKEN I), and have been obtained by counting CO2 at about 2 atm pressure in a 2.7-L stainless steel counter. In this article, re- sults obtained during 1964-65 are described. Shell samples were treated with 1% HCl to remove the outer 10%. Calcareous deposits on the surface, when observed, were removed by me- chanical means. Dates have been calculated on the basis of the C14 half-life of 5568 yr, and 950 of NBS oxalic acid as modern standard. No correction was applied even for fresh water shell samples. SAMPLE DESCRIPTIONS I. GEOLOGIC SAMPLES Iwo-dake series 2060 ± 120 N-148. Ashiaraidani 1 110 B.C. Trunk of wood (Junierus rigida) washed out of the face of an eroded bank of Ashiaraidani valley, Nakao, Kamitakara-mura, Yoshiki- gun, Gifu pref. -
The Reception of Chinese and Japanese Porcelain in Europe
The Reception of Chinese and Japanese Porcelain in Europe Rose Kerr Introduction In the last twenty years, a great deal of new work has been done on the trade in porcelain between China, Japan and Europe. The extent of research activity is revealed by the impressive six-page, double column, and bibliography in the catalogue which accompanied an exhibition at the British Museum in London from July to November, 1990.1 This exhibition, entitled "Porcelain for Palaces", looked at one aspect of the trade, namely the fashion for Japan in Europe in the period 1650-1750. It was only one of many recent projects undertaken in Europe, America and Japan to consider the East-West trade in ceramics during the seventeenth and eighteenth centuries. Indeed, the only country to show scant interest has been China herself.2 Most useful study has been carried out in the West and in Japan, through archaeological an1 archival work: exploratory trips to the Chinese mainland have reveale1 li1.tle of interest.3 This paper will attempt to sketch a few new details upon this expansive background. Its first subject will be a very brief overview of European trade in the East during the seventeenth and eighteenth centuries1 the second part will deal with bulk exports or tableware; while the third will examine the types of Chinese and Japanese porcelain used for luxury display in European palaces and great houses. European Trade in the East in the seventeenth and Eighteenth Centuries Export porcelains make an attractive item for study because they are beautiful, and because they survive complete or as sherds. -
The Porcelain Tour of China Jingdezhen - Longquan - Dehua by China Design Centre
The Porcelain Tour of China Jingdezhen - Longquan - Dehua by China Design Centre Wednesday 24th October - Tuesday 6th November 2018 The well established China Design Centre based at the London Building Centre has hosted numerous high profile culture and creative exhibitions showcasing famous Chinese specialists. It is the cultural bridge between East and West. Discover us at www.chinadesigncentre.com The Porcelain Tour is a small group unique and professional in-depth discovery of exquisite Chinese porcelain at its origins. Celebrate the timeless beauty of ceramic arts and crafts at the three most important porcelain centres in China, personally engage with the masters and participate in an interactive workshop experience. Are you impressed by the Chinese porcelain displayed at the British Museum? Would you like to visit the studios where those pieces were made and are still being made today to learn and interact with the masters? Would you like to learn about the contemporary porcelain and creative industry in China and the exciting Artist-in-Residency programmes? Join us on this special tour and immerse yourself in a unique cultural experience in China. Unlike the conventional trip-planners, we avoid the touristy attractions and will only take you to the most authentic places related to the theme: porcelain. Whether if you have been to China or not, the tour will show you the side of China that you have never seen. The Centres The tour will take you to where the most celebrated styles of porcelain in China were made: Jingdezhen, ‘the capital of porcelain’; Longquan for celadon ware; Dehua for ‘Blanc de Chine’ white porcelain. -
Vol. 20, No. 6 June 2016 Youfree Can’T Buy It
ABSOLUTELY Vol. 20, No. 6 June 2016 YouFREE Can’t Buy It Dutch Floral oil mixed media on canvas 36 x 36 inches Dutch Floral 2 oil mixed media on canvas 36 x 36 inches Summer Flora oil mixed media on canvas 30 x 30 inches Paintings are by Madeline Dukes and are part of the exhibit, Her Garden: Two Views, on view at Hagan Fine Art Gallery and Studio in Charleston, SC, from June 3 - 30, 2016. See article on Page 15. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Madeline Dukes at Hagan Fine Art Gallery and Studio Page 3 - Red Piano Art Gallery Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs and Carolina Arts site Page 4 - Inkpressions Page 4 - Editorial Commentary Page 5 - Ella Walton Richardson Fine Art Page 6 - 37th Piccolo Spoleto Fine Craft Shows Fresh Paint Page 8 - Ella W. Richardson Fine Art & Corrigan Gallery Page 7 - Rhett Thurman, Anglin Smith Fine Art, Helena Fox Fine Art, The Sylvan Gallery, Page 9 - Corrigan Gallery cont. & City Gallery at Waterfront Park The Wells Gallery at the Sanctuary, Charleston Crafts, Spencer Art Galleries, Page 10 - Charleston County Public Library & Charleston Artist Guild McCallum-Halsey Studios, Corrigan Gallery, Nina Liu & Friends, Surface Craft Gallery, Page 11 - Charleston Artist Guild cont., Meyer Vogl Gallery & Robert Lange Studios Saul Alexander Foundation Gallery, City Gallery at Waterfront Park, City of North Charleston Page 12 - Robert Lange Studios cont. -
Christie's First Internet Exclusive Sales of Asian Art Open for Bidding in July
PRESS RELEASE | N E W Y O R K | 20 JUNE 2013 FOR IMMEDIATE RELEASE CHRISTIE’S FIRST INTERNET EXCLUSIVE SALES OF ASIAN ART OPEN FOR BIDDING IN JULY BLANC DE CHINE: DEHUA PORCELAIN FROM THE GALSTER-IRELAND COLLECTION AND MINIATURE TREASURES: CHINESE SNUFF BOTTLES FROM A PRIVATE NEW YORK COLLECTION AND A SELECTION OF RARE CHINESE REFERENCE BOOKS A Dehua Guanyin Holding A Basket With Fish A Sepia-Decorated Black-Ground Porcelain Bottle 19th Century 1800-1900 Estimate $6,000-8,000 Estimate: $2,000-$4,000 New York - Christie’s is pleased to announce the launch of two online-exclusive sales for a Chinese Works of Art in July 2013, the first internet exclusive opportunities for the collecting category. Blanc de Chine: Dehua Porcelain from the Galster-Ireland Collection will run from July 9-23, offering 57 lots of exquisite Chinese porcelain, while Miniature Treasures: Chinese Snuff Bottles From a Private New York Collection and A Selection of Rare Chinese Reference Books will run from July 16-30 and feature 76 lots of exceptional and unusual bottles, in glass, porcelain, jade, and various other hardstones, as well as rare scholarly books that focus on an array of topics, from Chinese porcelain to Buddhist cave paintings. Over the past two years, Christie’s has made a significant commitment to building its e-commerce platform to support internet exclusive sales and has successfully piloted numerous online-only sales for Wine, Fashion, Post-War and Contemporary Art, and Pop Culture with great feedback and enthusiasm from our clients. The expansion of online-only sales into the Chinese Works of Art category is a testament to clients’ support of the internet-exclusive platform from around the globe as a regular and integral component of Christie’s business. -
Antique Chinese Porcelains
ANTIQUE CHINESE PORCELAINS LEIBER MUSEUM THE ANTIQUE CHINESE PORCELAIN COLLECTION OF JUDITH & GERSON LEIBER By J. B. Sussman Judith and Gerson Leiber have finely developed artistic sensibilities. She is a world-renowned designer of handbags and other fashion accessories, many of which are in the permanent collections of such important museums as The Metropolitan Museum of Art, The Smithsonian, and the Victoria and Albert Museum in London, among various others. Pair of Famille Verte Gerson Leiber is a highly regarded fine artist who has produced acclaimed Beaker-Shaped Vases Decorated in paintings, etchings, and drawings. His work has been displayed in numerous Precious Antiques, Flowers galleries and is represented in important museums throughout the country, and K’ang Hsi Period, 1662 – 1722 AD several years ago his paintings were the subject of a one-man show at Guild Hall. Sixty-two years ago, the Leibers began collecting antique Chinese porcelains. They have long been interested in the high degree of civilization attained in China, dating back thousands of years when many parts of the world were in a state of barbarism. Now, the Leibers have assembled approximately 140 of their best porcelain pieces for their first public exhibition. This eclectic collection of Chinese porcelains contains pieces that date back thousands of years, as well as pieces that were created in the first years of the 20th Century. The exhibition offers vital cultural and artistic insights into China’s glorious past, demonstrating its magnificent contribution to the art and craft of porcelain pottery. It is interesting to reflect that for centuries, a single kind of manufactured material has been closely identified with China. -
Journey. One Thousand Years. the Six Ancient Kilns the Intersection of Fire and Humanity, Soil and Humanity, Water and Humanity
Journey. One thousand years. The Six Ancient Kilns the intersection of fire and humanity, soil and humanity, water and humanity – First Issue: “Getting to know The Six Ancient Kilns” “Learning about The Six Ancient Kilns” Journey. One thousand years. The Six Ancient Kilns the intersection of fire and humanity, soil and humanity, water and humanity The relationship between the Japanese and pottery dates back to the Jomon period (the earliest historical era of Japanese history coinciding with the Neolithic Period, from around 14500 BCE to around 300 BCE), when pottery was used for necessities such as preserving food, cooking, and rituals. Pottery not only helped build a civilization, it also exceeded conventional uses to enrich the culture of Japan in many ways. Of all the ancient pottery sites of Japan, the “Six Ancient Kilns”(pronounced nihon rokkoyo in Japanese) refers collectively to the six representative production areas of Echizen, Seto, Tokoname, Shigaraki, Tamba, and Bizen, whose pottery production has continued from the medieval period (1185- 1603) to the present day. The term “Six Ancient Kiln” was coined by renowned ceramics scholar, Koyama Fujio around 1948 and the sites were certified as each of the six areas has cultivated over the official Japanese Heritage sites in spring last 1000 years, and to inspire a vision of the 2017. future 1000 years from today based on these findings. To mark this occasion, the six cities created a Japanese Heritage Promotion Council * The 6 Pottery Production Areas whose objective was to revisit the technology Echizen ware: Echizen, Fukui and cultures that were born in each of these Seto ware: Seto, Aichi production areas over the last thousand Tokoname ware: Tokoname, Aichi years, and create an opportunity to delve into Shigaraki ware: Koka,Shiga the wonders of the Six Ancient Kilns from a Tamba ware: Tamba Sasayama, Hyogo newfound perspective. -
The Porcelain Tour of China Jingdezhen - Longquan - Dehua by China Design Centre
The Porcelain Tour of China Jingdezhen - Longquan - Dehua by China Design Centre Thursday 25th October - Tuesday 6th November 2018 The well established China Design Centre based at the London Building Centre has hosted numerous high profile culture and creative exhibitions showcasing famous Chinese specialists. It is the cultural bridge between East and West. Discover us at www.chinadesigncentre.com The Porcelain Tour is a small group unique and professional in-depth discovery of exquisite Chinese porcelain at its origins. Celebrate the timeless beauty of ceramic arts and crafts at the three most important porcelain centres in China, personally engage with the masters and participate in an interactive workshop experience. Are you impressed by the Chinese porcelain displayed at the British Museum? Would you like to visit the studios where those pieces were made and are still being made today to learn and interact with the masters? Would you like to learn about the contemporary porcelain and creative industry in China and the exciting Artist-in-Residency programmes? Join us on this special tour and immerse yourself in a unique cultural experience in China. Unlike the conventional trip-planners, we avoid the touristy attractions and will only take you to the most authentic places related to the theme: porcelain. Whether if you have been to China or not, the tour will show you the side of China that you have never seen. The Centres The tour will take you to where the most celebrated styles of porcelain in China were made: Jingdezhen, ‘the capital of porcelain’; Longquan for celadon ware; Dehua for ‘Blanc de Chine’ white porcelain. -
Eastern· Asia and Oceania
I Eastern· Asia and Oceania WILHELM G. SOLHEIM II TENTH PACIFIC SCIENCE CONGRESS A general notice of the Tenth Pacific Science Congress was presented in this section of the last news issue of Asian Perspectives. There are to be four sessions jointly sponsored by the Section of anthropology and Social Sciences of the Congress and the Far-Eastern Prehistory Association. The organizer of this Division is Dr Kenneth P. Emory, Department of Anthropology, Bernice P. Bishop Museum, Honolulu 17, Hawaii and the Co-organizer is Dr Wilhelm G. Solheim II, FEPA, Department ofAnthropology and Archreology, Florida State University, Tallahassee, Florida. Three ofthe sessions are symposia; these are: 'Geochronology: Methods and Results', Convener-Wilhelm G. Solheim II; 'Current Research in Pacific Islands Archreology', Convener-Kenneth P. Emory; and 'Trade Stone ware and Porcelain in Southeast Asia', Convener-Robert P. Griffing, Jr., Director, Honolulu Academy of Arts, Honolulu, Hawaii. The fourth session will be 'Contri buted Papers on Far Eastern Archreology', with its Chairman Roger Duff, Director, Canterbury Museum, Christchurch, New Zealand. There are a number of other symposia in the Anthropology and Social Science Section which will be of particular interest to the archreologist. A detailed report of the meetings will appear in the Winter 1961 issue (Vol. V, No.2) of Asian Perspect£ves. UNIVERSITY PROGRAlVIMES IN FAR-EASTERN PREHISTORY Academic interest in the inclusion of Oceanian and Southeast Asian prehistoric archreology in the university curriculum is continuing to increase. In 1960 the Australian National University indicated their intention of including this in their programme with the selection of Jack Golson as a Fellow on the staff of their Department of Anthropology and Sociology.