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Factsheet St. Peter's Basilica
www.osram.com 1/3 Facts and figures – St. Peter's Basilica and other lighting projects in The Vatican at a glance LED technology from Osram already has proven its worth for lighting The Sistine Chapel, St. Peter's Square and Raphael’s Rooms. From now on, the unique beauty of St. Peter's Basilica will amaze visitors more than ever. St. Peter’s Basilica o One of the largest and most important Catholic churches in the world o About 27,000 visitors per day o The illumination was digitally simulated on the computer in advance and then implemented without complex test installations in St. Peter's Basilica. o Lighting concept comprises 780 LED luminaires specially developed and manufactured in Wipperfürth, equipped with 100,000 light-emitting diodes from Regensburg and an Osram lighting management system. o Energy savings of up to 90 percent, with a reduction in the number of luminaires by 80 percent o Some domes shine 10 times brighter than before o The highest luminaire was installed at a height of about 110 meters, the lowest at a height of about 12 meters. o St. Peter's Basilica contains the largest mosaic in the world, with an area of approximately 10,000 square meters. This mosaic now shines in a previously unseen beauty. o Various lighting scenarios, from basic lighting to gala lighting, can be digitally controlled, depending on the occasion. o The newly created brightness enables television broadcasts from St. Peter's Basilica in a quality of VHD 4K and UHD 8K without any flickering or bias noise OSRAM Licht AG Marcel-Breuer-Strasse 6, -
Iii International Sacred Music Choir Festival
under the patronage of Associazione Internazionale Amici della Musica Sacra President and Founder Sen. Dr. Dr. h.c. Hans-Albert Courtial IIIIII IINNTTEERRNNAATTIIOONNAALL SSAACCRREEDD MMUUSSIICC CCHHOOIIRR FFEESSTTIIVVAALL Rome and the Vatican City July 27th – 30th, 2007 Dear Choirmasters, Choristers and Friends of choral music, It is a pleasure for me to welcome the choristers that take part in the III International Festival of Sacred music. The wonderful city of Roma hosts the Festival which is extraordinary for the variety of the participating choirs and for artistic level of the repertoires performed by the choirs. Choirs have always fascinated me in a particular way, not only in the moment of performance when the union of voices produces intense emotions, but also in their preparation. Getting used to be in a group, having a certain determined role, understanding that only a common effort will create great results, this has always appeared to me as a highly qualifying school. The aim of our Festival is to promote the unifying power of music, which improves contacts among cultures, traditions and people. I am sure that your stay in Roma will bring pleasant, interesting, joyful and sometimes unforgettable experience for the choirs from all over the world. I wish all of you to enjoy our Festival and have nice days in this magnificent city. Sen. h.c. Dr. Hans-Albert Courtial President and Founder of the International Association Friends of Sacred Music PARTICIPATING CHOIRS LEANDROS SITAROS CHOIR CYPRUS POLYPHONIC CHOIR OF PATRAS GREECE CHOIR OF THE UNIVERSIDAD DEL ISTMO GUATEMALA CHORUS MARIGNANENSIS ITALY COLLEGIUM BACCALARUM CHOIR POLAND AMICII DELLA MUSICA CHOIR ROMANIA PROGRAM OF THE FESTIVAL Friday – July 27 th 6.30 pm Meeting of all conductors in the “Farmacia” in the Church St. -
Rome: a Pilgrim’S Guide to the Eternal City James L
Rome: A Pilgrim’s Guide to the Eternal City James L. Papandrea, Ph.D. Checklist of Things to See at the Sites Capitoline Museums Building 1 Pieces of the Colossal Statue of Constantine Statue of Mars Bronze She-wolf with Twins Romulus and Remus Bernini’s Head of Medusa Statue of the Emperor Commodus dressed as Hercules Marcus Aurelius Equestrian Statue Statue of Hercules Foundation of the Temple of Jupiter Optimus Maximus In the Tunnel Grave Markers, Some with Christian Symbols Tabularium Balconies with View of the Forum Building 2 Hall of the Philosophers Hall of the Emperors National Museum @ Baths of Diocletian (Therme) Early Roman Empire Wall Paintings Roman Mosaic Floors Statue of Augustus as Pontifex Maximus (main floor atrium) Ancient Coins and Jewelry (in the basement) Vatican Museums Christian Sarcophagi (Early Christian Room) Painting of the Battle at the Milvian Bridge (Constantine Room) Painting of Pope Leo meeting Attila the Hun (Raphael Rooms) Raphael’s School of Athens (Raphael Rooms) The painting Fire in the Borgo, showing old St. Peter’s (Fire Room) Sistine Chapel San Clemente In the Current Church Seams in the schola cantorum Where it was Cut to Fit the Smaller Basilica The Bishop’s Chair is Made from the Tomb Marker of a Martyr Apse Mosaic with “Tree of Life” Cross In the Scavi Fourth Century Basilica with Ninth/Tenth Century Frescos Mithraeum Alleyway between Warehouse and Public Building/Roman House Santa Croce in Gerusalemme Find the Original Fourth Century Columns (look for the seams in the bases) Altar Tomb: St. Caesarius of Arles, Presider at the Council of Orange, 529 Titulus Crucis Brick, Found in 1492 In the St. -
Jubilee Pilgrimage to Rome and Assisi
Jubilee Pilgrimage to Rome and Assisi 2016 Extraordinary Holy Year of Mercy February 20-28, 2016 Accompanied by Fr. Richard Wise $1750 per person (ground only) ($750 per person: optional add-on February 28-March 4) Papal Audience with Pope Francis Vatican Museums Sistine Chapel Major papal Basili- cas of St. Peter’s, St. Paul’s, St. John Lateran, St. Mary Major Church of Holy Cross (Santa Croce) Coliseum Roman Forum Assisi *Included in Price: 7 nights in Rome in first-class, newly restored hotel near St. Peter’s (2 pilgrims per room) (Note that single-occupancy rooms are limited and may be available at an additional cost) Continental breakfast, plus dinner daily Private, chartered motor coach (as per itinerary) Day trip to Assisi Accompanying guide for duration of trip Entrances to churches, museums, etc. as per itinerary Daily Mass NOT Included: airfare one meal per day, tips/gratuity (estimate $10/day), or optional travel insurance. **Contact us about airfare. Itinerary on next page For more information, contact Bret Thoman, OFS St. Francis Pilgrimages: 770-402-4335 [email protected] www.stfrancispilgrimages.com Itinerary*: Wednesday, February 24 In the morning, we will walk down to Vatican City Saturday, February 20 where we will listen to Pope Francis give his week- Our pilgrimage will begin with overnight flight ly Papal Audience in various languages. We will from your departure city to Rome Fiumicino air- have the afternoon free to explore Rome as you port. Dinner and breakfast will be served on wish. We will conclude with dinner and overnight board. (Note that you will be sent instructions in our hotel. -
Michelangelo's Locations
1 3 4 He also adds the central balcony and the pope’s Michelangelo modifies the facades of Palazzo dei The project was completed by Tiberio Calcagni Cupola and Basilica di San Pietro Cappella Sistina Cappella Paolina crest, surmounted by the keys and tiara, on the Conservatori by adding a portico, and Palazzo and Giacomo Della Porta. The brothers Piazza San Pietro Musei Vaticani, Città del Vaticano Musei Vaticani, Città del Vaticano facade. Michelangelo also plans a bridge across Senatorio with a staircase leading straight to the Guido Ascanio and Alessandro Sforza, who the Tiber that connects the Palace with villa Chigi first floor. He then builds Palazzo Nuovo giving commissioned the work, are buried in the two The long lasting works to build Saint Peter’s Basilica The chapel, dedicated to the Assumption, was Few steps from the Sistine Chapel, in the heart of (Farnesina). The work was never completed due a slightly trapezoidal shape to the square and big side niches of the chapel. Its elliptical-shaped as we know it today, started at the beginning of built on the upper floor of a fortified area of the Apostolic Palaces, is the Chapel of Saints Peter to the high costs, only a first part remains, known plans the marble basement in the middle of it, space with its sail vaults and its domes supported the XVI century, at the behest of Julius II, whose Vatican Apostolic Palace, under pope Sixtus and Paul also known as Pauline Chapel, which is as Arco dei Farnesi, along the beautiful Via Giulia. -
Newsletter 2020 I
NEWSLETTER EMBASSY OF MALAYSIA TO THE HOLY SEE JAN - JUN 2020 | 1ST ISSUE 2020 INSIDE THIS ISSUE • Message from His Excellency Westmoreland Palon • Traditional Exchange of New Year Greetings between the Holy Father and the Diplomatic Corp • Malaysia's contribution towards Albania's recovery efforts following the devastating earthquake in November 2019 • Meeting with Archbishop Ian Ernest, the Archbishop of Canterbury's new Personal Representative to the Holy See & Director of the Anglican Centre in Rome • Visit by Secretary General of the Ministry of Water, Land and Natural Resources • A Very Warm Welcome to Father George Harrison • Responding to COVID-19 • Pope Called for Joint Prayer to End the Coronavirus • Malaysia’s Diplomatic Equipment Stockpile (MDES) • Repatriation of Malaysian Citizens and their dependents from the Holy See and Italy to Malaysia • A Fond Farewell to Mr Mohd Shaifuddin bin Daud and family • Selamat Hari Raya Aidilfitri & Selamat Hari Gawai • Post-Lockdown Gathering with Malaysians at the Holy See Malawakil Holy See 1 Message From His Excellency St. Peter’s Square, once deserted, is slowly coming back to life now that Italy is Westmoreland Palon welcoming visitors from neighbouring countries. t gives me great pleasure to present you the latest edition of the Embassy’s Nonetheless, we still need to be cautious. If Inewsletter for the first half of 2020. It has we all continue to do our part to help flatten certainly been a very challenging year so far the curve and stop the spread of the virus, for everyone. The coronavirus pandemic has we can look forward to a safer and brighter put a halt to many activities with second half of the year. -
75. Sistine Chapel Ceiling and Altar Wall Frescoes Vatican City, Italy
75. Sistine Chapel ceiling and altar wall frescoes Vatican City, Italy. Michelangelo. Ceiling frescoes: c. 1508-1510 C.E Altar frescoes: c. 1536-1541 C.E., Fresco (4 images) Video on Khan Academy Cornerstone of High Renaissance art Named for Pope Sixtus IV, commissioned by Pope Julius II Purpose: papal conclaves an many important services The Last Judgment, ceiling: Book of Genesis scenes Other art by Botticelli, others and tapestries by Raphael allowed Michelangelo to fully demonstrate his skill in creating a huge variety of poses for the human figure, and have provided an enormously influential pattern book of models for other artists ever since. Coincided with the rebuilding of St. Peters Basilica – potent symbol of papal power Original ceiling was much like the Arena Chapel – blue with stars The pope insisted that Michelangelo (primarily a sculpture) take on the commission Michelangelo negotiated to ‘do what he liked’ (debateable) 343 figures, 4 years to complete inspired by the reading of scriptures – not established traditions of sacred art designed his own scaffolding myth: painted while lying on his back. Truth: he painted standing up method: fresco . had to be restarted because of a problem with mold o a new formula created by one of his assistants resisted mold and created a new Italian building tradition o new plaster laid down every day – edges called giornate o confident – he drew directly onto the plaster or from a ‘grid’ o he drew on all the “finest workshop methods and best innovations” his assistant/biographer: the ceiling is "unfinished", that its unveiling occurred before it could be reworked with gold leaf and vivid blue lapis lazuli as was customary with frescoes and in order to better link the ceiling with the walls below it which were highlighted with a great deal of gold’ symbolism: Christian ideals, Renaissance humanism, classical literature, and philosophies of Plato, etc. -
Download Document
The J. Paul Getty Trust 1200 Getty Center Drive, Suite 400 Tel 310 440 7360 Communications Department Los Angeles, California 90049-1681 Fax 310 440 7722 www.getty.edu [email protected] NEWS FROM THE GETTY DATE: September 14, 2007 FOR IMMEDIATE RELEASE GETTY EXHIBITION HIGHLIGHTS THE TRIALS AND TRIBULATIONS OF A YOUNG ARTIST’S JOURNEY AS TOLD BY HIS BROTHER Taddeo and Federico Zuccaro: Artist-Brothers in Federico Zuccaro Renaissance Rome Italian, about 1541 - 1609 Taddeo Rebuffed by Francesco Il Sant'Agnolo, about 1590 Pen and brown ink and brown wash over black chalk The J. Paul Getty Museum At the J. Paul Getty Museum, Getty Center 99.GA.6.5 October 2, 2007 – January 6, 2008 LOS ANGELES—The journey to becoming an artist in Renaissance Rome during the 16th century was fraught with daily hardships and struggles. These tribulations are best exemplified in the tale of Taddeo Zuccaro, a young lad who left his home on the eastern coast of Italy at the tender age of 14 to pursue a career as an artist in the great metropolis of Rome. His tenuous journey of starvation, deprivation, sickness, and ultimately triumph—sensitively recounted by his younger brother, Federico, who would himself become an artist of great significance—will be celebrated in a major international loan exhibition organized by the J. Paul Getty Museum. On view at the Getty Center, October 2, 2007 through January 6, 2008, Taddeo and Federico Zuccaro: Artist-Brothers in Renaissance Rome is the first exhibition devoted to the artist-brothers that focuses on their relationship and brings together some of their greatest drawings. -
January 2006 ********** February 2006 ********** March 2006
January 2006 Sunday, 1st January 2006 - 11.00 am Via della Conciliazione - St. Peter's Square - Rome NEW YEAR'S DAY PARADE With the participation of: University of Nebraska Marching Band Rioni di Cori Flag Throwers Banda del Comune di Recanati Banda della Aeronautica Militare Friday, 6th January 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Benedictine College Choir USA Program: sacred choir music Sunday, 22nd January 2006 – 5.00 pm Church S. Cipriano, Via di Torrevecchia 169 - Rome St. Cyprian Liturgical Choir - USA Iubilate Deo - Italy Program: sacred choir music ********** February 2006 Tuesday, 21st February 2006 - 9.00 pm Church S. Rufino, P. zza S. Rufino, Assisi Abbotts Bromley School Chapel Choir United Kingdom Program: Schubert, Elgar, Kodaly ********** March 2006 Sunday, 12th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Curé of Ars Church Choir USA 1 Program: sacred choir music Tuesday, 14th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Holy Trinity Church Choir USA Program: sacred choir music Sunday, 19th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Cathedral of St. James’s Choir USA Program: sacred choir music Saturday, 25th March 2006 - 9.00 pm Auditorium Parco della Musica - Petrassi Hall Viale Pietro De Coubertin - Rome Sant'Ignazio di Loyola an Eighteenth Century chamber music piece by Domenico Zipoli S.J., Martin Schmid S.J., Anonymous Ensemble Abendmusik Interpreters: Randall Wong, Robin Blaze, Patricia Vaccari, Nicola Pascoli, Marco Andriolo, Mira Andriolo Conductor: John Finney Reservation required - Tel. nr. 0039 329 2395598 Sunday, 26th March 2006 - 5.00 pm Church Sant'Andrea al Quirinale - Via del Quirinale - Rome Sant'Ignazio di Loyola an Eighteenth Century chamber music piece by Domenico Zipoli S.J., Martin Schmid S.J., Anonymous Ensemble Abendmusik Interpreters: Randall Wong, Robin Blaze, Patricia Vaccari, Nicola Pascoli, Marco Andriolo, Mira Andriolo Conductor: John Finney Reservation required - Tel. -
Vatican Splendors
Bust of an Angel; Giotto di Bondone, after 1304; Photo © Cittá del Vaticano del © Cittá Photo after 1304; di Bondone, Giotto Bust of an Angel; Presented by JANUARY 29 - APRIL 24 www.moafl.org PLANNING SCHOOL GROUPS AND FIELD TRIPS VATICAN SPLENDORS • After using this guide in your classroom, you may want to plan a field trip to see Vatican Splendors! • Reservations are required for school groups. • All tours are self-guided and run from 9 a.m. to 2 p.m. every Monday through Friday, starting Artwork courtesy of Greudin on Wiki Commons Wiki of on Artwork courtesy Greudin on the 1/2-hour. • Students/Teachers/Chaperones: receive a significant savings. To make school group reservations, please call 954-262-0202. For more information about field trips, visit www.moaflnsu.org Saint Peter’s Square, Vatican City Vatican Splendors is a fascinating story where walls, floors, ceilings, tombs and sacred objects trace the development of a 2,000-year-old institution and its dramatic effect on the world. The exhibition presents art and objects in recreated environments designed to promote interactive, immersive and multi-sensory approaches to examining and interpreting ancient sources. This activity poster contains information that will help in preparing for the exhibition, learning from the exhibition and reflecting on the visit through a series of classroom experiences that emphasize the analytical skills of interpretation, evaluation, comparison, and global perspectives. Activities, concepts and vocabulary are related to National Science and Social Studies Standards and are benchmarked for the Sunshine State Standards. Both advocate inquiry into objects and the use of primary Halberdier-Swiss Guard uniform sources such as maps, diaries, letters, paintings, sculpture and clothing as a means to understand an Photo © Cittá del Vaticano institution like the Vatican and its influence on the scientific, political, social and cultural aspects of the Roman Empire and the world. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Palazzo del Te: Art, Power, and Giulio Romano’s Gigantic, yet Subtle, Game in the Age of Charles V and Federico Gonzaga A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Interdisciplinary Studies with emphases in Art History and Political Science By Diana L. Michiulis December 2016 The thesis of Diana L. Michiulis is approved: ___________________________________ _____________________ Dr. Jean-Luc Bordeaux Date ___________________________________ _____________________ Dr. David Leitch Date ___________________________________ _____________________ Dr. Margaret Shiffrar, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to convey my deepest, sincere gratitude to my Thesis Committee Chair, Dr. Margaret Shiffrar, for all of her guidance, insights, patience, and encourage- ments. A massive "merci beaucoup" to Dr. Jean-Luc Bordeaux, without whom completion of my Master’s degree thesis would never have been fulfilled. It was through Dr. Bordeaux’s leadership, patience, as well as his tremendous knowledge of Renaissance art, Mannerist art, and museum art collections that I was able to achieve this ultimate goal in spite of numerous obstacles. My most heart-felt, gigantic appreciation to Dr. David Leitch, for his leadership, patience, innovative ideas, vast knowledge of political-theory, as well as political science at the intersection of aesthetic theory. Thank you also to Dr. Owen Doonan, for his amazing assistance with aesthetic theory and classical mythology. I am very grateful as well to Dr. Mario Ontiveros, for his advice, passion, and incredible knowledge of political art and art theory. And many thanks to Dr. Peri Klemm, for her counsel and spectacular help with the role of "spectacle" in art history. -
Janson. History of Art. Chapter 16: The
16_CH16_P556-589.qxp 12/10/09 09:16 Page 556 16_CH16_P556-589.qxp 12/10/09 09:16 Page 557 CHAPTER 16 CHAPTER The High Renaissance in Italy, 1495 1520 OOKINGBACKATTHEARTISTSOFTHEFIFTEENTHCENTURY , THE artist and art historian Giorgio Vasari wrote in 1550, Truly great was the advancement conferred on the arts of architecture, painting, and L sculpture by those excellent masters. From Vasari s perspective, the earlier generation had provided the groundwork that enabled sixteenth-century artists to surpass the age of the ancients. Later artists and critics agreed Leonardo, Bramante, Michelangelo, Raphael, Giorgione, and with Vasari s judgment that the artists who worked in the decades Titian were all sought after in early sixteenth-century Italy, and just before and after 1500 attained a perfection in their art worthy the two who lived beyond 1520, Michelangelo and Titian, were of admiration and emulation. internationally celebrated during their lifetimes. This fame was For Vasari, the artists of this generation were paragons of their part of a wholesale change in the status of artists that had been profession. Following Vasari, artists and art teachers of subse- occurring gradually during the course of the fifteenth century and quent centuries have used the works of this 25-year period which gained strength with these artists. Despite the qualities of between 1495 and 1520, known as the High Renaissance, as a their births, or the differences in their styles and personalities, benchmark against which to measure their own. Yet the idea of a these artists were given the respect due to intellectuals and High Renaissance presupposes that it follows something humanists.