TELEVISION, MEMORY and NOSTALGIA Mikyoung Kim and Barry Schwartz (Editors) NORTHEAST ASIA’S DIFFICULT PAST Essays in Collective Memory Erica Lehrer, Cynthia E

Total Page:16

File Type:pdf, Size:1020Kb

TELEVISION, MEMORY and NOSTALGIA Mikyoung Kim and Barry Schwartz (Editors) NORTHEAST ASIA’S DIFFICULT PAST Essays in Collective Memory Erica Lehrer, Cynthia E Palgrave Macmillan Memory Studies Series Editors: Andrew Hoskins and John Sutton The nascent field of Memory Studies emerges from contemporary trends that include a shift from concern with historical knowledge of events to that of mem- ory, from ‘what we know’ to ‘how we remember it’; changes in generational memory; the rapid advance of technologies of memory; panics over declining powers of memory, which mirror our fascination with the possibilities of mem- ory enhancement; and the development of trauma narratives in reshaping the past. These factors have contributed to an intensification of public discourses on our past over the last thirty years. Technological, political, interpersonal, social and cultural shifts affect what, how and why people and societies remember and forget. This groundbreaking series tackles questions such as: What is ‘memory’ under these conditions? What are its prospects, and also the prospects for its interdisciplinary and systematic study? What are the conceptual, theoretical and methodological tools for its investigation and illumination? Titles include: Aleida Assmann and Sebastian Conrad (editors) MEMORY IN A GLOBAL AGE Discourses, Practices and Trajectories Aleida Assmann and Linda Shortt MEMORY AND POLITICAL CHANGE Brian Conway COMMEMORATION AND BLOODY SUNDAY Pathways of Memory Richard Crownshaw THE AFTERLIFE OF HOLOCAUST MEMORY IN CONTEMPORARY LITERATURE AND CULTURE Astrid Erll MEMORY IN CULTURE Anne Fuchs AFTER THE DRESDEN BOMBING Pathways of Memory 1945 to the Present Yifat Gutman, Adam D. Brown and Amy Sodaro (editors) MEMORY AND THE FUTURE Transnational Politics, Ethics and Society Amy Holdsworth TELEVISION, MEMORY AND NOSTALGIA Mikyoung Kim and Barry Schwartz (editors) NORTHEAST ASIA’S DIFFICULT PAST Essays in Collective Memory Erica Lehrer, Cynthia E. Milton and Monica Eileen Patterson (editors) CURATING DIFFICULT KNOWLEDGE Violent Pasts in Public Places Motti Neiger, Oren Meyers and Eyal Zandberg (editors) ON MEDIA MEMORY Collective Memory in a New Media Age Evelyn B. Tribble and Nicholas Keene COGNITIVE ECOLOGIES AND THE HISTORY OF REMEMBERING Religion, Education and Memory in Early Modern England Forthcoming titles: Anne Fuchs ICON DRESDEN A Cultural Impact Study from 1945 to the Present Owain Jones and Joanne Garde-Hansen (editors) GEOGRAPHY AND MEMORY Exploring Identity, Place and Becoming Emily Keightley and Michael Pickering CREATIVE MEMORY J. Olaf Kleist and Irial Glynn (editors) HISTORY, MEMORY AND MIGRATION Perceptions of the Past and the Politics of Incorporation Palgrave Macmillan Memory Studies Series Standing Order ISBN 978–0–230–23851–0 (hardback) 978–0–230–23852–7 (paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England Television, Memory and Nostalgia Amy Holdsworth © Amy Holdsworth 2011 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2011 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-31923-7 ISBN 978-0-230-34797-7 (eBook) DOI 10.1057/9780230347977 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Holdsworth, Amy, 1979– Television, memory and nostalgia / Amy Holdsworth. p. cm. — (Palgrave Macmillan memory studies) Based on the author’s thesis (doctoral)—University of Warwick. Includes bibliographical references and index. 1. Memory on television. 2. Nostalgia on television. 3. Identity (Psychology) on television. 4. Television—Psychological aspects. I. Title. PN1992.M45H65 2011 791.43019—dc23 2011020969 10987654321 20 19 18 17 16 15 14 13 12 11 Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne For Alice. In Loving Memory This page intentionally left blank Contents List of Figures viii Acknowledgements xi Introduction 1 1 Half the World Away: Television, Space, Time and Memory 7 2 Haunting the Memory: Moments of Return in Television Drama 32 3 WhoDoYouThinkYouAre?Memory and Identity in the Family History Documentary 65 4 Safe Returns: Nostalgia and Television 96 5 Television’s Afterlife: Memory, the Museum and Material Culture 127 Notes 149 Bibliography 159 Index 169 vii List of Figures 1.1 Split-screen memory in Oldboy (dir. Park Chan-Wook, prod. Egg Films/Show East, South Korea, 2003) 10 1.2 Remembering watching television news (BBC promo, 2008) 12 1.3 Television’s mise-en-abyme – a series of reflections looking into and out from the screen. The Royle Family title sequence (Granada for BBC, 1998–) 18 1.4 Garry Shandling and Bill Haverchuck share an after-school drink in ‘Dead Dogs and Gym Teachers’, episode 14, Freaks and Geeks (dir. Judd Apatow, prod. Apatow Productions/DreamWorks SKG, 1999) 23 1.5 Imprisoned by television. Jane Wyman in All That Heaven Allows (dir. Douglas Sirk, prod. Universal, US, 1955) 27 1.6 Television as the site of horror and haunting: Ringu (dir. Hideo Nakata, Japan, 1998) 28 1.7 David Baddiel’s television altar (WDYTYA,series1, episode 7, Wall to Wall for BBC, 2004) 30 1.8 Nana takes pride of place on the Royle Family’s television altar. ‘The Queen of Sheba’ (dir. Mark Mylod, prod. Granada for BBC, 2006) 31 2.1 Six Feet Under, ‘Everyone’s Waiting’, season 5, episode 12 (dir. Alan Ball, prod. HBO/The Greenblatt Janollari Studio/Actual Size Productions, US, 2005) 33 2.2 Alice, present (Perfect Strangers, dir. Stephen Poliakoff, prod. Talkback for BBC, 2001) 41 2.3 Richard, past (Perfect Strangers, dir. Stephen Poliakoff, prod. Talkback for BBC, 2001) 42 2.4 Alice, past (Perfect Strangers, dir. Stephen Poliakoff, prod. Talkback for BBC, 2001) 43 2.5 Mark Greene, ‘Heal Thyself’, ER, season 15, episode 7 (dir. David Zabel, prod. Constant c Productions/Amblin Television/Warner Bros.Television, US, 2008) 50 2.6 Izzie Stevens, ‘Losing my Religion’, Grey’s Anatomy, season 2, episode 27 (dir. Mark Tinker, prod. Mark viii List of Figures ix Gordon Productions/ShondaLand/Touchstone Television, US, 2006) 56 2.7 Izzie Stevens, ‘Dream a Little Dream of Me, pt 2’, Grey’s Anatomy, season 5, episode 2 (dir. Ron Corn, prod. ShondaLand/The Mark Gordon Company/ABC Studios, US, 2008) 57 2.8 Izzie Stevens, ‘Now or Never’, Grey’s Anatomy, season 5, episode 24 (dir. Ron Corn, prod. ShondaLand/The Mark Gordon Company/ABC Studios, US, 2009) 58 2.9 Nick Sobotka, ‘Port in a Storm’, The Wire, season 2, episode 12 (dir. Robert F. Colesberry, prod. Blown Deadline Productions/ HBO, US, 2003) 62 2.10 Frank Sobotka, ‘Bad Dreams’, The Wire, season 2, episode 11 (dir. Ernest R. Dickerson, prod. Blown Deadline Productions/HBO, US, 2003) 63 3.1 Then and now: The battle grave (WDYTYA,series1, episode 5, Wall to Wall for BBC, 2004) 81 3.2 Jeremy Clarkson surveys the former site of the Kilner factory (WDYTYA, series 1, episode 4, Wall to Wall for BBC, 2004) 82 3.3 Peering through time: Fry and his mother retrace old steps (WDYTYA, series 2, episode 3, Wall to Wall for BBC, 2006) 83 3.4 WDYTYA’s original brand image (Wall to Wall for BBC, 2004–) 89 4.1 Sean Lock and Johnny Vaughan in series 1, episode 3, TV Heaven, Telly Hell (dir. Lissa Evans, prod. Objective Productions for Channel 4, 2006) 100 4.2 Un-regeneration, Manchester in 1973, series 1, episode 1, Life on Mars (dir. Bharat Nalluri, prod. Kudos Film and Television/Red Planet Pictures for BBC, 2006) 106 4.3 Disruptive restoration, New York in 1973, ‘Out Here in the Fields’, episode 1, Life on Mars (dir. Gary Fleder, prod. Kudos Film and Television/20th Century Fox/ABC Studios, 2008) 107 4.4 Sam leaves hospital, series 2, episode 8, Life on Mars (dir. S. J. Clarkson, prod. Kudos Film and Television for BBC, 2007) 109 4.5 Alone in a crowd, series 2, episode 8, Life on Mars (dir. S. J. Clarkson, prod. Kudos Film and Television for BBC, 2007) 109 4.6 Trailer for second series of Life on Mars (BBC, 2007) 111 x List of Figures 4.7 Chris Dunkley and Mark Lawson review Steptoe and Son in episode 2 of TV on Trial (dir. Amanda Crayden, prod. BBC, 2005) 122 4.8 Studio set of You Have Been Watching (dir. Richard Valentine, prod. Zeppotron for Channel 4, 2009) 124 4.9 Fern Britton presents That’s What I Call Television (dir.
Recommended publications
  • Aberdeen Student Law Review
    Aberdeen Student Law Review With thanks to our sponsors Stronachs LLP July 2011 Volume 2 www.abdn.ac.uk/law/aslr THE EDITORIAL BOARD 2010 - 2011 Managing Editor Leanne Bain Editors Alice Cannon Ross Douglas Emma Fraser Stuart Lee Bruce Mangeon Fairweather Charlotte Taylor Ryan T. Whelan Jennifer White FOREWORD BY THE HON . LORD WOOLMAN SENATOR OF THE COLLEGE OF JUSTICE Has the ASLR already reached its second volume? I am delighted that the brio of those involved in launching the project has been sustained. That is evident from the table of contents for the new volume. The topics range across legal history, oil and gas law and the law of evidence. In my view, volume two confirms that the ASLR is continuing to make a significant contribution to legal learning in Scotland. Stephen Woolman July 2011 INTRODUCTION TO VOLUME TWO In 1987 Professor Erwin N Griswold, former Dean of Harvard Law School, gave an insight into the history of the Harvard Law Review, the oldest student-led law review in the world. He acknowledged: Some people are concerned that a major legal periodical in the United States is edited and managed by students. It is an unusual situation, but it started that way, and it developed mightily from its own strength.1 I firmly believe in the strength of the student law review, and it is this belief that has shaped the endeavours of the editorial team during the past year The second year of a professional publication can be as difficult as the first, and this year has certainly not been without challenge.
    [Show full text]
  • GREY's ANATOMY "Who's Zoomin' Who?"
    EXEC. PRODUCER: SHONDA RHIMES EP#lOB EXEC. PRODUCER: JAMES PARRIOTT (Airs as #108) EXEC. PRODUCER: MARK GORDON EXEC. PRODUCER: BETSY BEERS CO-EXEC. PRODUCER: PETER HORTON GREY'S ANATOMY "Who's Zoomin' Who?" Written by Gabrielle Stanton & Harry Werksman Jr. Directed by WendeyStanzler REVISED PAGES: Dec. 17, 04 WHITE 3,4,31,51,SlA,52,55 Jan. 12, 05 BLUE (FULL) Jan. 20, 05 PINK (FULL) Jan. 26, OS YELLOW (FULL) Jan. 27, 05 GREEN (FULL) Jan. 28, 05 GOLDENROD Jan. 31, 05 BUFF Feb. 02, 05 SALMON Feb. 02, 05 CHERRY Feb. 03, 05 TAN Feb. 04, 05 GRAY Feb. 07, 05 IVORY Prep Dates: 1/17/05 -1/26/05 Shoot Dates: 1/27/05 - 2/07/05 -NOTICE- o 2004, Touchstone Television Productions, LLC. All Rights Reserved. This material is the exclusive property of Touchstone Television Productions, LLC and Imagine Television and is intended solely for the use of its personnel. Distribution to unauthorized persons or reproduction, in whole or in part, without written consent of Touchstone Television Productions, LLC is strictly prohibited. GREY'S ANATOMY "Who's Zoomin' Who?"• CHARACTER LIST DR. MEREDITH GREY DR. DEREK SHEPHERD DR. CRISTINA YANG DR. PRESTON BURKE DR. ISOBEL "IZZIE" STEVENS DR. GEORGE O'MALLEY DR. ALEX KAREV DR. MIRANDA BAILEY DR. RICHARD WEBBER Addison Shepherd Alice Franklin Bill Adams Jordan Franklin Dr. Knox Holly Adams Lab Tech Ms. Henry Patricia Rebecca Franklin Olivia GREY'S ANATOMY "Who's Zoomin' Who?" SET LIST INTERIORS EXTERIORS SEATTLE GRACE HOSPITAL LOBBY STAIRWELL CORRIDOR LOCKER ROOM TRAUMA ROOM ONE PATHOLOGY LAB MR. FRANKLIN'S ROOM RICHARD'S OFFICE CAFETERIA BILL'S HOSPITAL ROOM EXAM ROOM CONFERENCE ROOM FILM ROOM O.R.
    [Show full text]
  • A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
    University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr.
    [Show full text]
  • Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Ave
    Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Ave. S., Minneapolis, MN 55407 Newsletter #103 September — November, 2013 Hours: M-F 10 am to 8 pm RECENTLY RECEIVED AND FORTHCOMING SCIENCE FICTION Sat. 10 am to 6 pm; Sun. Noon to 5 pm ALREADY RECEIVED Uncle Hugo's 612-824-6347 Uncle Edgar's 612-824-9984 Doctor Who Magazine #460 (DWM heads to Trenzalore to find out the name of Fax 612-827-6394 the Doctor; tribute to the man who designed the Daleks; more).. $9.99 E-mail: [email protected] Doctor Who Magazine #461 (Doctor Who & the Daleks: what playing the Doctor Website: www.UncleHugo.com meant to Peter Cushing; more)......................................... $9.99 Doctor Who Magazine #462 (Regeneration: Who will be the twelfth Doctor? How’s Business? more)............................................................ $9.99 Fantasy & Science Fiction July / August 2013 (New fiction, reviews, more) By Don Blyly ................................................................. $7.99 Fantasy & Science Fiction May / June 2013 (New fiction, reviews, more) As many of our older customers ................................................................. $7.99 retire, they often move from a large old Locus #629 June 2013 (Interviews with Rudy Rucker and Sofia Samatar; Nebula house with lots of space to store books to winners; awards info; forthcoming books; industry news, reviews, more). $7.50 a smaller place with a lot less room for Locus #630 July 2013 (Interviews with Maria Dahvana Headley and Neil Gaiman; in books, resulting in many bags or boxes of books being brought to the Uncles. memoriam: Jack Vance and Iain Banks; Locus Award winners; industry news, reviews, more) This has been going on for many years, ................................................................
    [Show full text]
  • Diagnosing Drama: Grey's Anatomy, Blind Casting, and the Politics Of
    Diagnosing Drama: Grey’s Anatomy, Blind Casting, and the Politics of Representation AMY LONG N FEBRUARY 5, 2006 NEARLY THIRTY-EIGHT MILLION VIEWERS CHOSE TO forego post-Super Bowl celebrations in favor of tuning in to a Omuch-hyped episode of ABC’s hit medical melodrama Grey’s Anatomy. The episode thus constitutes ‘‘the best scripted-series perfor- mance since the series finale of Friends’’ in 2004 and ‘‘the best per- formance of an ABC show since an episode of Home Improvement in 1994’’ (‘‘Grey’s Scores Big’’). Grey’s Anatomy and its multiracial ensem- ble stand in marked contrast to the all-white casts of both aforemen- tioned shows, a fact that has not been lost on media observers. When civil rights groups issued their annual ‘‘diversity report cards’’ for 2006, ABC garnered the highest overall grade of the four major net- works (an A-), thanks in part to shows like Grey’s Anatomy, Lost, and Ugly Betty (‘‘Grey’s Leads Charge’’). Its diverse cast and the production practices through which it was assembled have been the major focus of the media attention conferred upon Grey’s, second only to stories con- cerning the colossal audiences it routinely snags.1 The show’s creator, Shonda Rhimes (currently the only African American woman ‘‘showrunner’’ in network television), gives the credit for her show’s diversity to her ‘‘race-blind’’ casting methods. In her Time Magazine profile of the writer and producer, Jeanne McDowell notes that ‘‘[Rhimes’] script for the pilot had no physical descriptions [of its characters] other than gender,’’ a statement repeated in almost all of the popular press coverage the show receives.2 As Rhimes herself affirmed in an interview with Oprah Winfrey, ‘‘We really read every color actor for every single part.
    [Show full text]
  • Interim Report of Findings from Public Consultation on BBC News & Current Affairs
    Service Licence Review of BBC TV: BBC One, BBC Two, BBC Three and BBC Four Analysis of Responses to Public Consultation 15 April 2014 By Helen Mather Public Knowledge BBC Trust Review of BBC TV Services 1 Main Report April 2014 © Public Knowledge Table of Contents 1. OVERVIEW OF KEY THEMES 3 2. INTRODUCTION 6 3. SUMMARY OF CONSULTATION RESPONSES 8 3.1 TV channel consumption 8 3.2 BBC One 10 3.3 BBC Two 19 3.4 BBC Three 25 3.5 BBC Four 32 3.6 BBC TV Overall 36 4. APPENDICES 40 APPENDIX A – FREEFORM RESPONSES 40 APPENDIX B – RESPONDENT PROFILE 41 BBC Trust Review of BBC TV Services 2 Main Report April 2014 © Public Knowledge 1. OVERVIEW OF KEY THEMES The public consultation on the attitudes towards BBC TV Services received just under 5,000 responses. The views represented are not necessarily representative of the UK population as a whole: the majority of respondents to the consultation are male and likewise the majority are aged over 55. In terms of viewing different BBC TV channels, the vast majority of respondents claim to watch BBC One most days and a majority claim to watch BBC Two most days. Around a quarter of the respondents aged 16 to 34 claim to watch BBC Three most days and a third of all respondents claim to watch BBC Four most days. BBC Overall Respondents were asked to state to what extent they agreed that the following words are good descriptions of the range of programming on each of the four TV channels.
    [Show full text]
  • Grey's Anatomy
    The Language of Race & Class in Shonda Rhimes’ Grey’s Anatomy Daniel Lefkowitz Department of Anthropology University of Virginia [email protected] 1 April 2017 Author Profile: Daniel Lefkowitz is Associate Professor of Anthropology and Middle Eastern Studies at the University of Virginia. His early work focused on the politics of language use in Israel, published as the 2004 Oxford University Press book, Words and Stones: The Politics of Language and Identity in Israel. More recent work on the sociolinguistics of Hollywood cinema has been published as a 2005 Semiotica essay, “On the Relation between Sound and Meaning in Hicks’ Snow Falling on Cedars.” Abstract: This essay contrasts the visual hyper-presence of racial diversity in Shonda Rhimes’ Grey’s Anatomy to its aural absence, arguing that two episodes from the show’s 2nd season construct diametrically opposed visions of the role of white and black forms of non-standard speech. While non-standard forms of language that construct blackness are – when they appear at all on the show – condemned as obstacles to the medical outcomes the show valorizes, non-standard forms of language that construct working-class whiteness appear frequently on the show, and are recuperated by the plots and characters. The sociolinguistic patterns thus re-instate hegemonic ideas about race that the color-blind casting Rhimes is famous for seeks to subvert. The Language of Race & Class in Grey’s Anatomy Page 1 Film studies has a long and serious engagement with the representation of race in Hollywood cinema,1 yet the discipline’s focus on visual aspects of films (at the expense of the aural and especially language, speech, and dialogue) leaves many impactful perspectives unexplored.
    [Show full text]
  • This Transcript Was Exported on Oct 20, 2019 - View Latest Version Here
    This transcript was exported on Oct 20, 2019 - view latest version here. Bryan Smith: Bryan Smith here and welcome to the DreamPath Podcast, where I try to get inside the heads of talented creatives from all over the world. My goal is to demystify and humanize the creative process and make it accessible to everyone. Now let's jump in. Bryan Smith: Jere Shea is on the show today. Jere is a classically trained actor who grew up in Boston and attended Boston College. He then went to the prestigious Tisch School in New York, and not long after that, got a starring role on Broadway as Giorgio in Stephen Sondheim's Passion. By the way, if you're interested in seeing that exact Broadway production of the musical Passion, it's available in its entirety on YouTube. Bryan Smith: Jere was nominated for a Tony in that musical and then went on to star in the crime thriller Southey with Donnie Wahlberg, Lawrence Tierney, Rose McGowan and Will Arnette. Then Jere took an unusual turn for a successful actor. I won't spoil what the turn was here in the intro, but I think you'll really enjoy hearing Jere talk about the choices he made after achieving so much success in theater and film. Bryan Smith: Jere's more recent work can be seen on the Showtime series, City on a Hill, in which he plays a police detective in Boston in the early '90s. Produced by Ben Affleck and Matt Damon. Jere's co-stars in the series include Kevin Bacon, Sarah Sharhey, Aldis Hodge, Jonathan Tucker and Mark O'Brien among many other super talented actors.
    [Show full text]
  • Newsletter 15/10 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 15/10 DIGITAL EDITION Nr. 278 - September 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/10 (Nr. 278) September 2010 editorial Hallo Laserdisc- und DVD-Fans, auch jede Menge Filme auf dem liebe Filmfreunde! Fantasy Filmfest inspiziert. Diese sind Herzlich willkommen zum ersten jedoch in seinem Blog nicht enthalten, Newsletter nach unserer Sommer- sondern werden wie üblich zu einem pause. Es ist schon erstaunlich, wie späteren Zeitpunkt in einem separaten schnell so ein Urlaub vorbeigehen Artikel besprochen werden. Als ganz kann. Aber wie sollten wir es auch besonderes Bonbon werden wir in ei- merken? Denn die meiste Zeit ha- ner der nächsten Ausgaben ein exklu- ben wir im Kino verbracht. Unser sives Interview mit dem deutschstäm- Filmblogger Wolfram Hannemann migen Regisseur Daniel Stamm prä- hat es während dieser Zeit immer- sentieren, das unser Filmblogger wäh- hin auf satte 61 Filme gebracht! Da rend des Fantasy Filmfests anlässlich bleibt nicht viel Zeit für andere Ak- des Screenings von Stamms Film DER tivitäten, zumal einer der gesichte- LETZTE EXORZISMUS geführt ten Filme mit einer Lauflänge von 5 hat. ½ Stunden aufwartete. Während wir dieses Editorial schreiben ist er Sie sehen – es bleibt spannend! schon längst wieder dabei, Filmein- führungen für das bevorstehende Ihr Laser Hotline Team 70mm-Filmfestival der Karlsruher Schauburg zu schreiben. Am 1. Ok- tober geht’s los und hält uns und viele andere wieder für drei ganze Tage und Nächte auf Trab.
    [Show full text]
  • Broadcast Bulletin Issue Number
    Ofcom Broadcast Bulletin Issue number 204 23 April 2012 1 Ofcom Broadcast Bulletin, Issue 204 23 April 2012 Contents Introduction 4 Standards cases In Breach Arab Dream Al Mustakillah Television, 9 October 2011, 21:00 and 25 October 2011, 18:00 5 Girls of the Playboy Mansion E! Entertainment, 27 December 2011, 10:00 to 13:00 and 16:00 to 21:00 23 The Secrets in the Walls Channel 5, 20 January 2012, 15:15 26 Get Lucky Get Lucky TV (Channel 909), 15 February 2012, 21:01 to 21:30 29 The Anything Goes Show Bishop FM, 27 February 2012, 19:40 32 Funky Sensations with Mike Vitti Jazz FM, 18 February 2012, 19:15 35 Find My Past’s sponsorship of various programmes Blighty, Watch and Yesterday, 15 July 2010 to present, various dates and times 38 Bits n Bytes Channel S, 10 December 2011, 20:00 41 Resolved / Not in Breach 606 BBC Radio 5 Live, 25 February 2012, 19:22 46 Broadcast Licensing cases In Breach Breach of licence condition Rossendale Radio, community radio service for Rossendale Uplands 5 March to 16 April 2012 50 2 Ofcom Broadcast Bulletin, Issue 204 23 April 2012 Advertising Scheduling cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 53 Fairness and Privacy cases Not Upheld Complaint by Mr Zafer Mahmood and Meridian Foundation Limited made on their behalf by Mr Craig Needham Dispatches: Landlords from Hell, Channel 4, 4 July 2011 54 Complaint by Mr Paul Greaves My Transsexual Summer, Channel 4, 22 November 2011 66 Other Programmes Not in Breach 74 Complaints Assessed, Not Investigated 75 Investigations List 85 3 Ofcom Broadcast Bulletin, Issue 204 23 April 2012 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes.
    [Show full text]
  • Adler, Mccarthy Engulfed in WWII 'Fog' - Variety.Com 1/4/10 12:03 PM
    Adler, McCarthy engulfed in WWII 'Fog' - Variety.com 1/4/10 12:03 PM http://www.variety.com/index.asp?layout=print_story&articleid=VR1118013143&categoryid=13 To print this page, select "PRINT" from the File Menu of your browser. Posted: Mon., Dec. 28, 2009, 8:00pm PT Adler, McCarthy engulfed in WWII 'Fog' Producers option sci-fi horror comicbook 'Night and Fog' By TATIANA SIEGEL Producers Gil Adler and Shane McCarthy have optioned the sci-fi horror comicbook "Night and Fog" from publisher Studio 407. No stranger to comicbook-based material, Adler has produced such graphic-based fare as "Constantine," "Superman Returns" and the upcoming Brandon Routh starrer "Dead of Night," which is based on the popular Italian title "Dylan Dog." This material is definitely in my strike zone in more ways than one," Adler said, noting his prior role as a producer of such horror projects as the "Tales From the Crypt" series. "But what really appealed to me wasn't so much the genre trappings but rather the characters that really drive this story." Set during WWII, story revolves around an infectious mist unleashed on a military base that transforms its victims into preternatural creatures of the night. But when the survivors try to kill them, they adapt and change into something even more horrific and unstoppable. Studio 407's Alex Leung will also serve as a producer on "Night and Fog." Adler and McCarthy are also teaming to produce an adaptation of "Havana Nocturne" along with Eric Eisner. They also recently optioned Ken Bruen's crime thriller "Tower." "Night and Fog" is available in comic shops in the single-issue format and digitally on iPhone through Comixology.
    [Show full text]
  • Winona Daily News Winona City Newspapers
    Winona State University OpenRiver Winona Daily News Winona City Newspapers 2-17-1966 Winona Daily News Winona Daily News Follow this and additional works at: https://openriver.winona.edu/winonadailynews Recommended Citation Winona Daily News, "Winona Daily News" (1966). Winona Daily News. 753. https://openriver.winona.edu/winonadailynews/753 This Newspaper is brought to you for free and open access by the Winona City Newspapers at OpenRiver. It has been accepted for inclusion in Winona Daily News by an authorized administrator of OpenRiver. For more information, please contact [email protected]. Occasional Light A Transportation Snow, Warmer problem? Tonight, Friday^ < Check the Want Ads LBJ Viet Course Right, Taylor Says Iripdct w Humphrey Tinte forBrngo Must Block Promises Spread of $50 for Winner Communism 'lNEW ^^^ YORK (AP) - The im- llPrudential ^^j Insurance ^rCo. of issued ^^^ last November. Aid fo India Readers of the Daily and Sunday News are to he pact of tlie Viet Nam war on the America said stepped-up mili- The 1965 Gross • National invited to play a new form cf bingo beginning next week. By JACK BELL American economy is. growing. pled with growing inflation, has Product was $676 billion, up 7f5 NEW DELHI, India CAP) -- Bingo cards; are available from merchants participating , v WASHINGTON <AP) - Sen. It hasn't reached the propor- tary activity in Viet / Nam,; cou- per cent from 1964. Vice President Hubert H, Hum- in the games. A player may get a bingo card each time he Wayne tions of the Korean War or she visits one of the participating businesses. Games will Morse forecast today , when prompted it to revise upward f its Secretary of the Treasury phrey offered India a $l60-mii- that the American people soon wage and price controls were economic forecast for 1966.
    [Show full text]