Ekphrasis, Russian Style: Visualizing Literary Icons, 1830
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
Edited by A. J. SEYMOUR. TWO SHILLINGS
Year-End, J954 Ie .. , . _, Dr TTi£ , , - , .' .. • I ", . • , . ' . .I . " '; \ v,./~ I .~ -.-- (/." <y-<> ' . '')7 '-:J _ . --r i'\ ,,,. ...0 d'J6 <n • • J I • / , , . • • , --.,.".---- Special Issue • OF • r Edited by A. J. SEYMOUR. Vol. 6 No 19. TWO SHILLINGS , l,;O,- , .')7S ~ S · I I I , \ Try this test and see! Watch each member of your family read the Guiana Graphic. , You may be surprised. For you'll find Junior scanning general news as well as comics, your wife reading sports as well as the women's page, and you may turn to the gossip column. Yes, there's lots of ,. cross over" reading in every I family, and this means planning and editing your Guiana Graphic to please everyone. Every story, on i Page I 2 as well as page one, must be easily I understood, accurate and interesting. The Guiana Graphic knows this. That's why it's the paper that is written to be under ake the stood by everybody. your daily tonic 65, Robb & King Streets $ 1.40 per ii\onth Georgetown 30c. per week ....... ~ L» ) • i'( • • SCOTCH WHISKY • AGENTS: • • • Letln l C ter, . , Water Street, Georgetown. '--- _._ - K - I You are Leaving Today 1 , For Tomorrow. Wish Yourself Well. I I I I Choose . I I I I I • • I I I ) • • The Quali ty Bevel'3.ge with t he Chocolate Fhtvour. The Malted Milk Supreme. I I \ --.~- Other Agencies Include: • \ GAYMER'S CVDER, I I MAZAWATTEE rrEA • McEwAN-YOUNGER'S MALTS, O ' KEEFE'S OLD VIENNA LAGER, \ IVHITE HORSE SCOTCH WHISKY, l . J OHNNY WALKER SCOTCH VVHISKY, VVINTERMANS J)UTCH CIGAHS. -
An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917
An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917 Dissertation Presented in Partial Fulfillment of the Requirements for the Doctoral Degree of Philosophy in the Graduate School of The Ohio State University By Peter Thomas De Simone, B.A., M.A Graduate Program in History The Ohio State University 2012 Dissertation Committee: Nicholas Breyfogle, Advisor David Hoffmann Robin Judd Predrag Matejic Copyright by Peter T. De Simone 2012 Abstract In the mid-seventeenth century Nikon, Patriarch of Moscow, introduced a number of reforms to bring the Russian Orthodox Church into ritualistic and liturgical conformity with the Greek Orthodox Church. However, Nikon‘s reforms met staunch resistance from a number of clergy, led by figures such as the archpriest Avvakum and Bishop Pavel of Kolomna, as well as large portions of the general Russian population. Nikon‘s critics rejected the reforms on two key principles: that conformity with the Greek Church corrupted Russian Orthodoxy‘s spiritual purity and negated Russia‘s historical and Christian destiny as the Third Rome – the final capital of all Christendom before the End Times. Developed in the early sixteenth century, what became the Third Rome Doctrine proclaimed that Muscovite Russia inherited the political and spiritual legacy of the Roman Empire as passed from Constantinople. In the mind of Nikon‘s critics, the Doctrine proclaimed that Constantinople fell in 1453 due to God‘s displeasure with the Greeks. Therefore, to Nikon‘s critics introducing Greek rituals and liturgical reform was to invite the same heresies that led to the Greeks‘ downfall. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Crime and Punishment
Crime and Punishment Fyodor Dostoevsky Translated By Constance Garnett This eBook is designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com Crime and Punishment TRANSLATOR’S PREFACE A few words about Dostoevsky himself may help the English reader to understand his work. Dostoevsky was the son of a doctor. His parents were very hard- working and deeply religious people, but so poor that they lived with their five children in only two rooms. The father and mother spent their evenings in reading aloud to their children, generally from books of a serious character. Though always sickly and delicate Dostoevsky came out third in the final examination of the Petersburg school of Engineering. There he had already begun his first work, ‘Poor Folk.’ This story was published by the poet Nekrassov in his review and was received with acclamations. The shy, unknown youth found himself instantly something of a celebrity. A brilliant and successful career seemed to open before him, but those hopes were soon dashed. In 1849 he was arrested. Though neither by temperament nor conviction a revolutionist, Dostoevsky was one of a little group of young men who met together to read Fourier and 2 of 967 Crime and Punishment Proudhon. He was accused of ‘taking part in conversations against the censorship, of reading a letter from Byelinsky to Gogol, and of knowing of the intention to set up a printing press.’ Under Nicholas I. (that ‘stern and just man,’ as Maurice Baring calls him) this was enough, and he was condemned to death. -
Russian Art, Icons + Antiques
RUSSIAN ART, ICONS + ANTIQUES International auction 872 1401 - 1580 RUSSIAN ART, ICONS + ANTIQUES Including The Commercial Attaché Richard Zeiner-Henriksen Russian Collection International auction 872 AUCTION Friday 9 June 2017, 2 pm PREVIEW Wednesday 24 May 3 pm - 6 pm Thursday 25 May Public Holiday Friday 26 May 11 am - 5 pm Saturday 27 May 11 am - 4 pm Sunday 28 May 11 am - 4 pm Monday 29 May 11 am - 5 pm or by appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com 872_russisk_s001-188.indd 1 28/04/17 16.28 Коллекция коммерческого атташе Ричарда Зейнера-Хенриксена и другие русские шедевры В течение 19 века Россия переживала стремительную трансформацию - бушевала индустриализация, модернизировалось сельское хозяйство, расширялась инфраструктура и создавалась обширная телеграфная система. Это представило новые возможности для международных деловых отношений, и известные компании, такие как датская Бурмэйстер энд Вэйн (В&W), Восточно-Азиатская Компания (EAC) и Компания Грэйт Норсерн Телеграф (GNT) открыли офисы в России и внесли свой вклад в развитие страны. Большое количество скандинавов выехало на Восток в поисках своей удачи в растущей деловой жизни и промышленности России. Среди многочисленных путешественников возникало сильное увлечение культурой страны, что привело к созданию высококачественных коллекций русского искусства. Именно по этой причине сегодня в Скандинавии так много предметов русского антиквариата, некоторые из которых будут выставлены на этом аукционе. Самые значимые из них будут ещё до аукциона выставлены в посольстве Дании в Лондоне во время «Недели Русского Искусства». Для более подробной информации смотри страницу 9. Изюминкой аукциона, без сомнения, станет Русская коллекция Ричарда Зейнера-Хенриксена, норвежского коммерческого атташе. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Russia and Asia: the Emerging Security Agenda
Russia and Asia The Emerging Security Agenda Stockholm International Peace Research Institute SIPRI is an independent international institute for research into problems of peace and conflict, especially those of arms control and disarmament. It was established in 1966 to commemorate Sweden’s 150 years of unbroken peace. The Institute is financed mainly by the Swedish Parliament. The staff and the Governing Board are international. The Institute also has an Advisory Committee as an international consultative body. The Governing Board is not responsible for the views expressed in the publications of the Institute. Governing Board Professor Daniel Tarschys, Chairman (Sweden) Dr Oscar Arias Sánchez (Costa Rica) Dr Willem F. van Eekelen (Netherlands) Sir Marrack Goulding (United Kingdom) Dr Catherine Kelleher (United States) Dr Lothar Rühl (Germany) Professor Ronald G. Sutherland (Canada) Dr Abdullah Toukan (Jordan) The Director Director Dr Adam Daniel Rotfeld (Poland) Stockholm International Peace Research Institute Signalistg. 9, S-1769 70 Solna, Sweden Cable: SIPRI Telephone: 46 8/655 97 00 Telefax: 46 8/655 97 33 E-mail: [email protected] Internet URL: http://www.sipri.se Russia and Asia The Emerging Security Agenda Edited by Gennady Chufrin OXFORD UNIVERSITY PRESS 1999 OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens -
Information Technologies of the Project of New Museum Exposition
Information technologies of the project of new museum exposition “Periods of the history of Kolomenskoye” Author: Olga A. Polyakova Olga A. Polyakova Information technologies of the project of new museum exposition My presentation will deal with Kolomenskoye museum-reserve in Moscow and projects involving use of new technologies that the museum experts intend to employ in their everyday work. Let me say a few words about the museum. It is located in Moscow and occupies a site of 390 hectares. The peculiarity of our museum consists in the fact that quite diverse monuments and objects of cultural heritage are concentrated in it. Lands of Kolomenskoye where the museum is located has been inhabited by people since the most ancient times. The very landscape of Kolomenskoye is the unique object of the cultural heritage. The museum- reserve is situated on a high beautiful place at the Moscow river bank. The oldest trees in Moscow, oaks that are more than 600 years old have survived to the present time in the place. Flood plains, rare herbs and flowers included in the Red book, ravines with exposed geological strata, streams and springs belong to natural monuments. The old park of planted oaks, larches, fir trees, elms and ash trees and gardens of apple and pear trees occupy the greater part of Kolomenskoye plot. The particular value of Kolomenskoye museum is imparted by the fact that the place served as the summer time residence of the Russian tsars for good six hundred years. Originally Kolomenskoye was situated outside Moscow city boundaries. It lies south off the city and Russian potentates did not select the place for their residence on the high beautiful river bank just by chance. -
Margaret Dolinsky
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2014 FACING EXPERIENCE: A PAINTER'S CANVAS IN VIRTUAL REALITY Dolinsky, Margaret http://hdl.handle.net/10026.1/3204 Plymouth University All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. FACING EXPERIENCE: A PAINTER’S CANVAS IN VIRTUAL REALITY by MARGARET DOLINSKY A thesis submitted to the University of Plymouth in partial fulfillment for the degree of DOCTOR OF PHILOSOPHY School of Art & Media Faculty of Arts In collaboration with Indiana University, Bloomington USA September 2014 Facing Experience: a painter's canvas in virtual reality Margaret Dolinsky Question: How can drawings and paintings created through a stream of consciousness methodology become a VR experience? Abstract This research investigate how shifts in perception might be brought about through the development of visual imagery created by the use of virtual environment technology. Through a discussion of historical uses of immersion in art, this thesis will explore how immersion functions and why immersion has been a goal for artists throughout history. -
1 Global Racisms and Racism in Russia: an Introduction 2 Race And
Notes 1 Global Racisms and Racism in Russia: An Introduction 1. All translations from Russian and German are by the author unless otherwise indicated. 2. Sik became a prisoner of war of the Russians during World War One. He chose to stay in Russia after being released, joined the Soviet Communist Party in 1920, and lived as an Hungarian émigré in the Soviet Union until 1945, when he returned to Hungary. He later served as the Minister of Foreign Affairs of Hungary from 1958 to 1961. 3. http://www.sova-center.ru/en/. 2 Race and Racism in the Russian Past 1. The film featured the following song by Pavel German: ‘Before all enemies are known / While at least one of them is still alive / Every honest and simple Soviet citizen / Has to be an NKVD officer (chekist). / Our fortresses are ever stronger / The chekists of today / Are all the 170 million / Of my Fatherland’s Patriots!’ 2. Stalin composed his Marksizm i natsional’nyi vopros [Marxism and the Nationalities Question] in opposition to Otto Bauer’s Die Nationalitätenfrage und die Sozialdemokratie. Bauer emphasized that ‘commonality of des- tiny’ defines national character (aus Schicksalsgemeinschaft erwachsende Charaktergemeinschaft), and he pointed to ‘commonality of origin’ and ‘natural heredity’ as the important factors in this regard. He nevertheless maintained that ‘cultural commonality’ is the factor which defines the repro- duction of national differences. Bauer’s position may be defined as cultural racism in the language used by some contemporary scholars of racism. 3 Race, Racialization and Racism: A New Theoretical Framework 1. Although only Kant’s Kritik der Urteilskraft is cited here, two different English translations are chosen to use, namely, Pluhar’s and the most recent Cambridge University Press edition.