How to Attract Long-Term Investors: an Interview with M&G's Aled Smith
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Comedy Movie Trivia Questions #6
COMEDY MOVIE TRIVIA QUESTIONS #6 ( www.TriviaChamp.com ) 1> Woody Allen won the Oscar for Best Director for his work on which 1977 comedy film? a. Manhattan b. Sleeper c. Tootsie d. Annie Hall 2> Making its debut in 1999, "Bigger, Longer and Uncut" was an animated movie version of which hit TV show? a. American Dad b. Family Guy c. South Park d. The Simpsons 3> If Billy Crystal is Harry, who is Sally? a. Julia Roberts b. Demi Moore c. Rita Coolidge d. Meg Ryan 4> Playing the role of "Grover T. Muldoon", Richard Pryor teamed up with which actor in the 1976 movie "Silver Streak"? a. Kevin Costner b. Steve Martin c. James Stewart d. Gene Wilder 5> What is the surname of Kevin, who is left "Home Alone" in the classic 1990 film? a. Edwards b. Johnson c. Newcomb d. McAlister 6> Which of the following Monty Python films was the first to be released? a. Life of Brian b. Meaning of Life c. And Now For Something Complete Different d. Holy Grail 7> Who wrote the novel on which the 1967 comedy film "The Graduate" is based? a. Calder Willingham b. Robert Surtees c. Charles Webb d. Buck Henry 8> Who played the lead role of "Evan Baxter" in the 2007 film "Evan Almighty"? a. Steve Carrell b. Vince Vaughn c. Adam Sandler d. Ben Stiller 9> Warren Beatty, Goldie Hawn, Julie Christie and Lee Grant star in which 1975 comedy that is set during a 24-hour period in 1968? a. Smile b. Lost in America c. -
Outstanding Animated Program (For Programming Less Than One Hour)
Keith Crofford, Executive Producer Outstanding Animated Program (For Corey Campodonico, Producer Programming Less Than One Hour) Alex Bulkley, Producer Douglas Goldstein, Head Writer Creature Comforts America • Don’t Choke To Death, Tom Root, Head Writer Please • CBS • Aardman Animations production in association with The Gotham Group Jordan Allen-Dutton, Writer Mike Fasolo, Writer Kit Boss, Executive Producer Charles Horn, Writer Miles Bullough, Executive Producer Breckin Meyer, Writer Ellen Goldsmith-Vein, Executive Producer Hugh Sterbakov, Writer Peter Lord, Executive Producer Erik Weiner, Writer Nick Park, Executive Producer Mark Caballero, Animation Director David Sproxton, Executive Producer Peter McHugh, Co-Executive Producer The Simpsons • Eternal Moonshine of the Simpson Mind • Jacqueline White, Supervising Producer FOX • Gracie Films in association with 20th Century Fox Kenny Micka, Producer James L. Brooks, Executive Producer Gareth Owen, Producer Matt Groening, Executive Producer Merlin Crossingham, Director Al Jean, Executive Producer Dave Osmand, Director Ian Maxtone-Graham, Executive Producer Richard Goleszowski, Supervising Director Matt Selman, Executive Producer Tim Long, Executive Producer King Of The Hill • Death Picks Cotton • FOX • 20th Century Fox Television in association with 3 Arts John Frink, Co-Executive Producer Entertainment, Deedle-Dee Productions & Judgemental Kevin Curran, Co-Executive Producer Films Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Mike Judge, Executive Producer Marc Wilmore, Co-Executive Producer Greg Daniels, Executive Producer Joel H. Cohen, Co-Executive Producer John Altschuler, Executive Producer/Writer Ron Hauge, Co-Executive Producer Dave Krinsky, Executive Producer Rob Lazebnik, Co-Executive Producer Jim Dauterive, Executive Producer Laurie Biernacki, Animation Producer Garland Testa, Executive Producer Rick Polizzi, Animation Producer Tony Gama-Lobo, Supervising Producer J. -
S. Harrison 1 Trash Or Treasure in the Works of Trey Parker and Matt Stone
S. Harrison 1 Trash or Treasure in the Works of Trey Parker and Matt Stone: What’s the Difference, and Who Decides? On March 24, 2011, New York Times reporter Ben Brantley described The Book of Mormon as “the best musical of this century… Heaven on Broadway.” He praised the writers, producers, and actors for “achieving something like a miracle.” As if this weren’t enough, Brantley went on to describe the musical as “cathartic” and the characters as both “likeable and funny.” In an online video titled “Subversive, Satirical, and Sold Out” posted on June 10, 2012, 60 Minutes host Steve Kroft commends the musical, stating that tickets for The Book of Mormon were the most heartily sought and hardest to obtain on Broadway this past summer. Moreover, Kroft boasts of the creators’ “big heart” as the foundation of the musical’s success. To employ a simple Google search for The Book of Mormon – while oftentimes bringing up information on the actual book and its corresponding faith – is to call forth resounding reviews of praise from both professional and amateur critics. The performance is being described as witty and satirical, appealing to the vast majority of musical-goers. However, The Book of Mormon with its undeniable success calls forth questions and criticism prompted by the previous works of creators Trey Parker and Matt Stone. Parker and Stone are infamous for their roles as developers, producers of, and performers in South Park, a television show that, in the words of Kroft, “changed the face of cable television” with its lewd, scatological humor and sensitive (and correspondingly insensitive handling of) thematic elements. -
WORST COOKS in AMERICA: CELEBRITY EDITION Contestant Bios (2018)
Contact: Lauren Sklar Phone: 646-336-3745; Email: [email protected] WORST COOKS IN AMERICA: CELEBRITY EDITION Contestant Bios (2018) CATHERINE BACH Catherine Bach is a true American original. Kicking butt in short-shorts as Daisy Duke in the Dukes of Hazzard was the breakout role that made her a pop icon and sex symbol—and got those shorts into the Smithsonian. However, throughout her career, Catherine has proven her acting chops working alongside some of the best in the business: legends such as Robert Mitchum (African Skies), her mentor Burt Lancaster (The Midnight Man), Clint Eastwood (Thunderbolt and Lightfoot) and Burt Reynolds (Hustle, Cannonball Run II). Catherine has a unique focus and creative energy that enables her to see opportunities for success when it comes to character work and taking the banal to the extraordinary. It is thanks to Catherine’s own sense of style and imagination that Daisy Dukes are now part of the popular vernacular—her character was initially supposed to wear a poodle skirt, but Catherine asked the producers for a shot at creating the character’s wardrobe, with the idea of a more edgy look for an independent character. Catherine’s famous pin-up poster that she styled has outpaced other contemporary beauties and sold over 5 million copies. Catherine is not afraid of adventure and activism; while portraying the lead in African Skies, the first American show filmed in South Africa after Apartheid, she spearheaded the cause of preserving the endangered Black Rhinoceros and testified before U.S. Congress to protect them. She was instrumental in lobbying for the Black Rhino and Tiger Preservation act, which was passed in 1996. -
December 3, 2004 the Opening Scene of Team America
Originally Published on Kikizo.com - December 3, 2004 The opening scene of Team America: World Police , the latest ribald comic masterpiece from South Park creators Matt Stone and Trey Parker, is amongst the funniest vignettes ever filmed. As the team in question, a band of jingoistic gun-toting marionettes, duke it out on the streets of Paris with hilariously stereotyped, weapon of mass destruction wielding terrorists, they manage to accidentally level the Eiffel Tower, the Arch de Triumph, and the Louver, leaving the centre of the city a steaming pile of rubble. In ten frenetic minutes Parker and Stone manage to satirise not just soldier of fortune diplomacy, but the films bizarrely chosen medium, puppetry; so acerbically and astutely that the hardened critics at the showing I attended were almost literally in tears. While the film's remaining eigty-eight minutes don't posses quite the same distilled comic genius, they are undeniably entertaining. Ironically, just as the South Park boys have chosen to adopt what could be perceived as their most adolescent medium yet - puppetry - they've managed to attain a satirical poignancy more adult than anything they've previously produced. Which is not to say that Team America doesn't contain more than its share of perversely offensive humour. At times the movie ventures into territory at least as offensive as anything previous hit 'South Park: Bigger Longer & Uncut' dared to depict. Yet while South Park struggled to fill a feature length run time - recycling many of the TV series' staples, ultimately achieving little more than a mildly humorous extended episode; by contrast Team America manages to work as a coherent, entertaining film. -
FOR IMMEDIATE RELEASE September 13, 2008 6:00 PM PDT
FOR IMMEDIATE RELEASE September 13, 2008 6:00 PM PDT The Academy of Television Arts & Sciences (ATAS) tonight (Saturday, September 13, 2008) awarded the 2007-2008 Creative Arts Primetime Emmys for programs and individual achievements at the 60th Annual Emmy Awards presentation at the NOKIA Theatre L.A. LIVE in Los Angeles. Included among the presentations were Emmy Awards for the following previously announced categories: Outstanding Individual Achievement in Animation, Outstanding Voice-Over Performance, Outstanding Costumes for a Variety/ Music Program or a Special, Outstanding Achievement in Engineering Development. Additionally, the Governors Award was presented to National Geographic Channel’s “Preserve Our Planet” Campaign. ATAS Chairman & CEO John Shaffner participated in the awards ceremony assisted by a lineup of major television stars as presenters. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Programs Individuals Total HBO 4 12 16 ABC - 9 9 PBS 3 6 9 CBS 1 7 8 NBC - 6 6 AMC - 5 5 SHOWTIME 1 4 5 FOX 1 2 3 BRAVO 1 1 2 CARTOON NETWORK 1 1 2 SCI FI CHANNEL - 2 2 COMEDY CENTRAL 1 - 1 CW - 1 1 DISCOVERY CHANNEL - 1 1 DISNEY CHANNEL 1 - 1 FX NETWORKS - 1 1 NATIONAL GEOGRAPHIC CHANNEL 1 - 1 ACADEMY OF TELEVISION ARTS AND SCIENCES 60TH ANNUAL PRIMETIME EMMY AWARDS NBC.COM 1 - 1 NICKELODEON 1 - 1 SCI FI CHANNEL.COM 1 - 1 TBS - 1 1 THE HISTORY CHANNEL/ VOD 1 - 1 TNT - 1 1 At a previous awards ceremony on Saturday, August 23, the following awards for Outstanding Achievement in Engineering Development were announced: Engineering Plaque to: The Charles F. -
Questions of Popular Cult(Ure)
Questions of Popular Cult(ure) Leanne McRae Bachelor of Arts (Media Studies) Master of Arts (Media Studies) This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2002 Copyright License Murdoch University Library/Archives Use of Thesis This is the property of Murdoch University. However the literary rights of the author must also be respected. If any passage from this thesis is quoted or closely paraphrased in a paper or written work prepared by the user, the source of the passage must be acknowledge in the work. If the user desires to publish a paper or written work containing passages copied or closely paraphrased from this thesis, which passages would in total constitute and infringing copy for the purpose of the Copyright Act, he or she must first obtain the written permission of the author to do so. ii Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not been previously submitted for a degree at any tertiary educational institution. Leanne McRae iii Abstract Questions of Popular Cult(ure) works in the uncomfortable and unclear spaces of popular culture. This thesis demonstrates how cult cauterizes ambiguity and functions as a framing agent for unpopular politics in popular culture. In tracking the flows and hesitations in the postwar period through the rise of the New Right and identity politics, this thesis shows how cult contains moving and malleable meanings that maneuver through everyday life. It is a slippery and slight subject that denies coherent categorization in definitional frames. -
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Highly Recommended Netflix Series
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University of Pardubice Faculty of Arts and Philosophy American Cartoons
University of Pardubice Faculty of Arts and Philosophy American Cartoons: Parody and Satire in South Park and The Simpsons Jana Brandová Master thesis 2011 Uniw€.2ita Paldu!ice Fát!lťa fflozoffck{ AkadeDi.lý lok: 2010/2or1 ZÁDANI DIPLoMovE PRÁCE (PRoJEKTU' UNĚLEcKÉlIo DiL^, !lNlELEcIrÉJro vÝKoNU] HO5ll6 M7503 UčiťelstviI.o základni školy učitelstwíangljďého jeylá Ámerické krcslené seriály: párodie a saťjfa w south Pa.ku Katedra áng1istiky á ámei]<anisťjky Zása,]y pro rypra(oráli: studonik, s vyuŽitnn Iclcvxnll)i s.L n.ltirni liielatuN nejpŇ olrj6.i ?'kla{lli pojD}. s lini' lrudť placo}il túpř slfj.a' parodn, l bldé dofinovai lcaÚools.]. ol,a z\.letré l@ďéné scliíly Da} dÓ k,h.io koDiexiu zsadi. 6vůj výběl zdil]odni'inr a ob, té' .halakleliz j. s Óhlldcn laieji.I sp..jiiika JádEIn práce bude analýZ' vybralý.lr op'od zv!hnÝ.I' seliá]ů, Y lížsc siudelika zanĎři . něktorá tómatá napi. siál,IIi školsh'i, Iasoli IÍahy lromos.\uJ]iiu a neleBáhi piisLěho\tlcťtai (tén.tn, která podlc plůzkunů leíjniho llininj !cjvícť ?n.pokojuji ii l:ilo' o1'ě IozdólL|i an'ornjk] občaly)' kLlltunrí análýZu si,LdentLl oIie Ó Ít.val l(riin[é Zdloje a s\n ýýrÓdy ťlro.lné do]ožíodliazr na primilri dila. Po]edlí ," 'rpoJr,. " L.'-', 1.,,.,.-.t tr ,, roz]joI l Y]'slovi ob.c|ójši Závřrr ! nroŽrcí..hj Dodo!á.h á t.fckliviiě sÍn'j.kÍ.]r postnPli \oL,' .,,. ,' , I ]tozsJh tsIÚicbilr l,rÍ.i l]ozsú pr lvní zprálv] Foua Zplalll:nli dij'.nxx! pl'ťe s'nm onbomé liiclatul!: Áttraldo, s' Linguistic leories ofEulrou.' New Yoll:MÓúÍťÓn d€ Gru_ yster) 1994 Áťirandoj s. -
Masaryk University Faculty of Education
MASARYK UNIVERSITY FACULTY OF EDUCATION DEPARTMENT OF ENGLISH AND AMERICAN STUDIES American cartoons: the Image of Interpersonal Relationships in South Park and The Simpsons BRNO 2012 Supervisor: Author: Mgr. Zdeněk Janík, M.A., Ph.D. Mgr. Jana Brandová Prohlašuji, že jsem tuto práci zpracovala samostatně a použila jen prameny uvedené v seznamu literatury. Souhlasím, aby práce byla uložena na Masarykově univerzitě v Brně v knihovně Pedagogické fakulty a zpřístupněna ke studijním účelům. Mgr. Jana Brandová Acknowledgement: I would like to thank to my supervisor, Mgr. Zdeněk Janík, M.A., Ph.D., for his constructive comments and valuable advice. I would also like to thank to my partner and family for their support. Abstract: The thesis provides the reader with a detailed comparison of the image of interpersonal relationships in two popular American cartoons for adults South Park and The Simpsons. The thesis analyzes several episodes of these two cartoons and focuses on the different depiction of parent-child relationship, relationships with the elderly and community relations in both cartoons. In addition, the thesis compares and contrasts kinds of satire and parody which are used in both shows. Key words: South Park, The Simpsons, cartoons for adults, parody, satire, family, parent-child relationships, senior citizens, community relations Souhrn Tato závěrečná práce seznamuje čtenáře s rozdílným vyobrazením mezilidských vztahů ve dvou populárních kreslených seriálech South Parku a Simpsnových. Práce analyzuje několik epizod výše zmíněných kreslených seriálů a na základě této analýzy popisuje rozdílný přístup k zobrazení vztahů mezi rodiči a dětmi, postoji k seniorům a vztahů v místním společenství, které oba seriály zaujímají. -
10-Year Review of Gender and EMMY Nominations
INVESTIGATION: 10-YEAR REVIEW OF GENDER & EMMY NOMINATIONS womensmediacenter.com WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonpro!t organization endeavoring to raise the visibility, viability and decision-mak- ing power of women and girls in media and, thereby, ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of intercon- nected channels and platforms to transform not only the media landscape but also a culture in which women’s and girls’ voices, stories, experiences and images are neither suf!ciently ampli!ed nor placed on par with the voices, stories, experiences and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spot- light gender and racial bias in news coverage, entertainment !lm and television, social media and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Guide to Covering Reproductive Issues”; and the Women’s Media Center’s annual “The Status of Women in the U.S. Media” report. Our WMC Women Under Siege project investigates sexualized violence. Our original content channels — WMC Features, WMC FBomb, WMC Speech Project and the “Women’s Media Center Live with Robin Morgan” radio program — provide women’s perspectives on both headline stories and timely events that are ignored, not wholly captured or misrepresented in the mainstream media.