04 Blue Final B.Qxd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Brooklyn College Program
Brooklyn College and Passport to Broadway Present the Premiere Musical Theatre Intensive Final Workshop Showcase Thursday June 25, 2015 – 2:00pm to 4:00pm - Roosevelt Hall Rehearsal Studios Students Adama Jackson – BFA Student Jacob Merwin – BA Student Adolfo "Fito" Alvarado – BFA Student Joseph Masi – MFA Student Alexandra Slater – BFA Student Katherine George – BA Student Carolyn Coppege – MFA Graduate Lisa Campbell – MFA Student Cassandra Borgella – BA Student Natalia Laspina – BA Graduate Chrissy Brinkman – MFA Student Rebecca Shumel – BA Student Conner James Sheridan – BFA Student Stefaniya Makarova – BA Graduate Director/Producer: Amy Weinstein is producer, director, published writer and Adjunct Professor of Acting. Amy is the President, CEO and Founder of StudentsLive, A Global Broadway Education Company for the past 14 years and more recently Artistic Director of Sister Company, Passport to Broadway International. Starting literally with just an idea, StudentsLive grew into one of the world’s most significant theater education programs with an annual budget of over 1 million dollars and annual international programs engaging groups from Brazil, South Korea, Italy, China, Guatemala and Japan. After 15 years of growth, it now boasts partnerships with virtually every single hit Broadway show, endorsements from America’s political, cultural, and artistic leaders, alliances with foreign governments and the highest standards of theater arts education on Broadway today. Most importantly, tens of thousands of young people across the globe have been transformed by StudentsLive programs. Choreographer/Assistant Director: Stephen Brotebeck recently served as the Movement Associate on the Tony Award winning Broadway production of Peter and the Starcatcher both on Broadway and at New World Stages. -
22Nd NFF Announces Screenwriters Tribute
FOR IMMEDIATE RELEASE NANTUCKET FILM FESTIVAL ANNOUNCES TOM MCCARTHY TO RECEIVE 2017 SCREENWRITERS TRIBUTE AWARD NICK BROOMFIELD TO BE RECOGNIZED WITH SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING NFF WILL ALSO HONOR LEGENDARY TV CREATORS/WRITERS DAVID CRANE AND JEFFREY KLARIK WITH THE CREATIVE IMPACT IN TELEVISION WRITING AWARD New York, NY (April 6, 2017) – The Nantucket Film Festival announced today the honorees who will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. The 2017 Screenwriters Tribute Award will be presented to screenwriter/director Tom McCarthy. McCarthy's most recent film Spotlight was awarded the Oscar for Best Picture and won him (and his co-writer Josh Singer) an Oscar for Best Original Screenplay. McCarthy began his career as a working actor until he burst onto the filmmaking scene with his critically acclaimed first feature The Station Agent, starring Peter Dinklage, Patricia Clarkson, Bobby Cannavale, and Michelle Williams. McCarthy followed this with the equally acclaimed film The Visitor, for which he won the Spirit Award for Best Director. He also shared story credit with Pete Docter and Bob Peterson on the award-winning animated feature Up. Previous recipients of the Screenwriters Tribute Award include Oliver Stone, David O. Russell, Judd Apatow, Paul Haggis, Aaron Sorkin, Nancy Meyers and Steve Martin, among others. -
James Griffiths Director
James Griffiths Director Television 2020 MIGHTY DUCKS Series director, executive producer Writer: Steven Brill, John Goldsmith, Cathy Yuspa Producer: Disney Plus TX TBC 2020 DELILAH Director (TV Movie) Writer: Aisling Bea, Kirker Butler, Sharon Horgan Producers: Kapital Ent. and Merman TX TBC 2019 STUMPTOWN Pilot director (picked up for series), executive producer Writer: Jason Richman Producer: Elias Gertler for ABC Studios Cast: Cobie Smulders TX 25 September 2019 A MILLION LITTLE THINGS Eps 11, 13, 15, 17, executive producer Writer: DJ Nash Producer: Aaron Kaplan, Dana Honor for ABC Studios TX 17 January 2019 2018 WRECKED Ep 310 The Island Family Creators: Jordan and Justin Shipley Producer: Jesse Hara and Ken Topolsky for TBS TX October 2018 A MILLION LITTLE THINGS Pilot, Ep 2, Ep 5, Ep 7, executive producer Writer: DJ Nash Producer: Aaron Kaplan, Dana Honor for ABC Studios TX 26 September 2018 WRECKED Ep 210 Nerd Speak Creators: Jordan and Justin Shipley Producer: Jesse Hara and Ken Topolsky for TBS TX 22 August 2018 2017 THE MAYOR Pilot and Eps 103, 104, 106 and 110, executive producer Writer: Jeremy Bronson EP: Jamie Tarses, Scott Stuber, Dylan Clark for ABC Studios Cast: Lea Michele, Brandon Micheal Hall TX 3 October 2017 BLACK-ISH Ep 323 Liberal Arts Writers: Larry Wilmore and Kenya Barris Cast: Anthony Anderson TX 3 May 2017 2016 CHARITY CASE Pilot, Writer: Robert Padnick Producer: Scott Printz for Twentieth Century Fox Cast: Courteney Cox Produced 2015 COOPER BARRETT’S GUIDE TO SURVIVING LIFE Pilot and series director, executive -
Paris, New York, and Post-National Romance
Sex and the Series: Paris, New York, and Post-National Romance Dana Heller / love Paris every moment, Every moment of the year I love Paris, why oh why do I love Paris? Because my love is here. —Cole Porter, / Love Paris This essay will examine and contrast two recent popular situation comedies, NBC's Friends and HBO's Sex and the City, as narratives that participate in the long-standing utilization of Paris as trope, or as an instrumental figure within the perennially deformed and reformed landscape of the American national imaginary. My argument is that Paris re-emerges in post-9/11 popular culture as a complex, multi-accentual figure within the imagined mise-en-scene of the world Americans desire. The reasons for this are to a large degree historical: in literature, cinema, television, popular music, and other forms of U.S. cultural production, from the late nineteenth century through the twentieth century and into the twenty first, Paris has remained that city where one ventures, literally and/or imaginatively, to dismember history, or to perform a disarticulation of the national subject that suggests possibilities for the interrogation of national myths and for 0026-3079/2005/4602-145$2.50/0 American Studies, 46:1 (Summer 2005): 145-169 145 146 Dana Heller the articulation of possible new forms of national unity and allegiance. These forms frequently find expression in the romantic transformation of a national citizen-subject into a citizen-subject of the world, a critique of the imperialist aspirations of the nation-state that antithetically masks those same aspirations under the sign of the disillusioned American cosmopolitan abroad. -
8 TV Power Games: Friends and Law & Order
8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and profits The legal drama series Law & Order was first broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
[email protected]
WWW.BRENDAHOPKINSMUSIC.COM [email protected] “Puentes” is Puerto Rican pianist and composer Brenda Hopkins Miranda’s sixth album. It offers a fresh blend of Latin, Soul, Blues, Funk and Jazz, giving it a contemporary vibe with world music appeal. “Puentes” features eight of the islands best vocalists performing modernized versions of Puerto Rican and American classics like Cumbanchero, Feelin’ Good, Preciosa, People Get Ready and Lamento Borincano. Every track ends with a collective jam filled with all the excitement that only the most daring improvisers can deliver. GUEST WWW.BRENDAHOPKINSMUSIC.COM [email protected] ARTISTS Fofé: voice (1) SONGS Jeanne d’Arc Casas: footwork and claps (2, 6) 1. Cumbanchero (Rafael Hernández) feat. Fofé SPANISH Cheryl Rivera: voice (3, 8) 2. Muéveme el Cafecito (Jesús Sánchez Erazo “Don Chuito”) feat. Emily Gómez: voice (4) Jeanne d’Arc Casas INSTRUMENTAL Lizbeth Román: voice, 3. Feelin’ Good (Anthony Newley & Leslie Bricusse) feat. Cheryl guitar (6) Rivera ENGLISH Javier Gómez: voice, harmónica (8), guitar (3) 4. Black Coffee (Sonny Burke & Paul Francis Webster) feat. Emily Ana del Rocío: voice (9) Gómez ENGLISH Eduardo Alegría: voice (10) 5. Preciosa (Rafael Hernández) INSTRUMENTAL Tito Auger: voice (11) 6. Verde Luz (Antonio Cabán Vale) feat. Lizbeth Román SPANISH 7. Lamento Borincano (Rafael Hernández) PIANO SOLO 8. Romance del Campesino (Roberto Cole) feat. Javier Gómez and MUSICIANS Cheryl Rivera SPANISH Brenda Hopkins Miranda: 9. People Get Ready (Curtis Mayfield) feat. Ana del Rocío piano, claps ENGLISH Manuel Martínez: drums 10. Sal a Caminar (Roy Brown) feat. Eduardo Alegría SPANISH David de León: bass 11. Donde Yo Nací (Claudio Ferrer) feat. -
EPISODE 409 Final Shooting Script
EPISODES Episode 409 Written by David Crane & Jeffrey Klarik Shooting Script October 10, 2014 STRICTLY PRIVATE & CONFIDENTIAL This script is strictly confidential and may not be disclosed to any person other than this addressee without the prior consent of Hat Trick Productions Ltd. Hat Trick Productions Ltd will hold liable any person in breach of such obligation for all damages, losses and costs arising as a result. © Hat Trick Productions 2014 EPISODES “Episode 409” FADE IN: EXT. BEHIND THE “PUCKS!” STAGE - MORNING - DAY 1 CAROL is waiting by the dumpsters. BEVERLY comes up. BEVERLY By the way, enjoy this, because it’s the last time I’m meeting you here. CAROL (trying for upbeat) I think it’s fun. BEVERLY “Fun” doesn’t usually smell like this. CAROL So you pick a place. BEVERLY Well, you have to agree, this is insane! At what point can we stop living in fear of your girlfriend -- Just then a SANITATION WORKER drives up in a forklift, carrying a dumpster with an enormous load of garbage. CAROL (to janitor) Uh, excuse me. Hi. Could you give us a moment, please? We’re kind of in a meeting here. The sanitation worker gives her a blank look, then starts to tip the dumpster, spilling bags of garbage into a large holding bin. CAROL O-kay. BEVERLY All right, I’m just putting this out -- The garbage bags are filled with cans and bottles. It’s particularly loud and clattery. BEVERLY I’m just putting this -- EPISODES - "Episode 409" Shooting Script 2. There are still more bags, a cacophony of crashing cans and bottles. -
1999 Prince (I've Had) the Time of My Life Dirty Dancing 3 A.M
Title 1999 Prince (I've Had) the Time of My Life Dirty Dancing 3 a.m. Matchbox 20 A Lot of Lovin' to Do Charles Strouss Bye, Bye Birdie A Thousand Miles Vanessa Carlton A Whole New World Aladdin Aladdin A Wonderul Guy Rodgers & Hammerstein South Pacific All I Ask of You Andrew Lloyd Webber Phantom of the Opera Duet Another Suitcase in Another Hall Andrew Lloyd Webber Evita Anthem Chess Chess Anything You Can Do Irving Berlin Annie Get Your Gun Duet Apologize One Republic Bad Michael Jackson Bali Hai Rodgers & Hammerstein South Pacific Barnum (Complete Score) Cy Coleman Barnum Beautiful Christina Aguilera Beauty and the Beast Beauty and the Beast Beauty and the Beast Beauty School Dropout Grease Grease Beethoven Day You're a Good Man Charlie Brown You're a Good Man Charlie Brown Before I Gaze at You Again Lerner & Loewe Camelot Believe Cher Bennie & the Jets Elton John Best of Beyonce (Anthology) Beyonce Better Edward Kleban A Class Act Bewtiched Ella Fitzgerald Pal Joey Beyond the Sea Bobby Darin Black Coffee Ella Fitzgerald Blackbird The Beatles Blue Christmas Elvis Presley Blue Moon Elvis Presley Bohemian Rhapsody Queen Bombshell (music from SMASH) Marc Shaiman Bombshell Born this Way Lady Gaga Bosom Buddies Jerry Herman Mame Duet Both Sides Now Joni Mitchell Brand New You Jason Robert Brown 13, the Musical Breeze Off the River The Full Monty The Full Monty Bring Him Home Boublil & Schoenberg Les Miserables Bring On the Men Leslie Bricusse Jekyll & Hyde Broadway Baby Stephen Sondheim Follies Broadway, Here I Come Smash Smash Brown-Eyed -
WDAM Radio's History of Dionne Warwick
WDAM Radio's Hit Singles History Of Dionne Warwick # Artist Title Chart Position/Year Label Comments 001 Drifters “Mexican Divorce” –/1962 Atlantic Dionne Warwick’s back-up vocals on this recording are what caught the attention of Hal David & Burt Bacharach, who signed her to their production company. Recorded in 1961, but released as the B-side of When My Little Girl Is Smiling (#28-Rock-U.S. + #31- U.K./1962). Composers – Burt Bacharach & Bob Hilliard. 002 Burt & The Backbeats “Move It On The Backbeat” –/1961 Big Top Burt Bacharach, Dionne Warwick & Dee Dee Warwick. Composers – Hal David & Burt Bacharach. 003 Dionne Warwick “It’s Love That Really Counts” –/1962 Scepter Demo for song that was presented to the Shirelles. It also was a cut on Dionne’s debut LP – Presenting Dionne Warwick – released in 1963. Composers – Hal David & Burt Bacharach. 003A Shirelles “It’s Love That Really Counts” #102/1962 Scepter 004 Dionne Warwick “I Smiled Yesterday” –/1962 Scepter A-Side. Composers – Hal David & Burt Bacharach. 005 Dionne Warwick “Don’t Make Me Over” #21-Rock & #5-R&B- Scepter B-side. Song title inspired by Dionne’s angry U.S. + #38-Rock- statement to Hal David & Burt Bacharach Canada/1962 gave Make It Easy On Yourself to Jerry Butler first instead of her. Composers – Hal David & Burt Bacharach. 005A Swinging Blue Jeans “Don’t Make Me Over” #116-Rock-U.S. + #31- Imperial U.K./1966 005B Brenda & The “Don’t Make Me Over” #77-Rock & #15-R&B- Top And Bottom Co-producer – Van McCoy. Tabulations U.S./1970 005C Jennifer Warnes “Don’t Make Me Over” #67-Rock, #14-AC & Arista #84-C&W-U.S./1980 005D Sybil “Don’t Make Me Over” #20-Rock, #2-R&B & Next Plateau #4-Dance-U.S. -
Tonight/Somewhere from West Side Story Words by Stephen Sondheim/ Music by Leonard Bernstein/Arr
A Few Words About the Rest of the Program: Tonight/Somewhere from West Side Story Words by Stephen Sondheim/ Music by Leonard Bernstein/arr. Terry Winch & Bob Krogstad Set as a mid-century, urban Romeo and Juliet, West Side Story explores the rivalry between two New York street gangs and the forbidden romance that blossoms in spite of it. Bernstein wrote the work in 1957 and it was nominated for 6 Tony Awards that year. If not for The Music Man, it might have won them all. This is the Moment from Jekyll & Hyde Words by Leslie Bricusse/Music by Frank Wildhorn/arr. Bob Krogstad The musical version of the legend of Dr. Jekyll and Mr. Hyde was premiered in 1997. Frank Wildhorn composed the score and the book was taken from the original Robert Louis Stevenson by Leslie Bricusse. “This is the Moment” comes at the crucial point in the story when Dr. Jekyll is about to test the fateful formula on himself. Into the Fire from The Scarlet Pimpernel Words by Nan Knighthorn/Music by Frank Wildhorn/arr. JAC Redford Also from the pen of Frank Wildhorn and also from the year 1997, The Scarlet Pimpernel depicts the Reign of Terror and the French Revolution. “Into the Fire” comes early in Act I when Percy, Armand and others make plans to rescue some of the doomed aristocrats from the guillotine. The Prayer from Quest for Camelot Words & Music by Carole Bayer-Sager & David Foster/arr. Bob Krogstad Quest for Camelot was an animated feature film from 1998 which was based on the Arthurian novel by Vera Chapman called The King’s Damosel.