Tangled up in Black: a Journey Through Education and History
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Migrating Spirits and Australian Postcolonial Multiculturalism in Hoa Pham’S Vixen
Jessica Carniel Author’s Accepted pre-publication manuscript version of: Carniel, Jessica (2013) In the spirit of reconciliation: migrating spirits and Australian postcolonial multiculturalism in Hoa Pham’s Vixen. In: The Ghostly and the Ghosted in Literature and Film: Spectral Identities. University of Delaware, pp. 75-90. ISBN: 978-1611494525 In the spirit of reconciliation: migrating spirits and Australian postcolonial multiculturalism in Hoa Pham’s Vixen “Spirits come and go. But we’re still here. The land is still here.”1 These words are said by a ningaui, an Aboriginal Australian spirit also sometimes known as a bunyip, to comfort a Vietnamese fox fairy – a mythical creature who is able to take the form of a woman - who mourns the death of her friend, a fox fairy from China. In light of the complex colonial past that still haunts Australia and the ongoing discussion about what relationship Australians should have to this past, especially when they are from relatively recently arrived groups, this is the most important moment in Hoa Pham’s novel, Vixen. The novel is what Pham calls an “historical fantasy”;2 she deliberately plays with mythologies from various cultures against an historical backdrop that makes no claims to accuracy. Nonetheless, Pham captures a truth in this moment and others like it in the novel: it is a moment of recognition between othered groups in Australian society and a motion toward reconciliation. It is also a moment in which complex histories of colonialism and migration converge and are tentatively negotiated within discourses of postcolonialism and multiculturalism. It is not a moment of complete resolution – before disappearing the ningaui invites the fox fairy to return another time, signalling a desire for an ongoing interaction – because reconciliation in Australia is an ongoing process and the relationship between the indigenous and the non- settler (non-white) migrant is particularly new. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright Land Rich, Dirt Poor? Aboriginal land rights, policy failure and policy change from the colonial era to the Northern Territory Intervention Diana Perche A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Government and International Relations Faculty of Arts and Social Sciences University of Sydney 2015 Statement of originality This is to certify that to the best of my knowledge, the content of this thesis is my own work. -
How Torres Strait Islanders Shaped Australia's Border
11 ‘ESSENTIALLY SEA‑GOING PEOPLE’1 How Torres Strait Islanders shaped Australia’s border Tim Rowse As an Opposition member of parliament in the 1950s and 1960s, Gough Whitlam took a keen interest in Australia’s responsibilities, under the United Nations’ mandate, to develop the Territory of Papua New Guinea until it became a self-determining nation. In a chapter titled ‘International Affairs’, Whitlam proudly recalled his government’s steps towards Papua New Guinea’s independence (declared and recognised on 16 September 1975).2 However, Australia’s relationship with Papua New Guinea in the 1970s could also have been discussed by Whitlam under the heading ‘Indigenous Affairs’ because from 1973 Torres Strait Islanders demanded (and were accorded) a voice in designing the border between Australia and Papua New Guinea. Whitlam’s framing of the border issue as ‘international’, to the neglect of its domestic Indigenous dimension, is an instance of history being written in what Tracey Banivanua- Mar has called an ‘imperial’ mode. Historians, she argues, should ask to what extent decolonisation was merely an ‘imperial’ project: did ‘decolonisation’ not also enable the mobilisation of Indigenous ‘peoples’ to become self-determining in their relationships with other Indigenous 1 H. C. Coombs to Minister for Aboriginal Affairs (Gordon Bryant), 11 April 1973, cited in Dexter, Pandora’s Box, 355. 2 Whitlam, The Whitlam Government, 4, 10, 26, 72, 115, 154, 738. 247 INDIGENOUS SELF-determinatiON IN AUSTRALIA peoples?3 This is what the Torres Strait Islanders did when they asserted their political interests during the negotiation of the Australia–Papua New Guinea border, though you will not learn this from Whitlam’s ‘imperial’ account. -
Votes and Proceedings
1990-91-92 1307 THE PARLIAMENT OF THE COMMONWEALTH OF AUSTRALIA HOUSE OF REPRESENTATIVES VOTES AND PROCEEDINGS No. 107 TUESDAY, 25 FEBRUARY 1992 1 The House met, at 2 p.m., pursuant to adjournment. The Speaker (the Honourable Leo McLeay) took the Chair, and read Prayers. 2 MINISTERIAL CHANGES AND ARRANGEMENTS: Mr Keating (Prime Minister) informed the House that, on 20 December 1991, His Excellency the Governor-General had appointed him to the office of Prime Minister and had, on 27 December 1991, made a number of changes to other ministerial appointments. The Ministers and the offices they hold are as follows: Representation Ministerial office Minister in other Chamber *Prime Minister The Hon. P. J. Keating, MP Senator Button Parliamentary Secretary to the The Hon. Laurie Brereton, MP Prime Minister *Minister for Health, Housing The Hon. Brian Howe, MP, Senator Tate and Community Services, Deputy Prime Minister Minister Assisting the Prime Minister for Social Justice, Minister Assisting the Prime Minister for Commonwealth- State Relations I Minister for Aged, Family and The Hon. Peter Staples, MP Senator Tate Health Services Minister for Veterans' Affairs The Hon. Ben Humphreys, Senator Tate MP Parliamentary Secretary to the The Hon. Gary Johns, MP Minister for Health, Housing and Community Services *Minister for Industry, Senator the Hon. John Button, Mr Free Technology and Commerce Leader of the Government in the Senate Minister for Science and The Hon. Ross Free, MP Senator Button Technology, Minister Assisting the Prime Minister Minister for Small Business, The Hon. David Beddall, MP Senator Button Construction and Customs *Minister for Foreign Affairs and Senator the Hon. -
Aboriginal Art - Resistance and Dialogue
University of New South Wales College of Fine Arts School of Art Theory ABORIGINAL ART - RESISTANCE AND DIALOGUE The Political Nature and Agency of Aboriginal Art A thesis submitted by Lee-Anne Hall in fulfilment of the requirements for the degree of Master of Art Theory CFATH709.94/HAL/l Ill' THE lJNIVERSllY OF NEW SOUTH WALES COLLEGE OF FINE ARTS Thesis/Project Report Sheet Surnune or Funily .nune· .. HALL .......................................................................................................................................................-....... -............ · · .... U · · MA (TH' rn ....................................... AbbFinlname: . ·......... ' ....d ........... LEE:::ANNE ......................lend.............. ................. Oher name/1: ..... .DEBaaAH. ....................................- ........................ -....................... .. ,CVlalJOn, or C<ltal &1YCOIn '"" NVCfllt)'ca It:.... ..................... ( ............................................ School:. .. ART-����I��· ...THEORY ....... ...............................··N:t�;;�?A�c·���JlacjTn·ar··................................... Faculty: ... COLLEGE ... OF. ...·Xr"t F.J:blll:...................... .AR'J: ..................... .........................-........................ n,1e:........ .................... •••••••••••••••••••••••••••••••••• .. •••••• .. •••••••••••••••••••••••••• .. •• • .. ••••• .. ••••••••••• ..••••••• .................... H ................................................................ -000000000000••o00000000 -
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture Benjamin Miller A thesis submitted to the School of English, Media and Performing Arts at the University of New South Wales in fulfilment of the requirements for the award of Doctor of Philosophy 2009 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname: MILLER First name: BENJAMIN Other name/s: IAN Degree: PhD School: ENGLISH, MEDIA AND PERFORMING ARTS Faculty: ARTS AND SOCIAL SCIENCES Title: MR ABSTRACT This dissertation argues that a fantasy of white authority was articulated and disseminated through the representations of blackness and Aboriginality in nineteenth-century American and Australian theatre, and that this fantasy influenced the representation of Aboriginality in twentieth- century Australian culture. The fantasy of whiteness refers to the habitually enacted and environmentally entrenched assumption that white people can and should superintend the cultural representation of Otherness. This argument is presented in three parts. Part One examines the complex ways in which white anxieties and concerns were expressed through discourses of blackness in nineteenth-century American blackface entertainment. Part Two examines the various transnational discursive connections enabled by American and Australian blackface entertainments in Australia during the nineteenth century. Part Three examines the legacy of nineteenth-century blackface entertainment in twentieth-century Australian culture. Overall, this dissertation investigates some of the fragmentary histories and stories about Otherness that coalesce within Australian culture. This examination suggests that representations of Aboriginality in Australian culture are influenced and manipulated by whiteness in ways that seek to entrench and protect white cultural authority. Even today, a phantasmal whiteness is often present within cultural representations of Aboriginality. -
Funding the Ideological Struggle
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities January 2002 Funding the ideological struggle Damien Cahill The University Of Sydney Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Cahill, Damien, "Funding the ideological struggle" (2002). Faculty of Law, Humanities and the Arts - Papers. 1528. https://ro.uow.edu.au/lhapapers/1528 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Funding the ideological struggle Abstract Over the past twenty-five years a radical neo-liberal movement, more commonly known as the 'new right', has launched a sustained assault upon the welfare state, social justice and defenders of these institutions and ideas. In Australia, the organisational backbone of this movement is provided by think tanks such as the Institute of Public Affairs (IPA), the Centre for Independent Studies (CIS), and the Tasman Institute; and forums such as the H.R. Nicholls Society. Central to the movement's efficacy and longevity has been financial support from Australia's corporate sector and industry interest groups. Activists and scholars have produced many articles and books discussing radical neo-liberalism, but the movement has yet to be comprehensively analysed. This article is a contribution towards such a project. What follows is an examination of the relationship between the radical neo·liberal movement and Australia's ruling class; a study of the motivations for corporate funding of neo-liberal think tanks; and an analysis of what impact the movement has had on policy and public opinion. -
A Reflection on the First 30 Days of the 1972 Aboriginal Embassy
A REFLECTION ON THE FIRST THIRTY DAYS OF THE EMBASSY By Gary Foley From the book: Foley, G, Schaap, A & Howell, E 2013, The Aboriginal Tent Embassy. [electronic resource] : Sovereignty, Black Power, Land Rights and the State, Hoboken : Taylor and Francis, 2013 It was in the first four weeks of the 1972 Aboriginal Embassy protest that a small group of Aboriginal activists rapidly improvised and transformed an opportunistic accident into an effective protest that captured world attention and brought significant historical and political change in Australia.1 What had begun as a simple knee-jerk reaction to an Australia Day statement on Land Rights by the Australian Prime Minister, resulted in the accidental discovery that there was no law in Canberra that prevented the activists from staging a protest camp on the lawns of Parliament. The swift action of the activists to take advantage of this situation enabled them to gain political advantage over the McMahon Government in the propaganda war and political battle that would take place over the next six months. Exactly how these events unfolded has never been written about in detail. Even in Scott Robinson’s (ch.1 in this volume) or in Kathy Lothian’s (2007) accounts, the crucial early days are not fully examined. Yet if we are to gain a better understanding of why the Aboriginal Embassy was able to become such an effective protest action, it is important to gain an awareness of how it all began. So in this chapter I will examine some of the factors that enabled the already highly effective group of Aboriginal activists from the Redfern Black Power collective to create a highly effective challenge to the political power structure and force a major change in policy. -
Waking up to Dreamtime
WAKING UP TO DREAMTIME The Illusion of Aboriginal Self-Determination Edited by Dr Gary Johns Published by Quadrant Online January 2012 Waking Up To Dreamtime First edition published in 2001 by Gary Johns and Media Masters Pty Ltd Copyright © this 2012 electronic edition held by Quadrant Online and Gary Johns Front cover: The painting is by Aboriginal artist, Vanessa Fisher. She lives and works in Brisbane. Vanessa has been a major force behind the revival of Aboriginal visual and performing arts in Brisbane since the 1970s. Original ISBN: 981-04-5150-4 Introduction For at least the last thirty years, money, programs and white advisers have engulfed Aboriginal people. Some Aborigines have survived the deluge. They have found a place in society that suits them. Some have not survived the deluge. They have been swept away by despair, grog and violence. Some have become leaders, and they have been looking for followers. They are seeking to build a new Aboriginal society, fully 200 years after the modern world came to this continent. They see their future in promoting a separate Aboriginal identity. The trouble is, many of their troops have moved on. They have moved into the Australian society. They regard their identity as a matter for themselves, not something that comes in a government program or in an Aboriginal politician’s speech. Each generation creates a new policy fashion, and each fashion brings a new problem. The Aboriginal leaders from the 1930s to the 1950s wanted equality, their children won it, and then wanted something else, self-determination. They borrowed the clothes of post-colonial nations and began to parade themselves as leaders of ‘peoples’. -
Australian Indigenous Petitions
Australian Indigenous Petitions: Emergence and Negotiations of Indigenous Authorship and Writings Chiara Gamboz Dissertation Submitted in fulfillment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of Arts and Media Faculty of Arts and Social Sciences October 2012 ORIGINALITY STATEMENT 'l hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the proiect's design and conception or in style, presentation and linguistic expression is acknowledged.' Signed 5 o/z COPYRIGHT STATEMENT 'l hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or digsertation in whole or part in the Univercity libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertiation. -
Critical Australian Indigenous Histories
Transgressions critical Australian Indigenous histories Transgressions critical Australian Indigenous histories Ingereth Macfarlane and Mark Hannah (editors) Published by ANU E Press and Aboriginal History Incorporated Aboriginal History Monograph 16 National Library of Australia Cataloguing-in-Publication entry Title: Transgressions [electronic resource] : critical Australian Indigenous histories / editors, Ingereth Macfarlane ; Mark Hannah. Publisher: Acton, A.C.T. : ANU E Press, 2007. ISBN: 9781921313448 (pbk.) 9781921313431 (online) Series: Aboriginal history monograph Notes: Bibliography. Subjects: Indigenous peoples–Australia–History. Aboriginal Australians, Treatment of–History. Colonies in literature. Australia–Colonization–History. Australia–Historiography. Other Authors: Macfarlane, Ingereth. Hannah, Mark. Dewey Number: 994 Aboriginal History is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Treasurer/Public Officer), Ingereth Macfarlane (Secretary/ Managing Editor), Richard Baker, Gordon Briscoe, Ann Curthoys, Brian Egloff, Geoff Gray, Niel Gunson, Christine Hansen, Luise Hercus, David Johnston, Steven Kinnane, Harold Koch, Isabel McBryde, Ann McGrath, Frances Peters- Little, Kaye Price, Deborah Bird Rose, Peter Radoll, Tiffany Shellam Editors Ingereth Macfarlane and Mark Hannah Copy Editors Geoff Hunt and Bernadette Hince Contacting Aboriginal History All correspondence should be addressed to Aboriginal History, Box 2837 GPO Canberra, 2601, Australia. Sales and orders for journals and monographs, and journal subscriptions: T Boekel, email: [email protected], tel or fax: +61 2 6230 7054 www.aboriginalhistory.org ANU E Press All correspondence should be addressed to: ANU E Press, The Australian National University, Canberra ACT 0200, Australia Email: [email protected], http://epress.anu.edu.au Aboriginal History Inc. -
New Name but Same Game for Aboriginal Body Jack Waterford Looks at Progress Made by the Department Set up for Blacks, and Challenges Ahead for the New Commission
New name but same game for Aboriginal body Jack Waterford looks at progress made by the department set up for blacks, and challenges ahead for the new Commission. Canberra Times 2 March 1990 The Department of Aboriginal Affairs goes out of existence today, to be replaced on Monday by the Aboriginal and Torres Strait Islander Commission. Few departments have begun with such high aspirations, few have had such humiliating experiences in learning that real change is harder to achieve than to imagine. But, disappointments or not, the department deserves credit for most of the significant advances in Aboriginal affairs over the past 20 years. The department had its origin in the Council for Aboriginal Affairs, established by Harold Holt to advise him on matters Aboriginal in the wake of the 1967 referendum which gave the Commonwealth power to legislate in the area. The size of popular support for the referendum had staggered Mr Holt. The council consisted of Nugget Coombs, the late anthropologist Professor Bill Stanner and former (and future) diplomat Barrie Dexter, the latter heading a small office providing the council with support. Mr Holt's initiative reflected a wide spread feeling that the Commonwealth ought to be doing more in the field, but it would not be true to say that the Common wealth had not been playing a considerable role for years. It had, through the Department of the Interior and its management of Aborigines in the Northern Territory. The problem was that Interior was a Country Party fiefdom with strong assimilationist views. More modern integrationist models were bluntly rejected.