The Mythology of All Races
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Practical Campbell
PRACTICAL CAMPBELL After the Deluge Then by the will of Hurakan, the Heart of Heaven, the waters were swollen, and a great flood came upon the mannikins of wood. They were drowned and a thick resin fell from heaven… Because they had not thought on Hurakan, therefore the face of the earth grew dark, and a pouring rain commenced, raining by day and by night … Then ran the mannikins hither and thither in despair. They climbed to the roofs of the houses, but the houses crumbled under their feet; they tried to mount to the tops of the trees, but the trees hurled them from them; they sought refuge in the caverns, but the caverns closed before them. Thus was accomplished the ruin of this race, destined to be overthrown. - Popol Vuh, First Book (tr. Lewis Spence) I pen these words barely a week after Hurricane Katrina slammed into the Gulf Coast, uprooting over a million people, leaving hundreds of thousands homeless, tens of thousands stranded, and unknown hundreds dead. Most Americans, cast involuntarily in the role of passive participants, watched this tragedy unfold with the same sense of slow- mo horror, helplessness, and fatalistic fascination we experience in that instant before cars collide, transfixed by the seemingly endless stream of devastation, suffering, and death broadcast twenty-four hours a day. For those of us outside the affected area, the images of anguish, grief, and loss are surreal and almost unfathomable in their magnitude, evoking empathy, compassion, and grief of our own. But for those in Katrina’s path, particularly residents of New Orleans and the Mississippi delta, those who have lost family, friends, homes, and livelihood, it’s the apocalypse. -
Leg Child Revised TRES
van Binsbergen, Wim M.J., 2020, The leg child in global cultural history: A distributional exercise in comparative mythology, at: http://www.quest- journal.net/shikanda/topicalities/leg_child,pdf In this paper we shall address an interessting and wide-spread mytheme that nonetheless is little known outside the circle of comparative mythologists: the leg child. In comparative mythology, the leg child is a mythical anthropomorphic figure born from a human body otherwise than via the normal birth channel; cf . van Binsbergen 2018: 417, where I wrote approximately (text considerably adapted): .... the mytheme of the leg child (NarCom 12b). This is a common motif, indicating a mythical figure who was born, not by passing through the normal birth channel, but through a thigh, armpit, waist, occiput or any other part of the human body except the birth channel. The type case is from Ancient Greek mythology, where Dionysus was sewn into his father Zeus's thigh, and born from there, after his mother Semele had been burned to death under the hot splendour of Zeus' lightning.(...) Quite a few mythical protagonists worldwide appear as leg children, including Ancient Egyptian Seth born from his mother's side, Thoth from his father's skull (Bonnet 1952: 702 f.), cf. Greek Athena from her father's skull (and when Hephaestus – who incidentally, as a smith was the very one to split Zeus’s skull on that occasion – in sexual arousal ejaculated against Athena's thigh who in disgust wiped off the sperm with a handful of wool and cast it to the Earth, who immediately responded by producing Erichthonius [ – by an ancient popular etymology, ‘Wool-Earthy’ – , ] this makes the latter also a leg child although he was reputedly borne by Gaia / Earth). -
Swan Lake Audience Guide
February 16 - 25, 2018 Benedum Center for the Performing Arts, Pittsburgh Choreography: Marius Petipa and Lev Ivanov Staging: Terrence S. Orr Music: Peter Ilyich Tchaikovsky Swan Lake Sponsors: The Benter Foundation, The Pittsburgh Foundation, Eden Hall Foundation, Anonymous Donor February 16 - 25, 2018 Benedum Center for the Performing Arts | Pittsburgh, PA PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Henry C. Frick Educational Fund of The Buhl Anne L. and George H. Clapp Charitable Foundation Trust BNY Mellon Foundation Highmark Foundation Claude Worthington Benedum Foundation Peoples Natural Gas Eat ‘n Park Hospitality Group Pennsylvania Council on the Arts Edith L. Trees Charitable Trust Pennsylvania Department of Community ESB Bank and Economic Development Giant Eagle Foundation PNC Bank Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. The Heinz Endowments and Lucy K. Schoonmaker Cover Photo: Duane Rieder Artist: Amanda Cochrane 1 3 The Setting and Characters 3 The Synopsis 5 About Swan Lake 6 The Origins of the Swan Lake Story 6 Swan Lake Timeline 7 The Music 8 The Choreography 9 The Dual Role of Odette + Odile 9 Acts 1 & 3 10 Spotlight on the Black Swan Pas de Deux 10 The Grand Pas Explained 11 What’s a fouette? 11 Acts 2 & 4 12 Dance of the Little Swans 13 The White Act 13 Costumes and Scenic Design 13 Costumes By the Numbers 14 The Tutus 14 A Few Costume Tidbits! 15 Did You Know? Before She was the Black Swan 16 Programs at the Theater 17 Accessibility 2 The Setting The ballet takes place in and near the European castle of Prince Siegfried, long ago. -
The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’S Subjugation of Silla
Japanese Journal of Religious Studies 1993 20/2-3 The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’s Subjugation of Silla Akima Toshio In prewar Japan, the mythical tale of Empress Jingii’s 神功皇后 conquest of the Korean kingdoms comprised an important part of elementary school history education, and was utilized to justify Japan5s coloniza tion of Korea. After the war the same story came to be interpreted by some Japanese historians—most prominently Egami Namio— as proof or the exact opposite, namely, as evidence of a conquest of Japan by a people of nomadic origin who came from Korea. This theory, known as the horse-rider theory, has found more than a few enthusiastic sup porters amone Korean historians and the Japanese reading public, as well as some Western scholars. There are also several Japanese spe cialists in Japanese history and Japan-Korea relations who have been influenced by the theory, although most have not accepted the idea (Egami himself started as a specialist in the history of northeast Asia).1 * The first draft of this essay was written during my fellowship with the International Research Center for Japanese Studies, and was read in a seminar organized by the institu tion on 31 January 199丄. 1 am indebted to all researchers at the center who participated in the seminar for their many valuable suggestions. I would also like to express my gratitude to Umehara Takeshi, the director general of the center, and Nakanism Susumu, also of the center, who made my research there possible. -
Desiring Myth: History, Mythos and Art in the Work of Flaubert and Proust
Desiring Myth: History, Mythos and Art in the Work of Flaubert and Proust By Rachel Anne Luckman A thesis submitted for the degree of DOCTOR OF PHILOSOPHY Department of French Studies College of Arts and Law The University of Birmingham August 2009 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Previous comparative and parallel ‘genetic criticisms’ of Flaubert and Proust have ignored the different historical underpinnings that circumscribe the act of writing. This work examines the logos of Flaubert and Proust’s work. I examine the historical specificity of A la recherche du temps perdu, in respect of the gender inflections and class-struggles of the Third French Republic. I also put forward a poetics of Flaubertian history relative to L’Education sentimentale. His historical sense and changes in historiographic methodologies all obliged Flaubert to think history differently. Flaubert problematises both history and psychology, as his characterisations repeatedly show an interrupted duality. This characterization is explicated using René Girard’s theories of psychology, action theory and mediation. Metonymic substitution perpetually prevents the satisfaction of desire and turns life into a series of failures. -
From Paradise Lost to Promised Land: Christianity and the Rise of West
School of History & Politics & Centre for Asia Pacific Social Transformation Studies (CAPSTRANS) University of Wollongong From Paradise Lost to Promised Land Christianity and the Rise of West Papuan Nationalism Susanna Grazia Rizzo A Thesis submitted for the Degree of Doctor of Philosophy (History) of the University of Wollongong 2004 “Religion (…) constitutes the universal horizon and foundation of the nation’s existence. It is in terms of religion that a nation defines what it considers to be true”. G. W. F. Hegel, Lectures on the of Philosophy of World History. Abstract In 1953 Aarne Koskinen’s book, The Missionary Influence as a Political Factor in the Pacific Islands, appeared on the shelves of the academic world, adding further fuel to the longstanding debate in anthropological and historical studies regarding the role and effects of missionary activity in colonial settings. Koskinen’s finding supported the general view amongst anthropologists and historians that missionary activity had a negative impact on non-Western populations, wiping away their cultural templates and disrupting their socio-economic and political systems. This attitude towards mission activity assumes that the contemporary non-Western world is the product of the ‘West’, and that what the ‘Rest’ believes and how it lives, its social, economic and political systems, as well as its values and beliefs, have derived from or have been implanted by the ‘West’. This postulate has led to the denial of the agency of non-Western or colonial people, deeming them as ‘history-less’ and ‘nation-less’: as an entity devoid of identity. But is this postulate true? Have the non-Western populations really been passive recipients of Western commodities, ideas and values? This dissertation examines the role that Christianity, the ideology of the West, the religion whose values underlies the semantics and structures of modernisation, has played in the genesis and rise of West Papuan nationalism. -
Ascertain Which Aspects of the Aboriginal Belief Structure, As 2) An
DOCUMENT RESUME ED 066 365 SO 002 935 AUTHOR Mitchell, Roger E. TITLE Oral Traditions of Micronesians as an Index to Culture Change Reflected in Micronesian College Graduates. Final Report. INSTITUTION Wisconsin State Univ.,Eau Claire. SPONS AGENCY Office of Education (DHEW), Washington, D.C. Bureau of Research. BUREAU NO BR-O-E-162 PUB DATE 1 Mar 72 GRANT OEG-5-71-0007-509 NOTE 27p. EDRS PRICE MF-$0 .65 BC-$3. 29 DESCRIPTORS *Acculturation; Biculturalism; *College Students; Cultural Background; Cultural Differences; *Cultural Factors; *Folk Culture; Interviews; *Oral Communication; Values IDENTIFIERS *Micronesians ABSTRACT The study on which this final report is based focused on selected Micronesian students at the University of Guam who, after receiving their degrees, will return to their home islands to assume positions requiring them to function as intermediaries between the American and Micronesian approaches of life. Interviews with these students and with less-educated fellow islanders were taped to: 1) ascertain which aspects of the aboriginal belief structure, as preserved in oral tradition, have been most resistant to change; and, 2) an attempt to establish if the students are fairly representative of their traditional belief and value system despite their American-sponsored educations. Some of the findings were: that student belief in, and knowledge of the old mythological and cosmological constructs was generally low; that belief was high in magic, native medicine, and spirits; and that young and old alike were receptive to attempts at cultural preservations. The report contains a summary of the study, a discussion of study background, a description of methods used in collection of the folktales, analyses of the oral traditions, 16 references, and a bibliography containing over 100 entries. -
Kunapipi 32 (1&2) 2010 Full Version
Kunapipi Volume 32 Issue 2 Article 1 2010 Kunapipi 32 (1&2) 2010 Full Version Anne Collett University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Collett, Anne, Kunapipi 32 (1&2) 2010 Full Version, Kunapipi, 32(2), 2010. Available at:https://ro.uow.edu.au/kunapipi/vol32/iss2/1 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Kunapipi 32 (1&2) 2010 Full Version Abstract Full text of issue. For individual articles see: ro.uow.edu.au/kunapipi/vol32/iss1/ This full issue is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol32/iss2/1 JournalKUNAPIPI of Postcolonial Writing & Culture VOLUME XXXII NUMBER 1–2 2010 ii Kunapipi is a biannual arts magazine with special but not exclusive emphasis on the new literatures written in English. It aims to fulfil the requirements T.S. Eliot believed a journal should have: to introduce the work of new or little known writers of talent, to provide critical evaluation of the work of living authors, both famous and unknown, and to be truly international. It publishes creative material and criticism. Articles and reviews on related historical and sociological topics plus film will also be included as well as graphics and photographs. The editor invites creative and scholarly contributions. The editorial board does not necessarily endorse any political views expressed by its contributors. Manuscripts should be double-spaced with notes gathered at the end, and should conform to the Harvard (author-date) system. -
CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE G - Izquierdo, Sebastiano by James Strong & John Mcclintock
THE AGES DIGITAL LIBRARY REFERENCE CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE G - Izquierdo, Sebastiano by James Strong & John McClintock To the Students of the Words, Works and Ways of God: Welcome to the AGES Digital Library. We trust your experience with this and other volumes in the Library fulfills our motto and vision which is our commitment to you: MAKING THE WORDS OF THE WISE AVAILABLE TO ALL — INEXPENSIVELY. AGES Software Rio, WI USA Version 1.0 © 2000 2 G Gabata (or Gabbatha) Picture for Gabata properly a bowl; hence a pensile lamp of similar form, for a church, made of different metals-gold, silver, brass, and electrum. These lamps were frequently embossed, or decorated in bass-relief, and ornamented with lilies, heads of gryphons or lions, or even fashioned in the form of these animals. Like the corone used for lighting, they very often had crosses. attached to them. Gabbai, Isaac ibn- a Jewish writer, who flourished at Leghorn at the beginning of the 17th century, is the author of tjn ãk or, a commentary on the Mishna (Venice, 1614, and often). See Furst, Bibl. Jud. 1:311; Jocher, Allgemeines Gelehrten-Lexikon, s.v. B.P.) Gabbai, Meir ibn- a Jewish writer of Italy, in the 16th century, is the author of, hnwma ˆrd , a cabalistic work, which treats of the ten sephiroth (Iadua, 1563; latest edition, by Goldberg, Berlin, 1850): çdqh tdb[, also µyhla twarm, a cabalisticophilosophical work (Mantua, 1545): — bq[y t[lwt, cabalistic explanations of the Jewish prayers (Constantinople, 1560). See De' Rossi, Dizionario Storico (Germ. -
2013-2014 Newsletter
WILLIAMS GRADUATE PROGRAM IN THE HISTORY OF ART OFFERED IN COLLABORATION WITH THE CLARK ART INSTITUTE WILLIAMS GRAD ART THE CLARK 2013–2014 NEWSLETTER LETTER FROM THE DIRECTOR Marc Gotlieb Dear Alumni, Art Department in the field of African Art, and who will be teaching in the graduate program this spring. Greetings from Williamstown. I hope you enjoy our redesigned alumni newsletter, the last and The newsletter includes a special conversation with most significant phase of a visual identity project Michael Ann Holly, Starr Director of Research that includes the launch of a new website and Emeritus at the Clark, and this year’s Robert other communications pieces designed to capture Sterling Clark Visiting Professor. Many thanks to some of the freshness and contemporaneity of the program and its Ashley Lazevnick MA ’12 and Oliver Wunsch setting. By now many of you have had the opportunity to visit the MA ’11 for taking this on! And many thanks, too, new Clark and its spectacular new wing, including renovated galleries to our post-doctoral fellow, Kristen Oehlrich, for and a reflecting pool looking out over Stone Hill. But there is more to putting this splendid newsletter together. Most of come—the Manton Building, which houses the Graduate Program and all, thanks to our alumni for contributing updates the library, will reopen to the public this summer, with a new spacious to the newsletter! reading room, a new works on paper study center and gallery, and facil- With all best wishes, ities that will bring the entire complex fresh new life. If you do visit, please stop by and say hello—Karen, George, Kristen and I would be Marc delighted to see you. -
Biblical Allusions in Papuan Mythical Folktales and Their Effects On
AICoLiN Academic International Conference on Literacy and Novelty Volume 2021 Conference Paper Biblical Allusions in Papuan Mythical Folktales and Their Effects on Material Culture Development for the Papuans Reimundus Raymond Fatubun Cendrawasih University, Indonesia ORCID: Reimundus Raymond Fatubun: http://orcid.org/0000-0002-5946-5422 Abstract Powerful texts may have great impacts on the many people who read them. This article examined the biblical allusions found in two Papuan myths and discussed their impacts as seen in the material culture. The books in the Bible that the myths allude to are the Old Testament: Isaiah, Exodus, Genesis, and Deuteronomy and the New Testaments: Luke, John, Mark, and Revelations. The sources suggested that the biblical information might have been heard sporadically by the Sawi/Auyu and the Tabi from Corresponding Author: earlier Europeans. The formal contacts which brought the Bible, though, came in the Reimundus Raymond Fatubun 1800s. This means that the impacts of the great biblical stories had not been there long [email protected] enough to internalize in the people’s lives so as to trigger significant material culture - let alone the highest linguistic diversity. Furthermore, the geographical challenges Published: 8 July 2021 made it even worse for the people to have to endure the hardship, and made it difficult Publishing services provided by to obtain healthy, nutritional, and sufficient food sources for the improvement of human Knowledge E resources which would have been necessary for creating significant material culture. Reimundus Raymond Keywords: biblical allusion, Papuan mythology, material culture, Kwembo, Ataphapkon Fatubun. This article is distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use and redistribution provided that the original author and source are 1. -
Every Creation Story
Every Creation Story Creation from chaos Chaos (cosmogony) Enûma Eliš (Babylonian creation myth) Genesis creation myth (Judaism, Christianity and Islam) Greek cosmogonical myth Jamshid Korean creation narratives Kumulipo Leviathan (Book of Job 38–41 creation myth) Mandé creation myth Pangu Raven in Creation Serer creation myth Sumerian creation myth Tungusic creation myth Unkulunkulu Väinämöinen Viracocha Earth diver Earth-diver Ainu creation myth Cherokee creation myth Iroquois creation myth Väinämöinen Yoruba creation myth Ob-Ugric creation myth Emergence Emergence Hopi creation myth Maya creation of the world myth Diné Bahaneʼ (Navajo) Zuni creation myth ( creation of self ) Ex nihilo Debate between sheep and grain Barton cylinder Ancient Egyptian creation myths Kabezya-Mpungu Māori myths Mbombo Ngai Popol Vuh World parent World parent Coatlicue Enûma Eliš Greek cosmogonical myth Greek cosmogonical myth Heliopolis creation myth Hiranyagarbha creation myth Kumulipo Rangi and Papa Völuspá Divine twins Divine twins Proto-Indo-European creation myths Regional Africa Ancient Egyptian creation myths Fon creation myth Kaang creation story (Bushmen) Kintu myth (Bugandan) Mandé creation myth Mbombo (Kuba, Bakuba or Bushongo/Boshongo) Ngai (Kamba, Kikuyu and Maasai ) Serer creation myth (cosmogony of the Serer people of Senegal, the Gambia and Mauritania) Unkulunkulu (Zulu) Yoruba creation Americas Mesoamerica Coatlicue (Aztec) Maya creation of the world myth Popol Vuh (Quiché Mayan) Mid North America Anishinaabeg creation stories Cherokee creation