Broadway by the Numbers: Songs for 1, 2, 3, 4 and More Karen Valen Song List Week 3 Click the Song Title to View the Selection on Youtube.Com

Total Page：16

File Type：pdf, Size：1020Kb

Broadway by the Numbers: Songs for 1, 2, 3, 4 and More Karen Valen Song List Week 3 Click the song title to view the selection on youtube.com Song (Trios) Musical Songwriter(s)/Composer(s) Performers Triplets Between the Devil Dietz/Schwartz Astaire/ Fabray/ Buchanan Fugue for Tinhorns Guys and Dolls Loesser Kaye/ Silver/ Dayton Sing for Your Supper The Boys from Syracuse Rodgers/Hart McDonald/ Luker/ Testa You Could Drive a Person Crazy Company Sondheim Browning/ Myers/ McKechnie Together Gypsy Sondheim/Styne Midler/ Reigert/ Gibb Good Morning Singin’ in the Rain Brown/Freed Kelly/ Reynolds/ O’Connor Dreamgirls Dreamgirls Kreiger/Eyen Knowles/ Hudson/ Rose Turkey Lurkey Time Promises, Promises Bacharach/David Stites/ Lee/ McKechnie Easy Street Annie Strouse/Charnin Loudon/ Fitch/ Erwin Song (Quartets) Musical Songwriter(s)/Composer(s) Performers Everybody Ought to Have a Maid A Funny Thing Happened on the Way to the Forum Sondheim Mostel/Gilford/Silvers/Hordern Lida Rose The Music Man Willson Buffalo Bills You’re Gonna Love Tomorrow/Love Will See Us Through Follies Sondheim Cavenaugh/ Colella/ Steggert/ Osnes Tom Dick or Harry Kiss Me, Kate Porter Miller/ Rall/ Van/ Fosse Standing on the Corner The Most Happy Fella Loesser NYU production Sherry, Big Girls Don't Cry, & Walk Like a Man (Medley) Jersey Boys Gaudio/Crewe Bway Cast Elegance Hello, Dolly! Herman Bway Cast Heart Damn Yankees Adler/Ross Bway Cast On Broadway Smokey Joe’s Café Lieber/Stoller Bway Cast .

Copy Link

Recommended publications

Hart, Lorenz (1895-1943) Lorenz Hart (Standing, by Raymond-Jean Frontain Right) with Richard Rodgers in 1936
Hart, Lorenz (1895-1943) Lorenz Hart (standing, by Raymond-Jean Frontain right) with Richard Rodgers in 1936. Encyclopedia Copyright © 2015, glbtq, Inc. Library of Congress Prints and Photographs Entry Copyright © 2002, glbtq, Inc. Division. Reprinted from http://www.glbtq.com Barely five feet tall, balding early, and possessing a disproportionately large head, Larry Hart was the first to disparage his own attractiveness. His jokes, however, masked a deeply-rooted inability to accept the possibility of romantic happiness or sexual gratification. Hart impulsively proposed marriage to several women friends, none of whom thought his offer serious. And when he allowed himself to act upon his desire for other men, he seems to have had difficulty performing sexually. (Biographer Frederick Nolan quotes one unidentified male partner's shock at discovering Hart cowering in the bedroom closet after sex, suggesting that the songwriter was unable actively to pursue homosexual pleasure without being overcome by guilt.) The result of such emotional imbroglio is that, despite having written lyrics as witty as any sung on the Broadway stage before or since, Hart is best remembered for his songs of unfulfilled desire and failed romance. Born Lorenz Milton Hart on May 2, 1895, to an immigrant Jewish family, Hart learned from his entrepreneur father that self-assertion allows survival. Never without a business venture, many of which were dishonest, Hart's father provided Larry with a lasting model for the cycles of impulsive free-spending and resulting impecuniosity that characterized Hart's own life. Hart entertained both friends and strangers lavishly, often living far beyond his means, but with a (sometimes unfounded) optimism that something would turn up.
[Show full text]
BTW.C.Schedule2017(MH Edit)
Broadway Teachers Workshop C 2017 Schedule (*subject to change) Thursday, July 13, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers.
[Show full text]
Review of a Ship Without a Sail: the Life of Lorenz Hart by Gary Marmorstein
Review of A Ship Without a Sail: The Life of Lorenz Hart by Gary Marmorstein The hits of the songwriting team of Richard Rodgers (1902-1979) and Lorenz Hart (1895-1943) are numerous. People familiar with what has been called “American Popular Song” since publication of the seminal work by Alec Wilder entitled: American Popular Song: The Great innovators – 1900-1950 in 1972, are fondly aware of the charms of “Manhattan,” “With a Song in My Heart,” “The Blue Room,” “Dancing on the Ceiling,” “Isn’t It Romantic,” “Blue Moon,” “It’s Easy to Remember,” “The Most Beautiful Girl in the World,” “”My Romance,” “Lover,” “There’s a Small Hotel,” “”The Lady is a Tramp,” “Bewitched,” “My Funny Valentine,” “”Where of When,” “Falling in Love with Love,” “This Can’t be Love,” “and “I Didn’t Know What Time it Was.” These Rodgers and Hart songs were ubiquitous in the golden age of American Popular Song, when they were sung from the Broadway stage, in Hollywood films, on network radio, and by singers with the great dance bands that endlessly toured the nation. Consequently, they became embedded in the musical consciousness (and subconscious) of a significant part of the American populace in the years 1925-1950, and beyond. In addition to these hits, all of which have considerable musical merit (thank you Mr. Rodgers) and lyrical merit (thank you Mr. Hart), are many other Rodgers and Hart songs of great worth. These include: “Mountain Greenery,” “This Funny World,” “Thou Swell,” “My Heart Stood Still,” “”You Took Advantage of Me,” “A Ship Without a Sail,” “He Was Too Good to Me,” “Ten Cents a Dance,” “”Spring is Here,” “”You Are Too Beautiful,” “Little Girl Blue,” “Glad to be Unhappy,” “Quiet Night,” “Have You Met Miss Jones?” “My Own,” “It Never Entered My Mind,” “I Could Write a Book,” and Wait ‘Till You See Her.” The songs of Rodgers and Hart have transcended the purposes for which they were created and are now a part of the fabric of American culture.
[Show full text]
BTW.B.Schedule2017(MH Edit)
Broadway Teachers Workshop B 2017 Schedule (*subject to change) Monday, July 10, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers.
[Show full text]
A Study Guide
a study guide compiled and arranged by the Education Department of The Shakespeare Theatre of New Jersey The Shakespeare Theatre of New Jersey The Comedy of Errors study guide — 2 The Comedy of Errors a support packet for studying the play and attending The Shakespeare Theatre of New Jersey’s Main Stage production General Information p3- Using This Study Guide p17- Sources for this Study Guide (and Additional Resources) William Shakespeare p4- Shakespeare: Helpful Tips for Exploring & Seeing His Works p5- The Life of William Shakespeare p5- Shakespeare’s London p6- Are You SURE This Is English? About The Play & This Production p7- The Comedy of Errors: A Synopsis p8- Sources and History of the Play p9- Commentary and Criticism Studying Shakespeare’s The Comedy of Errors p10- Shakespeare’s Common Tongue p10- Terms and Phrases found in The Comedy of Errors p11- The Comedy of Errors: Food For Thought p12- In All Seriousness: The Comedy of Errors p14- Additional Topics for Discussion Classroom Applications p14- Follow-Up Activities p15- “Test Your Understanding” Quiz p16- What Did He Say? p16- Who Said That? p17- “Test Your Understanding” and “Who Said That?” Answer Keys p18- Meeting the Core Curriculum Content Standards About the Shakespeare Theatre of New Jersey p19- About The Shakespeare Theatre of New Jersey p19- Other Opportunities for Students... and Teachers The Shakespeare Theatre of New Jersey is an independent, professional theatre located on the Drew University campus. The Shakespeare Theatre of New Jersey’s programs are made possible, in part, by funding from the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts, as well as funds from the National Endowment for the Arts.
[Show full text]
Program for "Juliet and Romeo"
June 3 at 6 p.m. PDT through June 5 at 11:59 p.m. Mondaviarts.org CHAIR’S WELCOME Performance and the arts have been a touchstone for maintaining our connection to each other, and our sense of possibility and hope, during this very challenging time. As we approach a turning point in the pandemic, we’d like to welcome you to the premier of a brand new musical comedy. Juliet and Romeo puts a new spin on William Shakespeare’s classic romantic tragedy and transforms it into a contemporary tale filled with music and laughter. We are pleased that creators Paul Gordon and Curtis Moore, UC Davis Granada Artists-in-Residence, have selected Catalyst: A Theatre Think Tank and UC Davis Department of Theatre, Dance and Arts Administration to premiere this new work of theatre. Joining us in this venture is Southern Utah University’s (SUU) Department of Theatre and Dance. Juliet and Romeo is supported by the UC Davis Robert and Margrit Mondavi Center for the Performing Arts’ Homestage series and the Jan Shrem and Maria Manetti Shrem Museum of Art. The musical is co-directed by Broadway veteran Mindy Cooper, UC Davis professor of theatre and dance and Lisa Quoresimo, SUU assistant professor of theatre and dance, who was awarded her Ph.D. from UC Davis in performance studies in 2018. The creative team includes digital set designer Ian Wallace, professor of theatre arts at Folsom Lake College, costume designer Martha Clarke, costume director at Sonoma State University, and music supervisor Mitchell Brownell, music director, accompanist and arranger at SUU.
[Show full text]
Next Issue Deadline
NEXT ISSUE F R ID A Y 17 DEADLINE MONDAY 2 1 626-0656 M ECC A publications Box 627, S.F. CA 94101 THE BOYS ARE BACK . Donald and Maurice Chevalier. 1 and not in the band! .... They might have stayed in Hollywood by Gene Arcerl a few more years, but for one thing, .glancing through the trades one day, The true (tory behind the acenet they spotted a brief item in a column; of a show if often more incredible and "Whatever became of Rodgers and Hart? fascinating than die plot unfolding They took the next train east. Billy before the audience. Let's take the Rose hadn't forgotten them for one current hit revival of THE BOYS OP and he hired them for a gigantic new SYRACUSE. Reviewed u a bouncy, m usical he was producing called JUMBO. brassy musical love at the Eureka Its gala premiere took place on Novem lower-level theatre, the company ber 16, 1935. And oh, the lyrics of has moved to the SHOWCASE (form Hart'; "Wide awake 1 can see my most erly the Encore) lower level stage, fantastic dreams come true. " while rising to new heights. ("My Romance") and "Uttle Girl 1 first met up with the "BOYS" In Blue" caught the right mood of a New York, 1963. An Investor invited m m sh si rejected, lonely girl sitting in the my roommate Perry and I to see the rain. From then on like the circus revival of the Rodgers and Hart 1938 {parade from JUMBO th e ir career was music aL He wanted me to direct an almost unbroken march of one some of that Shubert Alley traffic to hit after another.
[Show full text]
Oklahoma! – Press Release
CONTACT: Caehlin Bell, Business Manager FOR IMMEDIATE RELEASE Phone: 215.204.1334 Email: [email protected] OKLAHOMA! COMES TO TEMPLE THEATERS American Musical Classic On Stage Next Month Philadelphia, PA – Temple Theaters opens its innovative 46th season with Rodgers & Hammerstein’s Oklahoma!, running October 9 – 20, 2013. This pioneering classic American musical about young love on the frontier is directed by Peter Reynolds and choreographed by Maggie Anderson, who previously collaborated on Temple Theaters’ Spring Awakening and Urinetown. Featuring a cast of thirty-five and a full orchestra from Temple’s Boyer College of Music and Dance, this production is a spectacular celebration of the 70th anniversary of this landmark American Musical classic. With memorable songs like “Oh, What Beautiful Morning,” “Surrey with the Fringe on Top,” and the title song, “Oklahoma!,” the show became instant hit when it premiered in 1943. This first collaboration of Richard Rodgers and Oscar Hammerstein II is celebration of love, patriotism and nostalgia. With a gifted cast of talented undergraduates and seasoned professionals, Temple Theaters’ Oklahoma! is sure to impress. The role of Aunt Eller is portrayed by Professor Donna Snow; an accomplished teacher, Ms. Snow is also a well-known regional actor, having appeared on stage at The Long Wharf, Arena Stage, and Walnut Street Theater among many others. This is her first on stage appearance in several years. She is joined by graduate student Robert Jason Jackson, who appeared last year in Temple Theaters’ Spring Awakening and The Crucible, as Ado Annie’s father, Andrew Carnes. Mr. Jackson is in his second year of the MFA Acting program; he has performed at the Public Theater, the Roundabout Theater Company, Shakespeare Theatre Company, and the Mark Taper Forum, where he won an NAACP Best Actor nomination for his performance of Bolingbroke in Richard II.
[Show full text]
The Comedy of Errors 2016 Study Guide
American Players Theatre Presents William Shakespeare’s THE COMEDY OF ERRORS 2016 STUDY GUIDE American Players Theatre / PO Box 819 / Spring Green, WI 53588 www.americanplayers.org THE COMEDY OF ERRORS BY WILLIAM SHAKESPEARE 2016 STUDY GUIDE Cover photo by Liz Lauren. All photos by Carissa Dixon & Liz Lauren. MANY THANKS! APT would like to thank the following for making our program possible: Tom & Renee Boldt • Dennis & Naomi Bahcall Chuck & Ronnie Jones APT’s Children’s Fund at the Madison Community Foundation Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation • Rob & Mary Gooze • IKI Manufacturing, Inc. Kohler Foundation, Inc. • Pepsi-Cola Bottling Company Richard & Ethel Herzfeld Foundation • Sauk County UW-Extension, Arts and Culture Committee Strang, Patteson, Renning, Lewis and Lacy, S.C. AND OUR MAJOR EDUCATION SPONSORS This project was also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin. American Players Theatre’s productions of The Comedy of Errors and King Lear are part of Shakespeare in American Communities: Shakespeare for a New Generation, sponsored by the National Endowment for the Arts in cooperation with Arts Midwest. If you have any questions or comments regarding the exercises or the information within this study guide, please contact Emily Beck, Education Coordinator, at 608-588-9207, or [email protected]. 2 Who’s Who in The Comedy of Errors Character descriptions from The Essential Shakespeare Handbook Solinus, Duke of Ephesus Egeon (Brian Mani) (Nate Burger) An unlucky merchant of Syracuse, He is required by law to fine Egeon he manages to find words to relate 1,000 marks on pain of death, “griefs unspeakable.” although he is moved by Egeon’s story to grant the merchant one day to raise the sum.
[Show full text]
Shakespeare Theatre Company 2011|2012 Annual Report MK Photo
ShakeSpeare TheaTre Company 2011|2012 annual report MK Photo Cover: photo of allen Gilmore, paul reisman, Steven epp and rachel Spencer hewitt in The Servant of Two Masters by S. Christian Low. photo of michael kahn by kevin allen. Dear Friend, I could not have asked for a more fitting season to celebrate the Shakespeare As a part of our 25th anniversary festivities, we Theatre Company’s past 25 years. It is truly extraordinary endeavored to recognize Shakespeare’s wide-reaching to see the impact this Theatre has made on audiences, influence in a variety of genres and on our greatest artists and the American theatre throughout its actors. Bard’s Broadway presented two musicals drawing existence. We were honored to receive the 2012 on Shakespearean works. Sidney Harman Hall played Regional Theatre Tony Award® from the American host to the 1930s musical The Boys from Syracuse, Theatre Wing, as a testament to our efforts to produce inspired by The Comedy of Errors, and Two Gentlemen quality classical theatre. I was privileged to accept the of Verona: A Rock Opera, which played concurrently award on behalf of everyone who has worked tirelessly with STC’s mainstage production of the play. I was also for this on-going artistic adventure. fortunate enough to host some of the most talented actors of our time, Sir Patrick Stewart, Kevin Kline, With our 25th anniversary, we commemorated all of James Earl Jones and Stacy Keach, during Classic the traits that make the Shakespeare Theatre Company Conversations. Audiences, and I, enjoyed this series a pillar of the community.
[Show full text]
THE RODGERS FAMILY: a CENTURY of MUSICALS Saturday, August 1 and Sunday, August 2, 2015 3:00Pm the Barns at Wolf Trap
THE RODGERS FAMILY: A CENTURY OF MUSICALS Saturday, August 1 and Sunday, August 2, 2015 3:00pm The Barns at Wolf Trap Steven Blier, Artistic Director, Pianist and Arranger with Talya Lieberman, Sarah Larsen, Abigail Levis, Frederick Ballantine, Thomas Richards, and Reginald Smith, Jr. Dear Old Syracuse, from The Boys from Syracuse (1938) Music by Richard Rodgers (1902 – 1979); lyrics by Lorenz Hart (1895 – 1943) Performed by Frederick Ballantine, Thomas Richards, and Reginald Smith, Jr. This is a terrible city. The people are cattle and swine. There isn’t a girl I’d call pretty Nor a friend that I’d call mine. And the only decent place on earth Is the town that gave me birth. You can keep your Athens, You can keep your Rome, I’m a hometown fellow And I pine for home. I want to go back… go back… To dear old Syracuse! Though I’ve won out sandals And my funds are low, There’s a light burning in the patio. I want to go back… go back… To dear old Syracuse! It is no metropolis, it has no big Acropolis, and yet there is a quorum of cuties in the forum. Both the Nile and Danube are a silly bore, I’ve a hometown river that assaults my door. I want to go back… go back… To dear old Syracuse! I do not agree with Mister Spartacus, I was never meant to be a hearty cuss. I want to go back… go back… To dear old Syracuse! Though the boys wear tunics That are out of style, They will always greet me 2 With a friendly smile.
[Show full text]
The Boys from Syracuse (1980) San Jose State University, Theatre Arts
San Jose State University SJSU ScholarWorks Productions 1980-1989 Theatre Productions Summer 7-25-1980 The Boys From Syracuse (1980) San Jose State University, Theatre Arts Follow this and additional works at: http://scholarworks.sjsu.edu/productions_1980s Part of the Theatre and Performance Studies Commons Recommended Citation San Jose State University, Theatre Arts, "The Boys From Syracuse (1980)" (1980). Productions 1980-1989. Book 39. http://scholarworks.sjsu.edu/productions_1980s/39 This Book is brought to you for free and open access by the Theatre Productions at SJSU ScholarWorks. It has been accepted for inclusion in Productions 1980-1989 by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. COMPANY COMIQUE For the past three summers The Company Comique has presented a Shakespearean play (MUCH ADO ABOUT NOTHING, AS YOU LIKE IT, THE MERRY WIVES OF WINDSOR) under the stars in the Student Union Amphitheatre. Now for the first time we offer a Greek comedy, Aristophanes' LYSISTRA TA and a musical comedy, Rodger's and Hart's THE BOYS FROM SYRACUSE, also set in Greece. Emlyn Williams taut thriller NIGHT MUST FALL, the third production of the 1980 Company Comique, plays in the Speech and Drama Building Studio Theatre. Subscription tickets for all three shows may be purchased at a savings. COMPANY COMIQUE SUMMER SCHEDULE, 1980 THUR FRI SAT SUN - Jul. 3 Jul. 4 Jul. 5 Jul. 6 LYS LYS Jul. l 0 Jul. ll Jul. 12 Jul . 13 NIGH1 LYS NIGHT Ju l . 17 Jul. 18 Jul. 19 Jul. 20 NIGHT LYS NIGHT LYS 25 Jul.
[Show full text]