The Comedy of Errors 2016 Study Guide
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The Comedy of Errors
By William Shakespeare | Directed by Jane Nichols All original material copyright © Seattle Shakespeare Company 2015 WELCOME Dear Educators, Welcome to Seattle Shakespeare Company's 25th Anniversary Season! This season's theme is "Bloodlines," and we're diving deep into plays about family — both the functional, and the conflicted. To start off, we're staging this fall's fast-paced version of The Comedy of Errors. This play is one of Shakespeare's earliest, and is a light comedy with a dark backdrop. The framing story of this play is of Egeon, who sought his son all the way to Ephesus and is sentenced to death because he is from Syracuse. It is on top of this dreary story that our effervescent comedy of mistaken identity is built. We will see a more mature version of the unexplained feud between Ephesus and Syracuse later this season, when we produce Shakespeare's beloved tragedy, Romeo and Juliet, with its most famous of family feuds between the Capulets and Montagues. In between these two shows, we will also be producing the stories of a war-weary mother trying to protect her children in Mother Courage and Her Children, a father who must avenge his destroyed family in Titus Andronicus, and a mother who needed to make tough choices to support her daughter in Mrs. Warren's Profession. Thank you for your continued support of Seattle Shakespeare Company, and we hope you enjoy The Comedy of Errors! Best, Michelle Burce Education Director www.seattleshakespeare.org/education 206-733-8228 ext. 251 or [email protected] PRODUCTION SPONSORS CONTENTS Plot Synopsis . -
Hart, Lorenz (1895-1943) Lorenz Hart (Standing, by Raymond-Jean Frontain Right) with Richard Rodgers in 1936
Hart, Lorenz (1895-1943) Lorenz Hart (standing, by Raymond-Jean Frontain right) with Richard Rodgers in 1936. Encyclopedia Copyright © 2015, glbtq, Inc. Library of Congress Prints and Photographs Entry Copyright © 2002, glbtq, Inc. Division. Reprinted from http://www.glbtq.com Barely five feet tall, balding early, and possessing a disproportionately large head, Larry Hart was the first to disparage his own attractiveness. His jokes, however, masked a deeply-rooted inability to accept the possibility of romantic happiness or sexual gratification. Hart impulsively proposed marriage to several women friends, none of whom thought his offer serious. And when he allowed himself to act upon his desire for other men, he seems to have had difficulty performing sexually. (Biographer Frederick Nolan quotes one unidentified male partner's shock at discovering Hart cowering in the bedroom closet after sex, suggesting that the songwriter was unable actively to pursue homosexual pleasure without being overcome by guilt.) The result of such emotional imbroglio is that, despite having written lyrics as witty as any sung on the Broadway stage before or since, Hart is best remembered for his songs of unfulfilled desire and failed romance. Born Lorenz Milton Hart on May 2, 1895, to an immigrant Jewish family, Hart learned from his entrepreneur father that self-assertion allows survival. Never without a business venture, many of which were dishonest, Hart's father provided Larry with a lasting model for the cycles of impulsive free-spending and resulting impecuniosity that characterized Hart's own life. Hart entertained both friends and strangers lavishly, often living far beyond his means, but with a (sometimes unfounded) optimism that something would turn up. -
The Comedy of Errors and Free Shakespeare for Kids Are Made Possible by These Generous Sponsors and Supporters
HOME OF MARYLAND HOME OF MAGAZINE.COM MARYLAND The William G. Baker, Jr. Memorial Fund creator of the Baker Artist Awards | www.bakerartistawards.org MAGAZINE.COM A Sustaining Sponsor of Free Shakespeare for Kids MARYLAND The Comedy of Errors and Free Shakespeare for Kids are made possible by these generous sponsors and supporters. MAGAZINE.COM Chesapeake Shakespeare Company Ian Gallanar* Lesley Malin* Patrick Kilpatrick* Founding Artistic Director Managing Director Production Manager The Comedy of Errors By William Shakespeare Directed by Scott Alan Small* Technical Director: Daniel O’Brien* | Costume Designer: Heather C. Jackson | Stage Manager: Sarah Thompson Setting: Ephesus CAST AEGEON, a merchant from Syracuse .........................................................................................................................................Frank Mancino* SOLINUS, Duke of Ephesus .................................................................................................................................................................Kate Forton* ANTIPHOLUS OF SYRACUSE ................................................................................................................................................Matthew Ancarrow* DROMIO OF SYRACUSE, a servant ................................................................................................................................................Kelsey Painter* FIRST MERCHANT, SECOND MERCHANT ........................................................................................................................................ -
BTW.C.Schedule2017(MH Edit)
Broadway Teachers Workshop C 2017 Schedule (*subject to change) Thursday, July 13, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers. -
Review of a Ship Without a Sail: the Life of Lorenz Hart by Gary Marmorstein
Review of A Ship Without a Sail: The Life of Lorenz Hart by Gary Marmorstein The hits of the songwriting team of Richard Rodgers (1902-1979) and Lorenz Hart (1895-1943) are numerous. People familiar with what has been called “American Popular Song” since publication of the seminal work by Alec Wilder entitled: American Popular Song: The Great innovators – 1900-1950 in 1972, are fondly aware of the charms of “Manhattan,” “With a Song in My Heart,” “The Blue Room,” “Dancing on the Ceiling,” “Isn’t It Romantic,” “Blue Moon,” “It’s Easy to Remember,” “The Most Beautiful Girl in the World,” “”My Romance,” “Lover,” “There’s a Small Hotel,” “”The Lady is a Tramp,” “Bewitched,” “My Funny Valentine,” “”Where of When,” “Falling in Love with Love,” “This Can’t be Love,” “and “I Didn’t Know What Time it Was.” These Rodgers and Hart songs were ubiquitous in the golden age of American Popular Song, when they were sung from the Broadway stage, in Hollywood films, on network radio, and by singers with the great dance bands that endlessly toured the nation. Consequently, they became embedded in the musical consciousness (and subconscious) of a significant part of the American populace in the years 1925-1950, and beyond. In addition to these hits, all of which have considerable musical merit (thank you Mr. Rodgers) and lyrical merit (thank you Mr. Hart), are many other Rodgers and Hart songs of great worth. These include: “Mountain Greenery,” “This Funny World,” “Thou Swell,” “My Heart Stood Still,” “”You Took Advantage of Me,” “A Ship Without a Sail,” “He Was Too Good to Me,” “Ten Cents a Dance,” “”Spring is Here,” “”You Are Too Beautiful,” “Little Girl Blue,” “Glad to be Unhappy,” “Quiet Night,” “Have You Met Miss Jones?” “My Own,” “It Never Entered My Mind,” “I Could Write a Book,” and Wait ‘Till You See Her.” The songs of Rodgers and Hart have transcended the purposes for which they were created and are now a part of the fabric of American culture. -
BTW.B.Schedule2017(MH Edit)
Broadway Teachers Workshop B 2017 Schedule (*subject to change) Monday, July 10, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers. -
A Study Guide
a study guide compiled and arranged by the Education Department of The Shakespeare Theatre of New Jersey The Shakespeare Theatre of New Jersey The Comedy of Errors study guide — 2 The Comedy of Errors a support packet for studying the play and attending The Shakespeare Theatre of New Jersey’s Main Stage production General Information p3- Using This Study Guide p17- Sources for this Study Guide (and Additional Resources) William Shakespeare p4- Shakespeare: Helpful Tips for Exploring & Seeing His Works p5- The Life of William Shakespeare p5- Shakespeare’s London p6- Are You SURE This Is English? About The Play & This Production p7- The Comedy of Errors: A Synopsis p8- Sources and History of the Play p9- Commentary and Criticism Studying Shakespeare’s The Comedy of Errors p10- Shakespeare’s Common Tongue p10- Terms and Phrases found in The Comedy of Errors p11- The Comedy of Errors: Food For Thought p12- In All Seriousness: The Comedy of Errors p14- Additional Topics for Discussion Classroom Applications p14- Follow-Up Activities p15- “Test Your Understanding” Quiz p16- What Did He Say? p16- Who Said That? p17- “Test Your Understanding” and “Who Said That?” Answer Keys p18- Meeting the Core Curriculum Content Standards About the Shakespeare Theatre of New Jersey p19- About The Shakespeare Theatre of New Jersey p19- Other Opportunities for Students... and Teachers The Shakespeare Theatre of New Jersey is an independent, professional theatre located on the Drew University campus. The Shakespeare Theatre of New Jersey’s programs are made possible, in part, by funding from the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts, as well as funds from the National Endowment for the Arts. -
The Comedy of Errors
A Study Guide for TheThe ComedyComedy ofof ErrorsErrors By: William Shakespeare Presented by Shakespearience a program of the Idaho Shakespeare Festival Table of Contents Section one: WELCOME! Section three: AFTER THE SHOW Special thanks……………………………………….….pg 3 Using this study guide…………………………….….pg 3 Activity: Memory Mnemonics...................................pg 17 About the Idaho Shakespeare Festival…….….pg 4 Activity: Perform a Scene……………..…………………...pg 18 A note from the director……………………..……...pg 4 Activity: Create a Poster…………….……………………...pg 19 Activity: Art of the Insult…………..…………..………..….pg 20 Activity: Did You Know? Facts…...…………………..…..pg 21 Section two: BEFORE THE SHOW Meet the Cast…………………………………………...pg 5 The puppets of comedy……………………………...pg 6 About WILLIAM SHAKESPEARE.………………….pg 7 Comedy of Errors Synopsis…………………………pg 8 Section four: APPENDIX Twins in the real world……………………………….pg 9 Sources……………………………………………………..pg 22 Character Connections………………………………pg 10-11 Suggested viewing/reading.………..………….…..pg 22 Activity: The 15-Minute Play……………………….pg 12-14 Festival History……………………………………………pg 23 Vocabulary Words…………………………………..….pg 15 Activity: Bardbook…...…………………………………pg 16 2 Welcome! Using This Guide... A Very Special Thank You! Dear Teachers, The National Endowment for the Arts in partnership with Arts Midwest presents Shakespeare in American Communities. Idaho Welcome to the Shakespearience study guide for The Comedy Shakespeare Festival is one of 40 professional theater companies of Errors. These materials have been designed to expand your selected to participate in bringing the finest productions of students’ engagement with the performance as well as Shakespeare to middle- and high-school students in communities provide background knowledge on William Shakespeare and across the United States This is the twelfth year of this national the influential literature he wrote. -
William Shakespeare 1 William Shakespeare
William Shakespeare 1 William Shakespeare William Shakespeare The Chandos portrait, artist and authenticity unconfirmed. National Portrait Gallery, London. Born Baptised 26 April 1564 (birth date unknown) Stratford-upon-Avon, Warwickshire, England Died 23 April 1616 (aged 52) Stratford-upon-Avon, Warwickshire, England Occupation Playwright, poet, actor Nationality English Period English Renaissance Spouse(s) Anne Hathaway (m. 1582–1616) Children • Susanna Hall • Hamnet Shakespeare • Judith Quiney Relative(s) • John Shakespeare (father) • Mary Shakespeare (mother) Signature William Shakespeare (26 April 1564 (baptised) – 23 April 1616)[1] was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.[2] He is often called England's national poet and the "Bard of Avon".[3][4] His extant works, including some collaborations, consist of about 38 plays,[5] 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain. His plays have been translated into every major living language and are performed more often than those of any other playwright.[6] Shakespeare was born and brought up in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613 at age 49, where he died three years later. -
Program for "Juliet and Romeo"
June 3 at 6 p.m. PDT through June 5 at 11:59 p.m. Mondaviarts.org CHAIR’S WELCOME Performance and the arts have been a touchstone for maintaining our connection to each other, and our sense of possibility and hope, during this very challenging time. As we approach a turning point in the pandemic, we’d like to welcome you to the premier of a brand new musical comedy. Juliet and Romeo puts a new spin on William Shakespeare’s classic romantic tragedy and transforms it into a contemporary tale filled with music and laughter. We are pleased that creators Paul Gordon and Curtis Moore, UC Davis Granada Artists-in-Residence, have selected Catalyst: A Theatre Think Tank and UC Davis Department of Theatre, Dance and Arts Administration to premiere this new work of theatre. Joining us in this venture is Southern Utah University’s (SUU) Department of Theatre and Dance. Juliet and Romeo is supported by the UC Davis Robert and Margrit Mondavi Center for the Performing Arts’ Homestage series and the Jan Shrem and Maria Manetti Shrem Museum of Art. The musical is co-directed by Broadway veteran Mindy Cooper, UC Davis professor of theatre and dance and Lisa Quoresimo, SUU assistant professor of theatre and dance, who was awarded her Ph.D. from UC Davis in performance studies in 2018. The creative team includes digital set designer Ian Wallace, professor of theatre arts at Folsom Lake College, costume designer Martha Clarke, costume director at Sonoma State University, and music supervisor Mitchell Brownell, music director, accompanist and arranger at SUU. -
William Shakespeare's the Comedy of Errors Study Guide
William Shakespeare’s The Comedy of Errors Study Guide 1 The Comedy of Errors Welcome to The Comedy of Errors. We hope that this study guide will help you further your understanding and enjoyment of one of Shakespeare's most popular comedies. The Orlando Shakespeare Theatre has a strong belief in the relationship between the actor and the audience because, without either one, there is no theater. We hope that this study guide will help bring a better understanding of the plot, themes, and characters in this play so that you can more fully enjoy the theatrical experience. Contents Page 3: Meet the Characters Page 4: Plot Summary Page 7: Tools for the Text: Paraphrase Page 8-9: Tools for the Text: Imagery Page 9: Background Information Page 10: Questions for Discussion and Shakespeare’s Early Style Page 11-16: Complete Learning Plans Page 16-18: Images of The Comedy of Errors This guide was written to correspond to the following Sunshine State Standards The Arts Skills and Techniques - The student understands and applies arts techniques, media and processes. Creation and Communication - The student creates and communicates a range of subject matter, symbols, and ideas using knowledge of structures and functions of the arts. Cultural and Historical Connections - The student understands the arts in relation to history and culture. Aesthetic and Critical Analysis - The student analyzes, evaluates, and responds to characteristics of works of art. Language Arts Writing - The student uses the writing process effectively. Listening, Viewing, & Speaking - The student uses listening strategies effectively. Language - The student understands the nature and power of language. -
Next Issue Deadline
NEXT ISSUE F R ID A Y 17 DEADLINE MONDAY 2 1 626-0656 M ECC A publications Box 627, S.F. CA 94101 THE BOYS ARE BACK . Donald and Maurice Chevalier. 1 and not in the band! .... They might have stayed in Hollywood by Gene Arcerl a few more years, but for one thing, .glancing through the trades one day, The true (tory behind the acenet they spotted a brief item in a column; of a show if often more incredible and "Whatever became of Rodgers and Hart? fascinating than die plot unfolding They took the next train east. Billy before the audience. Let's take the Rose hadn't forgotten them for one current hit revival of THE BOYS OP and he hired them for a gigantic new SYRACUSE. Reviewed u a bouncy, m usical he was producing called JUMBO. brassy musical love at the Eureka Its gala premiere took place on Novem lower-level theatre, the company ber 16, 1935. And oh, the lyrics of has moved to the SHOWCASE (form Hart'; "Wide awake 1 can see my most erly the Encore) lower level stage, fantastic dreams come true. " while rising to new heights. ("My Romance") and "Uttle Girl 1 first met up with the "BOYS" In Blue" caught the right mood of a New York, 1963. An Investor invited m m sh si rejected, lonely girl sitting in the my roommate Perry and I to see the rain. From then on like the circus revival of the Rodgers and Hart 1938 {parade from JUMBO th e ir career was music aL He wanted me to direct an almost unbroken march of one some of that Shubert Alley traffic to hit after another.