The Travails of the Comedy of Errors in Athens
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Handout for “Gower and #Metoo” Georgiana Donavin, Westminster College ICMS, 2019
Handout for “Gower and #MeToo” Georgiana Donavin, Westminster College ICMS, 2019 Sources for Teaching: Bertolet, Craig E. “From Revenge to Reform: The Changing Face of 'Lucrece' and Its Meaning in Gower's Confessio Amantis.” Philological Quarterly 70 (1991): 403-421. Brundage, James. A. Law, Sex, and Christian Society in Medieval Europe. Chicago: University of Chicago Press, 1987. Bullón-Fernández, María. Fathers and Daughters in Gower's Confessio Amantis: Authority, Family, State, and Writing. Publications of the John Gower Society, 5. Cambridge: D.S. Brewer, 2000. -----. “Translating Women, Translating Texts: Gower's 'Tale of Tereus' and the Castilian and Portuguese Translations of the 'Confessio Amantis'.” In John Gower: Manuscripts, Readers, Contexts. Ed. Malte Urban. Turnhout, Belgium: Brepols, 2009. 109-32. Dinshaw, Carolyn. “Rivalry, Rape and Manhood: Gower and Chaucer.” In Chaucer and Gower: Difference, Mutuality, Exchange. Ed. R.F. Yeager. Victoria, B.C.: English Literary Studies, 1991. 130-152. Dunn, Caroline. “The Language of Ravishment in Medieval England.” Speculum 86.1 (2011): 79-116. Edwards, Suzanne M. The Afterlives of Rape in Medieval English Literature. New York: Palgrave, 2016. Gravdal, Kathryn. Ravishing Maidens: Writing Rape in Medieval French Literature and Law. Philadelphia: University of Pennsylvania Press, 1991. Harbert, Bruce. “The Myth of Tereus in Ovid and Gower.” Medium AEvum 41 (1972): 208-214. Lepley, Douglas L. “The Tale of Tereus (CA, V, 5551-6048).” In John Gower's Literary Transformations in the Confessio Amantis: Original Articles and Translations. Ed. Peter G. Beidler. Washington, D.C.: University Press of America, 1982. 63-69. Mast, Isabelle. “Rape in John Gower's Confessio Amantis and Other Related Works.” In Young Medieval Women. -
The Comedy of Errors
By William Shakespeare | Directed by Jane Nichols All original material copyright © Seattle Shakespeare Company 2015 WELCOME Dear Educators, Welcome to Seattle Shakespeare Company's 25th Anniversary Season! This season's theme is "Bloodlines," and we're diving deep into plays about family — both the functional, and the conflicted. To start off, we're staging this fall's fast-paced version of The Comedy of Errors. This play is one of Shakespeare's earliest, and is a light comedy with a dark backdrop. The framing story of this play is of Egeon, who sought his son all the way to Ephesus and is sentenced to death because he is from Syracuse. It is on top of this dreary story that our effervescent comedy of mistaken identity is built. We will see a more mature version of the unexplained feud between Ephesus and Syracuse later this season, when we produce Shakespeare's beloved tragedy, Romeo and Juliet, with its most famous of family feuds between the Capulets and Montagues. In between these two shows, we will also be producing the stories of a war-weary mother trying to protect her children in Mother Courage and Her Children, a father who must avenge his destroyed family in Titus Andronicus, and a mother who needed to make tough choices to support her daughter in Mrs. Warren's Profession. Thank you for your continued support of Seattle Shakespeare Company, and we hope you enjoy The Comedy of Errors! Best, Michelle Burce Education Director www.seattleshakespeare.org/education 206-733-8228 ext. 251 or [email protected] PRODUCTION SPONSORS CONTENTS Plot Synopsis . -
Confessio Amantis'
The tales of Acteon and Narcissus in the 'Confessio Amantis' Article Published Version Cresswell, J. (1981) The tales of Acteon and Narcissus in the 'Confessio Amantis'. Reading Medieval Studies, VII. pp. 32-40. ISSN 0950-3129 Available at http://centaur.reading.ac.uk/84790/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: University of Reading All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online READING MEDIEVAL STUDIES The Tales of Acteo" and Narcissus in the Confessio Amantis Ovid's Metamorphoses is easily the most important of the many sources of the stories in the Confessio Amantis. 1 Although Gower shows some knowledge of all the major works of Ovid, the Metamorphoses is clear ly the one most suited to his purpose, and Gower is working in a well established tradition in using the poem as a source of exempla. Work has been done to show that Gower may have been influenced by the populor morclised versions of Ovid in both French and latin, 2 but there con be no doubt that he knew the original version well, although the name forms of the characters he takes from Ovid suggest corruptions in the text he used. -
A Comparison of Two Medieval Story-Tellers : Geoffrey Chaucer and John Gower
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 1967 A comparison of two medieval story-tellers : Geoffrey Chaucer and John Gower Margaret Joan Byerly University of the Pacific Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Social and Behavioral Sciences Commons Recommended Citation Byerly, Margaret Joan. (1967). A comparison of two medieval story-tellers : Geoffrey Chaucer and John Gower. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/1630 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. A COMPARISON OF TWO MEDIEVAL STORY-TELLERS: GEOFFREY CHAUCER AND JOHN GOWER A Thesis Presented to The Faculty of the Graduate School University of the Pacific ---~--- In Partial Fulfillment of the Requirements for the Degree Master of Arts by Margaret Joan Byerly January 1967 'fhis thesis, written and submitted by is approved for recommendation to the . Graduate·Council, University of the Pacific. Department Chairman or Dean: Thesis Committee: TABLE OF CONTENTS CHAPTER PAGE I. AN INTRODUCTION TO CHAUCER AND GOWER • • .1 .: • • • • • ; II. THE CONFESSIO AMANTIS AND THE CANTERBURY TALES • • 5 11 III. "CONSTANCE OR "THE MAN OF LAH'S TALE" • • • • • • 14 11 IV. "FLORENT OR "THE \fiFE OF BATH'S TALE" • • • • • • 41 v. ''VIRGINIA II OR II THE PHYSICIAN t s TALE" • • • • • • • 60 VI. -
Performing Corpo-Realities in Shakespeare's Late Romances 2017
Action Bodies / Acting Bodies: Performing Corpo-Realities in Shakespeare's Late Romances Von der Philosophischen Fakultät der Gottfried Wilhelm Leibniz Universität Hannover zur Erlangung des Grades einer Doktorin der Philosophie (Dr. phil.) genehmigte Dissertation von Eve-Marie Oesterlen geboren am 24. April 1974 in München 2017 Referentin: Prof. Dr. Liselotte Glage Korreferent: Prof. Dr. Rainer Emig Tag der Promotion: 24. November 2016 Zusammenfassung Ausgangspunkt dieser Arbeit ist die Annahme, dass das Spätwerk Shakespeares sich durchgängig und intensiv damit auseinandersetzt, „was es heißt zu wissen, dass andere, dass wir Körper haben“ (Stanley Cavell). Untersucht wird die Bedeutung, die ein solcher corporeal turn für die Rezeption von drei der von der Shakespeare-Forschung bisher eher vernachlässigten Romanzen hat: Pericles, The Winter’s Tale und Cymbeline. Das Augenmerk der Analyse richtet sich hierbei insbesondere auf die Art und Weise, in der sich Repräsentationen des handelnden Körpers im doppelten Sinne (action body/acting body) zur dichten textuellen und theatralischen Selbstreflexion der Stücke verhalten. Hierbei rekurriert die Analyse auf kritische Ansätze, die sich aus der neueren kulturwissenschaftlichen Diskurswende in Bezug auf Körper und Performanz ergeben. Shakespeare, Körper, Performanz Abstract Proceeding from the premise that in his late plays Shakespeare continuously engages with the question of “what it is to know that others, that we, have bodies” (Stanley Cavell), this thesis examines the significance of such a ‘corporeal turn’ for the dramatic analysis of three of Shakespeare’s late romances: Pericles, The Winter's Tale, and Cymbeline. Following in the wake of critical approaches that have emerged from a new focus of interest in the body and performance, this thesis supplements a reading of the playtext with a reading of the text in performance to illustrate how representations of the performing body are bound up with and shaped by the plays’ intense textual and theatrical self-reflection. -
The Comedy of Errors and Free Shakespeare for Kids Are Made Possible by These Generous Sponsors and Supporters
HOME OF MARYLAND HOME OF MAGAZINE.COM MARYLAND The William G. Baker, Jr. Memorial Fund creator of the Baker Artist Awards | www.bakerartistawards.org MAGAZINE.COM A Sustaining Sponsor of Free Shakespeare for Kids MARYLAND The Comedy of Errors and Free Shakespeare for Kids are made possible by these generous sponsors and supporters. MAGAZINE.COM Chesapeake Shakespeare Company Ian Gallanar* Lesley Malin* Patrick Kilpatrick* Founding Artistic Director Managing Director Production Manager The Comedy of Errors By William Shakespeare Directed by Scott Alan Small* Technical Director: Daniel O’Brien* | Costume Designer: Heather C. Jackson | Stage Manager: Sarah Thompson Setting: Ephesus CAST AEGEON, a merchant from Syracuse .........................................................................................................................................Frank Mancino* SOLINUS, Duke of Ephesus .................................................................................................................................................................Kate Forton* ANTIPHOLUS OF SYRACUSE ................................................................................................................................................Matthew Ancarrow* DROMIO OF SYRACUSE, a servant ................................................................................................................................................Kelsey Painter* FIRST MERCHANT, SECOND MERCHANT ........................................................................................................................................ -
Redating Pericles: a Re-Examination of Shakespeare’S
REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Michelle Elaine Stelting University of Missouri Kansas City December 2015 © 2015 MICHELLE ELAINE STELTING ALL RIGHTS RESERVED REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY Michelle Elaine Stelting, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2015 ABSTRACT Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions of his works after 1604 out of indifference? Re-dating Pericles from the Jacobean to the Elizabethan era answers these questions and reveals previously unexamined connections between topical references in Pericles and events and personalities in the court of Elizabeth I: John Dee, Philip Sidney, Edward de Vere, and many others. The tournament impresas, alchemical symbolism of the story, and its lunar and astronomical imagery suggest Pericles was written long before 1608. Finally, Shakespeare’s focus on father-daughter relationships, and the importance of Marina, the daughter, as the heroine of the story, point to Pericles as written for a young girl. This thesis uses topical references, Shakespeare’s anachronisms, Shakespeare’s sources, stylometry and textual analysis, as well as Henslowe’s diary, the Stationers' Register, and other contemporary documentary evidence to determine whether there may have been versions of Pericles circulating before the accepted date of 1608. -
Love & Ethics in Gower's Confessio Amantis
LOVE & ETHICS IN GOWER’S CONFESSIO AMANTIS LOVE & ETHICS IN GOWER’S CONFESSIO AMANTIS Peter Nicholson the university of michigan press Ann Arbor Copyright © by the University of Michigan 2005 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2008 2007 2006 2005 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Nicholson, Peter, 1948- Love and ethics in Gower’s Confessio amantis / Peter Nicholson. p. cm. Includes bibliographical references (p. ) and index. ISBN 0-472-11512-X (cloth : alk. paper) 1. Gower, John, 1325?– 1408. Confessio Amantis. 2. Love poetry, English (Middle)—History and criticism. 3. Gower, John, 1325?–1408—Ethics. 4. Ethics, Medieval, in literature. 5. Christian ethics in literature. 6. Courtly love in literature. 7. Ethics in literature. 8. Love in literature. I. Title. PR1984.C63N533 2005 821'.1—dc22 2005005832 preface Perhaps the worst thing that can be said about a new book on medieval literature nowadays is that it could have been written forty years ago. My excuse for offering this study of Gower at the present time is that it should have been, but wasn’t. During the period when Chaucer, Langland, and the Gawain-poet were all receiving the close and sustained attention associated with formal criticism, Gower, by comparison, was almost entirely neglected. -
Historia Apollonii Regis Tyri
Metaphor and the riddle of representation in the Historia Apollonii regis Tyri ANDREW LAIRD University of Warwick It is characteristic of philosophical writing that it must continually con- front the question of representation. Walter Benjamin, The Origin of German Tragic Drama. Aristotle says that metaphor is ‘the application of a word that belongs to another thing: either from genus to species, species to genus, species to spe- cies, or by analogy’.1 Studies of metaphors in specific texts – such as those considered in the present volume – are, on the whole, served well by the sort of definition Aristotle offers. But that Aristotelian definition, in presuppos- ing that proper names belong to their objects, raises some awkward ques- tions about naming and essence. And those questions become more threatening if the metaphors to be considered are found in fiction. Ken Dow- den’s chapter raises the possibility of fiction as a reconfiguration of the nar- ratives of our own lives, and as an instructive defamiliarisation of our own individually felt experience. This is no doubt true, but it is also disconcert- ing: if a fictional text can itself be seen as a kind of metaphor, what are the consequences for the metaphors we discern within it? The Historia Apollonii regis Tyri (History of Apollonius King of Tyre) is a late work of ancient fiction but it might serve as a useful coda to the an- cient novels preceding it in quite another way – by prompting thought about the metaphorical nature of an entire work of fiction, in tandem with the metaphors it contains. -
Synopsis of Pericles He Medieval Poet John Gower Returns from the Grave to Tell the Story of Pericles, Prince of Tyre
Synopsis of Pericles he medieval poet John Gower returns from the grave to tell the story of Pericles, Prince of Tyre. THe starts with Pericles’ search for a wife, which leads him to the city of Antioch, where King Antiochus has a beautiful and mysterious daughter. Any knight who can solve the riddle of her identity will win her hand; those who fail are executed at once. Pericles successfully deciphers the riddle, which reveals that . n o i t the King and his daughter have an incestuous c e l l o relationship. Horrified, Pericles flees Antioch, rightly C e t assuming that the King will kill Pericles to prevent him a T e h from revealing the answer to the riddle. t f o y s e t r In Tyre, Pericles fears that Antiochus may start a war u o in order to silence him. Pericles appoints his C counselor Helicanus to rule as regent and again flees. Ships in Distress in a Storm, Peter Monamy c. 1720-30. Pericles arrives in the famine-stricken kingdom of Tarsus, where he delivers wheat to the starving citizens. He receives news that an assassin from vows to never wash his face or cut his hair again and Antioch is on his trail and sets sail. A tempest leaves departs for the sea. him the sole survivor of a shipwreck and washed up on the shore of Pentapolis. A group of fishermen At the brothel, Marina avoids losing her maidenhood rescue Pericles and his armor and take him to the and instead uses her goodness and purity to influence royal court. -
'Confessio Amantis'. Donald Gustave Schueler Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1962 A Critical Evaluation of John Gower's 'Confessio Amantis'. Donald Gustave Schueler Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Schueler, Donald Gustave, "A Critical Evaluation of John Gower's 'Confessio Amantis'." (1962). LSU Historical Dissertations and Theses. 756. https://digitalcommons.lsu.edu/gradschool_disstheses/756 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been 62-6324 microfilmed exactly as received SCHUELER, Donald Gustave, 1929- A CRITICAL EVALUATION OF JOHN GOWER'S CONFESSED A MANTIS. Louisiana State University, Ph.D., 1962 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan A CRITICAL EVALUATION OF JOHN GOWER'S CONFESSIO A MANTIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Donald Gustave Schueler B. A. , University of Georgia, 1951 June, 1962 AC KNOWLEDGMENT I wish to thank Dr. Thomas A. Kirby, the director of this dissertation, for his patient and invaluable assistance in its prep aration. I would also like to acknowledge the helpfulness of the other members of my committee: Dr. Nathaniel M. Caffee, Dr. -
History of Eng Lit CD Booklet
Perry Keenlyside The History of English Literature NON- FICTION Read by Derek Jacobi and cast HISTORIES NA422112D CONTAINS 100 EXCERPTS FROM KEY WORKS THE AGE OF CHAUCER 1 Geoffrey Chaucer 1343-1400 7:13 The Canterbury Tales, ?1390-1400 * 2 Extract from The Miller’s Tale 2:42 read by Anthony Donovan 3 Extract from The Franklin’s Tale 3:29 From The Canterbury Tales I, Naxos AudioBooks NA304412 • ISBN 962634 0444 4 William Langland c.1330-c.1386 2:04 The Book Concerning Piers Plowman, date unknown * 5 The ‘Gawain’ poet birth and death dates unknown 2:55 Sir Gawain and the Green Knight, 1375? # 6 John Gower ?1330-1408 3:34 Confessio Amantis, 1390 § THE END OF CHIVALRY 7 John Lydgate ?1370-1449 1:53 The Duplicity of Women, mid 15th century * 8 Anon 1:20 I Sing of a Maiden, early 15th century § 9 Anon 1:19 Carol of Agincourt, c.1415 10 Anon 1:03 Black-smutted Smiths, mid 15th century * 2 11 Sir Thomas Malory ?1420-1471 6:40 Le Morte d’Arthur, 1470 From The Death of Arthur read by Philip Madoc Naxos AudioBooks NA300112 • ISBN 9626340010 12 John Skelton ?1460-1529 2:58 Lullaby, c.1500 # 13 Sir Thomas Wyatt 1503-1542 2:53 They flee from me… # 14 Sir Thomas More 1478-1535. Utopia 2:17 15 Thomas Cranmer, editor 1489-1556 2:48 The Book of Common Prayer, 1549 * THE TRIUMPHS OF ORIANA 2:18 16 Sir Walter Ralegh ?1554-1618 2:11 17 As You Came from the Holy Land # Edmund Spenser ?1552-1599 3:16 18 The Faerie Queene, 1589 From The Faerie Queene read by John Moffatt Naxos AudioBooks NA315912 • ISBN 962634 0029 19 Sir Philip Sidney 1554-1586 2:54 Astrophel and Stella, 1582 § 20 William Shakespeare 1564-1616 The Sonnets, 1609 4:32 3 21 Three Sonnets 3:02 Shall I compare thee to a summer’s day Th’ expense of spirit in a waste of shame Let me not to the marriage of true minds From The Sonnets read by Alex Jennings Naxos AudioBooks NA314512 • ISBN 962634 1459 22 Christopher Marlowe 1564-1593 1:15 The Passionate Shepherd to his Love, pub.