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Handout for “Gower and #Metoo” Georgiana Donavin, Westminster College ICMS, 2019
Handout for “Gower and #MeToo” Georgiana Donavin, Westminster College ICMS, 2019 Sources for Teaching: Bertolet, Craig E. “From Revenge to Reform: The Changing Face of 'Lucrece' and Its Meaning in Gower's Confessio Amantis.” Philological Quarterly 70 (1991): 403-421. Brundage, James. A. Law, Sex, and Christian Society in Medieval Europe. Chicago: University of Chicago Press, 1987. Bullón-Fernández, María. Fathers and Daughters in Gower's Confessio Amantis: Authority, Family, State, and Writing. Publications of the John Gower Society, 5. Cambridge: D.S. Brewer, 2000. -----. “Translating Women, Translating Texts: Gower's 'Tale of Tereus' and the Castilian and Portuguese Translations of the 'Confessio Amantis'.” In John Gower: Manuscripts, Readers, Contexts. Ed. Malte Urban. Turnhout, Belgium: Brepols, 2009. 109-32. Dinshaw, Carolyn. “Rivalry, Rape and Manhood: Gower and Chaucer.” In Chaucer and Gower: Difference, Mutuality, Exchange. Ed. R.F. Yeager. Victoria, B.C.: English Literary Studies, 1991. 130-152. Dunn, Caroline. “The Language of Ravishment in Medieval England.” Speculum 86.1 (2011): 79-116. Edwards, Suzanne M. The Afterlives of Rape in Medieval English Literature. New York: Palgrave, 2016. Gravdal, Kathryn. Ravishing Maidens: Writing Rape in Medieval French Literature and Law. Philadelphia: University of Pennsylvania Press, 1991. Harbert, Bruce. “The Myth of Tereus in Ovid and Gower.” Medium AEvum 41 (1972): 208-214. Lepley, Douglas L. “The Tale of Tereus (CA, V, 5551-6048).” In John Gower's Literary Transformations in the Confessio Amantis: Original Articles and Translations. Ed. Peter G. Beidler. Washington, D.C.: University Press of America, 1982. 63-69. Mast, Isabelle. “Rape in John Gower's Confessio Amantis and Other Related Works.” In Young Medieval Women. -
STUDY GUIDE TOOLS for TEACHERS Sponsored By
2014 STUDY GUIDE TOOLS FOR TEACHERS sponsored by Tom McCamus, Seana McKenna Support for the 2014 season of the Tom Patterson Theatre is generously provided by Richard Rooney & Laura Dinner Production support is generously provided by Karon Bales & Charles Beall Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Cast of Characters ...................................................................................................... 6 Plot Synopsis ............................................................................................................... 7 Sources and Origins .................................................................................................... 8 Stratford Festival Production History ......................................................................... 9 The Production Artistic Team and Cast ............................................................................................... 10 Lesson Plans and Activities Creating Atmosphere .......................................................................................... 11 Mad World, Mad Kings, Mad Composition! ........................................................ 14 Discussion Topics .............................................................................................. -
Confessio Amantis'
The tales of Acteon and Narcissus in the 'Confessio Amantis' Article Published Version Cresswell, J. (1981) The tales of Acteon and Narcissus in the 'Confessio Amantis'. Reading Medieval Studies, VII. pp. 32-40. ISSN 0950-3129 Available at http://centaur.reading.ac.uk/84790/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: University of Reading All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online READING MEDIEVAL STUDIES The Tales of Acteo" and Narcissus in the Confessio Amantis Ovid's Metamorphoses is easily the most important of the many sources of the stories in the Confessio Amantis. 1 Although Gower shows some knowledge of all the major works of Ovid, the Metamorphoses is clear ly the one most suited to his purpose, and Gower is working in a well established tradition in using the poem as a source of exempla. Work has been done to show that Gower may have been influenced by the populor morclised versions of Ovid in both French and latin, 2 but there con be no doubt that he knew the original version well, although the name forms of the characters he takes from Ovid suggest corruptions in the text he used. -
A Comparison of Two Medieval Story-Tellers : Geoffrey Chaucer and John Gower
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 1967 A comparison of two medieval story-tellers : Geoffrey Chaucer and John Gower Margaret Joan Byerly University of the Pacific Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Social and Behavioral Sciences Commons Recommended Citation Byerly, Margaret Joan. (1967). A comparison of two medieval story-tellers : Geoffrey Chaucer and John Gower. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/1630 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. A COMPARISON OF TWO MEDIEVAL STORY-TELLERS: GEOFFREY CHAUCER AND JOHN GOWER A Thesis Presented to The Faculty of the Graduate School University of the Pacific ---~--- In Partial Fulfillment of the Requirements for the Degree Master of Arts by Margaret Joan Byerly January 1967 'fhis thesis, written and submitted by is approved for recommendation to the . Graduate·Council, University of the Pacific. Department Chairman or Dean: Thesis Committee: TABLE OF CONTENTS CHAPTER PAGE I. AN INTRODUCTION TO CHAUCER AND GOWER • • .1 .: • • • • • ; II. THE CONFESSIO AMANTIS AND THE CANTERBURY TALES • • 5 11 III. "CONSTANCE OR "THE MAN OF LAH'S TALE" • • • • • • 14 11 IV. "FLORENT OR "THE \fiFE OF BATH'S TALE" • • • • • • 41 v. ''VIRGINIA II OR II THE PHYSICIAN t s TALE" • • • • • • • 60 VI. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
2016 Study Guide 2016 Study Guide
2016 STUDY GUIDE 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER AS YOU LIKE IT BY WILLIAM SHAKESPEARE DIRECTOR JILLIAN KEILEY TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by M. Fainer and by The Harkins/Manning Families In Memory of James & Susan Harkins INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: Cyrus Lane, Petrina Bromley. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ............................................................................................................... 6 Cast of Characters ...................................................................................................... 7 Sources, Origins and Production History .................................................................. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Performing Corpo-Realities in Shakespeare's Late Romances 2017
Action Bodies / Acting Bodies: Performing Corpo-Realities in Shakespeare's Late Romances Von der Philosophischen Fakultät der Gottfried Wilhelm Leibniz Universität Hannover zur Erlangung des Grades einer Doktorin der Philosophie (Dr. phil.) genehmigte Dissertation von Eve-Marie Oesterlen geboren am 24. April 1974 in München 2017 Referentin: Prof. Dr. Liselotte Glage Korreferent: Prof. Dr. Rainer Emig Tag der Promotion: 24. November 2016 Zusammenfassung Ausgangspunkt dieser Arbeit ist die Annahme, dass das Spätwerk Shakespeares sich durchgängig und intensiv damit auseinandersetzt, „was es heißt zu wissen, dass andere, dass wir Körper haben“ (Stanley Cavell). Untersucht wird die Bedeutung, die ein solcher corporeal turn für die Rezeption von drei der von der Shakespeare-Forschung bisher eher vernachlässigten Romanzen hat: Pericles, The Winter’s Tale und Cymbeline. Das Augenmerk der Analyse richtet sich hierbei insbesondere auf die Art und Weise, in der sich Repräsentationen des handelnden Körpers im doppelten Sinne (action body/acting body) zur dichten textuellen und theatralischen Selbstreflexion der Stücke verhalten. Hierbei rekurriert die Analyse auf kritische Ansätze, die sich aus der neueren kulturwissenschaftlichen Diskurswende in Bezug auf Körper und Performanz ergeben. Shakespeare, Körper, Performanz Abstract Proceeding from the premise that in his late plays Shakespeare continuously engages with the question of “what it is to know that others, that we, have bodies” (Stanley Cavell), this thesis examines the significance of such a ‘corporeal turn’ for the dramatic analysis of three of Shakespeare’s late romances: Pericles, The Winter's Tale, and Cymbeline. Following in the wake of critical approaches that have emerged from a new focus of interest in the body and performance, this thesis supplements a reading of the playtext with a reading of the text in performance to illustrate how representations of the performing body are bound up with and shaped by the plays’ intense textual and theatrical self-reflection. -
The Release This Month of the 23Rd Bond Film,Skyfall, Coincides with The
James Bond The release this month of the 23rd Bond film, Skyfall, coincides with the 50th anniversary of James Bond's first appearance on the silver screen. Klaus Dodds looks back on half a century of 007. Shaken and Stirred His word is his Bond: Ian Fleming photographed in 1963 and (inset) the cover of a first edition of Casino Royaie. 50 HistoryTodfl;' | October 2012 www.historytoday.com James Bond n October 5th, 1962 Dr No premiered at the London Pavilion and made a relatively unknown Scottish actor, Sean Connery a Ostar. Sent to Jamaica to investigate a suspi- cious disappearance, the British spy James Bond (007) eventually tracks the killer and a previously unknown secret organisation to Crab Key. With the help of an innocent girl called Honey Ryder, famously dressed in a white bikini. Bond confronts the first of many evil geniuses intent on implementing plans for global domination. Dr No, a disfigured but gifted scientist, reveals that he works for SPECTRE (Special Executive for Counter-Intelligence, Terrorism and Revenge and Extortion). The organisation is planning to sabotage the US space programme in nearby Florida in order to wreak havoc and trigger a conflict between East and West. SPECTRE hopes the United States will attack the Soviet Union in retaliation. Bond, after evading capture and assassination, kills Dr No and scuppers the plot. The film was a commercial success, even if the trade press reviews were mixed. With a budget of $1 million it generated nearly $60 million in box office receipts and thus initiated an extraordinary chapter in cinematic history. -
Redating Pericles: a Re-Examination of Shakespeare’S
REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Michelle Elaine Stelting University of Missouri Kansas City December 2015 © 2015 MICHELLE ELAINE STELTING ALL RIGHTS RESERVED REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY Michelle Elaine Stelting, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2015 ABSTRACT Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions of his works after 1604 out of indifference? Re-dating Pericles from the Jacobean to the Elizabethan era answers these questions and reveals previously unexamined connections between topical references in Pericles and events and personalities in the court of Elizabeth I: John Dee, Philip Sidney, Edward de Vere, and many others. The tournament impresas, alchemical symbolism of the story, and its lunar and astronomical imagery suggest Pericles was written long before 1608. Finally, Shakespeare’s focus on father-daughter relationships, and the importance of Marina, the daughter, as the heroine of the story, point to Pericles as written for a young girl. This thesis uses topical references, Shakespeare’s anachronisms, Shakespeare’s sources, stylometry and textual analysis, as well as Henslowe’s diary, the Stationers' Register, and other contemporary documentary evidence to determine whether there may have been versions of Pericles circulating before the accepted date of 1608. -
Love & Ethics in Gower's Confessio Amantis
LOVE & ETHICS IN GOWER’S CONFESSIO AMANTIS LOVE & ETHICS IN GOWER’S CONFESSIO AMANTIS Peter Nicholson the university of michigan press Ann Arbor Copyright © by the University of Michigan 2005 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2008 2007 2006 2005 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Nicholson, Peter, 1948- Love and ethics in Gower’s Confessio amantis / Peter Nicholson. p. cm. Includes bibliographical references (p. ) and index. ISBN 0-472-11512-X (cloth : alk. paper) 1. Gower, John, 1325?– 1408. Confessio Amantis. 2. Love poetry, English (Middle)—History and criticism. 3. Gower, John, 1325?–1408—Ethics. 4. Ethics, Medieval, in literature. 5. Christian ethics in literature. 6. Courtly love in literature. 7. Ethics in literature. 8. Love in literature. I. Title. PR1984.C63N533 2005 821'.1—dc22 2005005832 preface Perhaps the worst thing that can be said about a new book on medieval literature nowadays is that it could have been written forty years ago. My excuse for offering this study of Gower at the present time is that it should have been, but wasn’t. During the period when Chaucer, Langland, and the Gawain-poet were all receiving the close and sustained attention associated with formal criticism, Gower, by comparison, was almost entirely neglected. -
2016 Study Guide
2016 STUDY ProductionGUIDE Sponsor 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER BREATH OF KINGS: REBELLION | REDEMPTION BY WILLIAM SHAKESPEARE CONCEIVED AND ADAPTED BY GRAHAM ABBEY WORLD PREMIÈRE COMMISSIONED BY THE STRATFORD FESTIVAL DIRECTORS MITCHELL CUSHMAN AND WEYNI MENGESHA TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by The Brian Linehan Charitable Foundation and by Martie & Bob Sachs INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: From left: Graham Abbey, Tom Rooney, Araya Mengesha, Geraint Wyn Davies.. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ..............................................................................................................