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Home , Elliot Norton, Justin Blanchard, The Boys from Syracuse

AND

STEVEN MALER FOUNDING ARTISTIC DIRECTOR

PRESENT

Rodgers and Hart's The Boys from Syracuse

August 31, 2016 7 pm at the DCR’s Hatch Shell Landmarks Orchestra

VIOLIN I BASSOON Gregory Vitale, concertmaster Donald Bravo, principal Christine Vitale Gregory Newton Pattison Story Rebecca Katsenes HORN Tera Gorsett Kevin Owen, principal Stacey Alden TRUMPET VIOLIN II Dana Oakes, principal Paula Oakes, principal Jesse Levine Melissa Howe Robert Curtis TROMBONE Maynard Goldman Robert Couture, principal

VIOLA HARP Kenneth Stalberg, principal Ina Zdorovetchi, principal Abigail Cross PERCUSSION Donna Jerome Robert Schulz, principal Jean Haig

CELLO Maynard Goldman, Aron Zelkowicz, principal Personnel Manager Melanie Dyball Jolene Kessler Kristo Kondakci, Assistant Conductor BASS Robert Lynam, principal Barry Boettger

FLUTE. PICCOLO Lisa Hennessy, principal

OBOE, ENGLISH HORN Andrew Price, principal

CLARINET, ALTO SAX Steven Jackson, principal

CLARINET, BASS CLARINET, ALTO SAX Ryan Yuré

TENOR SAX, BARITONE SAX, CLARINET, BASS CLARINET Brent Beech Boston Landmarks Orchestra Commonwealth Shakespeare present The Boys from Syracuse (1938) based on by Music by Lyrics by Book by + Orchestration by Hans Spialek

Cast (in order of appearance)

Sergeant Leo Pierre Roy Antipholus of Ephesus Andy McLeavey* Dromio of Ephesus Larry Coen* Antipholus of Syracuse Justin Blanchard* Dromio of Syracuse Remo Airaldi* Duke of Ephesus Jerry Goodwin Aegeon Mark W. Soucy Luce Liliane Klein* Adriana Jennifer Ellis* Luciana Jenna Augen* Seeress Ramona Lisa Alexander*

Citizens, Merchants, Policemen, Ladies of the Evening: Leah Carnow, Brittany Martel, Kate Penner, Suzi Weisberg Serge Clivio*, Steven Del Col, Brad Foster Reinking, Jacob Rosenbaum

Conductor: Christopher Wilkins Stage Manager: Amy Witherby* Director: Steven Maler Asst. Stage Manager: Marcie Ann Friedman* Co-Director: Adam Sanders Vocal Sound Mix: Brian McCoy Choreographer: Peter DiMuro Sound Design & Audio Mix: Steve Colby Musical Preparation: Justin Blackwell Production Manager: Renee E. Yancey Costume Designer: Brooke Stanton Asst. Production Manager: Marisa Brink CSC Artistic Programs Coordinator: Victoria Townsend

*Members of ' Equity Association

+new adaptation of the George Abbott book by Larry and Jennifer Hart, with consultation by Thomas Meehan

Special thanks to Matthew Peter Donoghue and Nick Paleologos for their efforts to make this event possible. Act I Overture Scene 1: A public square in Ephesus, before the Temple of Justice. He Had Twins (Sergeant, Ensemble) Fanfare for the Entrance of the Duke Dear Old Syracuse—Dance (Antipholus of Syracuse) What Can You Do With a Man? (Luce, Dromio of Ephesus) Scene 2: Inside the house of Antipholus of Ephesus. Falling in Love With Love (Adriana, Female Ensemble) Falling in Love Reprise (Adriana) Falling in Love Instrumental Scene 3: The square again. The Shortest Day of the Year (Antipholus of Ephesus, Sergeant, Assistant Courtesan) Scene 4: Inside the house again. The Shortest Day of the Year Reprise (Adriana) This Can’t Be Love (Antipholus of Syracuse, Luciana) This Can’t Be Love Reprise (Luciana) Scene 5: A street before the house. Finale Act I (Company)

Intermission

Act II Scene 1: The street. Sunrise Music—Ladies of the Evening—Dance (Courtesans, Sergeant, Company) He and She (Luce, Dromio of Syracuse) He and She Reprise (Luce, Dromio of Syracuse) You Have Cast Your Shadow on the Sea (Antipholus of Syracuse, Luciana) Scene 2: The square. Come With Me (Sergeant, Angelo, Antipholus of Ephesus, Male Ensemble) Scene 3: Inside the house. (Adriana, Luciana, Luce) Sing for Your Supper Dance (Adriana, Luciana, Luce) Scene 4: The square. Oh, Diogenes!—Dance (Luce, Ensemble) Scene 5: The Temple. Finale Ultimo (This Can’t Be Love) This concert is presented by arrangement with Rodgers & Hammerstein: An Imagem Company. From the Artistic Directors

Dear Friends, Welcome to the fourth co-production of the Boston Landmarks Orchestra and Commonwealth Shakespeare Company. The Boys from Syracuse has long been on our wish list. We relish the opportunity to work together on every project, but this show is especially well-suited to this orchestra, this company, and our long-term partnership. Boys was the first Shakespeare-based Broadway musical. It opened in 1938, a full decade before Kiss Me, Kate. The production boasted the era’s most successful creative team: composer Richard Rodgers, lyricist Lorenz Hart, and librettist and director George Abbott. The score includes several Rodgers and Hart hits, as well as exhilarating dance numbers originally choreographed by . For these reasons, it serves first as a splendid vehicle for our remarkable singing-acting-dancing cast. This production has also given our creative team a rare opportunity to contribute to the Broadway legacy. The script of Boys pleads for “freshening up,” adjustments to make it more coherent to a contemporary audience. We have been blessed by the contributions of Larry Hart—the lyricist’s nephew and son of the original Dromio of Ephesus—and his wife Jennifer Hart. They have suggested numerous revisions improving the book’s clarity, conciseness, and humor. Also advising on the project has been 3-time Tony Award winning librettist, Thomas Meehan. The original orchestrations for The Boys from Syracuse were by another leading figure of the age, Hans Spialek. His ingenious use of woodwinds, sumptuous string writing, and idiomatic Swing Band styling mark this score as a classic of the age. Yet tonight this version receives only its second professional performance since the original production closed in 1939. The Spialek materials had become such a hodge-podge of edits, over-markings, and rewrites that they had been declared unusable. With the encouragement of Rodgers & Hammerstein: An Imagem Company, David Kempers has fully restored the original score for this performance, publishing it on modern software and producing a beautiful new set of orchestral parts. In doing so, he has single-handedly resurrected an historic work of American musical theater. Part of the fun of the Boys book is its patchwork of references to time and place, which in our production includes: present-day Boston; Broadway in the thirties; Elizabethan England; and ancient Greece. The name of the show adds a further twist: theatergoers of the thirties would have understood the show’s title as an inside joke referring to the Shubert Brothers—originally from Syracuse, New York—who owned most of the theaters on Broadway. They also owned the Shubert Theatre in Boston, where The Boys from Syracuse had pre-Broadway tryouts. We imagine our production taking place in a 1930s radio studio, with the Boston Landmarks Orchestra as the dance band behind Peter DiMuro’s wonderful choreography. We may well revisit The Boys from Syracuse in future seasons. Additional adjustments to the book may prove helpful in revealing the show’s eighty-year-old charms to contemporary audiences. It would also be of enormous practical value to create a version of the original orchestration employing fewer players, more in line with the financial realities of modern-day Broadway. Tonight, however, we can revel in the ‘extravagance’ of Hans Spialek’s lush textures as they pour forth from the thirty musicians who make up tonight’s orchestra. We are thrilled you are here to be a part of this notable, memorable, and immensely enjoyable occasion. With warmest wishes,

Christopher Wilkins Steven Maler Music Director Founding Artistic Director Boston Landmarks Orchestra Commonwealth Shakespeare Company

The BOSTON LANDMARKS ORCHESTRA performs free outdoor concerts in Boston throughout the summer, delighting thousands on a weekly basis. The Orchestra—made up of some of Boston’s most accomplished professional musicians—uses great symphonic music as a means of gathering together people of all backgrounds and ages in joyful collaboration. The Orchestra partners with a range of cultural and social service organizations to ensure participation across ethnic, economic, and cultural divides. www.landmarksorchestra.org CHRISTOPHER WILKINS was appointed Music Director of the Boston Landmarks Orchestra in the spring of 2011. Since then he has reaffirmed founder Charles Ansbacher’s vision of making great music accessible to the whole community, emphasizing inclusive programming and collaborative work. Mr. Wilkins also serves as Music Director of the Akron Symphony. As a guest conductor, he has appeared with many of the leading orchestras of the United States. Previously he served as Music Director of the San Antonio Symphony and the Colorado Springs Symphony. He also served as Resident Conductor of the Youth Orchestra of the Americas, assisting in the formation of the orchestra in its inaugural season, and leading it on tours throughout the Americas. Born in Boston, Mr. Wilkins earned his bachelor's degree from Harvard College in 1978 and his master’s from the Yale School of Music in 1981. COMMONWEALTH SHAKESPEARE COMPANY is dedicated to bringing the works of William Shakespeare in vital and contemporary productions to the people of Boston and to exploring Shakespeare’s plays with local youth in innovative and creative ways. Best known for its annual free performances on Boston Common, CSC also presents several free play reading events during the year, including Theatre in the Rough and Shakespeare & Leadership. The Company fulfills its educational mission with training programs for pre-professional actors through its Summer Academy and CSC2. Throughout the year, CSC partners with area schools and Boys & Girls Clubs to provide in and after-school theater activities to inner-city youth. Recent productions include Love’s Labour’s Lost, King Lear, Twelfth Night, The Two Gentlemen of Verona, Coriolanus, and All’s Well That Ends Well (2012 Elliot Norton Award- winner for Best Production, Large Theater). CSC is the Theatre in Residence at Babson College. www.commshakes.org STEVEN MALER (Director) is Founding Artistic Director of Commonwealth Shakespeare Company (CSC) and Director of the Sorenson Center for the Arts at Babson College. CSC Free Shakespeare on the Common productions include Love’s Labour’s Lost, King Lear, Twelfth Night, The Two Gentlemen of Verona, Coriolanus, and All’s Well That Ends Well, and to kick off CSC’s 20th Anniversary Season in September 2014, Shakespeare at Fenway (the first Shakespeare performance held in a MLB ballpark). Collaborations with Boston Landmarks Orchestra include A Midsummer Night’s Dream featuring the Overture and Incidental Music of Felix Mendelssohn, and a concert staging of Kiss Me, Kate, both at the DCR’s Hatch Shell. Accolades include: Norton Awards for Best Production, Twelfth Night (CSC); Outstanding Director, A Midsummer Night’s Dream (CSC); Best Production, Suburbia (SpeakEasy); Best Solo Performance, John Kuntz’s Starf***ers, (also winning “Best Solo Performance Award” at New York International Fringe Festival); and Honorable Mention for Excellence in Directing for his New York Festival production of Anthony Rapp’s Without You. In 2016, he received the Norton Award for Sustained Excellence for his work bringing free Shakespeare for Boston for 21 years. ADAM SANDERS (Co-Director) is the Associate Artistic Director for CSC and the Associate Director of the Sorenson Center for the Arts at Babson College, where CSC is in residence. Adam is the Director of CSC Summer Academy, including the undergraduate Apprentice Program and CSC2, a program for emerging actors. With CSC, Adam has directed “Symphonic Shakespeare” and co-directed Kiss Me Kate and A Midsummer Night’s Dream, all in collaboration with Boston Landmarks Orchestra, and co- directed several iterations of “Shakespeare and Leadership” and “Shakespeare and the Law.” Adam has supported CSC’s Shakespeare on the Common with educational creations like “The Lecture in the Grove,” “Henry” and “The Greenshow.” PETER DiMURO (Choreographer) choreographs and creates dance/theatre, primarily for the concert and theatre stage. His current creative umbrella, Peter DiMuro/Public Displays of Motion, was recently awarded a Boston Center for the Arts residency, as well as Boston Dance Alliance's Rehearsal and Retreat Fellowship. He was Artistic Director of Liz Lerman Dance Exchange 2003-2008, capping a 15 year relationship as performer and lead-artist with the company founded by MacArthur "Genius" Lerman. He is also Executive Director of The Dance Complex in Cambridge. His work has appeared on tour and been commissioned by The Kennedy Center/DC, Clarice Smith Performing Arts Center/MD, Tampa Bay Performing Arts Center, Dance Place/DC, DanceNOW at Joe’s Public Theatre/NY, Dance Umbrella, the Emerson Majestic, Bates Dance Festival, American Dance Festival, AURAS Dance/Lithuania, and a nationally aired television commercial for the National Institute on Aging. He has choreographed for cabaret, including his most recent collaboration with Brian Patton, "Everyday Cabaret". His “Gumdrops and the Funny Uncle”, an alternative family Nutcracker, looks at multiple definitions of what makes a family, and plays this December at the Boston Center for the Arts and The Dance Complex. www.publicdisplaysofmotion.com REMO AIRALDI* (Dromio of Syracuse) is thrilled to be back for his seventh production with CSC, having appeared previously in Love’s Labour’s Lost, Two Gentlemen of Verona, Coriolanus, All’s Well That Ends Well, The Comedy of Errors, and The Taming of the Shrew. He has appeared in over sixty roles at the American Repertory Theater, including Master Sunflower in Lilly’s Revenge, Schultz in Cabaret, Nagg in Endgame, Bumble in Oliver Twist (also at Theatre for a New Audience and Berkeley Repertory Theatre), Arlequin in Island of Slaves (IRNE Award—Outstanding ), McCann in The Birthday Party, Francis Flute in A Midsummer Night’s Dream, Jacques in The Miser, Mistress Quickly in Henry IV and V, Pozzo in Waiting for Godot. Other credits: The Hound of the Baskervilles at Central Square Theater, Camino Real, Eight by Tenn and No Exit at Hartford Stage, and productions at La Jolla Playhouse, Geffen Playhouse, Cirque du Soleil, American Conservatory Theater, Walnut Street Theatre, Prince Music Theater, Actors’ Theatre of Louisville, Serious Fun Festival, Moscow Art Theatre, and Taipei International Arts Festival. He is a Lecturer in Dramatic Arts at Harvard University and was the Monan Professor in Theatre Arts at Boston College. RAMONA LISA ALEXANDER* (Seeress) proudly debuts with CSC and Boston Landmarks Orchestra in The Boys from Syracuse. She recently received an Elliot Norton Award nomination for her portrayal of Myrna in Milk Like Sugar with the Huntington Theatre. Theatre credits include: Breathe Boom (Huntington Theatre), Saturday Night Sunday Morning (Lyric Stage); Arabian Nights, Harriet Jacobs, Ti-Jean & His Brothers, Moon for the Misbegotten, (Central Square Theater); Seven Guitars (The Artist Repertory Theatre, Portland Or.); The Brother/Sister Plays, King Hedley II (Portland Playhouse, Drammy Award); Intimate Apparel, (W.H.A.T); To Kill a Mockingbird, (Montana Rep, National Tour); A Christmas Carol (Berkshire Theatre Festival), Postcards From Earth, (Guthrie Theatre GEx11); 103 Within The Veil, (Company One, IRNE Award), In The Continuum, Joe Turner’s (Up You Mighty Race Theatre Co, IRNE Award); In the Blood, (Zeitgeist Stage Company). Film: Knock Around Kids (adekoje-filmwerks). She holds an MFA from Brandeis University. JENNA AUGEN* (Luciana) UK Theatre: Bad Jews (2014 UK Theatre Award) (Arts Theatre West End, St. James Theatre, and the Theatre Royal, Bath), The Way of the World (Chichester Festival Theatre), Rufus Norris' Sleeping Beauty (Birmingham Rep), Chicken Soup With Barley (Royal Court). U.S. Theatre: The Two Gentlemen of Verona (Commonwealth Shakespeare Company), A Murder Is Announced (Arrow Rock Lyceum), The Gondoliers (Sierra Madre Playhouse), A Christmas Carol (Grove Theatre Center). Film/T.V.: Episodes (Showtime), The Night Watch (BBC), Penelope in the Treehouse (Disney Channel), and Josephine and the Roach. Jenna is a graduate of RADA. Member BAE, AEA, SAG-AFTRA. www.jennaaugen.com. JUSTIN BLANCHARD* (Antipholus of Syracuse) is thrilled to be making his Boston Landmarks Orchestra debut after appearing as King of Navarre in CSC’s Love’s Labour’s Lost. He first appeared on Broadway in Journey's End (2007 Tony Award for Best Revival of a Play). Other New York shows include The Changeling and The Witch of Edmonton with Red Bull Theater; with Fiasco Theater at the Roundabout; at Theatre for a New Audience; and the title roles in and at New York Classical Theatre. Regional: Fiasco Theater (Iachimo, tour), Long Wharf (world premiere, A Civil War Christmas), Shakespeare Festival St. Louis (Iago, ), Shakespeare Theatre of D.C., McCarter Theatre, Berkeley Rep, New London Barn, and ten shows at Trinity Rep. Television and Film include roles in Law & Order: SVU (NBC) and Marie Curie (PBS). He is a graduate of the Brown University-Trinity Rep MFA Acting Program. SERGE CLIVIO* (Ensemble) CSC debut! Regional: Lake Dillon Theatre, Lyric Stage Co., Weathervane Rep. Theatre, Stoneham Theatre, Reagle Music Theatre, Next Door Theater. Upcoming: Mame (Stoneham Theatre). Serge is currently a rising Senior at The Boston Conservatory (B.F.A. Musical Theatre). He sends love to his amazing parents. Proud member of AEA. www.SergeClivio.com @serge_clivio LARRY COEN* (Dromio of Ephesus) CSC credits: Love’s Labour’s Lost, The Taming of the Shrew, A Midsummer Night’s Dream, The Comedy of Errors, As You Like It, All’s Well That Ends Well, Two Gentlemen of Verona. Many productions with Ryan Landry and the Gold Dust Orphans, Beau Jest, Lyric Stage, Speakeasy Stage and Huntington. Performed three World Premieres of Tennessee Williams’ plays. Recently played Toad in the musical A Year With Frog and Toad at Wheelock Family Theatre. Co-writer of Epic Proportions on Broadway. Larry is the recipient of four Elliot Norton Awards from Boston Theater Critics Association. Coen is Artistic Director of City Stage Co. of Boston. JENNIFER ELLIS* (Adriana) Jen is thrilled to work with CSC again, where she was recently seen as the Princess of France in Love’s Labour’s Lost! Jen was also recently seen in Shear Madness (Off-Broadway), (Reagle Music Theatre) and the Lyric Stage Company's award-winning (Elliot Norton & IRNE Award). NYC: New World Stages, Sibiline Shakespeare, Project Rushmore. National Tour: A Christmas Carol. Regional: SpeakEasy, Gloucester Stage, Commonwealth Shakespeare Company, Central Square Theatre, Boston Lyric Opera, New Rep, Peterborough Players, Stoneham, Huntington. Elliot Norton Award: My Fair Lady, Wonderful Town, IRNE Award – My Fair Lady. The Most Happy Fella, ArtsImpulse Award: Far From Heaven. Love to my family and to Ben. @jen_ellis JenEllis.net MARCIE ANN FRIEDMAN* (Assistant Stage Manager) National Tours: The Acting Company, Kennedy Center’s Nobody’s Perfect, a musical in American Sign Language. Select New York credits: Westport Country Playhouse, Manhattan Theatre Club, Soho Rep, MCC Theater, NYMF, NAMT, 4 seasons with Lincoln Center Out of Doors and Midsummer Night Swing. Regionally, Marcie has worked with the Philadelphia Orchestra, Media Theatre, Human Race Theatre Company, Pennsylvania Shakespeare Festival, and four seasons with the People's Light & Theatre Company. Opera: Savannah Voice Festival, Princeton Festival, Central City Opera,Tulsa Opera. Marcie also works as an event production manager at Hunter College, Lincoln Center and is the associate production manager for New Year's Eve in Times Square webcast. LILIANE KLEIN* (Luce) is thrilled to be making her CSC debut! Regional: CT Free Shakespeare, Aurora (CA), SpeakEasy, Majestic, Stoneham, Fiddlehead, NextDoor, Foothills, LongWharf (CT), Ivoryton (CT). NYC: Lincoln Center, New York City Opera, Urban Stages, NYMF, Musicals Tonight!, La Mama E.T.C.. Tours: Titanic, Scrooge. Film: Men in Black 3. TV: HOT3 Israel mini series, Ananda, Kid Fitness on PBS. Training: Boston University SOT. Proud member of AEA and SAG-AFTRA. Thanks and love always to M, M, B, S, M, M, CFS, Friends, Fans, and YOU! lilianeklein.com ANDY McLEAVEY* (Antipholus of Ephesus) is thrilled to be debuting with Commonwealth Shakespeare Company and Boston Landmarks Orchestra. Some favorite credits include Billy Lawlor/42nd Street (Stoneham Theatre), Jimmy/Thoroughly Modern Millie (Merry-Go-Round Finger Lakes Music Theatre & Reagle Music Theatre-2008), Pat Denning & Dancer/42nd Street (Atlantic City’s Tropicana Casino), George/Goldilocks (NYC’s Opening Doors Theatre Company), Gaston/Beauty and the Beast (Company Theatre), and On The Twentieth Century w/Alice Ripley. Proud to have sung our national anthem multiple times at Mohegan Sun Arena, McCoy Stadium, and the Ryan Center this year. 2016 “Wakefield Idol” vocal finalist. Thanks Tim, Mom, Dad, Ellie, and everyone involved with this production. LEO PIERRE ROY (Sergeant) thanks the Boston Landmarks Orchestra and CSC for this opportunity to return to the boards after a long hiatus. A veteran of many New England summer stock stages, he now regularly appears in Massachusetts state parks and forests as the Commissioner of the Department of Conservation and Recreation (DCR). AMY WITHERBY* (Stage Manager) Off-Broadway: Before Your Very Eyes, , Gatz, Kitchen, King Lear, Measure for Measure, All's Well That Ends Well (The Public Theater); F*cking Good Plays Festival II (Rattlestick Playwrights Theater). Regional: Shakespeare Theatre, Utah Shakespeare Festival, Goodman Theatre, Court Theatre, Cincinnati Shakespeare Company, Kingsman Shakespeare Company, Mirror Repertory Company, Chicago Children's Theatre, Dayton Opera. BA in Theatre from The Ohio State University and certificate in Shakespeare from Guildhall School of Music and Drama. *Members of Actors' Equity Association Full cast bios may be found on the Orchestra’s mobile app. BREAKING DOWN BARRIERS The Landmarks Orchestra is committed to removing barriers to access. It offers braille and large- print programs, assisted listening devices, and ambassadors to assist people at a handicap drop-off point. It works with American Sign Language (ASL) interpreters as performers at select concerts. In 2014, it was named an “UP organization” by the Massachusetts Cultural Council. The FREE FOR ALL CONCERT FUND, an independent grant-making public charity, ensures that everyone from the Boston region will have regular and permanent access to classical, orchestral music and related cultural events. With grantees presenting free concerts throughout Boston’s neighborhoods, the Fund is guaranteeing that classical music will remain free for all, forever. www.freeforallconcertfund.org Celebrate 15 years of great music with a gift to the Boston Landmarks Orchestra!

The Boston Landmarks Orchestra is a 501(c)(3) nonprofit organization funded through the generosity of foundations, corporations, and individuals. The Orchestra was founded in 2001 by conductor and community advocate Charles Ansbacher to bring free classical music to the people of Greater Boston. Since 2007, it has presented its main concert series at the DCR’s Hatch Shell every Wednesday from mid-July to late August, carrying on the tradition of free concerts on the Esplanade started by Arthur Fiedler in 1929. In addition, the Orchestra offers free family concerts and educational programs throughout Boston’s neighborhoods.

We believe that Boston−like every great city−deserves a summer series of free orchestral performances. Though the concerts are free to the public, they are not free to produce!

Please consider a suggested contribution of $15 to the Boston Landmarks Orchestra to help us march forward with confidence into the next 15 years of our history, adding immeasurably to the quality of life in Boston.

You may return the enclosed reply envelope and your contribution to one of our volunteers in blue t-shirts or drop it off at our Information Tent.

Visit www.landmarksorchestra.org/donate to donate securely online.

Contributions may also be mailed to: Boston Landmarks Orchestra 214 Lincoln Street, Suite 331 Boston, MA 02134

THANK YOU FOR YOUR SUPPORT! 2016 DONORS (11/1/15 – 8/26/16) CORPORATE, FOUNDATION, & GOVERNMENT SUPPORT Anonymous Fiduciary Trust Company Bloomberg Philanthropies Free for All Concert Fund Boston Cultural Council Highland Street Foundation The Boston Foundation Hunt Alternatives Fund Cabot Family Charitable Trust John Hancock Financial Services Edmund & Betsy Cabot Liberty Mutual Foundation Charitable Foundation Massachusetts Cultural Council Clipper Ship Foundation Bessie Pappas Charitable Foundation Cogan Family Foundation Adelard A. Roy & Valeda Lea Roy Foundation Yawkey Foundation MUSIC DIRECTOR’S SOCIETY MUSIC DIRECTOR PLATINUM MUSIC DIRECTOR SILVER Appy & Susan Chandler Cynthia & Oliver Curme/The Lost & Foundation Stephen & Alicia Symchych Laura Connors & Brian O’Connell MUSIC DIRECTOR GOLD Gene & Lloyd Dahmen Eileen & Jack Connors, Jr. Peter & Dieuwke Fiedler Ann & Graham Gund Jeff D. Makholm & Roberta Parks Richard & Rebecca Hawkins Katharine & Anthony Pell Guy & Renée Pipitone Stephanie & Jonathan Warburg Michael & Karen Rotenberg MUSIC DIRECTOR BRONZE Allison Ryder & David Jones David Arnold & Ann Moritz/Mill River Foundation Fund Epp Sonin David Mugar Debra & Mark Stevens BENEFACTORS Stuart & Elizabeth Pratt Anonymous David & Marie Louise Scudder Richard & Nonnie Burnes Eileen Shapiro & Reuben Eaves/Albert Shapiro Fund Kerry Murphy Healey John Shields & Christiane Delessert Barbara Lee Joel & Elinor Siner Anne Linn Scott Squillace & Christopher Gayton Kyra & Coco Montagu/ Deborah Thaxter & Robert Adkins Alchemy Foundation Christopher Wilkins SUPPORTERS Mark & Kimberly Luiggi Craig & Catherine Weston Ben & Caroline Ansbacher Bill Nigreen & Kathy McDermott Herbert & Angela Wilkins Ted Ansbacher & Barbara Nash John & Michiko Plimpton Anne Colleton & Bill Davison Lia & William Poorvu Zoltan & Cristina Csimma Megan & Alkes Price Michael & Kitty Dukakis Suzanne Priebatsch Patricia Freysinger Kathy Ripin & Leonard Sayles Howard Gardner & Ellen Winner Laura Roberts & Edward Belove David & Anne Gergen Abby & Donald Rosenfeld Judith Goldberg Maureen & Michael Ruettgers Jonathan Hecht & Lora Sabin Wendy Shattuck & Sam Plimpton Frederic Johnson David Szabo/MFS Investment Management Elizabeth & Paul Kastner Henry D. Tiffany III/Control Concepts, Inc. Bob Krim & Kathy Anderson Suzanne Tompkins Charles & Susan Longfield Clara Wainwright

CONTRIBUTORS Maurice & Muriel Finegold Sally Withington Diane Austin & Aaron Nurick Stanley & Kathy Levinson Joyce Yaffee Smoki Bacon & Dick Concannon Bruce Metzler & Carol Simpson Edward & Elizabeth Brainard Pamela Pacelli & Robert Cooper Alvin & Victoria Davis Peter Rabinowitz & Judith Gelber Catharine-Mary Donovan Joan & Bernard Sudikoff

Boston Landmarks Orchestra TRUSTEES Charles Ansbacher, Founder Jeff D. Makholm, Chair STAFF Laura Connors Jo Frances Meyer, Executive Director Peter Fiedler Arthur Rishi, Artistic Administrator Richard Hawkins Michelle Major, Chief Financial Officer B. J. Krintzman Jim Murray, Manager of Development & Communications Katharine M. Pell Joanne Barrett/JBPR, Public Relations J. Brian Potts Alex Zook, Social Media Coordinator Michael Rotenberg PRODUCTION Stephen Spinetto Emerson Kington, Technical Director Stephen Symchych Audrey Dunne, Production Manager & Librarian David Szabo Cate Gallagher, Production Assistant Edwin Tiffany Steve Colby, Sound Design & Audio Mix MJ Audio, Audio Production Milton L. Wright Jr. Mackenzie Skeens, Stage Crew Supervisor Alfred D. Chandler III, MLK Summer Scholars, Stage Crew Trustee Emeritus Michael Dwyer, Photography Jesse Ciarmataro, Graphic Design OVERSEERS Stephen Spinetto, Chair VERY SPECIAL THANKS Smoki Bacon Boston Cares Kathryn Beaumont Boston Globe Richard M. Burnes Boston University Office of Disability Services Marian “Hannah” Carlson JCDecaux Richard Concannon One Brick Boston Conrad Crawford Julie Crockford Gene D. Dahmen Katherine DeMarco Priscilla H. Douglas Newell Flather Howard Gardner David Gergen Sean Hennessey Mary J. Kakas Paul Kowal Robert M. Krim Fernando Leon Steven Levitsky Anne Linn Bill Nigreen Jeryl Oristaglio This program is supported in part by grants from the Susan Putnam Diana Rowan Rockefeller Massachusetts Cultural Council and the Boston Cultural Council, Anthony Rudel a local agency which is funded by the Massachusetts Cultural Maureen Ruettgers Council and administered by the Mayor’s Office of Arts + Culture Allison Ryder for the City of Boston. Penelope McGee Savitz Andrea Schein Eileen Shapiro John Shields Epp Sonin Donna Storer Suzanne Tompkins 214 Lincoln Street, Suite 331 Boston, MA 02134 William Walczak Arthur Winn 617-987-2000 www.landmarksorchestra.org