FEEL THE MOMENT 2015/2016 SEASON

IN THIS ISSUE

MAY 2016 Title Page. 2 Cast. 3 About the Play. 4 The Cast . 8 The Creative Team. 10 ATC Artistic Director. 15 About Arizona Theatre Company . 16 ATC Board of Trustees...... 20 Corporate and Foundation Donors. 21 Individual Donors. 22 ATC Staff. 28 Theater Information...... 31

The Herberger Theater Center, ATC’s performance venue in downtown Phoenix.

Cover art by: ESSER DESIGN

1 David Ira Goldstein Artistic Director

THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS AND COUNT LEO TOLSTOY: DISCORD BY SCOTT CARTER

Matt August ...... Director Takeshi Kata...... Scenic Designer Ann Closs-Farley ...... Costume Designer Luke Moyer...... Lighting Designer Cricket S. Myers...... Sound Designer Jeffery Elias Teeter ...... Projection Designer Michael Nyman...... Music Michael Donovan, CSA...... Casting T. Greg Squires...... Resident Lighting Designer Brian Jerome Peterson...... Resident Sound Designer Glenn Bruner ...... Production Stage Manager Maggie Swing...... Tucson Stage Manager Timothy Toothman...... Assistant Stage Manager

On this original Arizona Theatre Company production, the ATC Production Staff is responsible for scenic construction, costume construction, lighting, projections, sound, props, furniture, wigs, scene painting and special effects.

The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord is presented by special arrangement with Dramatists Play Service, Inc., New York.

Produced in 2014 by the Geffen Playhouse.

2015/2016 SEASON SPONSORS: I. MICHAEL AND BETH KASSER

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CAST (IN ORDER OF APPEARANCE)

Larry Cedar...... Thomas Jefferson Mark Gagliardi ...... Charles Dickens Armin Shimerman...... Count Leo Tolstoy

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

TIME: YES PLACE: A ROOM

...DISCORD IS PERFORMED WITHOUT AN INTERMISSION.

ADDITIONAL STAFF Emma DeVore...... Assistant to the Stage Manager Ned Mochel...... Fight Choreographer Amy Chaffee...... Dialect Coach Richie Ferris...... Casting Assistant

Arizona Theatre Company operates under agreements between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States; Stage Directors and Choreographers, an independent national labor union; and United Scenic Artists Local USA-829, IATSE.

To learn more about …Discord please visit the Learning & Education page on our website at arizonatheatre.org for a comprehensive free Play Guide. The Play Guide contains historical information, cultural context, and more. Play Guides are also available in The Temple Lounge for a nominal charge to cover printing.

Cell phones and other devices that make a noise can greatly disturb your fellow audience members and the performers. PLEASE TURN THEM OFF before the performance.

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ABOUT THE PLAY

DISCORDANT & HARMONIOUS NOTES BY SCOTT CARTER The writing of this play began, really, in June 1986 as I awoke choking on a Sunday morning. As a lifelong asthmatic, this was not unexpected, but the attack was to be the most severe of my life and I spent nearly a week in the hospital. At that time, I was a struggling standup comic and, like many colleagues, I was either indifferent or hostile to God; Jesus was the ghost who came into my bedroom when I was a child and tried to choke me to death on a nightly basis. I was released from Bellevue that Saturday afternoon. At the intersection of 26th and First Avenue, I had an epiphany like Saul on the road to Damascus when a thunderbolt knocked him to the ground, scales fell from his eyes and he knew that Jesus Christ was his Lord and Savior. My metanoia was less specific and more non-denominational; I went from cynical comic to non-affiliated deist. I received the unshakable realization of God’s existence and that of grace – for which I though myself unworthy but grateful. I guess that’s why it’s called grace. I entered into a bliss state – loving all whom I met and forgiving previous transgressions done to me. It lasted about a week. Then it faded and I felt a return to the petty life I’d always led. I didn’t want this to happen. I wanted to make this event into the B.C./A.D. of my existence. But I had no strong religious affiliation to which to turn. My parents were devout believers in whatever Protestant community was closest and nicest. I grew up Episcopalian, Methodist, Presbyterian and Lutheran. Post-service coffee and donuts were sacraments as sacred as any wafers or wine. So I made a pact with the universe in the summer of 1986: I would remain open to signs and direction from anyone offering religious literature, conversation or ritual. On October 5, 1988, I watched an episode of A World of Ideas on PBS. Host Bill Moyers was interviewing Reverend Forrester Church of All Souls Unitarian in New York. And it was here that I learned about the Jefferson Bible. In 1804 President Jefferson bought two identical copies of the King James Bible. Needing both sides of each page for his project, he then, over three consecutive nights, used a razor to cut out only the verses he liked from all four gospels. Jefferson then pasted his chosen scraps of scripture into the pages of a blank book. He named his volume “The Philosophy of Jesus of Nazareth.” I became fascinated with the details of this history. What modern president would hatch such an idea and then spend his White House evenings executing it? For the next eight years, my fascination stopped short of creativity. I was getting jobs writing and later producing television. In 1993, HBO teamed me with Bill Maher to develop Politically Incorrect for Comedy Central. As that show took off, Jefferson gathered dust.

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ABOUT THE PLAY (CONTINUED)

In 1996 my wife and I moved from New York to Los Angeles. We rented a house near Larchmont Village where, one Saturday at the independent bookstore, Chevalier’s, I discovered The Life of Our Lord by Charles Dickens. I subsequently learned that Dickens, between 1846 and 1849, condensed the gospels for the first five of his ten children. He read it to them so often that they had it memorized before they learned to read. Dickens’ favorite word in the English language was “fancy.” And, as you will soon hear, Dickens embraced most of the gospel verses that Jefferson jettisoned. I now had a play to write: two great men debating whose version of the gospels is better. The first pages of these men’s fictive theological spat multiplied madly during the ensuing months. One day, while allegedly doing more research (procrastinating), I happened on this note in Stephen Mitchell’s superb The Gospel According to Jesus: “…Tolstoy, too, compiled a gospel harmony, which he called The Gospel in Brief.” My excited first thought – adding Tolstoy to this debate – instantly gave way to an easily imaginable five more years of research to turn this duet into a trio. After the global success of War and Peace and Anna Karenina, Tolstoy suffered a Russian epic of a depression so severe that his family hid his hunting guns to avoid his suicide. He embarked on a 30-year spiritual quest, learning Greek and Hebrew to freshly translate scripture. The Gospels in Brief, unlike the work of Jefferson and Dickens, was published during Tolstoy’s lifetime – though not in Russia. His increasingly controversial works were smuggled into Switzerland and would later result in Tolstoy’s excommunication from the Russian Orthodox Church. Harmonizing this latest Tolstoy research with the other two was proving unwieldy and was going to require much more work. The Jesus narrative is hardly, “the greatest story ever told.” Yes, there’s a beginning and end but the middle is a structural mess. At the end of 1999, after producing the first 1,100 episodes of Politically Incorrect, I left to develop my play and knew I needed help. Michael Bruner, a graduate of Princeton Seminary and the University of Hamburg began to meet with me regularly over the next three years. We organized the messy muddle of Christ’s ministry into a 315-page multi-colored volume. My literary agent shopped it around; no publisher was interested (at least not yet). Still, in 2005, this source material gave rise to the first draft of the play! It was universally hated. My wife hated it. My agent hated it. My lawyer hated it. And I felt guilty for wasting their time reading and so much of my time writing. I shelved it.

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ABOUT THE PLAY (CONTINUED)

But, please, no pity: I’ve had a long and lucrative career in television. By then, Real Time with Bill Maher was on HBO and scheduled in a way that allowed me to develop other projects. In December 2008, I found myself with three open months and re-read my play’s 151-page first draft. Every bit of Jefferson, Dickens, and Tolstoy trivia had been thrown in; using the passage of time as perspective for this editing, I promptly removed most of it, focused on the Christ narrative, and distilled the page count from 151 down to 47 and increased the font size. But did I really have anything? I wanted someone to hear it who both had killer story chops and a spiritual simpatico. I called my friend, the brilliant writer, actor and comedian Garry Shandling. We were fellow Tucsonans who went to the same high school. He’d enjoyed my monologues and appeared on Politically Incorrect. We made dinner and reading plans for his house and I brought three little sticks with the heads of Jefferson, Dickens and Tolstoy to keep clear which character was talking. Garry interrupted me halfway through the stick puppet reading and gave me 23 pages of notes. We finished the play the following night with another round. I hosted reading after reading with friends and rewrote time and time again. Notes came from annotated scripts and post-reading discussions. Norman Lear, Stephen Mitchell (the translator who’d introduced me to Tolstoy’s gospel), Byron Katie (the author and Stephen’s wife), my wife, Bebe, Elaine Pagels, the Princeton Religious Studies professor who wrote The Gnostic Gospels (which you might know under its alternate title, Dan Brown’s DaVinci Code) and many others participated and I am grateful for it. After one reading, Arianna Huffington said: “We must have a performance at my house.” That December, the play was read in front of a 20-foot-high Christmas tree and 60 guests including Shirley MacLaine who, afterwards, gave me her phone number to discuss the play. We met in a dark corner of a Malibu restaurant. She ordered a bottle of red wine and, after a sip, asked, “Do you know why the star of Bethlehem hovered over the manger?” I responded that I did not. “It’s because,” she continued, “it was not a star. It was a spaceship. Let’s start there.” Then, with the world weariness of a Cassandra used to having her truth doubted, she told me that she had slept in Jefferson’s bed (in this lifetime, through a connection at Monticello). She said workers there report that his ghost roams the halls, whistling. Then she got to the purpose of our meeting: “You need a fourth character in your play … My friend Stephen Hawking believes that he is Sir Isaac Newton reincarnated. I really feel that Newton would have a lot to add to what those other three are saying.” I said, “Shirley, I appreciate you caring so much. But I’ve been working on this for 21 years. And I have to stop adding people or it will never get done.” My Cassandra looked at me, as through eyes of Fran Kubelick, of Irma La Douce, with an expression that said: Brother, you are making a big mistake. And maybe I am. But you’ll have to be the judge of that. Enjoy.

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Intersecting Lives By Merl Reagle ACROSS 12 34 DIS CORD 1 “Let the heart swell into what 5678 ___ it will” (Dickens, “Little 910 Dorrit”) 5 Guitar’s five-string cousin 11 12 13

7 Add to one’s territory, as 14 15 16 Russia did to Crimea in the 17 1700s 9 Jefferson used one to edit the 18 19

gospels 20 14 Acquaintance of Dickens 21 22 and literary rival of Tolstoy, Fyodor ___ 23

16 Having an unexpected twist 24 25 26 27 18 Adams and Jefferson declared one late in their lives after 28 29 30 31 years of bickering 19 More greasy

20 Nonviolent Indian to whom 32 33 Tolstoy wrote his last letter 34 21 Character that Tolstoy threw under a train, Anna ___ 35 36 37

23 Jefferson once received a 38 39 1,234-pound wheel of this 40 41 as a gift 26 Jefferson political foe who 42 was shot by his former vice-president, Aaron Burr DOWN 23 Least popular Dickens novel, 28 Dickens’ pen name 1 “There is something ... burning “Martin ___” 29 Jefferson purchase that in the heart of man that will not 24 Tolstoy’s early “___ Sketches,” doubled the size of the U.S. go out no matter how ___ the about military life in Crimea’s 30 Mountains that Dickens and world becomes” (Tolstoy) capital during a siege in the Tolstoy once visited in the 2 Dickens’ last completed novel, 1850s mid-1800s “___ Mutual Friend” 25 Jefferson was the first president 32 Figure out, as a mystery 3 Tolstoy’s “___ and Peace” to live in it full time (2 words) 33 The Declaration of ___ 4 Dickens novel, “Great ___” 27 One more time 35 Crucifixion site, “the place of 6 Day of Jefferson’s Declaration 29 “Anything is better than ___ the skull” and death (2 words) and deceit!” (Tolstoy) 38 While writing “Bleak House,” 8 French leader from whom 31 Dickens novel, “The ___ Dickens would often plunge Jefferson bought 29 Across Papers” his head into a ___ of cold 10 The Promised Land (also, a 34 Evil One who tempted Jesus water national park in Utah) thrice 39 Subject of a “head on a 11 Jefferson’s house, which 35 Name of Dickens’ pet raven platter” painting owned by means “little mountain” in 36 ___ Lucerne (Dickens visited it Jefferson, John the ___ Italian in 1844) 40 Name of Jefferson’s pet 12 Tolstoy’s last novel, about the 37 “No crib for ___” (line from mockingbird, which was often Christlike redemption of a “Away in a Manger”) on his shoulder when he nobleman answered the door (also, the 13 String instrument played by MerlMERL Reagle REAGLE, who ispassed the Sunday last August, was nickname of a future Jefferson thecrossword Sunday crosswordcreator for creator the Los for the Arizona president) 15 Jefferson didn’t like to do it in DailyAngeles Star, Times, Los Angeles Washington Times, Post, Washington 41 Jefferson’s wise nickname, public Post,and 50and other 50 other major major papers. papers. His Merl grew up in Tucson and was a long-time friend of “the ___ of (11 Down)” 17 Jefferson often powdered his “100th Anniversary Crossword 42 “No nation is ___ where wine Discord playwright Scott Carter. Scott asked hair to avoid wearing them himBook,” to construct the 17th this in acrossword series, was for the original is cheap” (Jefferson) 22 “Art ___ life” productionpublished in 2014.November 2013. For answers, visit ww.arizonatheatre.org/show/discord/. 7 FEEL THE MOMENT 2015/2016 SEASON

THE CAST

Larry Cedar (Thomas Jefferson) Theater: Discord (Geffen Playhouse), American Misfit (Boston Court); Lear in King Lear (Porters of Hellsgate). Colony Theatre Productions: Best of Enemies, American Fiesta, Celadine, Billy Bishop Goes to War and Around the World in 80 Days. Musicals: Nightmare Alley (Geffen Playhouse); She Loves Me (Ovation Award – Best Featured Actor in a Musical) and 1776 (Reprise!); and as Hoagy Carmichael in Hoagy, Bix and Wolfgang Beethoven Bunkhaus (Mark Taper Forum). Larry played the opium addict “Leon” for three seasons on the critically acclaimed HBO series, Deadwood, and starred for six seasons on PBS’s Square One TV. Other television: Mad Men, Grey’s Anatomy, Community, House, Terminator, NCIS, Enterprise, Alias, The Closer, Gilmore Girls, Boston Legal. Film: The Crazies, Midnight Son, Towelhead, Hollywoodland, Fear and Loathing in Las Vegas and a starring role in the upcoming independent feature She Sings to the Stars (www.shesingstothestars.com). Visit Larry on Facebook or at larrycedar.com.

Mark Gagliardi (Charles Dickens) ATC Debut. Theatre: Croach the Tracker in The Thrilling Adventure Hour (Largo at the Coronet), Genie in Aladdin: A Musical Spectacular (Disneyland), Strider in Fellowship: The Musical (Steve Allen Theatre), Welcome to Night Vale (tour), National Lampoon Lemmings (tour), Around the World in 80 Days (ICT), The Illusion (El Portal). Television: Drunk History (original narrator), The League, How I Met Your Mother, Life with Bonnie, According to Jim, Austin & Ally, Sam & Cat, Gamer’s Guide, I’m in the Band, Venture Bros, Star vs. The Forces of Evil, voice of Batman on DC Super Friends. Proud graduate of The Theatre School, DePaul University and The Second City Training Center.www.markgagliardi.com

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THE CAST

Armin Shimerman (Count Leo Tolstoy) is well known as Quark on Star Trek: Deep Space Nine. Broadway: Three Penny Opera, St. Joan, I Remember Mama and Broadway. Selected regional theatre: Lear’s Fool, Marius in Fugard’s Road to Mecca, Richard in Seafarer (San Diego Critics Circle Award for Best Actor) (San Diego Repertory Theater); Henry V (American Shakespeare Festival); Hoagy, Bix, Wolfgang Beethoven Bunkhaus (Indiana Repertory Theatre); Three Penny Opera, Camille, Wild Oats (Guthrie Theatre). Selected Los Angeles theatre: The Birthday Party (LA Drama Critics Circle nomination for Lead Performance, Matrix Theatre); Misalliance, Juno and the Paycock, Standup Shakespeare (Odyssey Theatre); Richard II (Mark Taper Forum). Associate Artistic Director at Antaeus Theater where he teaches Shakespeare, co-directed The Crucible, and performed Seagull, Macbeth, and many classic fests. TV: 80 different guest star roles, including Stargate, Principal Snyder on Buffy the Vampire Slayer, Judge Hooper on Boston Legal, CSI, Castle, Franklin & Bash. Voiceover: General Skarr for three animated shows, and many game voices, acclaimed for Dr. Nefarious in Ratchet and Clank franchise and Andrew Ryan in Bioshock.

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THE CREATIVE TEAM

Scott Carter (Playwright) has served as Executive Producer for Real Time with Bill Maher since it debuted on HBO in 2003. He produced the first 1,100 episodes ofPolitically Incorrect with Bill Maher from its 1993 Comedy Central debut to its 1997 move to ABC. While at P.I., Carter received eight Emmy nominations and three consecutive CableAce Awards for Best Talk Series. He has served as creator, producer and/or writer for, among others, Curb the Discussion with Susie Essman (TV Guide, 2010), Root of All Evil with Lewis Black (Comedy Central, 2008), Earth to America (TBS, 2005), The Conspiracy Zone with Kevin Nealon (Spike, 2002-3), and Exhale with Candice Bergen (Oxygen, 2000-1). In 1997, Variety named him one of the “50 Creatives to Watch.” In 2007, he was a co-recipient of the Producer’s Guild of America’s Johnny Carson Award for Real Time. A former stand-up comedian, Carter has written and performed two full-length monologues, “Heavy Breathing” and “Suspension Bridge,” at the Edinburgh Fringe Festival, The Aspen Comedy Arts Festival, The Kilkenny (Ireland) Murphy’s Cats Laugh Festival, the Cleveland Performance Festival, Dixon Place, Primary Stages, Manhattan Punchline, etc. He is former Producing Director and a founding member of The Invisible Theatre, now in its 44th season in Tucson, Arizona. Scott is represented by Joe Cohen and George Lane at Creative Artists Agency and by Nancy Rose at the firm of Schreck Rose Dapello & Adams LLP. He lives in Los Angeles with his wife, interior designer Bebe Johnson, and their two daughters, Calla and Colette.

Matt August (Director) Broadway: Dr. Suess’ How the Grinch Stole Christmas ’06 & ‘07 (also ten National Tours, Madison Square Garden, Grand Ol’ Opry, Pantages, Wang, Chicago, Fox Theatres, etc); Broadway as Associate Director: Henry IV, Invention of Love, Imaginary Friends, Full Monty National Tours. International: Full Monty Australia Tour. Regional Theatre: Geffen Playhouse - Gospel According to Jefferson, Dickens and Tolstoy: Discord; Pioneer Theatre - Two Dollar Bill, In the Heights; Much Ado About Nothing; Old Globe- Two Gentlemen of Verona, Time Flies, Pig Farm, Food Chain. Ford’s Theatre- Liberty Smith, A Christmas Carol (5 seasons); Falcon Theatre - Scott Caan’s The Trouble We Come From; LA Theatre Works - Dracula - National Tour, Intelligence Slave, The Real Dr. Strangelove, Speech and Debate; Hanger Theatre: Complete History of America Abrdgd, All in the Timing, Tempest, Velvet Ropes, Free to Be You and Me; TheatreWorks Palo Alto - Baby Taj; The Acting Company (NYC): Two Gentlemen of Verona, Merry Wives of Windsor and Staff Repertory Director; NoHo Arts Center: Gospel…Discord; Long Wharf: Sixteen Wounded (starring Martin Landau); Mr. August has received fellowships and residencies from the Oregon Shakespeare Festival, Old Globe Theatre, Drama League, Robert Wilson’s Watermill Center, the Juilliard School, San Francisco’s Zen Center, received the Panavision New Filmmaker’s Grant and mentored upcoming directors through the SDC Observership Program and Drama League Fellowship. His productions have been recognized by the Ovation, Helen Hayes, Broadway World, Bay Area Critics and Australia’s Helpmann Award Nominations, and appeared on year-end top-ten lists in the Los Angeles Times, San Francisco Chronicle, Oakland Tribune, SJ Mercury News and NPR/KQED. His award-winning short film How to Get to Candybar has played at festivals around the world winning “Best Comedy” twice. MFA from California Institute of the Arts.

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Takeshi Kata (Scenic Designer) New York credits include Gloria, Outside People (Vineyard Theatre); The Adding Machine, Orson’s Shadow (Barrow Street Theatre); 3 Kinds of Exile, Storefront Church, Through a Glass Darkly, Port Authority, Intelligent Design of Jenny Chow (Atlantic Theater Company); Doris to Darlene, BFE (Playwrights Horizons); Gone Missing (The Civilians). Regionally, Mr. Kata has worked at Alley Theatre, American Players Theatre, Cleveland Play House, Dallas Theater Center, Ford’s Theatre, Geffen Playhouse, Goodman Theatre, Hartford Stage, Kirk Douglas Theatre, La Jolla Playhouse, Long Wharf Theatre, Mark Taper Forum, Nashville Opera, The Old Globe, Skylight Opera Theater, Steppenwolf Theatre Company, Williamstown Theatre Festival and Yale Repertory Theatre. Mr. Kata has won an Obie Award and has been nominated for Drama Desk, Ovation and Barrymore Awards. He is an Assistant Professor at the University of Southern California, School of Dramatic Arts.

Ann Closs-Farley (Costume Designer) Recent credits include Broadus, AnnaPurna, Stinky cheeseman, Cunning Little Vixens, Last Act of Lilka Kadison, Carnage, Rabbit Hole, Broadway Bound, American Misfits,Eric Idle’s What About Dick?, The Pee-wee Herman Show, Disney’s Toy Story: The Musical for Disney Cruise Lines, Eric Idle’s An Evening Without Monty Python and Around the World in 80 Days at the lovely Cleveland Play House. Ms. Closs-Farley also styles and designs for The World Poker Tour, Kaiser Permanente Theatricals and Disneyland Parks and resorts. annclossfarley.com.

Luke Moyer (Lighting Designer) is the resident lighting designer for the NoHo Arts Center and Open at the Top, and his recent credits include …Discord, One November Yankee, Red Room, Having it All Dracula (Ovation Award), Yo Ho Ho! A Pirate’s Christmas, East of Berlin, Departures, Pirates of Penzance, Feed, Jerusalem, Barnum, Elizabeth Rex (Ovation Award), Lizard, Bush is Bad, Bush is Bad 2, and the full staging of Angels in America. He is also the resident lighting designer for the American Academy of Dramatic Arts. Mr. Moyer began his career at the Main Street Stage in Massachusetts where he designed PMS, Apartment 3A, Irma Vepp and Collected Stories. He has designed many shows for The Company Rep including Six Degrees of Separation, Camino Real, Split, The Comedy of Errors, The Fantasticks, The Pension Grillparzer, Season’s Greetings, Twelfth Night, Rosencrantz and Guildenstern are Dead and Play Strindberg. More west coast credits include Deathtrap (Ovation Award), Shooting Star, Year Zero, Grace and Glory, All Night Strut, Celadine, A Long Christmas Ride Home, Recent Tragic Events, The Intern, The Last Pitch, Generator Girl and Why’s the Dog Howlin’ Mama?

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Cricket S. Myers (Sound Designer) Broadway: Bengal Tiger at the Baghdad Zoo (Drama Desk Award, Tony Nomination). Off-Broadway: Marvelous Wonderettes. Regional: Sex with Strangers, Play Dead, Wrecks, Some Girl(s), Emergency (Ovation, NAACP nominations) (Geffen Playhouse); Bent (Ovation Nomination), The Price, Steward of Christendom, Joe Turner’s Come and Gone (Ovation nomination), Vigil, Burn This, The Lieutenant of Inishmore (Ovation nomination), Bengal Tiger at the Baghdad Zoo, The Subject Was Roses (Mark Taper Forum); Twist your Dickens (Ovation nomination), The Wake, Bengal Tiger at the Baghdad Zoo (Ovation nomination); The Little Dog Laughed (Ovation nomination) (Kirk Douglas Theatre); Guards at the Taj, Sideways, The Nightingale (La Jolla Playhouse); Book Club Play (Arena Stage); In the Wake (Berkeley Repertory Theatre); Red, Mr. Wolf, Trudy and Max in Love, 4000 Miles, The Fantasticks, Parisian Woman, Elemeno Pea (South Coast Repertory); Real Women have Curves, Stoneface, Above the Fold, Crowns, Orson’s Shadow (Pasadena Playhouse); Carrie the Musical (Los Angeles Theater). Other selected LA theatres include The NoHo Arts Center, Ghost Road Theater company, The Celebration Theater, The Colony Theatre, and Circle X. Cricket won the Kinetic Award for Outstanding Achievement in Theatrical Design in 2015, has earned 18 Ovation nominations, and has won an LADCC and a Garland Award. cricketsmyers.com.

Jeffrey Elias Teeter (Projection Designer) graduated from California Institute of the Arts and has worked on numerous world, West Coast, and New York premieres. He has designed and worked on: The Tallest Tree in the Forest and Tribes (Mark Taper Forum); On the Spectrum and Cyrano (Fountain Theatre); A Guide to an Exhibitionist and Cleopatra, C.E.O. (Heidi Duckler Dance Theatre); Baby It’s You, written and directed by Floyd Mutrux (Broadhurst Theatre on Broadway); Lighting Director for Halloween Horror Nights, NBC Universal Studios Hollywood and several premieres for AMC; Brewsie & Willie, a collaboration with Center for New Performance and Poor Dog Group; All That Skate, an international ice skating show (Staples Center); Piedra de Sol, directed by Maria Morett and presented (Getty Villa); The Jesus Ride, performed and written by Michael Schlitt (New York Fringe Festival and Portland Center Stage); Kirk Douglas: Before I Forget (Kirk Douglas Theatre); Apollo (Portland Center Stage); Norman’s Ark (Ford Amphitheater); Mycenaean (Brooklyn Academy of Music Festival); 11 Septembre 2001 (National Theatre of Paris); The Mask and Can-Can (Pasadena Playhouse); A Hip Hopera (Edinburgh Fringe Festival). Other projects include The leading Matters and Stanford Challenge national tour.

Michael Donovan, CSA (Casting) has been ATC’s Los Angeles casting director since 2005. He is the proud recipient of six Artios Awards, given by the Casting Society of America for Outstanding Achievement in Casting. Credits include shows produced at the Hollywood Bowl, Pasadena Playhouse, La Jolla Playhouse, Reprise Theatre Company, Kirk Douglas Theatre, Shakespeare Festival/L.A., International City League, Laguna Playhouse, Ensemble Theatre Company of Santa Barbara, Ebony Repertory Theatre, Falcon Theatre, Colony Theatre and the Kentucky Shakespeare Festival. Tours include Aida, Buddy, Peter Pan, How to Train Your Dragon and the currently playing I Love Lucy Live. Television credits include the series Blood Relatives. Mr. Donovan has also cast numerous films and more than 1,200 commercials.

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T. Greg Squires (Resident Lighting Designer) began working for ATC in 1988 as a lighting and sound technician. Since becoming the Resident LD, he is responsible for remounting all of the designs in Phoenix and was the designer for Permanent Collection and Tuesdays with Morrie. Mr. Squires has been the Associate Lighting Designer for Michael Gilliam, Dennis Parichy, Ann Wrightson, Don Darnutzer, Allen Lee Hughes, York Kennedy, David Lee Cuthbert and Peter Maradudin. In addition to ATC, Mr. Squires has designed lights and/or sound for Laguna Playhouse, Pasadena Playhouse, Creede Repertory Theatre, Borderlands Theater and Childsplay. Recently, Mr. Squires was Sound Designer for Actors Theatre of Phoenix productions of This, Circle Mirror Transformation and Dead Man’s Cell Phone, all of which received ariZoni Award nominations.

Brian Jerome Peterson (Resident Sound Designer) celebrates his 30th season at ATC, where he has designed 83 productions, including Fences, Disgraced, Five Presidents, Wait Until Dark, Around the World in 80 Days, The Importance of Being Earnest, The Sunshine Boys, Jane Austen’s Emma, The Great Gatsby, God of Carnage, Ma Rainey’s Black Bottom, Lost in Yonkers, Ain’t Misbehavin’, George is Dead, Somebody/Nobody, Enchanted April, Touch the Names, I Am My Own Wife, Twelfth Night, Tuesdays with Morrie, Crowns, Macbeth, The Pirates of Penzance, The Immigrant, A Streetcar Named Desire, Oh Coward!, Copenhagen, Fully Committed and The Mystery of Irma Vep (for which he won an ariZoni Award) and the world premieres of Sherlock Holmes and the Adventure of The Suicide Club, Dr. Jekyll and Mr. Hyde, Sherlock Holmes: The Final Adventure, Inventing van Gogh, Rocket Man, Minor Demons and The Holy Terror. His designs have been heard in many theatres including Geva Theatre Center, Berkeley Repertory Theatre, Seattle Repertory Theatre, The Cleveland Play House, Northlight Theatre, Portland Center Stage, Actors Theatre of Louisville and San Jose Repertory Theatre Milwaukee Repertory Theatre, and the Bay Street Repertory Theatre.

Glenn Bruner (Production Stage Manager) is in his 19th season as Production Stage Manager at ATC where he has stage managed over 60 productions, including Romeo and Juliet, Five Presidents, Other Desert Cities, The Mountaintop, The Importance of Being Earnest, Clybourne Park, The Sunshine Boys, Next to Normal, The Great Gatsby, The Mystery of Irma Vep, [title of show], The Kite Runner, Hair, Enchanted April, and the world premieres of Jeffrey Hatcher’s Sherlock Holmes and the Adventure of The Suicide Club and Ten Chimneys, and Steven Dietz’s Sherlock Holmes: The Final Adventure, Rocket Man, Inventing van Gogh, and Over the Moon. Mr. Bruner has worked at Kansas City Repertory Theatre, Alley Theatre, Dallas Theater Center, Pasadena Playhouse, Centerstage, Studio Arena Theatre, and Maine’s Portland Stage Company. He was the Assistant Stage Manager for the world premiere of On the Waterfront at The Cleveland Play House and stage managed the Off-Broadway premiere of Alan Ayckbourn’s Season’s Greetings. He has also been the voice for many radio and television commercials and worked for Texas Public Radio in his hometown of San Antonio. Mr. Bruner was the 2012 recipient of the Lucy Jordan Recognition Award, presented annually by the Western Region of Actors’ Equity Association. He has been a member of AEA since 1981.

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THE CREATIVE TEAM

Maggie Swing (Tucson Stage Manager) Geffen Playhouse: Barcelona, Guards at the Taj, Discord, The Country House, The Judy Show, American Buffalo. European Tour of The Apple Family Plays. Off-Broadway: Regular Singing, Sorry, Love’s Labour’s Lost, Sweet and Sad, Knickerbocker, Compulsion, That Hopey Changey Thing (The Public Theater), Slowgirl (Lincoln Center), Blood Knot, The Orphans’ Home Cycle (Signature Theatre Company). Regional: Bell, Book and Candle (co-production with Long Wharf Theatre), The Orphans’ Home Cycle, Dividing the Estate, To Kill a Mockingbird, A Christmas Carol, A Midsummer Night’s Dream, The Milk Train Doesn’t Stop Here Anymore, The Bluest Eye, Our Town (Hartford Stage Company).

Timothy Toothman (Assistant Stage Manager) is the Artistic Associate at ATC. He most recently stage managed ATC’s productions of Fences, A Christmas Carol, The Santaland Diaries, A Weekend with Pablo Picasso, Five Presidents, Wait Until Dark, Around the World in 80 Days, The Importance of Being Earnest, Freud’s Last Session, Lombardi, Daddy Long Legs and God of Carnage, among others. Mr. Toothman spent five seasons as the Production Stage Manager for Geva Theatre Center in Rochester, NY and was then Company Manager for five years for Sunshine Too, a national touring ensemble of deaf and hearing actors. He has also managed producing and presenting theatres in Indiana and Maryland. Prior to moving to Arizona, Mr. Toothman spent eleven years as a program and grants director for the Maryland State Arts Council and the Connecticut Commission on the Arts. Mr. Toothman stage managed the National Heritage Awards Program for the National Endowment for the Arts for ten years and has been the stage manager for the Vineyard Playhouse on Martha’s Vineyard for the past twelve summer seasons.

Emma DeVore (Assistant to the Stage Manager) served as Assistant to the Stage Manager for ATC’s productions of Of Mice and Men, Fences, Disgraced, Romeo and Juliet, Murder for Two, Vanya and Sonia and Masha and Spike, Around the World in 80 Days, Xanadu, The Importance of Being Earnest, Clybourne Park, Freud’s Last Session, Lombardi, God of Carnage and The Great Gatsby. Regionally, she has worked at the Utah Shakespearean Festival, Phoenix Theatre, Gulfshore Playhouse, and Southwest Shakespeare Company. She was the Production Stage Manager for E&M Theatrical’s Las Vegas production of The D*Word: A Musical, and has toured with the vaudeville troupe Handsome Little Devils, and with The Magic of David Copperfield.

The Actors and Stage Managers The Director is a member of the The Scenic, Costume, Lighting and employed in these productions are Stage Directors and Choreographers Sound Designers in LORT Theatres members of Actors’ Equity Association, Society, an independent national are represented by Union Scenic the Union of Professional Actors and labor union. Artists Local USA-829, IATSE. Stage Managers in the United States.

14 FEEL THE MOMENT 2015/2016 SEASON

ARTISTIC DIRECTOR

David Ira Goldstein this season celebrates his 24th season as Artistic Director of Arizona Theatre Company. In that time, he has produced and/or directed over 200 mainstage plays, workshops, readings, and presentations including acclaimed appearances by the Royal National Theatre of Great Britain and the Theatre Royal Bath. He received the 2010 Leader of the Year Award in Arts and Humanities from the Capitol Times and the 2003 Governor’s Arts Award as Individual Artist for his contributions to the arts in Arizona. This season he directed Disgraced and The Santaland Diaries for ATC. He has directed over 40 mainstage productions for ATC ranging from classics to new plays to musicals, including Next to Normal, The Sunshine Boys, Hair, Much Ado about Nothing, My Fair Lady, Valley Song, The Illusion, The Pajama Game, Side Man, [title of show], How I Learned to Drive, Wait Until Dark, Xanadu, The Mystery of Irma Vep, Scapin, The Two Gentlemen of Verona, The Boys Next Door, Shadowlands, Fully Committed, The Pirates of Penzance, H.M.S. Pinafore, Willi, Dreams from a Summer House, Other People’s Money, The Heidi Chronicles, Noises Off and A Midsummer Night’s Dream, as well as many world premieres including The Kite Runner by Khaled Hosseini; Sherlock Holmes: The Final Adventure (winner of the Edgar Award from the Mystery Writers of America); Inventing van Gogh, Rocket Man, Private Eyes, Over the Moon and Dracula by Steven Dietz; and Ten Chimneys, Dr. Jekyll and Mr. Hyde (Edgar Award nominee) and Sherlock Holmes and the Adventure of The Suicide Club (Edgar Award nominee) by Jeffrey Hatcher. Mr. Goldstein has been a guest director at theatres all across the country including Arizona Opera, Pasadena Playhouse, Berkeley Repertory Theatre, Seattle Repertory Theatre, Florida Stage, Center Repertory Theatre, Kansas City Repertory Theatre, Northlight Theatre, San Jose Repertory Theatre, Village Theatre, Geva Theatre Center, Laguna Playhouse, Repertory Theatre of St. Louis, Mixed Blood Theatre, The Children’s Theatre Company in Minneapolis, Alaska Repertory Theatre, and Illusion Theatre. His musical A Marvelous Party: The Noël Coward Celebration, which originated at ATC, has played extensively across the U.S., winning many awards including four Jeff Awards in Chicago (including Best Director), the Elliot Norton Award in Boston, several Bay Area Theatre Critics Circle Awards, and the Los Angeles Drama Critics Award for Best Production. Before coming to Arizona, Mr. Goldstein was Associate Artistic Director of ACT Theatre in Seattle. His many productions there included Glengarry Glen Ross, Hapgood, Breaking the Silence, Lloyd’s Prayer, the world premieres of God’s Country by Steven Dietz and Willi by John Pielmeier, as well as a joint Soviet-American production of The Falcon. He was Associate Artistic Director at Actors Theatre of St. Paul from 1983-86. Mr. Goldstein holds an M.F.A. from the University of Minnesota. He has been a visiting instructor and director at ASU, University of Washington, University of Minnesota, and University of Northern Iowa. He has served as a panelist for the National Endowment for the Arts, Theatre Communications Group, Arts Midwest, and the Arizona, Minnesota, Oregon and Washington State Arts Commissions. Mr. Goldstein is a proud Union member of the Stage Directors and Choreographers Society and Actors’ Equity Association. He is married to KJZZ radio announcer Michele Robins. They share their home with their dogs and cats: Rio, Rocky, Cary, Reggie, Dexter, and Benny.

15 FEEL THE MOMENT 2015/2016 SEASON

ABOUT ARIZONA THEATRE COMPANY

The Cast and Crew of ATC’s Wait Until Dark. Photo by Tim Fuller.

Now celebrating 49 years, Arizona Theatre Company (ATC) boasts the largest subscriber base of any performing arts organization in Arizona, with more than 130,000 people each year attending performances at the historic Temple of Music and Art in Tucson, and the elegant Herberger Theater Center in downtown Phoenix. Each season of carefully selected productions reflects the rich variety of world drama – from classic to contemporary plays, from musicals to new works, as audiences enjoy a rich emotional experience that can only be captured through live theatre. Touching lives through the power of theatre, ATC is the preeminent professional theatre in the state of Arizona. Under the direction of Artistic Director David Ira Goldstein, ATC operates in two cities – unlike any other League of Resident Theatres (LORT) company in the country.

ATC shares the passion of the theatre through a wide array of outreach programs, educational opportunities, access initiatives and community events. Through the schools and summer programs, ATC focuses on teaching Arizona’s youth about literacy, cultural development, performing arts, specialty techniques used onstage, and opens their minds to the creative power of dramatic literature. With approximately 450 Learning & Education activities annually, ATC reaches far beyond the metropolitan areas of Tucson and Phoenix, enriching the theatre learning experience for current and future audiences.

The mission of Arizona Theatre Company is to inspire, engage and entertain – one moment, one production and one audience at a time.

16

ANNOUNCING THE 2O16/2O17 SEASON

FLATOT LLANT ELOSL FNN TE EW TMES TE EW TMES KING CHARLES AN ACT OF III GOD

by Mike Bartlett by David Javerbaum

ONE OF THE EATEST MTH MEETS EEA MSALS N HSTO LFE TH LMNOS AE EW DAL EWS SA ACSC CCLE FIDDLER THE RIVER ON THE ROOF BRIDE music by Jerry Bock lyrics by Sheldon Harnick / book by Joseph Stein by Marisela Treviño Orta

A SHO ALAE TH A THLLN NE FE AN NMTATE FN SHELO HOLMES MSTE CCAG SU TMES RING OF HOLMES FIRE AND WATSON created by Richard Maltby, Jr. / conceived by William Meade by Jeffrey Hatcher JOIN THE ATC FAMILY! SUBSCRIBE NOW. ARIZONATHEATRE.ORG/SUBSCRIBE

Arizona Theatre Company offers a variety of subscription options to give you the best opportunity to see all the shows you want to see, when you want to see them, from whatever seats you choose. When you subscribe to ATC, you’re family!

6-PLAY FULL SEASON SUBSCRIPTION - Guaranteed best seats for the shows you can’t wait to see The Rolls Royce of subscriptions! For the true - Unlimited free exchanges theatre connoisseur, you get to sample - Lost ticket insurance everything that ATC has to offer during our - Priority renewals and seating upgrades 50th Anniversary season! - Early-bird access to special add-on productions - The satisfaction of knowing you’re at the head of the class when it comes to helping keep fully professional theatre in Arizona thriving

BUILD-YOUR-OWN SUBSCRIPTION - Guaranteed best seats for the shows you can’t wait to see Join the ATC family on your terms! If you know - One free exchange per show the shows and dates you’d like to attend, we have - Lost ticket insurance just the package for you! Our 3, 4, and 5-Play - Early-bird access to special add-on productions packages offer almost all the benefits of our - The satisfaction of knowing you’re helping keep 6-Play Subscriptions, and you get to be part of fully professional theatre in Arizona thriving the ATC family for a fraction of the price of single tickets!

FLEX PASSES - Best seats in ANY section at the time of pass redemption Enjoy subscriber benefits without the - Flexibility to redeem passes in any combination commitment! you choose - Locked-in pricing for any tickets for the entire season, at a significant savings over single  ticket prices - The satisfaction of knowing you’re helping keep fully professional theatre in Arizona thriving FEEL THE MOMENT 2015/2016 SEASON

2015/2016 BOARD OF TRUSTEES

Chairperson Cameron C. Artigue Gammage & Burnham Chair-Elect Lynne Wood Dusenberry Retired UA Attorney & Community Volunteer Vice Chair/Tucson I. Michael Kasser Holualoa Companies Vice Chair/Phoenix Susan Plimpton Segal Gust Rosenfeld PLC Secretary Joanie Flatt Flatt & Associates, Ltd. Treasurer Jeffrey Gold Community Volunteer Immediate Past Chair Robert Glaser Cushman & Wakefield/ PICOR Commercial Real Estate Services Peter Akmajian Udall Law Firm LLP Char Augenstein Community Volunteer Kevin Gebert Holualoa Capital Management Jay Glaser Community Volunteer David Ira Goldstein Artistic Director, Arizona Theatre Company Daniel J. Hagerty DeVos Institute of Arts Management Jennifer Lohse Tucson Foundations Priscilla Marquez Tucson Hispanic Chamber of Commerce Sandra C. Maxfield Community Volunteer Linda “Mac” Perlich OnMedia Michael Seiden MJS Enterprises Robert Taylor Salt River Project Steven Tepper Arizona State University EMERITUS TRUSTEES Paul Baker, Darryl Dobras, Katie Dusenberry, Shirley Estes, Donald Nickerson*, Marilyn Papp*, George Rosenberg*, Dr. John P. Schaefer, F. William Sheppard, Carol Duvall Whiteman

HONORARY BOARD TRUSTEES Bob Begam*, Betsy Bolding, Joan Kaye Cauthorn, Jack Davis, Slivy Edmonds, Norma Feldman, Catherine “Rusty” Foley, Joe Gootter, Carole Kraemer, Jessica Lazarus, Sally Lehmann, Gerry Murphy, Emily Rosenberg Pollock, Nina Trasoff, Ruth A. Zales *Deceased

Jessica L. Andrews, Managing Director Emeritus

A special note of thanks to the partners and staff at Lewis Roca Rothgerber for hosting ATC’s Board of Trustees’ meetings.

20 FEEL THE MOMENT 2015/2016 SEASON

CORPORATE AND FOUNDATION DONORS

ATC is proud to acknowledge the following donors who made contributions to the ATC Annual Fund from July 1, 2014 to March 31, 2016:

Bank of America ANGELS DESIGNER’S CIRCLE Boeing Co. $25,000 AND UP $3,500 - $5,499 The Charro Foundation APS Alliance Bank of Arizona Donald Pitt Family Foundation Arizona Commission on the Arts Arizona Community Foundation of Flagstaff Eller College of Management Caid Industries BMO Harris Bank N.A. University of Arizona City of Phoenix Crest Insurance Group Hitchcock Bowart Daterra Family Foundation Diamond Family Donor Advised Fund CyraCom International Inc. Hughes Federal Credit Union at the Jewish Community Foundation Mission Management and Trust Co. Jewish Federation of Southern Arizona Holualoa Capital Management, LLC Rodel Foundation of Arizona Maizlish Family Foundation H.S. Lopez Family Foundation Sarah B. Smallhouse Advised Fund Margaret Mellon Hitchcock Foundation Jim Click Automotive Team held at the Community Foundation The Molly and Joseph Herman Foundation Lewis Roca Rothgerber LLP for Southern Arizona Nextrio, LLC Margaret E. Mooney Foundation Shapiro Family Philanthropic Foundation ON Media Norville Foundation The Stocker Foundation PICOR Charitable Foundation Phoenix Office of Arts and Culture Watermill Financial Group Pima Dermatology SRP Resolution Copper Stonewall Foundation Russ and Carolyn Russo Foundation Virginia G. Piper Charitable Trust DIRECTOR’S CIRCLE The Schneider Group Zazu Pannee Park Regent $1,750 - $3,499 Sharmen Roos State Farm Agency Theater League Inc. Arizona Community Foundation of Sedona Tucson Medical Center PLAYWRIGHT’S GUILD Bill and Kathy Kinney Philanthropic Fund Break-Away Tours $10,000 - $24,999 Carstens Family Funds PATRON Arizona Community Foundation Desert Diamond Casino $500 - $999 BeachFleischman PC Dorothy Miller Charitable Endowment City of Glendale - Public Arts Program The Evo and Ora DeConcini and Actor’s Equity Foundation, Inc. City of Tempe Cultural Services Thu Family Foundation Arizona Lottery The David C. and Lura M. Lovell Foundation Fidelity Charitable Gift Fund Becky and Doug Pruitt Family Fund Downtown Kitchen + Cocktails The Gadsden Company Fischman Memorial Endowment Fiesta Bowl Charities The Gordon Foundation The Harold and Jean Grossman Family Gammage & Burnham The Greater Cincinnati Foundation Foundation Holsclaw Advisory Endowment Fund The John and Helen Murphey Foundation Jennings, Strouss and Salmon Horizon Moving Systems The John F. Kennedy Center for the Perform- Phoebe R. and John D. Lewis Foundation National Endowment for the Arts ing Arts Protravel International PICOR Commercial Real Estate Services Joseph and May Winston Foundation The Roth Family Foundation/Joan Roth SynCardia Systems, Inc Kinder Morgan Foundation Russ Lyon Sotheby’s International Realty Tucson Foundations LASSO Corp. Tucson Jewish Community Center Long Realty Cares Foundation University of Arizona Center for Humberto and Czarina Lopez Integrative Medicine PRODUCER’S CIRCLE Jacqueline Ann Morris Memorial Foundation $5,500 - $9,999 Merrill Lynch FRIENDS The Bill and Donna Dehn Charitable Fund Network for Good $250 - $499 Cox Communications Scottsdale League for the Arts Esser Design Snell & Wilmer ExxonMobil Foundation Matching Fabulous Foods Target Corporation Gift Program Jewish Community Foundation Torosian Foundation IBM Matching Grants Program of Southern Arizona Vance Foundation Foothills Properties The Maurice and Meta Gross Foundation Law Offices of Slutes, Sakrison & Rogers, PC Phoenix Suns Charities Microsoft Matching Gifts Program Scottsdale Cultural Council BACKERS Schwab Charitable Fund Tucson Electric Company Texas Instruments Foundation $1,000 - $1,749 Tucson Museum of Art AGM Container Controls, Inc. American Express

21 FEEL THE MOMENT 2015/2016 SEASON

INDIVIDUAL DONORS

ATC is proud to acknowledge the following donors who made contributions to the ATC Annual Fund from July 1, 2014 to March 31, 2016:

Nancy Swanson and Kathleen Zywicki Peter Akmajian and Colleen Cacy ANGELS Jack Wahl and Mary Lou Forier Mara and Keith Aspinall $25,000 and Up Michael Willoughby Mr. A. Frederick Banfield and Anonymous Ms. Eileen M. Fitzmaurice Alice and Paul Baker Mary Ellen and Emery Bartle Christine and Daryl Burton DESIGNER’S CIRCLE Denice Blake and John Blackwell Shirley Estes $3,500 - $5,499 Dr. Jose and Frances Burruel Louise and Jim Glasser Mary and Todd Anderson Aroon Chinai I. Michael and Beth Kasser Jessica L. Andrews and Ed and Arlene Cohen Czarina and Humberto Lopez Timothy W. Toothman Shelley Cohn and Mollie C. Trivers Ann Lovell and Tom Warne Christine and John Augustine Jan Copeland Dolly and Jim Moran Barbara and Franklin Bennett Vanne and Robert Cowie Mac and Russ Perlich Betsy Bolding Mark and Julie Deatherage Enid and Mel Zuckerman Connie and Rodney Boorse Geraldine and Michael DeMuro Carol Mae Butler Estate Marjorie and Gerald Dixon Susan Call Zoe and Andrew Dowd PLAYWRIGHT’S GUILD Ginny Clements and Tom Ford Norma and Stanley G. Feldman $10,000 - $24,999 Jacklyn Connoy and William Maguire Catherine “Rusty” Foley Anonymous Len and Doris Coris Robert Fortuno Paul and Mary Bancroft Martha Durkin Fractured Earth Tile and Stone/ Darryl and Mary Ann Dobras Bruce L. and Lynne Wood Dusenberry Ms. Elizabeth Miller Bruce and Katie Dusenberry Raoul Encinas Leslie Freed Joanie Flatt Deanna Evenchik Ted and Barb Frohling Jay and Babs Glaser Ellis F. Friedman and Irene Stern Friedman Harry and Lois Garrett Rob and Laurie Glaser Gail and Patric Giclas Kevin Gebert and Whitney Sheets David Ira Goldstein and Davie Glaser in loving memory Harry George and Cita Scott Michele Robins Goldstein of David H. Glaser Dr. Mary Jo Ghory Paulette and Joseph Gootter Ellyn and Jeff Gold Leslie and Richard Glaze Sharon Harper Ellen and David Goldstein Debbie Goodman-Butler Scott Kendall Haun Laurie and Chuck Goldstein and Patrick Butler Sandra and Dr. Robert Maxfield Dr. Robert Gore Jeff Guldner Liz and Fletcher McCusker Daniel Hagerty and Michael Cook Leslie Hall and Ted Jarvi Mary Mochary Anne and David Hameroff Terri Hall Marilyn Papp Donald Henke Hazel Hare Jennifer A. Roberts Bob and JoAnne Hungate Elliott and Sandra Heiman Enid and Michael Seiden Kay Juhan Jacqueline Hufford-Jensen Randy Kendrick Deborah and Jeffrey Jacob Drs. Steven and Marta Ketchel Courtney Johnson PRODUCER’S CIRCLE Drs. Paul and Mary Koss Martha and George Kellner $5,500 - $9,999 Debra Larson Robyn Kessler and Jeff Timan Anonymous Marilyn and Robert Metzger Drs. George and Maria Knecht Mary and Cameron Artigue Deborah Moss and Stephen Collins Dr. and Mrs. Ronald Kolker Alan and Char Augenstein Dr. and Mrs. Charles W. Otto Linda Lambert Don and Jonae DeLong Mary and Matthew Palenica Eileen and John Lamse Bruce and Edythe Gissing Jill and Herschel Rosenzweig Mr. and Mrs. Mark Landay Judith Hardes Ken and Judy Ryan Toby and Matt Lehrman Tandy and Gary Kippur Shoshana and Robert Tancer Leroy Littleton Richard and Sally Lehmann Gary Wolff and Sandy Gibson Elaine and Jules Litvack Bill Lewis and Rick Underwood Linda Wurzelbacher Susan and Stacy Litvak Lori Mackstaller Jill and Kevin Madden Elyce and Mark Metzner DIRECTOR’S CIRCLE Phil and Nora Mazur Jack and Becky Moseley Rosanna Miller Mary Beth and Gerald Radke $1,750 - $3,499 Pat and Wayne Needham Jeffrey and Susan Rein Kelly and Ken Abrahams Peggy Nickerson Drs. John and Helen Schaefer Darla and Loren Acker Richard and Shana Oseran Judy Seinfeld Roberta Aidem Heather Reeves F. William Sheppard and Range P. Shaw Affinity Eye Care/Dr. Robert Mulgrew Dr. and Mrs. Sanford H. Roth 22 FEEL THE MOMENT 2015/2016 SEASON

INDIVIDUAL DONORS

Pamela Grissom Rebecca and Jerry Sundt DIRECTOR’S CIRCLE Jerome and Anita Gutkin Pamela Sutherland CONTINUED J. Harries Joan Sweeney Sarajean Harwood Gail and Daniel Tenn and Sheri Sender $1,750 - $3,499 Theresa and William Hawgood Susan and Glyn Thickett Toby and Michael Rozen Stephen and Amanda Heitz Bonnie and John Trowbridge Carol and Lex Sears Pat and John Hemann Gerald and Linda Tumarkin Susan P. Segal Frederick C. Henning Mrs. D. Rae Turley Steve and Shelly Silverman Ed and Sandy Holland Paula and Curtis Ullman Daniel and Evelyn Simon Frances and Darrell Hutchinson Patricia and Don Underwood Susan S. Small Dr. Ralph A. and Anna L. Jackson Arthur Wadlund Harvey and Rica Spivack William and Judy Jenney Richard Walker Richard Stahl Dr. and Mrs. Valerian Kaplan Bruce Waterman Phyllis E. and Richard D. Stern Sandy and Richard Kauffman Marion Weber Richard and Marie Stewart Susan King Maggie White Col. Mary Pat Sullivan Alvin and Janice Kivel Ruth Zales and Kenneth Greenfield Diane Thorn Don Klomp David and Dawn Veldhuizen Robert Knopf Barbara Vogen Patricia Langlin PATRONS Count Ferdinand and Marianne and Bill Leedy $500 - $999 Countess Anita von Galen Jenni and Rob Leinbach Anonymous (4) Dr. Richard and Madeleine Wachter James LeValley and Nancy Philippi Audrey and Daniel Abrams Richard Walker Marc and Donna Levison Joseph Acker Julia Waterfall-Kanter Helaine Levy and Steve Alley Joanne and Howie Adams Brett Weaver and Linda Smith Phoebe Lewis Amy and Bob Adams Russell and Kay Weed Sharon Lewis and Mayor Shanken David Allen Richard and Nancy Weiss Samuel and Judy Linhart Susan and Larry Allen Nancy and Jeff Werner Ms. Edith Luty Rob Aronoff Mark and Taryn Westergaard Anne and Ed Lyman Bob and Judy Atwell James Wezelman and Denise Grusin Marilyn and Tom Merryweather Lani and Josh Baker Allan and Diana Winston Peggy and Gerry Murphy Colleen and Brock Bakewell Dr. James E. Nation Robert and Jeannette Barnes BACKERS Carl and Carolyn Nau Jessica Barrancco Jordan and Jean Nerenberg Mary and Bret Batchelor $1,000 - $1,749 Randi and James Nulty Ann and Richard Bates Anonymous (2) Robert Present Dr. and Mrs. Michael Belton Judy Ackerman and Richard Epstein Jeff Rich Tim Bender Judy and Rory Albert Charles Roehrick Tony and Maria Beram Susan and Larry Allen Tom and Eileen Rotkis Paula and Edwin Biggers Corbett and Pat Alley Bernadette and Joaquin Ruiz Phylis and Gary Bolno Gregory Anderson and Linda Holmes Mike Saavdeva Kay Bouma Barbara and Mathis Becker Drs. Adib and Vivi Sabbagh Martha Brightwell Susan Berg Michael and Enriqueta Salvo Mary Brophy Barbara and William Bickel Harold Samloff Laura and Arch Brown Susan and Brian Boylan Mary and Heliodoro Sanchez Tyna Callahan and Dimitri Voulgaropoulos Shirley Chann Deborah and Marc Sandroff Joan Kaye Cauthorn Amy Charles and Steve McMillan Claire and Henry Sargent Paul and Susan Charlton Mary Kathleen Collins Bart and Marcella Schannep Kris and Earl Cohen Mr. and Mrs. William Cullen Carol and Randy Schilling Sara Cohen Barbara and John Cummings Andy and Trisa Schorr Monique Connor A. Ennis Dale Suzanne and Lewis Schorr Judie Cosentino Dr. and Mrs. William H. Dantzler Ron and Patricia Schwabe Mr. and Mrs. Duane K. Cote Russell Dickey Marc and Tracy Schwimmer Andreas Coumides Joe Donor Arlene and Morton Scult Gayla and Harlan Crossman Russell and Sharon Ewers Gulshan and Neelam Sethi Alicia and Jon Crumpton Fred Farsjo and Patti Payne Chris Sheafe Shawne Cryderman Carol Fink Cathy Shell Marjorie and George Cunningham Richard and Judith Flynn Dr. William and Joanne Sibley Leslie Dashew Pamela Frame Ralph and Ingeborg Silberschlag Patti Dennis Mr. and Mrs. John Francesconi Robert and Linnet Spangler Marnie and Harvey Dietrich Louise and Jim Glasser Helen and Darryl Stern Randi Dorman and Rob Paulus 23 FEEL THE MOMENT 2015/2016 SEASON

INDIVIDUAL DONORS

Carol and Foster Kivel Ellie and S.L. Schorr PATRONS CONTINUED Gabrielle Klein Robyn and Edward Schwager $500 - $999 Jo and Bob Koeper Nancy Schwalm Jan and Leo Dressel Loren Krebs Arleen and Fred Schwartz Sally and Ralph Duchin Kathryn Lamm Deborah and William Scott Gail E. Dunlap Sherrie and Robert Lane Joe and Polly Seeger Slivy Edmonds Jim and Gloria Lawrence Mrs. Eugene W. Seklecki Joel Estes Anne Leary and Bill Hemelt Barbara and George Seperich William Estes III Dr. Alan Levenson and Rachel Goldwyn Stan Shafer John Ezell John Lewis Drs. David Siegel and Linda Riordan Tammy Caillet-Falbaum Herb and Nancy Lienenbrugger Raj Sivananthan and Vance Falbaum Jennifer Lohse and Jason DePizzo Diane and Ken Skotak Dr. Nelson Faux Lawrence Lucero Richard Snodgrass and Merrie Brucks Ronna Fickbohm and Jeff Willis Laura and Barry Mac Ban Steffie and Millie Dr. and Mrs. John H. Finley Suzan and Peter Makaus Alice and Joel Steinfeld Lazard Flot Mr. and Mrs. Thom Mansur Jill and Dan Stevenson Cindy and Jerry Foley Priscilla and Edmond Marquez Joan Strand Denise and Robert Ford Nancy and Vance Marshall Carolyne and John Stuart Cheryl and Ira Gaines Rudy and Maria Mathews Morton and Nina Susman Wendy Gamble and Carl Kuehn Judi and Alan Max Ms. Susan M. Swick Elizabeth and Dietmar Gann Dorothy and Roy Mayeske Mr. and Mrs. Hans J. Thiele Drs. Margot W. and J.D. Garcia Peggy and Dennis McCarver Hugh and Allyn Thompson Becky and Dave Gaspar Andy McKnight Cheryl and Howard Toff Cathleen and Thomas Godfrey Elsa McTavish Carrie Toth Michael Godnick and Steven Cohen Gregory and Emma Melikian David and Nancy Ulmer Muriel and Marc Goldfeder Claudine and Andrew Messing Bob and Emily Vincent Shelley and Leonard Goldstein Joyanne and Fred Mills Ruth and Charles Waldron Dr. Barbara Gores and Dr. Jim Boulay Jacques Montrose Barbara and John Walker Donita Gross Donnasu and Jim Moody Leigh and Gregory Waterfall Jennifer Gross and Jerry LeFevre Patricia Morgan and Peter Salomon Mary Way Sara and Andrew Gyorke Shirley G. Muney Steven and Linda Wegener Rita Hagel Brian and Nina Munson Libby and Bernard Weiner Glen and Pam Hait Trudi and Robert Murch Ellen Wheeler and David Nix Ben Hall Essie and George Nadler Jana Wilke Athia Hardt Nahom Family Trust/ Ann and Dan Nahom Deborah and Wayne Willis Pamela and Stanley Hart David Nelson Steven Wool Kathy and James Haun Caren and Thomas Newman Mr. and Mrs. Ray Woosley Michael and Phyllis Hawkins Parviz Nikravesh and Agnes Stahlschmidt Anonymous (5) John Hay and Ruth Murphy Leslie Nixon and Barry Kirschner Robert Affholder Suzie Hazan and Michael Burns Peggy Odendahl Susan Hetherington Micheal and Patricia Ore Tom and Sandy Hicks Ann Patterson-Barton FRIENDS Marsha and Sid Hirsh Kathie and Bill Peterson $250 - $499 Sharon and Jesse Hise Tommilee Philips and Richard Keiler Jerry Alpert and Vicki Myerson-Alpert Darrell and Frances Hutchinson William Rapp and Kathy Kolbe Dr. Joseph Alpert Frank Jacobson Paul Rathjen Ovadan Amanova-Olsen and Irina Kirilova Frank and Caroline Jank Charles and Linda Redman Shirley and Thor Anderson Jill and Stan Jankowski Michael Reuwsaat and Priscilla Storm Jos Anshell Leonard and Marcelle Joffe Sandra Rausch Julia and Neal Armstrong Gary Jones Penny Rauzi Gregory Ash and Susan Johnson-Ash Marcia Jones Jeffrey Rich Clara and Lee Ashton Julie and Stephen Kambeitz Joan Roberts Rae and Peter Aust Andra Karnofsky and Charles Gannon Ron Robinette and Sharon Roediger Karen Austen Julianna Kasper Lynda and Edward Rogoff Eva and Martin Bacal Pat Kaufman Bobbe Rosenberg Pamela and Frank Bangs Jamie and Bill Kelley Anne and Lowell Rothschild Emery and Jackie Barker Raymond Kemp and Richard Douglas Jonathan Rothschild Char and Gerry Bates Mr. and Mrs. Joseph Kendhammer Sue Samuels Kathryn Bates Teresa Kim and Mark Quale Annette and Bob Sandler John Bechman Kristin King Kathleen Schiemann Hildreth Becker Judy Kish Robert Schoeneman Dr. Cash and Susanne Beechler 24 FEEL THE MOMENT 2015/2016 SEASON

INDIVIDUAL DONORS

Gregory Flaks Colleen Jennings-Roggensack FRIENDS CONTINUED Sherman and Sarilyn Fogel David Johnson $250 - $499 Brian Folkes Mary and Thomas Johnson Trudie and Peter Beestrum Brigitta and Curtis Forslund Richard and Shirley Johnson Mary Bielski and Hal Holman M. and R. Fowler Susan and Bob Johnstone Damon Bolling and David Horowitz Michael and Mary Fox Robert and Beverly Jones Sandy and Chuck Bonstelle Eleanor and Michael Fraser Nathan Joseph Richard Bookspan David and Cathy Freedman Lee and Gary Kains Jeanne and Eugene Bryan Randall Friese Eric Kaldahl Sharley Bryce Michael Garcia Sheila and Richard Kanter Karen and Ted Borek Gary and Gini Gethmann Andra Karnofsky and Charles Gannon Carla and Charles Borkan M. Joyce Geyser Fran Katz Kim and Don Bourn Paul Giancola S.B. Katz, MD, JD and D. Stephenson John and Susan Bowers Harold and Patricia Gilbert Lendre and King Kearns Sheila Bray Angela Glosser Lisa and David Keene Sharon and Barry Briskman Elaine and John Goetz Alan Kempner Diane and Donald Bristow Linda and James Goggin Allan and Carol Kern Richard Broderick Ann and Arthur Goldberg Mel Kessler and Gail Fisher Corrine Brooks Barbara and Gerald Goldberg Sue and Darrell Kidd Eugene and Jeanne Bryan Roberta Goldstein Bruce Kilbride and Lynn Krabbe Sylvia and Herb Burton Midge and Gerald Golner David and Patricia King Shirley and Roland Calhoun Kathryn and Edwin Goss Susan and Carlton King Joanne and John Carhart Jane and Robert Gray Don and Susan Kjerland Neal Cash and Sally Grant Tom and Nancy Green Marsha and Donald Klein Margot and David Chatterton Roxanne Griego Guy Knoller Mr. and Mrs. D. Chavez Barbara Gurwitz and William Hall Bill and Linda Knox Margaret Chrisman Jerry Haack Renata Koliakinene Joyce Cohen and Leon Smith Diana and Lawrence Haas Philip Korn Sidney and Elaine Cohen Mary Haddad Barbara Koval Lois and Tom Colberg Michael Hamant and Lynnell Gardner Anthony Krainik Margaret and James Coyle Michael Hammond Lynne Lagarde and Bob Stankus Joan Coyne Kenneth and Marian Handy Arvie and Karen Lake Ronald and Vic Crowe Jill Hansen Jane Langenfeld and Duncan Chang Paula and Michael Culbert John and Robin Harris Sally Lanyon Sandra and Anthony Dalessandro Seth Harris Joan Le Fevre Barbara Davis Monica and Jim Hart Philip and Ellen Leavitt Merrily and George Davis Pamela and Stanley Hart Sue and Robert Lebby Thomas and Julie Davis Ryan Hartman Kwan S. Lee Claire and Wayne Decker James and Victoria Haskins Lola and Lew Lehrman Pennie DeHoff and Larry Wurst Elizabeth and Jerrold Hatcher Barbara and Martin Levy Adrain Patel Delaloye Lester and Suzanne Hayt Roy Loewenstein and Alana Stubbs Col. and Mrs. L.V. Dennis Alma Haywood Mary and Paul Lynch Dr. and Mrs. Philip E. Dew Katherine Hazen Janet and Charles Lynn Stephen and Ruth Dickstein Dr. and Mrs. Arthur L. Herbst Matthew and Jo Ann Madonna Mr. Tom Dinwiddie Kerry and Bob Herbster Andrea Malis William DiVito and Mary Jo Sheldon-DiVito Richard Hertz and Doris Meyer Barbara and Martin Mannlein Aimee and Stephen Doctoroff William and Bethany Hicks Joan and Kit Marrs Jan and Mickey Dowling Marcia and Gregory Hillard Irene Marsh Carole and David Drachler Marta and Robert C. Holl Judy McDonald Anne and John Duffy Sidney Hollande J. Stuart McIntyre Janet and Harold Eastin Linda Hollars Constance McMillin Tom and Jackie Edwards Michael and Marian Holloway Cecilia Memjivar Carole Eitingon Gerri and Barry Holt Deborah and David Mendelson Michael R. Elert and Dr. Honora A. Norton Glenn Howell Lynda Menis Lee and Spencer Elliott Cynthia Hubiak Kathryn and Richard Merkel Dennis Emond John Irby and Norizan Osman Walter and Gloria Merkel Elaine and Mario Espericueta Lisa and Gary Israel Valla Merriman Kish Finnegan Nancy and Brian Jackson Francie Merryman Nancy and Richard Fintzy Dr. Leo Jaques Darrel and Ann Merwin Mary Jo Fitzgerald Helen and Robert Jennette Debra and Jeffrey Messing Melissa Fitzgerald Thomas Jenney James Miller 25 FEEL THE MOMENT 2015/2016 SEASON

INDIVIDUAL DONORS

Steve and Anita Slaughter FRIENDS CONTINUED John and Phyllis Smiley GIFTS IN MEMORY OF $250 - $499 Anita Smith Georgia Acker by Joseph Acker Barbara Soehnlen Katherine W. Altaffer by Dabney Altaffer Mr. and Mrs. George Mink Charles Artigue by Gammage & Burnham, Gary Molenda Lois and Lowell Sorenson Martha and Brad Sowers Richard B. Burnham, F. William Shepard Jessica and Jeff Monash and Range P. Shaw, Curtis and Paula Frances Moore Reed Spangler Bruce Spencer Ullman, Susan Watchman and Terry George and Nancy Moore Corbett Susan Morris and Richard Plattner Dr. Richard and Judy Spiegel Gloria and Mark Spies Larry Ash by Slobodan Popovic and Melvin E. Mounts Janie Shapiro Christine Muldoon Monica Spivey Linda Staubitz Robert Begam by Jessica L. Andrews and Kay Musser Timothy W. Toothman, Begam Marks Barbara Myers Maria and D. Stea David Steele and Traulsen, David Ira Goldstein and Richard and Dana Naimark Michele Robins Goldstein, Ellen and Jan Olav and Lucille Flaaten Claire Steigerwald Randy Sterna Mark Harrison Paula and Carl Olson Ms. Beryl Beville by Matthew and Betty Olwin Doug and Jean Stuart Dan Suhr and Shelly Bunn Jo Ann Madonna John Parente Dr. Richard Call by Mrs. Susan M. Call Greg Parston and Judith Hargadon Teri and Don Sullivan Jay Sykes Bob Cauthorn by John and Laura Almquist, Mr. and Mrs. Roger Peck Jessica L. Andrews and Timothy W. Jane and Clyde Perlee John Szafranski Linda and David Tansik Toothman, Barbara Atwood, Alice and Julia Pernet Paul Baker, Patricia Ballard, Rachele and Joe Peterson Jean Thomas Stephen and Susan Thompson Deanna and Robert Bates, Jill Bishop, Laurie and Tom Pew Betsy Bolding, Neal and Sally Cash, Steven Phillips Neil and Marjorie Thornton Mr. and Mrs. Richard Tofel Shirley J. Chann, Len and Doris Coris, Thomas Potter Edward Gentile and Deborah Rosenwald, Robert and Sheila Press Gayle A. Traver Bruce and Catherine Uhl Rob and Laurie Glaser, David Ira Ann H. Redding Goldstein and Michele Robins Goldstein, Mr. and Mrs. Eugene Rice James A. Ullman David and Kathryn Unger Pamela Grissom, Naomi and Gene Karp, Janet and Roger Robinson Shirley and Jim Kiser, Trudy Kohl, Clyde Tom Rogers Nancy Utech Sergio Valladolid W. Kunz and Brian L. Arthur George Susan Rollins Loesch and Friends at Intersate General Tiana and Jeff Ronstadt Karla Van Drunen Littooy and Fred Littooy Joan and Gerald Vandevoort Media, Jennifer Lohse, David Mackstaller Steve and Rebecca Rosenberg and Lyn Papanikolas, Robert Marshall, Barbara and Kent Rossman Ellen and David Vellanga Tony and Rita Vickers Sandy and Robert Maxfield, Brent Katie Rubin Pichler, Judith Rich, Jill and Herschel Arnold and Carol Rudoff Carol Vivona John and Connie Nygaard Wareing Rosenzweig, Robert Strauss, Lisa Ungar, Sharon and Richard Rundle Patricia H. David and Sonja Saar Wendy Warne Sandra Webb and Bob Meyer Waterfall, Jan Wezelman and David Maria Saldivar Bartlett, Ruth Zales and Ken Ellen and Stephen Saltonstall Caryll and Gerald Webner Ronald and Mary Weinstein Greenfield, Enid and Mel Zuckerman Kathi and Doug Sanders Rudy Cosentino by Judie Cosentino Jennifer and Charles Sands Sami Weir and Jean Demonico Virginia Weise Dan Davis by F. William Sheppard and Jose Santiago and Janice Catt Range P. Shaw Betty Ann Sarver Carol and Phil Wheeler Willard W. White Josephine Duveneck by Weegee and Alexis and Steve Schallenberger Scott Whiteford Tom and Chris Schatzman Linda and Richard Whitney Preston and Katherine Whitt Tom Foley by Cindy and Jerry Foley Steven Schellhaas Jack Frakes by Cathy Whitlock Rowlette Patricia and Harry Schlosser Thomas and Kay Williams Pamela and Dennis Winsten Adele Furman by Ina and Ian Shivack Rita and Steven Schlosser Allan Glaser by Jessica L. Andrews and Paul and Jacqueline Schulz Krystyna Wolski and Ronald Bernstein Marilyn and Peter Woods Timothy W. Toothman, Alice and Paul Susan and Ford Schumann Baker, I. Michael and Beth Kasser, Ron Dr. Howard and Trudy Schwartz Mo Xiao James and Carolyn Yeater Kessler and Jeff Timan, Lynn and Olivia and Dev Sethi Mark Thomas Robert Sheely Flora Yee and Phil Derkum Barbara Zippel and Thomas Pickrell Pat Goldstein by Holualoa Arizona, Inc Carole and Charles Shnier Rose Gottlieb by James Erikson, Joanne Marvin Siegel and Eileen Bloom Howard and Mary Zipser Elizabeth and Charles Zukoski Adams, Jean and Marvin Glassberg, Dr. Caren Siehl Shigeko and Ke Hsieh, Lisa Humenik,

26 FEEL THE MOMENT 2015/2016 SEASON

INDIVIDUAL DONORS

Rebecca Hurd, Linda and James Richard Segal by Jessica L. Andrews and Beth and Mike Kasser by Ruth and Henry Kastella, Phyllis and Theodore Katz, Timothy W. Toothman, Betsey Bayless, Jacobson, Jill and Herschel Rosenzweig, Hani and Nora Murad, Kenneth and Laura and Terry Bercovitz, Gina and Rick Mr. and Mrs. Ray Woosley, Paul Kraft, Phyllis Myslik, Wanda and Angelo DeGraw, Norma and Stanley G. Feldman, Leslie Glaze, Shelly Silverman, Petropolis, Sonja Reinhardt, Nancy and Babs and Jay Glaser, David Ira Goldstein Jody Gross, Scott Maizlish, Joan Kaye Lu Rudolph, Robert and Susan Shrager, and Michele Robins Goldstein, Ellen and Cauthorn, Courtney Johnson, and Dave Solomon Mark Harrison, Luana and Doug Manning, Deborah and Jeffrey Jacob Chris and Joel Hatfield by Norma and Patricia Martin and Timothy Berg, Charles Jacob Kelber, Nadia Hutchinson, and Stanley G. Feldman J. Muchmore and Karen Nyrop, Nancy and Mason Kelber by Alice and Marty Kelber Karl Haytcher by Jessica L. Andrews and Bruce Oyen, Michael Parrish and Susan Robyn Kessler by David Mackstaller and Timothy W. Toothman, Claudia Vazquez Davis, Vicki and Scott Ruby, Michelle and Lyn Papanikolas Bob Hegyi by Raymond Kemp and Stan Sparrow, F. William Sheppard and Randy Kincaid by F. William Sheppard Rick Douglas Range P. Shaw Sheryl and Dale Wanek and Range P. Shaw Dr. Arnold I. Hollander by Carol Hollander Trudy Shapiro by Jessica L. Andrews and Anne Kleindienst by F. William Sheppard Mollie Hughes by Diane Tweedy Timothy W. Toothman, Rob and Laurie and Range P. Shaw Anna Jolivet by Jessica L. Andrews and Glaser, Slobodan Popovic and Janie Matt Lerhman by Paulette and Joe Gootter Timothy W. Toothman Shapiro Helaine Levy by Len and Doris Coris, Deanna Walter Kaye by David Bartlett and Janice Larry Smith by Frank Davis, F. William Evenchik, Norma and Stanley G. Feldman, Wezelman, Kent and Nancy Barrabee, Sheppard and Range P. Shaw Babs and Jay Glaser, Judi Kessler, Richard Leonard Dinnerstein, and Robert and Nemesio Trevino by Jessica L. Andrews and Sally Lehmann, Francie Merryman, Olga Strauss and Timothy W. Toothman, David Ira Anne and Lowell Rothschild, Anne and Renay F. Lehman by Carol Hollander Goldstein and Michele Robins Goldstein Tim Schaffner, Cristie and Bill Street, Elayne Miller by Jan Wezelman and Alan Wall by Mr. and Mrs. Gerald Vegodsky David and Kathryn Unger David Bartlett Roger Babson Webber by Marlene M. Graf Bill Lewis and Rick Underwood by F. Joan Newland by Louise Craft Adams Sara J. Wich by Anonymous William Sheppard and Range P. Shaw Donald Nickerson by Jessica L. Andrews Lori Mackstaller by Shirley Chann and Timothy W. Toothman, Betsy Bolding, Sandy Maxfield by Joan Kaye Cauthorn LLP, David Ira Goldstein and Michele GIFTS IN HONOR OF Kevin E. Moore by David Ira Goldstein Robins Goldstein, Lathrop and Gage, and Jessica Andrews by Paulette and and Michele Robins Goldstein Shirley and Ted Taubeneck Joe Gootter Jean and Jordan Nerenberg by Elyce Alfena “Alfie” Norville by Jessica L. Betsy Bolding by Becky and Dave Gaspar and Mark Metzner Andrews and Timothy W. Toothman Joan Kaye Cauthorn by Ruth Zales and Anne Raymond by Ann Bladwin Marilyn Papp by Jessica L. Andrews and Kenneth Greenfield Anne Rothschild by Norma and Timothy W. Toothman, and Richard Stern Darryl and Mary Ann Dobras by Jane Stanley G. Feldman Phyllis Powell by Judy Krausser and Benjamin Norton, Reese and Patricia J. Ryan MSW by Terri Hall Mrs. Carolyn S. Ring by Mrs. Eugene Nancy Woodling Karen Scates by Betsy Bolding W. Seklecki Margaret Downie and Bob Kroll by Bill Sheppard and Range Shaw by Mary Katherine Robinson by Jessica L. Raymond Kemp and Richard Douglas Raymond Kemp and Rick Douglas Andrews and Timothy W. Toothman Danielle Faitelson by Karen and Ralph and Ingeborg Silberschlag by Marilyn George Rosenberg by Jessica L. Andrews Lionel Faitelson Prince and Timothy W. Toothman, Betsy Stanley Feldman by David Mackstaller and Geri Silvi by Slobodan Popovic and Bolding, Nancy Cook, Winston H. Dines, Lyn Papanikolas Janie Shapiro, Angela Glosser Winston Dines, Holliday Dines, David Ira Jay Glaser by Linda Goldburgh Annie Stein by Ms. Sondra Eastham Goldstein and Michele Robins David Ira Goldstein by Karen and Lionel Mr. and Mrs. Jim Von Germeten by Goldstein, Dr. and Mrs. Martin Levy, Faitelson, Paulette and Joe Gootter, Ms. Sondra Eastham David Mackstaller, Lyn Papanikolas, and Howard Allen Ruthie Zales by Marsha Cohen, Bobbe Rosenberg, Jane Sharples, and Paulette and Joe Gootter by Len and Judy and Jay Feldstein Elizabeth and William Woodin Doris Coris, Marcelle and Leonard Joffe, Henry Sargent by Mrs. Shirley Estes, F. Wil- Joan Sweeney, Lois and Tom Colberg, liam Sheppard and Range P. Shaw Robert Present, Dr. and Mrs. Martin Michael Schroeder by Raymond Kemp and Levy, Carol and Lex Sears, Marjorie and Rick Douglas Gerald Dixon, Joan Kaye Cauthorn, Ralph Thomas Eiff, and Mary Jo Sheldon-DiVito and William DiVito Pam and Glen Hait by Linda Hirshman Eric Hamburger by Becky and Dan Lieberman David Hawkanson by Betsy Bolding

27 FEEL THE MOMENT 2015/2016 SEASON

STAFF

David Ira Goldstein, Artistic Director ARTISTIC

ARTISTIC ASSOCIATE RESIDENT COSTUME DESIGNER TEACHING ARTISTS Timothy Toothman Kish Finnegan Shelby Athouguia, Annie Ballesteros, COMPANY MANAGER RESIDENT LIGHTING DESIGNER Heidi Barker, Brigitte Bechtel, Jason Stephanie Lawson T. Greg Squires Campbell, Kay Dawson, Athena Hagen, Amy LeGore, Lisa A. Leonhardt, Czarina ASSISTANT COMPANY MANAGER RESIDENT SOUND DESIGNER Leyva, Russell Long, Marisa Lujan, Shannon Harral Brian Jerome Peterson Sean Maynard, Jenise Melland, Rachel LITERARY MANAGER Miller, Katherine Monberg, Marcus Katherine Monberg LEARNING & EDUCATION Myler, Brian Jerome Peterson, Mercer Pinkston, Andrea Pratt, Sarah Ross, PLAYWRIGHT-IN-RESIDENCE LEARNING & EDUCATION MANAGER Elaine Romero Luke Young Madison Thatcher, Jonathan Thompson, Candice Washburn LEARNING & EDUCATION ASSOCIATES Shelby Althouguia, Bryanna Patrick

PRODUCTION

PRODUCTION MANAGER SCENIC ART INTERN LIGHTING & PROJECTIONS Jennifer Smith Lydia Lopez LIGHTING & PROJECTIONS SUPERVISOR ASSOCIATE PRODUCTION MANAGER STAGE CARPENTER (TUC) Kat Seaton Christopher Gerling Russell Long MASTER ELECTRICIAN STAGE CARPENTER (PHX) Mercer Pinkston STAGE MANAGEMENT Christian Miller ELECTRICS INTERN PRODUCTION STAGE MANAGER Ross Dennison Glenn Bruner PROPERTIES LIGHT BOARD OPERATOR (PHX) STAGE MANAGER PROPERTIES MASTER Joycelin Jacobs Timothy Toothman Paul Lucas OVERHIRE ELECTRICIANS ASSISTANT TO THE STAGE MANAGER ASSISTANT PROPERTIES MASTER Connor Adams, Rick Holya, Emma DeVore Katelin Ashcraft Dale Nakagawa, Max Sprinkle

SCENERY COSTUMES & WARDROBE SOUND TECHNICAL DIRECTOR COSTUME SHOP MANAGER SOUND SUPERVISOR Matthew Saxton Darcy Elora Hofer Brian Jerome Peterson ASSISTANT TECHNICAL DIRECTOR COSTUME DESIGN MANAGER PRODUCTION SOUND ENGINEER Phillip Blackwood Kish Finnegan Mathew DeVore TECHNICAL DIRECTION INTERN STAFF DRAPER SOUND BOARD OPERATOR (PHX) Ian Stillman Phyllis Davies Billy Lopez STAFF CARPENTERS WARDROBE SUPERVISOR SOUND ASSISTANT Nicholas Fleming, Scott Greenleaf, Sean Sandahl Masson Jason Campbell Maynard, Arthur Potts LEAD DRESSER (PHX) SCENIC CHARGE ARTIST Paul Elliott Brigitte Bechtel

28 FEEL THE MOMENT 2015/2016 SEASON

STAFF

ADMINISTRATION

ASSOCIATE MANAGING DIRECTOR THE TEMPLE LOUNGE CUSTOMER SERVICE Robyn Lambert REPRESENTATIVE (TUC) MANAGER Sara Kavitch MANAGEMENT ASSOCIATE Emily Lucas Ashley Simon CUSTOMER SERVICE ASSISTANT MANAGER REPRESENTATIVES (PHX) ADMINISTRATIVE ASSISTANT Alison Doran Carolyne Levin, Linda Schwartz Angela Aldrin CONCESSIONAIRES BOX OFFICE AGENTS (TUC) FRONT OFFICE VOLUNTEERS Angela Aldrin, Christine Badke, Dawn Toni Berry, Helen Kim, Jenna Malkin Kim Agullard, Topsanna Alelunas, Copps, Kim Grygutis, Cynthia Hough, Pat Boysen, Ellen Gurewitz, Mariah McCammond, John McNiece, HOUSE MANAGERS (TUC) Barb Dominick-Price, Linda Vogel, Brenna Mirano, Katherine Monberg, Matt Bill Bethel, Sonja Reinhardt Wendy Sander, Nancy Kupers Otto, April Putney, Rebekah Smiley, Tim Smith, Dan Uroff CONSULTANTS ACCESSIBILITY EXECUTIVE MANAGEMENT ACCESSIBILITY COORDINATOR MARKETING William Russo Eileen Bagnall PATRON RELATIONSHIP MANAGER HUMAN RESOURCES Ron May Dina Scalone DEVELOPMENT ONLINE ENGAGEMENT COORDINATOR AUDITORS GRANTS MANAGER Erin Treat Beach, Fleischman & Co. Alexis Smith-Schallenberger MARKETING COORDINATOR MARKETING & COMMUNICATIONS ANNUAL FUND MANAGER Colin Buck Columna Crowley Communications Cynthia Wasco FACILITIES – TUCSON GRAPHIC DESIGN DEVELOPMENT COORDINATOR Esser Design Carley Elizabeth Preston FACILITIES MANAGER Horace Ashley IT SUPPORT FINANCE Team Logic IT MAINTENANCE TECHNICIANS DIRECTOR OF FINANCE David Fitch, Dean Morgan PUBLIC RELATIONS & ADMINISTRATION The Kur Carr Group, Inc. Carrie Toth TICKET SALES & PATRON SERVICES DEPARTMENT SENIOR ACCOUNTING ASSOCIATE HOUSE MANAGEMENT Yvette Miranda PATRON SERVICES SUPERVISOR TICKET SERVICES MANAGER Phil Bergstein ACCOUNTING ASSOCIATE Geri Silvi Debbie Archuleta PATRON SERVICES REPRESENTATIVES BOX OFFICE MANAGER (TUC) Shannon Harral, Aaron Rice ACCOUNTING ASSISTANT Michi Yamasaki Maria G. Moreno ASSISTANT BOX OFFICE MANAGER (TUC) Carrie Luker

29 T HE AT OF LE ONLNE AONATHEATEO/LO

From top left: The Company of Snapshots photo by Mark Kitaoka. James T. Alfred in The Mountaintop photo by Tim Fuller. The Company of omeo and Juliet photo by Tim Fuller. Kyle Sorrell, Mark Anders, Jon Gentry, and Bob Sorenson in Around the World in Days photo by Tim Fuller. David Green and Peter Van Norden in The Sunshine oys photo by Tim Fuller. Herbert Siguenza in A Weekend ith Pablo Picasso photo by Darren Scott. Ted Koch in Wait Until Dark photo by Tim Fuller. Ian Lowe and Joe Kinosian in Murder for To photo by Joan Marcus. Hershey Felder in ershey elder as ring erlin photo by Eighty-Eight Entertainment, LLC. J. Michael Flynn in reud’s Last Session photo by Kevin Berne. Denis Arndt in ed photo by Chris Bennion. David Alan Anderson and Kim Staunton in ences photo by Tim Fuller. Paige Lindsey White in ther Desert Cities photo by Tim Fuller. The Company of Clybourne Park photo by Tim Fuller. Shannon Stoeke and Anneliese van der Pol in Jane Austen’s Emma photo by Tim Fuller. Brit Whittle, Mark Jacoby, Steve Sheridan, Martin L’Herault and Jeff Steitzer in ie Presidents photo by Tim Fuller. Michael Tisdale and Gillian Williams in enus in ur photo by Chris Bennion. The Company of anadu photo by Mark Kitaoka.

2015/2016 SEASON EFOMN N ONTON HOEN AT THE HEEE THEATE ENTE AONATHEATEO O OFFE 60225665 FEEL THE MOMENT 2015/2016 SEASON

THEATER INFORMATION

HERBERGER THEATER RESTROOMS LOST & FOUND CENTER Restrooms are located in the first- and Please call 602-254-7399 x0 regarding second-floor lobbies between Center items left at the Herberger Theater Center. Stage and Stage West. BOX OFFICE INFORMATION EMERGENCY TELEPHONE CALLS Monday – Friday: 10:00 am to 5:00 pm SERVICES FOR PATRONS WITH Please leave your name and seat location Saturday & Sunday: 12:00 pm to 5:00 pm DISABILITIES with our Patron Services Manager if you Evenings: One hour prior to performance The Herberger Theater Center strives to be are expecting emergency calls during LOCATION accessible to all patrons. Request special the performance, and leave the phone service when purchasing tickets or number 602-254-7399 x0 with your The Box Office is located on the southeast arriving at the theater. Infrared assistive telephone service. side of the building, near the corner of listening headsets are available in the 3rd and Monroe Streets. lobby. Arizona Theatre Company provides TOURS audio-described performances for the The Herberger Theater Center provides PURCHASING TICKETS visually impaired and ASL interpretation free tours of the facility by appointment. Tickets can be purchased in person for the hearing impaired. Call the Box Call 602-254-7399 x197. at the Box Office, by calling Office for dates and performance times. 602-252-8497, or through our website PARKING PASSES at www.HerbergerTheater.org. LATECOMER SEATING POLICY Purchase your parking pass from the Patrons arriving after a performance has Herberger Theater’s Box Office or online prior PAYMENT METHODS ACCEPTED begun may be asked to wait in the lobby. to the performance and park at the Arizona The Herberger Theater Center accepts At the appropriate time, latecomers will Center Parking Garage for only $6.00. cash, personal checks, American Express, be escorted to available seating near the Discover, MasterCard, and Visa. back of the orchestra or to the balcony, Located at 5th Street & Fillmore Street. Valid and may proceed to their ticketed seats Monday – Friday, from 5:00 pm to 4:00 am REFUND POLICY at intermission. and all day on Saturday and Sunday. Refunds are offered for canceled performances only. CELL PHONES & PAGERS Please turn off all cell phones, pagers, GROUP & DISCOUNT INFO and watch alarms before entering HTC CONTACT INFORMATION Please contact Arizona Theatre Company the theater. for group discounts. LOBBY REFRESHMENTS 222 E. Monroe Street Put A Fork In It Catering sells beverages as well as light and delicious food items Phoenix, AZ 85004 FACILITY INFORMATION 60 minutes prior to performances and during intermission. Beverages purchased ADMNISTRATIVE OFFICES CHILDREN in the lobby are permitted in the theater. 602-254-7399 Children under 3 years of age are not To avoid intermission lines, you can pre- permitted in the theaters, unless otherwise purchase your food and drinks and have specified by the performing company. them ready when intermission begins. BOX OFFICE 602-252-8497 EMERGENCY EXIT NOTICE SMOKING Fax 602-258-9521 Emergency exits are indicated by the red Smoking is prohibited in the Herberger Exit signs located above certain doors. Theater Center. In the event of smoking Please check the location of the nearest onstage, non-nicotine electric cigarettes or www.HerbergerTheater.org exit after you have taken your seat. It may non-nicotine herbal substitutes will be not be the same way you entered. used, and a sign will be posted in the lobby.

THE VIDEO AND/OR RECORDING OF THIS PERFORMANCE BY ANY MEANS WHATSOEVER ARE STRICTLY PROHIBITED.

31 THANS FO LAN A LEAN OLE N THE LO AN ONLNE

HE OT ATS SOAL AES TO SEE OSELF AN TO ONNET TH OTHE THEATE FANS

/AONATHEATE /AONATHEATEOMAN /AONATHEATE