Lary-Opitz CV -2021
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Fortune Again from CAST 25 Years of Experience in Customer Service and Marketing, Jeffery Is Maude
Premier Sponsor Associate Sponsors June 28 - July 14 June 21-23: by Deborah Zoe Laufer JUNE 14-23 Scenic Design Costume Design Lighting Design Sound Design Kent Goetz Mira Veikley† Deborah Constantine† Don Tindall Production Stage Manager Production Manager Kristin Loughry* Adam Zonder Directed by A BRIEF HISTORY OF AMERICA Deborah Zoe Laufer BY DIPIKA GUHA Haven’t subscribed yet? A BRIEF HISTORYDIRECTED BY OF KYLE AMERICAHADEN BY DIPIKA GUHA JUNE 21 & 22 There’s still time! DIRECTED BY KYLE HADEN JUNE 21 & 22 Originally Presented by Marin Theatre Company Lee Sankowich, Artistic Director, Gabriella Calicchio, Managing Director FAR AWAY FAR BY CARYL AWAY CHURCHILL BY DIRECTED CARYL CHURCHILL BY IVEY LOWE There will be one 10 minute intermission DIRECTED JULY 5 & 6BY IVEY LOWE JULY 5 & 6 The videotaping or other video or audio recording of this production is strictly prohibited. Partners In Flight AJAXAJAX BY BY SOPHOCLES SOPHOCLES TRANSLATION TRANSLATION BY BY JAMES JAMES SCULLY SCULLY DIRECTED DIRECTED BY BY JAKE JAKE BECKHARD BECKHARD JULYJULY 12 12 & & 13 13 * Member of Actor’s Equity † USA — Member of Association, the Union of United Scenic Artists DEATH COMES TO US ALL, MARY AGNES Professional Actors and Stage Local 829. BY CHRISTOPHER DEATH DURANGCOMES TO US ALL, MARY AGNES Managers in the United States. Partner in the Arts DIRECTED BY CHRISTOPHER BY CHRISTOPHER DURANG NÚÑEZ JULY DIRECTED 26 & 27 BY CHRISTOPHER NÚÑEZ JULY 26 & 27 ALL SHOWS AT 6 PM & 8 PM ALL SHOWSTHE CHERRY AT 6 PM ARTSPACE & 8 PM 102THE CHERRY CHERRY ST, ARTSPACE ITHACA, NY FREE102 ADMISSION CHERRY ST, AT ITHACA, THE DOOR NY FREE ADMISSION AT THE DOOR New to the Hangar Theatre Company.. -
Gay and Lesbian Television Scripts and Transcripts Collection Coll2008.001
http://oac.cdlib.org/findaid/ark:/13030/kt1j49q65b No online items Inventory of the gay and lesbian television scripts and transcripts collection Coll2008.001 Finding aid prepared by Finding aid prepared by Finding aid prepared by Michael C. Oliveira Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California, 90007 (213) 741-0094 [email protected] © 2008 Inventory of the gay and lesbian Coll2008.001 1 television scripts and transcripts collection C... Title: Gay and Lesbian Television Scripts and Transcripts collection Identifier/Call Number: Coll2008.001 Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Language of Material: English Physical Description: 2.8 linear feet[7 archives cartons] Date (bulk): Bulk, 1986-1997 Date (inclusive): 1965-2001 Abstract: Scripts and transcripts of broadcast and cable network television programs, specials, and made-for-television movies, most with a lesbian, gay, bisexual, or transgender theme. The bulk of the collection contains scripts from the series Brothers (1984-1989) and Ellen (1994-1998). creator: ONE National Gay and Lesbian Archives Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. Permission for publication is given on behalf of ONE National Gay and Lesbian Archives at USC Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. -
What Are They Doing There? : William Geoffrey Gehman Lehigh University
Lehigh University Lehigh Preserve Theses and Dissertations 1989 What are they doing there? : William Geoffrey Gehman Lehigh University Follow this and additional works at: https://preserve.lehigh.edu/etd Part of the English Language and Literature Commons Recommended Citation Gehman, William Geoffrey, "What are they doing there? :" (1989). Theses and Dissertations. 4957. https://preserve.lehigh.edu/etd/4957 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. • ,, WHAT ARE THEY DOING THERE?: ACTING AND ANALYZING SAMUEL BECKETT'S HAPPY DAYS by William Geoffrey Gehman A Thesis Presented to the Graduate Committee of Lehigh University 1n Candidacy for the Degree of Master of Arts 1n English Lehigh University 1988 .. This thesis 1S accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts. (date) I Professor 1n Charge Department Chairman 11 ACD01fLBDGBNKNTS ., Thanks to Elizabeth (Betsy) Fifer, who first suggested Alan Schneider's productions of Samuel Beckett's plays as a thesis topic; and to June and Paul Schlueter for their support and advice. Special thanks to all those interviewed, especially Martha Fehsenfeld, who more than anyone convinced the author of Winnie's lingering presence. 111 TABLB OF CONTBNTS Abstract ...................•.....••..........•.•••••.••.••• 1 ·, Introduction I Living with Beckett's Standards (A) An Overview of Interpreting Winnie Inside the Text ..... 3 (B) The Pros and Cons of Looking for Clues Outside the Script ................................................ 10 (C) The Play in Context .................................. -
Introduction: Intuition/Image/Event: 'Beckett's Peephole' As Audio
Notes Introduction: Intuition/Image/Event: ‘Beckett’s Peephole’ as Audio- Visual Rhizome 1. The quote is from Beckett’s The Unnamable. 2. Beckett first outlines this concept in his 1932 novel, Dream of Fair to Middling Women, where the character Belacqua desires to write a book whereby ‘The experience of my reader shall be between the phrases, in the silence, communicated by the intervals, not the terms, of the statement.’ Beckett (1992), p. 138. 3. I will discuss this distinction in Chapter 1. 4. See Uhlmann (1999), specifically chapter 2; (2004), pp. 90–106; and (2006). 1 Thinking the Unthinkable: Time, Cinema and the Incommensurable 1. They could thus be said to be more ‘thallic’ than ‘phallic’, horizontally fugitive rather than vertically hierarchical, molecular rather than molar. On the ‘ thallic’, see Weber (1982), pp. 65–83. 2. The Proustian implications of this temporal multiplicity are obvious, although Proust, like Beckett, is less concerned with duration, the past-present’s ability to ‘move on’ as becoming- future, than with the role of memory as a means of destroying the pernicious influence of habit. His distinction between voluntary and involuntary memory is predicated on a desire to preserve lost time as it survives in itself, the better to regain it for ourselves as art. 3. See Bellour (1977), pp. 66–91; (1986), pp. 66–101. 4. The reference to Wim Wender’s Falsche Bewegung (1975) is not uncoincidental. Wenders is paradigmatic of one aspect of the crystal- image in Cinema 2. See pp. 76–8. 5. For Nietzsche’s eternal return as an affirmation of difference, see Deleuze (1983). -
ANDREA BECHERT Scenic Designer / Scenographer
ANDREA BECHERT USA local 829 SCENIC DESIGNER / SCENOGRAPHER [email protected] cell phone: 650-533-6059 WEBSITE: WWW.SCORPIONDESIGNS.NET CURRENT DESIGN PROJECTS TheatreWorks Finks (director: Giovanna Sardelli – opens June, 2018) Palo Alto, California Center Repertory Theatre Shirley Valentine (director: George Maguire – opens March, 2018) Walnut Creek, California San Jose State University As You Like It (director: Nancy Carlin – opens February, 2018) San Jose, California UC Davis Pippin (director: Mindy Cooper – opens February, 2018) Davis, California UC Berkeley Dream of the Kitamura (director: Philip Gotanda– opens April, 2018) Berkeley, California The Mountain Play Mamma Mia (director: Jay Manley – opens May, 2018) Marin, California Peninsula Youth Theatre A Christmas Story (director: Meg Venuti – opens November, 2017) Mountain View, California Beauty & the Beast (director: Brian Miller – opens March, 2018) Joseph … Technicolor Dreamcoat (director: Katie O’Bryon – opens May, 2018) Guys & Dolls (director: Loryn Hatten – opens July, 2018) RECENT DESIGN PROJECTS TheatreWorks Constellations (director: Robert Kelley – August, 2017) Palo Alto, California Chautauqua Theatre Romeo & Juliet (director: Dawn Monique Williams – August, 2017) Chautauqua, New York Douglas Morrison Theatre Arsenic & Old Lace (director: Dale Albright –August, 2016) Hayward, California Center Repertory Theatre Sisters Matsumoto (director: Mina Morita – April, 2017) Walnut Creek, CA The Mountain Play Beauty & the Beast (director: Jay Manley – May, 2017) Marin, -
Filmography V6.Indd
a filmography Foreword by The Irish Film Institute For over 60 years, the Irish Film Institute has been dedicated to the promotion of film culture in Ireland and therefore is proud to present this filmography of Samuel Beckett’s work. Beckett remains one of Ireland’s most important and influential artists and Samuel Beckett – A Filmography provides a snapshot of the worldwide reach and enduring nature of his creativity. As part of the Beckett centenary celebrations held in April 2006, the Irish Film Institute organised a diverse programme of films relating to the work of Beckett, including a tour of the line-up to cinemas around the country. Prior to this, the Irish Film Institute provided the unique opportunity to view all 19 films in the ‘Beckett on Film’ series by screening the entire selection in February 2001. This filmography provides the perfect accompaniment to these previous programmes and it illustrates that Beckett’s work will continue to be adapted for film and television worldwide for years to come. Photograph by Richard Avedon Samuel Beckett – A Filmography was made possible though the kind support of the Department of Arts, Sport and Tourism and the Beckett Centenary Council and Festival Committee. Mark Mulqueen Director, The Irish Film Institute An Introduction Compiling a filmography of Beckett’s work is both a challenging and daunting prospect. It was important, from the outset, to set some parameters for this filmography. Therefore, to this end, I decided to focus on the key area of direct adaptations of Beckett’s work filmed for cinema or television. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
History of Arena Stage: Where American Theater Lives the Mead Center for American Theater
History oF arena Stage: Where American Theater Lives The Mead Center for American Theater Arena Stage was founded August 16, 1950 in Washington, D.C. by Zelda Fichandler, Tom Fichandler and Edward Mangum. Over 65 years later, Arena Stage at the Mead Center for American Theater, under the leadership of Artistic Director Molly Smith and Executive Director Edgar Dobie, is a national center dedicated to American voices and artists. Arena Stage produces plays of all that is passionate, profound, deep and dangerous in the American spirit, and presents diverse and ground- breaking work from some of the best artists around the country. Arena Stage is committed to commissioning and developing new plays and impacts the lives of over 10,000 students annually through its work in community engagement. Now in its seventh decade, Arena Stage serves a diverse annual audience of more than 300,000. When Zelda and Tom Fichandler and a handful of friends started Arena Stage, there was no regional theater movement in the United States or resources to support a theater committed to providing quality work for its community. It took time for the idea of regional theater to take root, but the Fichandlers, together with the people of the nation’s capital, worked patiently to build the fledgling theater into a diverse, multifaceted, internationally renowned institution. Likewise, there were no professional theaters operating in Washington, D.C. in 1950. Actors’ Equity rules did not permit its members to perform in segregated houses, and neither The National nor Ford’s Theatre was integrated. From its inception, Arena opened its doors to anyone who wished to buy a ticket, becoming the first integrated theater in this city. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
2010 TCG National Conference: IDEAS INTO ACTION
July 29, 2010 For immediate release Contact: Chris Boneau/Susanne Tighe [email protected] 2010 TCG National Conference: IDEAS INTO ACTION Field pioneers meet a new generation of visionaries as TCG awards the “Spirit of Irreverence” to funders and artists alike. The 2010 TCG Award Recipients are: Regional Funder Award: the Joyce Foundation Visionary Leadership Award: Bill Rauch, Artistic Director, Oregon Shakespeare Festival Theatre Practitioner Award: Bernard Gersten, Executive Producer, Lincoln Center Theater National Funder Award: Susan Smith Blackburn Prize Peter Zeisler Memorial Award: Jack Reuler, Artistic Director, Mixed Blood Theatre Alan Schneider Director Award: Anne Kauffman, Director Theatre Communications Group (TCG), the national organization for professional not- for-profit theatre announces the winners of the 2010 TCG Awards for excellence. The TCG Awards, presented during TCG’s National Conference in Chicago this past June, exist to salute extraordinary dedication to the American theatre community, the recipients of this honor are nominated by their peers and selected by TCG’s Board of Directors. Since 2001, TCG’s member theatres have been asked each year to nominate one person or organization for each of the five prestigious awards. On stage at the Palmer House Hilton’s Red Lacquer Room, TCG recognized a Regional Funder, a National Funder and recipients of the Peter Zeisler Memorial Award, the Alan Schneider Director Award and the Visionary Leadership Award with “Spirit of Irreverence” statues designed by Ralph Lee. “It -
USITT :: Sightlines :: June 2012
USITT :: Sightlines :: June 2012 June 2012 Print this page › Lead story › NEWS & NOTICES: Bob Thurston Honored Bob Thurston Honored The man who premiered the gold lame jacket, and who has offered Awards Nominations his guided and support to the organization for many years, was honored in March. more » Tech Olympic Results Board Wrap-up Online Nominations Open Art Auction Results Members are invited to be part of the nominations process for USITT's awards using an online form. Nominations open June 1. 2013 Elections more » Fellows Found Announcements Top Student Technicians Showed Skills The 2012 North American Theatre Engineering and Architectural NATAEC Sessions Conference, which USITT is sponsoring, has earned AIA./CES In Memoriam: Stephanie approval. more » Dawson The Last Word - resolutions Board Actions in Brief Secretary Sherry Wagner-Henry highlights some of actions taken by NEWS FROM: the Board of Directors in March, and issues an invitation to all to Around the Institute participate in the June 5 online Board meeting. more » Contributing Members Sustaining Members Art Action at Auction Both fine art and fine bargains could be found at the triennial Art USITT's President Auction, which supports USITT grants announced in March. more » Regional Sections Executive Director 2013 Election Slate The preliminary slate of candidates for the 2013 elections to the COMMISSIONS: Board of Directors has been announced. more » Costume Hands-On Fellows FOUND! Student Sessions Student members were challenged to identify and find six USITT Fellows from photos that could be years or decades old. The winners, General and the Fellows, have been identified. more » CONFERENCE & STAGE EXPO: Sessions for NATEAC Milwaukee in March! Sessions and presenters for the 2012 North American Theatre Engineering and Architectural Conference, which USITT is Stage Expo Blooming sponsoring, have been announced. -
Ebook Free Illuminating the Play: the Artistry of Lighting Design
Ebook Free Illuminating The Play: The Artistry Of Lighting Design If you hope either to learn or to improve your craft as a lighting designer, if you hope to elevate your work to the level of art, or if you yearn for recognition of your work…then you should pay close attention to everything Dennis Parichy shares with you in this remarkable book. - Marshall W. Mason  In writing this book and so sharing his rich experience and thoughts about lighting design, Dennis has discharged a huge obligation to colleagues and future designers. I believe they will all end up as indebted to him and his creativity as I am. - Athol Fugard   In Illuminating the Play multiple Tony Award - nominee Dennis Parichy shares the personal and technical experience of transforming the pages of a script into a fully textured lighting design that frames and reveals the world of the play.  All lighting design must support a play's artistry while working within the limitations of space, set, time, and budget. In taking you through the design process for lighting four plays (Talley's Folley; Ashes; Six Characters in Search of an Author; and String of Pearls), Parichy shows how he struggled artistically and technically with the peculiarities and conditions of each. He describes how he wrestled with each design, how he established goals for it, and, finally, how he turned it into workable plots and hookups. He further illustrates his thinking with an indispensible treasury of nearly 250 sketches, notes, photos, and diagrams on an accompanying CD.