USITT :: Sightlines :: June 2012
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
ANNUAL REPORT and ACCOUNTS the Courtyard Theatre Southern Lane Stratford-Upon-Avon Warwickshire CV37 6BH
www.rsc.org.uk +44 1789 294810 Fax: +44 1789 296655 Tel: 6BH CV37 Warwickshire Stratford-upon-Avon Southern Lane Theatre The Courtyard Company Shakespeare Royal ANNUAL REPORT AND ACCOUNTS 2006 2007 2006 2007 131st REPORT CHAIRMAN’S REPORT 03 OF THE BOARD To be submitted to the Annual ARTISTIC DIRECTOR’S REPORT 04 General Meeting of the Governors convened for Friday 14 December EXECUTIVE DIRECTOR’S REPORT 07 2007. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is ACHIEVEMENTS 08 – 09 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard VOICES 10 – 33 Theatre, Stratford-upon-Avon on Friday 14 December 2007 FINANCIAL REVIEW OF THE YEAR 34 – 37 commencing at 2.00pm, to consider the report of the Board and the Statement of Financial SUMMARY ACCOUNTS 38 – 41 Activities and the Balance Sheet of the Corporation at 31 March 2007, to elect the Board for the SUPPORTING OUR WORK 42 – 43 ensuing year, and to transact such business as may be trans- AUDIENCE REACH 44 – 45 acted at the Annual General Meetings of the Royal Shakespeare Company. YEAR IN PERFORMANCE 46 – 51 By order of the Board ACTING COMPANIES 52 – 55 Vikki Heywood Secretary to the Governors THE COMPANY 56 – 57 CORPORATE GOVERNANCE 58 ASSOCIATES/ADVISORS 59 CONSTITUTION 60 Right: Kneehigh Theatre perform Cymbeline photo: xxxxxxxxxxxxx Harriet Walter plays Cleopatra This has been a glorious year, which brought together the epic and the personal in ways we never anticipated when we set out to stage every one of Shakespeare’s plays, sonnets and long poems between April 2006 and April 2007. -
March 2008 Sightlines
March 2008 Sightlines March 2008 News & Notices Young Design Winners Announcements Standards Update Costume Symposium Nominate Now for '09 Member Benefits The Last Word News From: Around The Institute Contributing Members Sustaining Members USITT's President Student Chapters Commissions Sound Programming Lighting Sessions Costume Plot Database Conference & Stage Expo Check out the Rodeo This month's featured image is a photograph from the production Arabian Nights from the portfolio of Jason Knox. Mr. Knox will receive the 2008 Robert E. Cohen Sound Achievement Award, one of USITT's Awards for Young Designers & Technicians in the Performing Arts. To read about the Sponsor Update other YD&T winners, click here. For more images from their portfolios, visit The Last Word. International Sessions Photo/Courtesy Jason Knox Stage Expo Selling Out For the Record Leadership Honorary Lifetime Members Contributing Members Sustaining Members March 2008 issue pdf United States Institute for Theatre Technology, Inc.: © 2008 Volume XLVIII, Number 3 http://wwwtest.usitt.org/sled/v48n03Mar2008/v48/n03/stories/MarchCover.html2/28/2008 11:54:57 AM 2008 YD&T Award Winners March 2008 News & Notices Michael Billings' work, left, earned him one of the the Young Design Winners USITT Awards for Young Announcements Designers & Technicians Standards Update in the Performing Arts. He Costume Symposium will receive the USITT Nominate Now for '09 Lighting Design Award Member Benefits sponsored by Stage The Last Word Technology at the 48th Annual Conference & News From: Stage Expo in Houston, Around The Institute Texas. Contributing Members by Ashley A. Austin Sustaining Members Administrative Assistant USITT's President Student Chapters Commissions Sound Programming Lighting Sessions Costume Plot Database Conference & Stage Expo 2008 YD&T Award Kaylan M. -
Lary-Opitz CV -2021
Lary Opitz E-mail: [email protected] Janet Kinghorn Bernard Theatre, Room 237 (518) 580-5432 Skidmore College, Saratoga Springs, NY 12866 https://academics.skidmore.edu/blogs/laryopitz/ Current and Recent Positions: Professor, Skidmore College Department of Theatre 2001-2021 Artistic Director, Saratoga Shakespeare Company 2012-2019 Chair of the Skidmore College Dept. of Theater (most recent term) 2006-2016 Council Member, Albany Liaison, Actors’ Equity Association 2012-2013 Education: Bachelor of Arts in Theatre and Studio Art, 1970 Queens College, City University of New York The Studio and Forum of Stage Design, New York City Certificate of Distinction awarded 1980 Professional Affiliation: United Scenic Artists, IATSE Local Union #829, NYC Actors Equity Association (Principal Actor) Dramatists Guild Stage Directors and Choreographers Society Shakespeare Theatre Association Literary Managers and Dramagurgs of the Americas Previous Experience in Higher Education: Skidmore College Associate Professor 1989-2001 Assistant Professor 1980-1988 Instructor 1978-1980 Lecturer and Technical Director 1974-1978 Theatre Department Chair 1991-1994 Theatre Department Chair 1988-1989 Director of The Shakespeare Programme (Skidmore College) 1994-2006 Queens College Department of Theatre (CUNY) 1973-1974 Associate Technical Director Columbia University, NYC – Instructor, designer 1970-1972 Teachers College Theatre and Dance, Graduate Departments Lary Opitz CV Page 1 Directing: Julius Caesar (Skidmore Theater) 2018 Love Letters (Saratoga Shakespeare Company) -
Devoted to Investigating and Research by Members of USITT: Computers and Software Patrick Michael Finelli University of South Florida, [email protected]
University of South Florida Scholar Commons Theatre and Dance Faculty Publications School of Theatre and Dance Winter 2010 The ommiC ssions: Devoted to Investigating and Research by Members of USITT: Computers and Software Patrick Michael Finelli University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/the_facpub Part of the Other Theatre and Performance Studies Commons Scholar Commons Citation Finelli, Patrick Michael, "The ommiC ssions: Devoted to Investigating and Research by Members of USITT: Computers and Software" (2010). Theatre and Dance Faculty Publications. Paper 2. http://scholarcommons.usf.edu/the_facpub/2 This Article is brought to you for free and open access by the School of Theatre and Dance at Scholar Commons. It has been accepted for inclusion in Theatre and Dance Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE COMMISSIONS: DEVOTED TO INVESTIGATING AND RESEARCH BY MEMBERS OF USITT Architecture, By Raymond Kent Computers and Software, By Patrick M. Finelli Costume Design and Technology, By Peggy Rosefeldt Education, By William Kenyon Engineering, By Jerry Gorrell Health and Safety, By David C. Glowacki Lighting Design, By Richard Devin and Richard E. Dunham, Management, By Richard Peterson Scene Design, Edited by Heidi Hoffer Sound Design, By Dave Tosti-Lane A Lifelong Love/Hate Affair, By Charlie Richmond Technical Production, by Bill Browning A TIMELINE OF USITT EVENTS AND PEOPLE, 1960–2010 Published in TD&T, Vol. 46 No. 1 (Winter 10) Theatre Design & Technology, the journal for design and production professionals in the performing arts and entertainment industry, is published four times a year by United States Institute for Theatre Technology. -
Theatre 445: Lighting
7KHDWUH/LJKWLQJ :LQWHU 6DPSOH([DP)LUVW4XL] 6DPSOH([DP6HFRQG4XL] /HFWXUH7RSLFV_'HVLJQ3URMHFWV :RUNVKHHWV_/LJKWLQJ/LQNV Instructor: /DUU\:LOG, Assistant Professor of Theatre Office: JFAC 124A Phone: 626-2513 Office Hours: 2pm to 3pm, Monday through Friday E-mail address: [email protected] Course objective: To provide the student with a fundamental knowledge of the history, principles, procedures and techniques of theatrical stage lighting. Text: 7KHDWULFDO'HVLJQDQG3URGXFWLRQ $Q,QWURGXFWLRQWR6FHQH'HVLJQDQG&RQVWUXFWLRQ/LJKWLQJ6RXQG &RVWXPHDQG0DNHXS (4th edition) by J. Michael Gillette. (Mountain View, CA: Mayfield Publishing Company. 2000). Supplemental material: $%LEOLRJUDSK\RI6HOHFWHG/LJKWLQJ/LWHUDWXUH -HDQ5RVHQWKDO$3KRWR(VVD\RQ/LJKW 7KH/LJKW/DE Class Meetings: Tuesday and Thursday, 11:00am to 12:15pm in JC 129. Lecture Topics: x %ULHI+LVWRU\RI6WDJH/LJKWLQJ x /LJKWLQJDQGWKH&RPSXWHU x 7KH)XQFWLRQVDQG4XDOLWLHVRI/LJKW x &RORULQ/LJKW x 0RGHOLQJZLWK/LJKW x /LJKW3ORW/LVWVDQG6FKHGXOHV x /LJKWLQJ,QVWUXPHQWV(OOLSVRLGDO5HIOHFWRU6SRWOLJKW x )UHVQHO/HQV6SRWOLJKW x 3$5FDQ x )ROORZ6SRW x (OOLSVRLGDO5HIOHFWRU)ORRGOLJKW %RUGHU/LJKW x )LUVW/LWWOH4XL] x &RQWURO6\VWHPV x (OHFWULFDO7KHRU\DQG3UDFWLFH x $Q$SSURDFKWR/LJKWLQJ'HVLJQ x Lighting the Musical x /LJKWLQJWKH$UHQDDQG7KUXVW6WDJH x /LJKWLQJWKH'DQFH x Concert Lighting Paper Projects... x &UHDWLQJD/LJKWLQJ&RPSRVLWLRQZLWK9LUWXDO/LJKW/DE x 'HYHORSLQJD5HSHUWRU\/LJKW3ORW x 7KH)LQDO3URMHFW WorkSheets x *HO:RUNVKHHW x %HDP:ULJKW:RUN6KHHW x ,QVWUXPHQW&KRLFH:RUNVKHHW Each student is expected to... 1. $WWHQG a performance (or dress rehearsal) of both 7KH%XQJOHU (February 19 - 22) and 7KH/DUDPLH3URMHFW (April 23 - 26), 2. Demonstrate his/her ability to IRFXV a Fresnel lens spotlight, 3. )RFXV and VKXWWHU an Ellipsoidal Reflector Spotlight, 4. Create a SDWFK and H[HFXWH a series of Qs on the MainStage (6WUDQG0DQWUL[0;) console, 5. -
Download Lighting Design Handbook, Lee Watson, Mcgraw
Lighting Design Handbook, Lee Watson, McGraw-Hill Ryerson, Limited, 1990, 0070684812, 9780070684812, 458 pages. DOWNLOAD HERE Light Fantastic The Art and Design of Stage Lighting, Max Keller, Johannes Weiss, 1999, Performing Arts, 239 pages. Max Keller is a magician with artificial light. His work has transformed theater productions across Europe and America, from Berlin and Salzburg to the Metropolitan Opera in .... Lighting for Health and Safety , N. A. Smith, Mar 28, 2000, , 227 pages. This book provides a guide to vision and lighting fundamentals for workplace safety. Highlighting potential problems that can develop as a consequence of poor illumination, it .... Lighting design sourcebook 600 solutions for residential and commercial spaces, Randall Whitehead, Sep 1, 2002, Architecture, 272 pages. Genius loci towards a phenomenology of architecture, Christian Norberg-Schulz, 1980, Architecture, 213 pages. Lighting by design a technical guide, Brian Fitt, Joe Thornley, 1992, , 321 pages. Why not theaters made for people? , Per Edström, 1990, Performing Arts, 320 pages. A process for lighting the stage , Ian McGrath, 1990, Performing Arts, 331 pages. Stage lighting in the boondocks a layman's handbook of down-to-earth methods of lighting theatricals with limited resources, James Hull Miller, 1987, Performing Arts, 54 pages. This leading authority in small theatre stagecraft shows and tells how professional-quality lighting can be achieved within the limitations of school auditoriums, community .... Questions of perception phenomenology of architecture, Steven Holl, Juhani Pallasmaa, Alberto Pérez Gómez, 2006, Architecture, 155 pages. Third printing of the classic A+U 1994 special edition covering the work of Holl, Pallasmaa, and, Perez-Gomez, titled Questions of Perception. -
NEA•TCG Career Costume, Lighting, Scenic and Sound Designers Who Seek a Career in America’S Not- Career For-Profit Professional Theatres
Since 1990, ThE National Endowment for ThE Arts and Theatre Communications Group have provided financial support and creative opportunities to exceptional early- NEA•TCG career costume, lighting, scenic and sound designers who seek a career in America’s not- Career for-profit professional theatres. Candidates for the CAreer DEvElopment proGrAm development (CDp) must have designed a minimum of three fully-staged professional productions. program the program offers recipients the opportunity to spend six months over a two-year period for Theatre Designers developing their design skills and expanding with additional support from the their knowledge of the field. program activity may include assistantship, observation, forD foundatioN research and travel. recipients may also design projects under the guidance of one or more designated mentors. each program is hand-tailored, matching recipients’ goals to appropriate and challenging assignments. this program is administered by theatre Communications group in association with the national endowment for the arts and supported, in part, by the ford foundation’s new works program. under the program, $22,500 will be given to seven early-career stage designers of exceptional talent. the ford foundation’s support will enable each recipient to receive up to $1,000 to support ongoing life needs such as health insurance, child care or elder care. the recipients will be chosen by a national, independent and aesthetically diverse selection panel (jointly appointed by tCg and the national endowment) through a competitive application review process. the finalists will be interviewed by the panel in new York City. these guidelines and application are available on tCg’s website, www.tcg.org. -
World Scenography
WORLD SCENOGRAPHY WORLD Praise for the first volume, This is the second volume of the World Scenography book series that World Scenography 1975-1990: documents for posterity a collection of significant and influential theatrical “ One of the most important works on stage set, costume, and lighting designs. The first volume documented 1975-1990. design ever published.” This one covers 1990-2005 and presents designs for 409 productions from 55 countries —The Drama Book Shop, Inc. (New York City) representing the work of hundreds of designers as researched by a group of more than 100 dedicated volunteers from around the globe. The book series is published by the “ A sumptuously illustrated coffee-table International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT) volume…spellbinding images for all — a UNESCO-recognised organization — and is a project of the OISTAT Publications and theatre fans…” Communication Commission. Through its member centres, and its individual and associate —Rupert Christiansen, The Daily Telegraph (London) members, OISTAT draws together theatre production professionals from around the world “ The importance of the work cannot be for mutual learning and benefit. Its working commissions are in the areas of performance denied; its challenges are daunting, almost design, technology, publication and communication, research, education, and architecture. Sisyphean…page after page offers the pure Both editors have worked for many years to benefit theatre professionals internationally pleasure of seeing the work of brilliantly through their activities in OISTAT. talented designers…it is impossible not to c look forward to the next editions…” Peter M Kinnon and Eric Fielding probably met each other at the Banff School of Fine Arts —David Barbour, Lighting & Sound International in the early 1980s, when Peter was on faculty and Eric was taking Josef Svoboda’s master (New York City/London) class there. -
Spoleto Festival Usa Program History 2013–1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2013–1977 Spoleto Festival USA Program History Page 2 2013 Opera *Matsukaze, music by Toshio Hosokawa; libretto by Hannah Dübgen; conductor, John Kennedy; director, Chen Shi-Zheng; set designer, Chris Barreca; costume designer, Elizabeth Caitlin Ward; lighting designer, Scott Zielinski; video designer, Olivier Roset; Cast: Gary Simpson, Thomas Meglioranza, Pureum Jo, Jihee Kim; Dock Street Theatre Mese Mariano/Le Villi; Mese Mariano, music by Umberto Giordano; libretto by Salvatore Giacomo; Le Villi, music by Giacomo Puccini, libretto by Ferdinando Fontana; conductor, Maurizio Barbacini; director, Stefano Vizioli; set designer, Neil Patel; costume designer, Roberta Guidi di Bagno; lighting designer, Matt Frey; choreographer, Pierluigi Vanelli; Cast Mese Mariano: Linda Roark-Strummer, Ann McMahon Quintero, Jennifer Rowley, Yanzelmalee Rivera, Allison Faulkner, Nicole Fregala, Shari Perman, Anne Marie Stanley, Justin Su’esu’e; Cast Le Villi: Levi Hernandez, Jennifer Rowley, Dinyar Vania; Sottile Theatre Dance Jared Grimes; dancers, Jared Grimes, Robyn Baltzer, Dewitt Fleming Jr, Karida Griffith, Tony Mayes; Emmett Robinson Theatre Compagnie Käfig; artistic director and main choreographer, Mourad Merzouki; programs, Correria and Agwa; TD Arena Ballet Flamenco de Andalucía; artistic director and choreographer, Rubén Olmo; guest soloist, Pastora Galván; program, Noche Andaluza; TD Arena Lucky Plush Productions, creators/directors, Leslie Buxbaum Danzig and Julia Rhoads; original script, Leslie Buxbaum Danzig, -
American Theatre Design Since 1945
Ronn Smith 515 half of the twentieth century), and often as the result of economic realities. 7 These realities are reflected in the New Stagecraft, for the simplicity of the style provided economic benefits that, at the time, could not be ignored by those working in the Little Theatre movement. Besides being closely identified with the New Stagecraft movement in the American Theatre Design Since 1945 United States, it is also Robert Edmond Jones who can be credited with intro ducing another significant innovation, one which has had a far greater impact Ronn Smith on the evolution of American theatre and theatre design than is commonly recognized. Jones insisted that the scenic designer be present as an active participant at the beginning of the production process, thus changing the practice of design by giving the designer an opportunity to contribute to the interpretation of the script. The importance of this can be more fully appre Introduction ciated when one considers the original productions of Tennessee Williams's A Streetcar Named Desire (194 7) or Arthur Miller's Death ofa Salesman (1949), The history of contemporary American theatre design, that is, the design of both of which were designed by Jo Mielziner, or, more recently, A Chorus Line scenery, costumes, and lighting in the United States after World War II, can (1975), designed by Robin Wagner. The pivotal position each of these produc actually be traced back to the 1915 production of The Man Who Married a tions holds in the history of American theatre can be attributed not only to Dumb Wife, directed by British director Harley Granville-Barker and designed the work of the individual playwrights, directors, and actors, but to the scenic by Robert Edmond Jones (see Volume 2, Chapter 8 for a discussion of this designers as well. -
View Program History Through 2021
SPOLETO FESTIVAL USA PROGRAM HISTORY 2021 – 1977 Spoleto Festival USA Program History Page 2 Table of Contents, Organized by Year 1999 ...................................... 91 2021 ....................................... 3 1998 ...................................... 95 2020 – “Spoleto at Home” ...... 5 1997 ...................................... 99 2020 ....................................... 6 1996 .................................... 103 2019 ..................................... 10 1995 .................................... 106 2018 ..................................... 14 1994 .................................... 109 2017 ..................................... 18 1993 .................................... 113 2016 ..................................... 22 1992 .................................... 116 2015 ..................................... 27 1991 .................................... 119 2014 ..................................... 30 1990 .................................... 122 2013 ..................................... 34 1989 .................................... 126 2012 ..................................... 38 1988 .................................... 129 2011 ..................................... 42 1987 .................................... 132 2010 ..................................... 47 1986 .................................... 135 2009 ..................................... 51 1985 .................................... 138 2008 ..................................... 54 1984 .................................... 141 2007 ....................................