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Fortune Again from CAST 25 Years of Experience in Customer Service and Marketing, Jeffery Is Maude
Premier Sponsor Associate Sponsors June 28 - July 14 June 21-23: by Deborah Zoe Laufer JUNE 14-23 Scenic Design Costume Design Lighting Design Sound Design Kent Goetz Mira Veikley† Deborah Constantine† Don Tindall Production Stage Manager Production Manager Kristin Loughry* Adam Zonder Directed by A BRIEF HISTORY OF AMERICA Deborah Zoe Laufer BY DIPIKA GUHA Haven’t subscribed yet? A BRIEF HISTORYDIRECTED BY OF KYLE AMERICAHADEN BY DIPIKA GUHA JUNE 21 & 22 There’s still time! DIRECTED BY KYLE HADEN JUNE 21 & 22 Originally Presented by Marin Theatre Company Lee Sankowich, Artistic Director, Gabriella Calicchio, Managing Director FAR AWAY FAR BY CARYL AWAY CHURCHILL BY DIRECTED CARYL CHURCHILL BY IVEY LOWE There will be one 10 minute intermission DIRECTED JULY 5 & 6BY IVEY LOWE JULY 5 & 6 The videotaping or other video or audio recording of this production is strictly prohibited. Partners In Flight AJAXAJAX BY BY SOPHOCLES SOPHOCLES TRANSLATION TRANSLATION BY BY JAMES JAMES SCULLY SCULLY DIRECTED DIRECTED BY BY JAKE JAKE BECKHARD BECKHARD JULYJULY 12 12 & & 13 13 * Member of Actor’s Equity † USA — Member of Association, the Union of United Scenic Artists DEATH COMES TO US ALL, MARY AGNES Professional Actors and Stage Local 829. BY CHRISTOPHER DEATH DURANGCOMES TO US ALL, MARY AGNES Managers in the United States. Partner in the Arts DIRECTED BY CHRISTOPHER BY CHRISTOPHER DURANG NÚÑEZ JULY DIRECTED 26 & 27 BY CHRISTOPHER NÚÑEZ JULY 26 & 27 ALL SHOWS AT 6 PM & 8 PM ALL SHOWSTHE CHERRY AT 6 PM ARTSPACE & 8 PM 102THE CHERRY CHERRY ST, ARTSPACE ITHACA, NY FREE102 ADMISSION CHERRY ST, AT ITHACA, THE DOOR NY FREE ADMISSION AT THE DOOR New to the Hangar Theatre Company.. -
Profile Season 19-20 Media Release
2019-20: GENERATIONS Brenden Jacobs-Jenkins/ Lynn Nottage/ Paula Vogel FOR IMMEDIATE MEDIA RELEASE: Profile Theatre Press Contact: Jen Mitas, Marketing Consultant [email protected] 503-804-2402 Profile Theatre’s 2019-20 Season Celebrates the Voices and Visions of Three Playwrights Across Generations Lynn Nottage, Paula Vogel and Brenden Jacobs-Jenkins PORTLAND, OREGON. May 20, 2019- PROFILE THEATRE’S next season will fea- ture three of America’s most widely celebrated contemporary playwrights: Branden Jacobs-Jenkins (b. 1984), Lynn Nottage (b. 1964), and Paula Vogel (b. 1951). Profile Theatre is one of only three theaters in the country to dedicate their season to an in-depth exploration of a playwright’s vision, using that unique vision as a lens to broaden perspectives on our shared world. Now, in an innovation that deploys Pro- file’s mission to unique effect, we present Generations: two seasons of plays from three of America’s most beloved playwrights whose plays dramatize life, labor and death in the United States and beyond from three different generational vantage points. These visionaries are all connected through the prizes and programs that have shaped them. A gifted playwright, Vogel mentored a generation of playwrights, including Lynn Nottage, who studied with Vogel at Brown. Jacobs-Jenkins was the Paula Vogel Playwright-in-Residence at the Vineyard Theatre, and was on the Su- san Smith Blackburn committee that awarded the prize to Nottage for Sweat. All Pulitzer Prize nominated (or winning), all heralded for the beauty of their writing, their innovative theatricality and deep humanity, Vogel, Nottage and Jacobs-Jenkins’ work stands as a testament to the brilliance of American theatre. -
Replaying and Rediscovering the Octoroon
Article Replaying and Rediscovering The Octoroon Merrill, Lisa and Saxon, Theresa Available at http://clok.uclan.ac.uk/17558/ Merrill, Lisa and Saxon, Theresa ORCID: 0000-0002-2129-2570 (2017) Replaying and Rediscovering The Octoroon. Theatre Journal, 69 (2). ISSN 0192-2882 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.1353/tj.2017.0021 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the policies page. CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk 1 Replaying and Rediscovering The Octoroon Lisa Merrill and Theresa Saxon "[W]hen one is considering the crimes of slavery, the popular theater is as central as the courthouse."1 Saidiya Hartman For over one hundred and fifty years, productions and adaptations of Irish playwright Dion Boucicault's explosive 1859 melodrama, The Octoroon, have reflected differing and sometimes contentious meanings and messages about race and enslavement in a range of geographic locations and historical moments. In this melodrama, set on a plantation in Louisiana, audiences witness the drama of Zoe Peyton, a mixed-race white-appearing heroine who learns after the sudden death of her owner/father, that she is relegated to the condition of "chattel property" belonging to the estate, since she was born of a mother who had herself been enslaved.2 Rather than submit to a new master, having been sold at auction, Zoe poisons herself and dies, graphically, on stage. -
“Brownsville Song (B-Side for Tray)” a New Play by KIMBER LEE Directed by PATRICIA Mcgregor
LINCOLN CENTER THEATER CASTING ANNOUNCEMENT FOR IMMEDIATE RELEASE, PLEASE SHELDON BEST, SUN MEE CHOMET, LIZAN MITCHELL, CHRIS MYERS, TALIYAH WHITAKER TO BE FEATURED IN THE LCT3/LINCOLN CENTER THEATER NEW YORK PREMIERE PRODUCTION OF “brownsville song (b-side for tray)” A new play by KIMBER LEE Directed by PATRICIA McGREGOR 6 WEEKS ONLY! SATURDAY, OCTOBER 4 THROUGH SUNDAY, NOVEMBER 16 OPENING NIGHT, MONDAY, OCTOBER 20 AT THE CLAIRE TOW THEATER Sheldon Best, Sun Mee Chomet, Lizan Mitchell, Chris Myers and Taliyah Whitaker will comprise the cast of the upcoming LCT3/Lincoln Center Theater New York premiere production of brownsville song (b-side for tray), a new play by Kimber Lee. The production, to be directed by Patricia McGregor, will begin performances Saturday, October 4, running for six weeks only through Sunday, November 16 at the Claire Tow Theater (150 West 65 Street). Opening night is Monday, October 20. brownsville song (b-side for tray) moves fluidly through time as the family of Tray (Sheldon Best), a spirited 18 year-old whose life is cut short, navigate their grief and find hope together. Playwright KIMBER LEE’s plays include fight and tokyo fish story. Center Theatre Group recently presented the world premiere of her play different words for the same thing in Los Angeles at the Kirk Douglas Theatre. Lee’s work has also been presented by the Lark Play Development Center, Page 73, Hedgebrook, Seven Devils, the Bay Area Playwrights Festival, REPRESENT!, Playwrights Festival ACT/Seattle, Great Plains Theatre Conference, Southern Rep and Mo`olelo. Lee’s play fight received the 2010 Holland New Voices Award, and she has been a Lark Playwrights’ Workshop Fellow, a Dramatists Guild Fellow, and a Core Apprentice at The Playwrights’ Center. -
ANDREA BECHERT Scenic Designer / Scenographer
ANDREA BECHERT USA local 829 SCENIC DESIGNER / SCENOGRAPHER [email protected] cell phone: 650-533-6059 WEBSITE: WWW.SCORPIONDESIGNS.NET CURRENT DESIGN PROJECTS TheatreWorks Finks (director: Giovanna Sardelli – opens June, 2018) Palo Alto, California Center Repertory Theatre Shirley Valentine (director: George Maguire – opens March, 2018) Walnut Creek, California San Jose State University As You Like It (director: Nancy Carlin – opens February, 2018) San Jose, California UC Davis Pippin (director: Mindy Cooper – opens February, 2018) Davis, California UC Berkeley Dream of the Kitamura (director: Philip Gotanda– opens April, 2018) Berkeley, California The Mountain Play Mamma Mia (director: Jay Manley – opens May, 2018) Marin, California Peninsula Youth Theatre A Christmas Story (director: Meg Venuti – opens November, 2017) Mountain View, California Beauty & the Beast (director: Brian Miller – opens March, 2018) Joseph … Technicolor Dreamcoat (director: Katie O’Bryon – opens May, 2018) Guys & Dolls (director: Loryn Hatten – opens July, 2018) RECENT DESIGN PROJECTS TheatreWorks Constellations (director: Robert Kelley – August, 2017) Palo Alto, California Chautauqua Theatre Romeo & Juliet (director: Dawn Monique Williams – August, 2017) Chautauqua, New York Douglas Morrison Theatre Arsenic & Old Lace (director: Dale Albright –August, 2016) Hayward, California Center Repertory Theatre Sisters Matsumoto (director: Mina Morita – April, 2017) Walnut Creek, CA The Mountain Play Beauty & the Beast (director: Jay Manley – May, 2017) Marin, -
An Octoroon by Branden Jacobs-Jenkins
AN OCTOROON BY BRANDEN JACOBS-JENKINS DRAMATISTS PLAY SERVICE INC. AN OCTOROON.indd 1 1/26/2015 3:15:39 PM AN OCTOROON Copyright © 2015, Branden Jacobs-Jenkins All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of AN OCTOROON is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for AN OCTOROON are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
In Search of the Sublime
February 23 – March 21, 2021 Stage West presents the Moonrise Initiative production of In Search of the Sublime Written and directed by Kara-Lynn Vaeni Created by Victoria A. Cruz, Olivia de Guzman, Kelsey Milbourn, Shyama Nithiananda, Galen Sho Sato, Mitchell Stephens, and Garret Storms CAST Poet 1 – Shyama Nithiananda Poet 2 – Victoria A. Cruz Poet 3 – Garret Storms Poet 4 – Galen Sho Sato Poet 5 – Olivia de Guzman Understudies: Kelsey Milbourn, Mitchell Stephens PRODUCTION Set and Prop Design –Allen Dean Lighting Design – Bryan Stevenson Costume Design – Yvonne Johnson Sound Design – Kellen Voss Production Manager – Tiffany Cromwell Assistant Director – Mikaela Brooks Assistant Production Manager – Sabrina Alegria Projection Design – Karry Liu, Jen Schultes, Evan Michael Woods Videographer – Richard Massey Technical Director – Bryan Stevenson Photography – Evan Michael Woods Graphics/Web Design - Jen Schultes Special thanks to: Southern Methodist University Texas Wesleyan Stage West Theatre George Miller Holli Price Jason Biggs Kelsey Milbourn Mitchell Stephens Stage West is funded in part by the Arts Council of Fort Worth, the City of Fort Worth, the Texas Commission on the Arts, and The National Endowment for the Arts. Stage West is a proud member of The Live Theatre League of Tarrant County (livetheatreleague.org) ABOUT THE SHOW Arthur Schopenhauer defined The Sublime this way: “If we are very lucky, we may stumble into an experience so vast and terrible, it threatens to overwhelm the individual or reduce our existence on this planet to a mere speck. Desert landscapes, earthquakes, violent ocean storms, the starry night sky, are some examples of The Sublime.” Schopenhauer listed five levels of The Sublime: • Level One: Weakest Feeling of Sublime – Light reflected off stones. -
Africa in the Media
January 2019 By Johanna Blakley, Adam Amel Rogers, Erica Watson-Currie and Kristin (Eun Jung) Jung TABLE OF CONTENTS INTRODUCTION 3 SUMMARY OF KEY FINDINGS 6 TELEVISION FINDINGS 6 TWITTER FINDINGS 7 CROSSCUTTING FINDINGS 8 AFRICA ON TELEVISION 9 NUMBER OF MENTIONS 9 TYPES OF MENTIONS 10 AFRICA IN SCRIPTED ENTERTAINMENT 12 TYPES OF ENTERTAINMENT DEPICTIONS 12 SENTIMENT OF DEPICTIONS 14 AFRICAN CHARACTERS AND PERSONALITIES 23 AFRICA ON TWITTER 26 VOLUME OF TWEETS 27 SENTIMENT TOWARD AFRICA 28 BLACK PANTHER ON TV AND TWITTER 37 CONCLUSION AND RECOMMENDATIONS 42 METHODOLOGY 45 APPENDIX 48 ABOUT US 51 AFRICA NARRATIVE | USC LEAR CENTER Africa in the Media INTRODUCTION THE AFRICA NARRATIVE, WHICH IS BASED AT THE that provide a counterpoint showing the success, diversity, Norman Lear Center at the USC Annenberg School for Com- opportunity and vibrancy of Africa — its emerging middle munication and Journalism, was established to create great- class; technology and innovation; solutions-driven culture; er public knowledge and understanding of and engagement growing economies and democracies; and talent in the ar- with Africa through research, creative communications cam- eas of the arts and entertainment, technology, business and paigns and collaborations with private, public and non-profit government. partners. Even when the coverage of Africa was, on its surface, posi- Recognizing the pivotal role of media and entertainment in tive, it was described as often glib, simplistic, predictable, shaping perceptions and opinions of Africa and African peo- and sometimes sensationalist or extreme, at the expense of ple, Africa in the Media is the Africa Narrative’s inaugural re- showcasing regular voices and stories of Africa. -
Lary-Opitz CV -2021
Lary Opitz E-mail: [email protected] Janet Kinghorn Bernard Theatre, Room 237 (518) 580-5432 Skidmore College, Saratoga Springs, NY 12866 https://academics.skidmore.edu/blogs/laryopitz/ Current and Recent Positions: Professor, Skidmore College Department of Theatre 2001-2021 Artistic Director, Saratoga Shakespeare Company 2012-2019 Chair of the Skidmore College Dept. of Theater (most recent term) 2006-2016 Council Member, Albany Liaison, Actors’ Equity Association 2012-2013 Education: Bachelor of Arts in Theatre and Studio Art, 1970 Queens College, City University of New York The Studio and Forum of Stage Design, New York City Certificate of Distinction awarded 1980 Professional Affiliation: United Scenic Artists, IATSE Local Union #829, NYC Actors Equity Association (Principal Actor) Dramatists Guild Stage Directors and Choreographers Society Shakespeare Theatre Association Literary Managers and Dramagurgs of the Americas Previous Experience in Higher Education: Skidmore College Associate Professor 1989-2001 Assistant Professor 1980-1988 Instructor 1978-1980 Lecturer and Technical Director 1974-1978 Theatre Department Chair 1991-1994 Theatre Department Chair 1988-1989 Director of The Shakespeare Programme (Skidmore College) 1994-2006 Queens College Department of Theatre (CUNY) 1973-1974 Associate Technical Director Columbia University, NYC – Instructor, designer 1970-1972 Teachers College Theatre and Dance, Graduate Departments Lary Opitz CV Page 1 Directing: Julius Caesar (Skidmore Theater) 2018 Love Letters (Saratoga Shakespeare Company) -
View the Wolves Playwise As A
20 | 21 SEASON by Sarah DeLappe A NOTE FROM THE ARTISTIC DIRECTOR I am humbled to, at long last, bring you Sarah DeLappe’s The Wolves. This Pulitzer finalist has had a long-delayed journey to the PTC “stage” which of necessity is now in your own homes. We are excited for you to discover how this new medium can continue to bring wonderfully written plays into your life, even as we wait for the opportunity to gather again. The play, a Relentless Award and Obie Award-winner features some of the freshest, most authentic dialogue spoken by young people today. There might not be a more urgent time to delve more deeply into the complexities of difference. In The Wolves, we see - even more clearly now - how individuals with vastly different backgrounds and perspectives can make up a TEAM that shares common goals. The young women in The Wolves start the play with casual banter that careens from banal to absurd to deeply personal. Hearts are broken, loyalties tested, spirits renewed. When an event occurs that challenges their belief systems, our characters learn to reach out to those they love, or loved, in a new way - even those that have hurt them. Their triumphant story encourages us to imagine what our own path to understanding might look like. We hope audiences are moved by their capacity for strength, forgiveness, and empathy. It feels like the right time to share these stories of resilience, hope and renewal. Philadelphia Theatre Company’s mission is to produce, develop, and present entertaining and imaginative contemporary theater focused on the American experience. -
Ragtime Program
RAGTIME BOOK BY TERRENCE MCNALLY MUSIC BY STEPHEN FLAHERTY THEATER LYRICS BY LYNN AHRENS BASED ON THE NOVEL “RAGTIME” BY E. L. DOCTOROW LATTÉ DIRECTED BY PETER ROTHSTEIN MUSIC DIRECTION BY DENISE PROSEK CHOREOGRAPHY BY KELLI FOSTER WARDER DA SEPTEMBER 21 – OCTOBER 23, 2016 • RITZ THEATER THEATER MUSICALLY Theater Latté Da presents RAGTIME Book by Terrence McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Based on the novel “Ragtime” by E. L. Doctorow Directed by Peter Rothstein** Music Direction by Denise Prosek*** Choreography by Kelli Foster Warder FEATURING Sasha Andreev*, Debra Berger, Georgia Blando, Benjamin Dutcher, Daniel S. Hines*, Emily Jansen, Riley McNutt, Soren Thayne Miller, David L. Murray, Jr., Britta Ollmann*, James Ramlet, Noelle Renae Hunter, Traci Allen Shannon*, Andre Shoals*, Dominic Tidmarsh-Kilander, and Julia Fé Foster Warder *Member of Actors’ Equity Association, the Union of Professional Actors ** Member of SDC, the Stage Directors and Choreographers Society, a national theatrical labor union ***Member of Twin Cities Musicians Union, American Federation of Musicians RAGTIME will be performed with one intermission Opening Night: Saturday, September 24, 2016 ASL Interpreted and Audio Described Performance: Thursday, October 6, 2016 Post-Show Discussions: Wednesdays, September 28, October 5, 12, and 19; Thursdays, September 29, October 6, 13, and 20; Sundays, September 25, October 2, 9, and 16 RAGTIME is presented through special arrangement with Music Theatre International [MTI]. All authorized performance materials are also supplied by MTI, New York, NY. Tel: 212-541-4684. Fax: 212-397-4684. www.mtishows.com The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. -
AN OCTOROON by Branden Jacobs-Jenkins Directed by Judith Moreland
MEDIA CONTACT: Misty McDowell Marketing Manager, Capital Stage 916-476-3116 x4 | [email protected] PRESS RELEASE FOR IMMEDIATE RELEASE Capital Stage Opens 13th Season with Obie Award Winner & Sacramento Premiere AN OCTOROON by Branden Jacobs-Jenkins Directed by Judith Moreland Sacramento, CA - August 8, 2017 - Capital Stage will launch its 2017-18 Season: Future Tense with the Obie Award Winner and Sacramento Premiere of An Octoroon by Branden Jacobs- Jenkins. This poignant adaptation of a 19th century anti-slavery melodrama will be directed by star of stage and screen, and UCLA's professor of Theatre, Film and Television, Judith Moreland. An Octoroon will be the first production of Capital Stage's 13th Season, and will run from August 30 - October 1, 2017 with a Press Opening on Saturday, September 2, 2017 at 8pm. THE PLAY Judge Peyton is dead and his plantation Terrebonne is in financial ruins. Peyton's handsome nephew George arrives as heir apparent and quickly falls in love with Zoe, a beautiful octoroon. But the evil overseer M'Closky has other plans-for both Terrebonne and Zoe. In 1859, a famous Irishman wrote The Octoroon, a melodrama about slavery in America. Now an American tries to write his own. "An Octoroon invites us to laugh loudly and easily at how naïve the old stereotypes now seem, until nothing seems funny at all...Mr. Jacobs-Jenkins is using a genre associated with exclamation points to ask questions not only about the portrayal of race in America but also about the inadequate means we have for such portrayals." The New York Times THE PLAYWRIGHT Branden Jacobs-Jenkins' plays include Everybody (Signature Theater), Neighbors (Public Theater), An Octoroon (Soho Rep, OBIE Award for Best New Play), Appropriate (Signature Theater, OBIE Award for Best New Play, Outer Critics Circle nominee), Gloria (Vineyard Theater, 2015), and War (Yale Rep).