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Illustrations of Selected Works in the Various National Sections of The
SMITHSONIAN INSTITUTION libraries 390880106856C A«T FALACr CttNTRAL. MVIIION "«VTH rinKT OFFICIAI ILLUSTRATIONS OF SELECTED WORKS IN THE VARIOUS NATIONAL SECTIONS OF THE DEPARTMENT OF ART WITH COMPLETE LIST OF AWARDS BY THE INTERNATIONAL JURY UNIVERSAL EXPOSITION ST. LOUIS, 1904 WITH AN INTRODUCTION BY HALSEY C. IVES, CHIEF OF THE DEPARTMENT DESCRIPTIVE TEXT FOR PAINTINGS BY CHARLES M. KURTZ, Ph.D., ASSISTANT CHIEF DESCRIPTIVE TEXT FOR SCULPTURES BY GEORGE JULIAN ZOLNAY, superintendent of sculpture division Copyr igh r. 1904 BY THE LOUISIANA PURCHASE EXPOSITION COMPANY FOR THE OFFICIAL CATALOGUE COMPANY EXECUTIVE OFFICERS OF THE DEPARTMENT OF ART Department ' B’’ of the Division of Exhibits, FREDERICK J. V. SKIFF, Director of Exhibits. HALSEY C. IVES, Chief. CHARLES M. KURTZ, Assistant Chief. GEORGE JULIAN ZOLNAY, Superintendent of the Division of Sculpture. GEORGE CORLISS, Superintendent of Exhibit Records. FREDERIC ALLEN WHITING, Superintendent of the Division of Applied Arts. WILL H. LOW, Superintendent of the Loan Division. WILLIAM HENRY FOX Secretary. INTRODUCTION BY Halsey C. Ives “All passes; art alone enduring stays to us; I lie bust outlasts the throne^ the coin, Tiberius.” A I an early day after the opening of the Exposition, it became evident that there was a large class of visitors made up of students, teachers and others, who desired a more extensive and intimate knowledge of individual works than could be gained from a cursory view, guided by a conventional catalogue. 11 undreds of letters from persons especially interested in acquiring intimate knowledge of the leading char¬ acteristics of the various schools of expression repre¬ sented have been received; indeed, for two months be¬ fore the opening of the department, every mail carried replies to such letters, giving outlines of study, courses of reading, and advice to intending visitors. -
NINETEENTH CENTURY AMERICAN PAINTINGS at BOWDOIN COLLEGE Digitized by the Internet Archive
V NINETEENTH CENTURY^ AMERIGAN PAINTINGS AT BOWDOIN COLLEGE NINETEENTH CENTURY AMERICAN PAINTINGS AT BOWDOIN COLLEGE Digitized by the Internet Archive in 2015 https://archive.org/details/nineteenthcenturOObowd_0 NINETEENTH CENTURY AMERICAN PAINTINGS AT BOWDOIN COLLEGE BOWDOIN COLLEGE MUSEUM OF ART 1974 Copyright 1974 by The President and Trustees of Bowdoin College This Project is Supported by a Grant from The National Endowment for The Arts in Washington, D.C. A Federal Agency Catalogue Designed by David Berreth Printed by The Brunswick Publishing Co. Brunswick, Maine FOREWORD This catalogue and the exhibition Nineteenth Century American Paintings at Bowdoin College begin a new chapter in the development of the Bow- doin College Museum of Art. For many years, the Colonial and Federal portraits have hung in the Bowdoin Gallery as a permanent exhibition. It is now time to recognize that nineteenth century American art has come into its own. Thus, the Walker Gallery, named in honor of the donor of the Museum building in 1892, will house the permanent exhi- bition of nineteenth century American art; a fitting tribute to the Misses Walker, whose collection forms the basis of the nineteenth century works at the College. When renovations are complete, the Bowdoin and Boyd Galleries will be refurbished to house permanent installations similar to the Walker Gal- lery's. During the renovations, the nineteenth century collection will tour in various other museiniis before it takes its permanent home. My special thanks and congratulations go to David S. Berreth, who developed the original idea for the exhibition to its present conclusion. His talent for exhibition installation and ability to organize catalogue materials will be apparent to all. -
Art of the Eclipse
COMMENT BOOKS & ARTS Howard Russell Butler’s 1925 triptych of solar eclipses was the first work by an artist to depict the solar corona accurately. ASTRONOMY Art of the eclipse As the next solar eclipse approaches, Jay Pasachoff and Roberta Olson ponder how artists from the early Renaissance onwards have interpreted the phenomenon. tate-of-the-art photography can occulted Sun on one side of the cross. In Abimelech. Although lacking details such capture a solar eclipse in all its eva- the fourteenth century the Florentine artist as the coronal ‘streamers’ jutting out from nescent glory — as will be seen on Taddeo Gaddi, a student of Giotto, took a active regions on the Sun, and otherwise S29 April, when the first solar eclipse of revolutionary step. On the inside shutter of a showing some artistic licence, it is roughly 2014 will be visible from Australia and Crucifixion triptych, he suggested the dark- representative. Judging by this, and evi- Antarctica. But long before such technol- ened sky and strange light of a solar eclipse dence from eclipse maps, Raphael probably ogy existed, artists from the fourteenth by painting a dark-blue wedge in one corner, witnessed the 8 June 1518 annular eclipse. to the early twentieth century portrayed rimmed faintly with now-tarnished silver. An even more accurate portrayal was this fleeting phenomenon in paint with And in his frescoed Annunciation to the achieved another two centuries later, when increasing accuracy, on the basis of direct Shepherds in the Basilica of Santa Croce in Cosmas Damian Asam painted his Vision of observations, scientific documents and con- Florence, Gaddi represented divine radiance St Benedict in 1735 for a monastery in Wel- temporary theory. -
Collected Writings
THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) . -
Handbook of the Collections
Bowdoin College Bowdoin Digital Commons Museum of Art Collection Catalogues Museum of Art 1981 Handbook of the Collections Bowdoin College. Museum of Art Margaret Burke Follow this and additional works at: https://digitalcommons.bowdoin.edu/art-museum-collection- catalogs Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bowdoin College. Museum of Art and Burke, Margaret, "Handbook of the Collections" (1981). Museum of Art Collection Catalogues. 5. https://digitalcommons.bowdoin.edu/art-museum-collection-catalogs/5 This Book is brought to you for free and open access by the Museum of Art at Bowdoin Digital Commons. It has been accepted for inclusion in Museum of Art Collection Catalogues by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. Bowdoin College Museum of Art HANDBOOK of the Collections The Bowdoin College Library Digitized by the Internet Archive in 2015 https://archive.org/details/handbookofcollecOObowd Handbook of the Collections Walter Art Building McKim, Mead & White, architects i8g2-i8g4 Bowdoin College Museum of Art HANDBOOK COLLECTIONS Edited by MARGARET R. BURKE BRUNSWICK, MAINE 1981 COVER DRAWING BASED ON ORNAMENTAL DETAILS OF THE WALKER ART BUILDING BY JOSEPH NICOLETTI TYPE COMPOSITION BY THE ANTHOENSEN PRESS OFFSET PRINTING BY THE MERIDEN GRAVURE COMPANY DESIGN BY JOHN McKEE This project is supported by a grant from the National Endowment for the Arts in Washington, D.C., a federal agency. ISBN: 0-916606-01-5 Library of Congress Catalog Card Number: 81—66892 Copyright 1981 by the President and Trustees of Bowdoin College All rights reserved the memory ofJohn H. -
Bowling Green Civil War Round Table Newsletter History
Western Kentucky University TopSCHOLAR® Bowling Green Civil War Round Table Newsletter History 9-2016 Bowling Green Civil War Round Table Newsletter (Sept. 2016) Manuscripts & Folklife Archives Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/civil_war Part of the Military History Commons, and the United States History Commons Recommended Citation Folklife Archives, Manuscripts &, "Bowling Green Civil War Round Table Newsletter (Sept. 2016)" (2016). Bowling Green Civil War Round Table Newsletter. Paper 10. https://digitalcommons.wku.edu/civil_war/10 This Newsletter is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Bowling Green Civil War Round Table Newsletter by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. 1 Founded March 2011 – Bowling Green, Kentucky President –Tom Carr; Vice President - Jonathan Jeffrey; Secretary – Carol Crowe-Carraco; Treasurer – Robert Dietle; Advisors – Glenn LaFantasie and - Greg Biggs (Program Chair and President-Clarksville CWRT) The Bowling Green, KY Civil War Round Table meets on the 3rd Tuesday of each month (except June, July, and December). Email: [email protected] We meet at 7:00 p.m. on Tuesday, September 20th in Cherry Hall 125 on the Campus of Western Kentucky University. Our meetings are always open to the public. Members please bring a friend or two – new recruits are always welcome. Our Program for September 20th 2016: The Battle of Spotsylvania Court House Spotsylvania Court House – perhaps the most forgotten major battle of the Civil War. Over 150,000 soldiers struggled for 13-days along a six-mile front in central Virginia in May 1864, leaving over 30,000 casualties on the battleground of Spotsylvania Court House. -
The Interviews
Jeff Schechtman Interviews December 1995 to April 2017 2017 Marcus du Soutay 4/10/17 Mark Zupan Inside Job: How Government Insiders Subvert the Public Interest 4/6/17 Johnathan Letham More Alive and Less Lonely: On Books and Writers 4/6/17 Ali Almossawi Bad Choices: How Algorithms Can Help You Think Smarter and Live Happier 4/5/17 Steven Vladick Prof. of Law at UT Austin 3/31/17 Nick Middleton An Atals of Countries that Don’t Exist 3/30/16 Hope Jahren Lab Girl 3/28/17 Mary Otto Theeth: The Story of Beauty, Inequality and the Struggle for Oral Health 3/28/17 Lawrence Weschler Waves Passing in the Night: Walter Murch in the Land of the Astrophysicists 3/28/17 Mark Olshaker Deadliest Enemy: Our War Against Killer Germs 3/24/17 Geoffrey Stone Sex and Constitution 3/24/17 Bill Hayes Insomniac City: New York, Oliver and Me 3/21/17 Basharat Peer A Question of Order: India, Turkey and the Return of the Strongmen 3/21/17 Cass Sunstein #Republic: Divided Democracy in the Age of Social Media 3/17/17 Glenn Frankel High Noon: The Hollywood Blacklist and the Making of an American Classic 3/15/17 Sloman & Fernbach The Knowledge Illusion: Why We Think Alone 3/15/17 Subir Chowdhury The Difference: When Good Enough Isn’t Enough 3/14/17 Peter Moskowitz How To Kill A City: Gentrification, Inequality and the Fight for the Neighborhood 3/14/17 Bruce Cannon Gibney A Generation of Sociopaths: How the Baby Boomers Betrayed America 3/10/17 Pam Jenoff The Orphan's Tale: A Novel 3/10/17 L.A. -
HOW to MAKE CLIMATE COVERAGE PERSONAL, RELEVANT, and URGENT Contributors the Nieman Foundation for Journalism at Harvard University
REPORTS WINTER 2020 NIEMAN REPORTS NIEMAN REPORTS VOL. 74 NO. 1 The Nİeman Foundatİon for Journalİsm TO PROMOTE AND Harvard Unİversİty ELEVATE THE STANDARDS One Francİs Avenue OF JOURNALISM Cambrİdge, Massachusetts 02138 VOL. NO. 74 1 WINTER 2020 REAL COVERING THE CLIMATE CRISIS THE CLIMATE COVERING AND PRESENT THE NIEMAN FOUNDATION AT HARVARD UNIVERSITY HARVARD AT THE NIEMAN FOUNDATION DANGER HOW TO MAKE CLIMATE COVERAGE PERSONAL, RELEVANT, AND URGENT Contributors The Nieman Foundation for Journalism at Harvard University www.niemanreports.org Michael Blanding Gina McCarthy (page James Painter (page (page 8) is a journalist 16) is president and 18) is a research and author with work CEO of the Natural associate at Oxford’s that has appeared in Resources Defense Reuters Institute for The New York Times, Council. She is a the Study of Journalism Wired, The New former administrator and a senior teaching Ann Marie Lipinski Republic, Slate, and of the Environmental associate at the other publications. Protection Agency. University of Oxford. James Geary Jan Gardner Eryn M. Carlson Shannon Osaka John D. Sutter (page Tim Rogers (page 26), Dan Zedek (page 18) has an MPhil 22), a 2019 Knight a 2014 Nieman Fellow in Geography at the Visiting Nieman Fellow, and former Central One Francis Avenue, Cambridge, University of Oxford. is a climate analyst and America reporter, is a MA 02138-2098, 617-496-6308, Her journalism has contributor for CNN. producer and corresp- [email protected] appeared in Grist, the He also is an Explorer ondent for Univision’s LA Review of Books, with the National “Real America with Copyright 2020 by the President and Fellows of Harvard College. -
Mission Statement
MISSION STATEMENT The mission of the Bardstown-Nelson County Chamber of Commerce is to make a positive impact on our community by connecting members to build strong businesses, strengthening our local economy. Join us at the 5:01 Business after Hours Eat. Drink. Network. That’s right, it’s as simple as that! •Just show up, we will make sure that you feel welcome! 5 •After work relax and hang out! Connect •Make new Chamber friends and business partners! Sponsor a 5:01 Business After Hours: •Invite the Bardstown-Nelson County Chamber membership to your business •Let them meet your staff! BY ALL ACCOUNTS, •Watch them come back again to do business! Join us at the Women’s Council Luncheon “WELCOME. EMPOWER. EDUCATE” omens •Learn from exceptional speakers that focus on empowering ouncil women in Business! BETTER. •Network, learn and share with other professional women! Sponsor a Womens Council Luncheon: •Connect and promote your business to tell the successful and up and coming women of the Bardstown-Nelson Chamber of Commerce. Visit us today at one of our Bardstown •Tell them who you are and show them your support! banking centers or online at www.wesbanco.com. Join us at the Lunch & Learn 401 E. John Rowan Boulevard | 502-348-9278 Lunch •Learn from Prominent speakers! •Gain an edge in the workplace! 315 N. 3rd Street | 502-331-0304 •Network with other profesionals! & Learn •Be a part of the community! Sponsor a Lunch & Learn: •Promote your business to the BNCC Membership! •Sponsorship Recognition through email blast, postcards, and •Show Chamber Members your company cares! Sponsorship is limited, only 4-6 availiable each year! WesBanco Bank Inc. -
Frederic Church : the Art and Science of Detail Pdf, Epub, Ebook
FREDERIC CHURCH : THE ART AND SCIENCE OF DETAIL PDF, EPUB, EBOOK Jennifer Raab | 240 pages | 03 Nov 2015 | Yale University Press | 9780300208375 | English | New Haven, United States Frederic Church : The Art and Science of Detail PDF Book Science Hardcover Books. A leading architect of the Italian Renaissance, Baldassarre Peruzzi — has, until now, been a little-known, enigmatic figure. The French Republic—with its rallying cry for liberty, equality, and fraternity—emerged in , and by had developed a coherent republican ideology. Another was the Mountains of Ecuador , which you can see in the Wadsworth Athenaeum in Hartford. Facebook Twitter. DeLue, Princeton University. Bill Lamb is a music and arts writer with two decades of experience covering the world of entertainment and culture. A smart and concise guide to staying together that draws on scientific findings, expert advice, Meine Mediathek Hilfe Erweiterte Buchsuche. Articles from Britannica Encyclopedias for elementary and high school students. In , the National Academy of Design elected Frederic Edwin Church as their youngest associate and promoted him to full membership a year later. Church completed highly detailed sketches which would be used later to create oil on canvas paintings. However, what he lacked in volume, he certainly made up for in quality, leaving behind some truly profound paintings. The American landscape artist, Frederic Edwin Church, was born on 4th May in Hartford, Connecticut, one of the oldest and wealthiest cities in nineteenth century America. This biography examines his life and career in considerable detail. He took two trips to South America in and , spending most of his time in and near Quito, Ecuador. -
Bardstown-Nelson County Official Visitors Guide TABLE of CONTENTS
Bardstown-Nelson County Official Visitors Guide TABLE OF CONTENTS Bourbon...................................................................................12 There’s no Wine..........................................................................................16 History .....................................................................................17 law that says Spiritual ...................................................................................20 Christmas.................................................................................22 bourbon has Attractions & Entertainment .............................................23 Restaurants ............................................................................26 to be made in Bars, Pubs & Shopping .......................................................30 Recreation & Tour Operators.............................................32 Bardstown. 2020 Events & Festivals .....................................................33 Accommodations .................................................................35 Map ...........................................................................................38 2 There’s no law that says bourbon has to be made in Bardstown. But once you step out of your car and breathe in the fresh country air, walk our gently rolling hills, take in the vast fields of wheat and corn and experience true Southern hospitality, you start to get the sense that Bardstown was made for making bourbon. It’s a place to relive history, tour bourbon distilleries, -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70