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Illustrations of Selected Works in the Various National Sections of The
SMITHSONIAN INSTITUTION libraries 390880106856C A«T FALACr CttNTRAL. MVIIION "«VTH rinKT OFFICIAI ILLUSTRATIONS OF SELECTED WORKS IN THE VARIOUS NATIONAL SECTIONS OF THE DEPARTMENT OF ART WITH COMPLETE LIST OF AWARDS BY THE INTERNATIONAL JURY UNIVERSAL EXPOSITION ST. LOUIS, 1904 WITH AN INTRODUCTION BY HALSEY C. IVES, CHIEF OF THE DEPARTMENT DESCRIPTIVE TEXT FOR PAINTINGS BY CHARLES M. KURTZ, Ph.D., ASSISTANT CHIEF DESCRIPTIVE TEXT FOR SCULPTURES BY GEORGE JULIAN ZOLNAY, superintendent of sculpture division Copyr igh r. 1904 BY THE LOUISIANA PURCHASE EXPOSITION COMPANY FOR THE OFFICIAL CATALOGUE COMPANY EXECUTIVE OFFICERS OF THE DEPARTMENT OF ART Department ' B’’ of the Division of Exhibits, FREDERICK J. V. SKIFF, Director of Exhibits. HALSEY C. IVES, Chief. CHARLES M. KURTZ, Assistant Chief. GEORGE JULIAN ZOLNAY, Superintendent of the Division of Sculpture. GEORGE CORLISS, Superintendent of Exhibit Records. FREDERIC ALLEN WHITING, Superintendent of the Division of Applied Arts. WILL H. LOW, Superintendent of the Loan Division. WILLIAM HENRY FOX Secretary. INTRODUCTION BY Halsey C. Ives “All passes; art alone enduring stays to us; I lie bust outlasts the throne^ the coin, Tiberius.” A I an early day after the opening of the Exposition, it became evident that there was a large class of visitors made up of students, teachers and others, who desired a more extensive and intimate knowledge of individual works than could be gained from a cursory view, guided by a conventional catalogue. 11 undreds of letters from persons especially interested in acquiring intimate knowledge of the leading char¬ acteristics of the various schools of expression repre¬ sented have been received; indeed, for two months be¬ fore the opening of the department, every mail carried replies to such letters, giving outlines of study, courses of reading, and advice to intending visitors. -
ISSUE 20 • DECEMBER 2009 a Periodic Newsletter of the Carnegie Hero Fund Commission
im ULSE ISSUE 20 • DECEMBER 2009 A Periodic Newsletter of the Carnegie Hero Fund Commission CARNEGIE ‘FAMILY’ AWARDS MEDALS FOR PHILANTHROPY Philanthropy is not charity. Philanthropy works to do away with the causes that necessitate charity. With those words, Vartan Gregorian, president of the Carnegie Corporation of New York, hosted the presentation of the 2009 Carnegie Medal of Philanthropy in mid-October. Established in 2001 to mark the centennial of Andrew Carnegie’s philanthropy, the award is given every two years by Carnegie’s 20-plus endowed institutions, HIS FATHER’S SON including the Hero Fund, to recognize those Although funerals for his father and grandfather were held only the day before, Chesterton, Ind., individuals and families with exceptional and High School senior John M. Thanos, No. 44, played against Valparaiso, Ind., High School on Sept. sustained records of philanthropic giving. 19 last year. Both teams circled John and his family in a pre-game moment of silence. John’s father, “Private wealth serving the Mark John Thanos (below, at right) and grandfather, John Mikel Thanos (left), died Sept. 14, 2008, public good” is the theme of the while attempting to save an 11-year-old neighbor boy from drowning in a flooded ditch near their homes Nobel-class award. The 2009 in Chesterton, and Carnegie Medals were recently awarded to their families (see p. 8 for a description of recipients helped establish and their heroic act). support non-profit organizations John’s father was a high school teacher and basketball coach and also coached John and his younger in the U.S. -
NINETEENTH CENTURY AMERICAN PAINTINGS at BOWDOIN COLLEGE Digitized by the Internet Archive
V NINETEENTH CENTURY^ AMERIGAN PAINTINGS AT BOWDOIN COLLEGE NINETEENTH CENTURY AMERICAN PAINTINGS AT BOWDOIN COLLEGE Digitized by the Internet Archive in 2015 https://archive.org/details/nineteenthcenturOObowd_0 NINETEENTH CENTURY AMERICAN PAINTINGS AT BOWDOIN COLLEGE BOWDOIN COLLEGE MUSEUM OF ART 1974 Copyright 1974 by The President and Trustees of Bowdoin College This Project is Supported by a Grant from The National Endowment for The Arts in Washington, D.C. A Federal Agency Catalogue Designed by David Berreth Printed by The Brunswick Publishing Co. Brunswick, Maine FOREWORD This catalogue and the exhibition Nineteenth Century American Paintings at Bowdoin College begin a new chapter in the development of the Bow- doin College Museum of Art. For many years, the Colonial and Federal portraits have hung in the Bowdoin Gallery as a permanent exhibition. It is now time to recognize that nineteenth century American art has come into its own. Thus, the Walker Gallery, named in honor of the donor of the Museum building in 1892, will house the permanent exhi- bition of nineteenth century American art; a fitting tribute to the Misses Walker, whose collection forms the basis of the nineteenth century works at the College. When renovations are complete, the Bowdoin and Boyd Galleries will be refurbished to house permanent installations similar to the Walker Gal- lery's. During the renovations, the nineteenth century collection will tour in various other museiniis before it takes its permanent home. My special thanks and congratulations go to David S. Berreth, who developed the original idea for the exhibition to its present conclusion. His talent for exhibition installation and ability to organize catalogue materials will be apparent to all. -
Andrew Carnegie HISTORY LAB
This document contains both information and form fields. To read information, use the Down Arrow from a form field. Andrew Carnegie Andrew Carnegie HISTORY LAB OVERVIEW In this lab students learn about the contrasting views of Andrew Carnegie. Students analyze five sources and utilize those sources to defend whether Andrew Carnegie is best described as a philanthropist or a robber baron. The lab begins with students examining a political cartoon about Carnegie and students return to that cartoon for a culminating assessment in which they use evidence from the cartoon to support their assertions. ESTIMATED TIME One to two days RELEVANT TEKS US History (23) Citizenship The student understands the importance of effective leadership in a constitutional republic. The student is expected to: (A) evaluate the contributions of significant political and social leaders in the United States such as Andrew Carnegie … US History (28) Social Studies Skills The student understands how historians use historiography to interpret the past and applies critical- thinking skills to organize and use information acquired from a variety of valid sources, including technology. The student is expected to: (A) analyze primary and secondary sources such as maps, graphs, speeches, political cartoons, and artifacts to acquire information to answer historical questions (B) analyze information by applying absolute and relative chronology through sequencing, categorizing, identifying cause-and-effect relationships, comparing and contrasting, finding the main idea, summarizing, -
Art of the Eclipse
COMMENT BOOKS & ARTS Howard Russell Butler’s 1925 triptych of solar eclipses was the first work by an artist to depict the solar corona accurately. ASTRONOMY Art of the eclipse As the next solar eclipse approaches, Jay Pasachoff and Roberta Olson ponder how artists from the early Renaissance onwards have interpreted the phenomenon. tate-of-the-art photography can occulted Sun on one side of the cross. In Abimelech. Although lacking details such capture a solar eclipse in all its eva- the fourteenth century the Florentine artist as the coronal ‘streamers’ jutting out from nescent glory — as will be seen on Taddeo Gaddi, a student of Giotto, took a active regions on the Sun, and otherwise S29 April, when the first solar eclipse of revolutionary step. On the inside shutter of a showing some artistic licence, it is roughly 2014 will be visible from Australia and Crucifixion triptych, he suggested the dark- representative. Judging by this, and evi- Antarctica. But long before such technol- ened sky and strange light of a solar eclipse dence from eclipse maps, Raphael probably ogy existed, artists from the fourteenth by painting a dark-blue wedge in one corner, witnessed the 8 June 1518 annular eclipse. to the early twentieth century portrayed rimmed faintly with now-tarnished silver. An even more accurate portrayal was this fleeting phenomenon in paint with And in his frescoed Annunciation to the achieved another two centuries later, when increasing accuracy, on the basis of direct Shepherds in the Basilica of Santa Croce in Cosmas Damian Asam painted his Vision of observations, scientific documents and con- Florence, Gaddi represented divine radiance St Benedict in 1735 for a monastery in Wel- temporary theory. -
1892-1929 General
HEADING RELATED YEAR EVENT VOL PAGE ABOUKIR BAY Details of HM connections 1928/112 112 ABOUKIR BAY Action of 12th March Vol 1/112 112 ABUKLEA AND ABUKRU RM with Guards Camel Regiment Vol 1/73 73 ACCIDENTS Marine killed by falling on bayonet, Chatham, 1860 1911/141 141 RMB1 marker killed by Volunteer on Plumstead ACCIDENTS Common, 1861 191286, 107 85, 107 ACCIDENTS Flying, Captain RISK, RMLI 1913/91 91 ACCIDENTS Stokes Mortar Bomb Explosion, Deal, 1918 1918/98 98 ACRE, SORTIE FROM (1799) Death of Major Oldfield Vol 1/111 111 ACRE, SORTIE FROM (1799) Turkish Medal awarded to C/Sgt W Healey 1901/122 122 ACRE, SORTIE FROM (1799) Ball at Plymouth in 1804 to commemorate 1905/126 126 ACRE, SORTIE FROM (1799) Death of a Veteran 1907/83 83 ACRE, SORTIE FROM (1799) Correspondence 1928/119 119 ACRE, SORTIE FROM (1799) Correspondence 1929/177 177 ACRE, SORTIE FROM (1799) 1930/336 336 ACRE, SORTIE FROM (1799) Syllabus for Examination, RMLI, 1893 Vol 1/193 193 ACRE, SORTIE FROM (1799) of Auxiliary forces to be Captains with more than 3 years Vol 3/73 73 ACTON, MIDDLESEX Ex RM as Mayor, 1923 1923/178 178 ADEN HMS Effingham in 1927 1928/32 32 See also COMMANDANT GENERAL AND GENERAL ADJUTANT GENERAL OFFICER COMMANDING of the Channel Fleet, 1800 1905/87 87 ADJUTANT GENERAL Change of title from DAGRM to ACRM, 1914 1914/33 33 ADJUTANT GENERAL Appointment of Brigadier General Mercer, 1916 1916/77 77 ADJUTANTS "An Unbroken Line" - eight RMA Adjutants, 1914 1914/60, 61 60, 61 ADMIRAL'S REGIMENT First Colonels - Correspondence from Lt. -
Collected Writings
THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) . -
2006 Report of Gifts (133 Pages) South Caroliniana Library--University of South Carolina
University of South Carolina Scholar Commons University South Caroliniana Society - Annual South Caroliniana Library Report of Gifts 4-29-2006 2006 Report of Gifts (133 pages) South Caroliniana Library--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/scs_anpgm Part of the Library and Information Science Commons, and the United States History Commons Recommended Citation University South Caroliniana Society. (2006). "2006 Report of Gifts." Columbia, SC: The ocS iety. This Newsletter is brought to you by the South Caroliniana Library at Scholar Commons. It has been accepted for inclusion in University South Caroliniana Society - Annual Report of Gifts yb an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The The South Carolina South Caroliniana College Library Library 1840 1940 THE UNIVERSITY SOUTH CAROLINIANA SOCIETY SEVENTIETH ANNUAL MEETING UNIVERSITY OF SOUTH CAROLINA Saturday, April 29, 2006 Mr. Steve Griffith, President, Presiding Reception and Exhibit .............................. 11:00 a.m. South Caroliniana Library Luncheon .......................................... 1:00 p.m. Capstone Campus Room Business Meeting Welcome Reports of the Executive Council and Secretary-Treasurer Address .................................... Dr. A.V. Huff, Jr. 2006 Report of Gifts to the South Caroliniana Library by Members of the Society Announced at the 70th Meeting of the University South Caroliniana Society (the Friends of the Library) Annual Program 29 April 2006 A Life of Public Service: Interviews with John Carl West - 2005 Keynote Address by Gordon E. Harvey Gifts of Manuscript South Caroliniana Gifts of Printed South Caroliniana Gifts of Pictorial South Caroliniana South Caroliniana Library (Columbia, SC) A special collection documenting all periods of South Carolina history. -
Handbook of the Collections
Bowdoin College Bowdoin Digital Commons Museum of Art Collection Catalogues Museum of Art 1981 Handbook of the Collections Bowdoin College. Museum of Art Margaret Burke Follow this and additional works at: https://digitalcommons.bowdoin.edu/art-museum-collection- catalogs Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bowdoin College. Museum of Art and Burke, Margaret, "Handbook of the Collections" (1981). Museum of Art Collection Catalogues. 5. https://digitalcommons.bowdoin.edu/art-museum-collection-catalogs/5 This Book is brought to you for free and open access by the Museum of Art at Bowdoin Digital Commons. It has been accepted for inclusion in Museum of Art Collection Catalogues by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. Bowdoin College Museum of Art HANDBOOK of the Collections The Bowdoin College Library Digitized by the Internet Archive in 2015 https://archive.org/details/handbookofcollecOObowd Handbook of the Collections Walter Art Building McKim, Mead & White, architects i8g2-i8g4 Bowdoin College Museum of Art HANDBOOK COLLECTIONS Edited by MARGARET R. BURKE BRUNSWICK, MAINE 1981 COVER DRAWING BASED ON ORNAMENTAL DETAILS OF THE WALKER ART BUILDING BY JOSEPH NICOLETTI TYPE COMPOSITION BY THE ANTHOENSEN PRESS OFFSET PRINTING BY THE MERIDEN GRAVURE COMPANY DESIGN BY JOHN McKEE This project is supported by a grant from the National Endowment for the Arts in Washington, D.C., a federal agency. ISBN: 0-916606-01-5 Library of Congress Catalog Card Number: 81—66892 Copyright 1981 by the President and Trustees of Bowdoin College All rights reserved the memory ofJohn H. -
12342 Impulse ISS11 V4:Layout 1
im ULSEISSUE 11 • SEPTEMBER 2007 A Periodic Newsletter of the Carnegie Hero Fund Commission “…that descendants may know and be proud of their descent” By Mark Laskow, President Carnegie Hero Fund Commission The words were by Andrew Carnegie in 1904 in proposing board notes that medals be struck by the Hero Fund to commemorate those who risk their lives to save others. Carnegie was prescient in his thinking, as Hero Fund staffers routinely A FRIEND’S SACRIFICE accommodate inquiries by descendants of medal recipients, While visiting friends in Utah last year, Vitaly including those from the Hero Fund’s earliest days. Their Tsikoza of Novosibirsk, Russia, gave his life in pride is evident. an attempt to save their daughter, Paulina A. To further honor those who have been awarded the Carnegie Filippova, 3, from falling (both are pictured above). They and others were touring Medal, the Commission is offering a bronze grave insignia Timpanogos Cave National Monument on to the families of deceased awardees. Shown below in its Sept. 24 when Paulina fell from a canyon trail actual size of 3.75 inches in diameter, the insignia is designed and landed on a narrow ledge above a much to replicate the look of the medal and is intended to be higher and steeper drop. Tsikoza, 41, a software displayed on the awardee’s stone or bronze grave marker or project manager, immediately descended to (continued on page 4) Paulina but then fell to his death. The girl was rescued by others. In July, the Hero Fund announced that a Carnegie Medal is being awarded posthumously to Tsikoza’s daughter, Anastasia, of St. -